00:00Ashima Ji, first of all, welcome to INS.
00:03Rani Mudar Ji has won a national award for your film.
00:06How much is it? How much is it?
00:08I am very excited. Of course, I didn't doubt who will win.
00:13Because her performance is so exemplary.
00:16But, when you finally heard the announcement that the award has won,
00:21then it becomes something else.
00:24I am very happy.
00:26Do you think this film was as impactful as Rani's choice?
00:35No, there is no other actress.
00:38It was written for Rani.
00:40She played it perfectly.
00:42No, I don't think there is no other actress.
00:45The message strategy is normally based on a career life incident.
00:50But, some people say that you have exaggerated some emotional drama.
00:55What do you think about it?
00:57Yes, of course.
00:58In every film, there is an emotional drama to exaggerate.
01:01If a Norwegian filmmaker has created this film, it is a language.
01:06In my personal case, I understand the commercial language.
01:10It is natural to me.
01:13So, I will speak this language in my own way.
01:19The way I use camera, I use lenses.
01:21It is my style.
01:22So, of course, emotionally, a volatile film.
01:25Now, I will make it emotional.
01:27You have a light hearted film.
01:29Mrs. Chatterjee was in Norway.
01:31How was this dramatic film?
01:32How was this dramatic film?
01:34How was this dramatic film?
01:39Well, my dad's story is also a father-son story.
01:43I always feel the drama in my family.
01:47It is a natural bent.
01:49It is a comedy or tragedy.
01:52It always tracks me.
01:56My first film was a dad and son story.
01:59This is a mother's story.
02:02So, for me, this topic was the one that attracted me.
02:06So, of course, the story-telling and genre is different.
02:12Because you speak a different comedy.
02:15And you speak a different type of mother's emotional story.
02:20But it is a different story of your family.
02:24Do you think that in your career,
02:27you should explore more diverse genres?
02:30Of course, you should do it.
02:32Everyone should do it.
02:33And why not do it?
02:35We don't have to eat one day.
02:38Variety is the spice of life.
02:40So, what do you want to explore the next genre?
02:42I am doing another family comedy.
02:46What do you think about the famous family comedy movie?
02:47You do.
02:48Whose cantor are the fans' characters?
02:49I don't know.
02:50I am doing a bit of money.
02:51So, if you do not know.
02:52It is a trumpet solo.
02:53It is a character-telling,
02:54it is a new character-telling
02:55The movie shows you a character-telling.
02:56I don't know.
02:57The film shows you a bit of a hero-telling.
02:58Another character show you.
02:59In your direction, there was a lot of emotional depth, but some critics would say that in the film the heroism is a little over the top.
03:06How do you see this criticism?
03:08Heroism?
03:09Yes.
03:10I mean, the way Rani Mukherjee's character is shown, the heroism is also shown.
03:18Yeah.
03:19It's a language, as I said.
03:21It's a commercial or a niche style of filmmaking.
03:26For me personally, as a director, I always feel that you can make a film from any way.
03:34You know, we want to make a Bengali film, we want to make a English film, Norwegian film.
03:41But, as a director, this tone, a Cinderella story, feels good.
03:51As an assistant director, you work in management. You know, you can fulfill the director's vision and script.
04:08You can fulfill the director's vision and script.
04:14As a director, you can't handle one person.
04:20When you have thousands of people in your set, there are many elements.
04:25So, you need assistance.
04:26So, you don't contribute, you can actually learn film making.
04:31If you want to be a director, then as an assistant director, you keep your mind open.
04:36You can use your brain like a sponge.
04:37You can use your brain like a sponge.
04:39You can learn what you need.
04:42You can learn what you need.
04:43That's the assistant director.
04:45That's the one who uses the opportunity.
04:48I see in India.
04:49So, this is how you got off the box.
04:50In terms of how you have impacted all of your things.
04:51How do you have influenced those things?
05:00Wow.
05:01You have been into the process of being a professor.
05:02In India, it was a director of the show.
05:05In India, Shimitameen was the director of estátruck.
05:11How does a superstar change the character? How does he fit in a sports film?
05:17How does his process remain?
05:20How does Kabir Khan create a character?
05:24You know, the trajectory is you get to see.
05:28You assist. You sit in script settings.
05:31You go to music. You organize the shooting.
05:34You watch OK takes. You make a log.
05:37You go to edit it.
05:39You watch the music.
05:41You watch the music.
05:43You watch the music.
05:45You watch the music.
05:47You watch the music.
05:49You participate in the film making.
05:51What is your ultimate goal?
05:53Do you feel that you have a common impact?
05:57Or do you have to do entertainment?
06:01If you learn a child,
06:05if you learn something,
06:07then tell you things.
06:09You learn something.
06:11You learn something.
06:13But the end goal is always learning something.
06:17Take away.
06:19You remember things.
06:21It's a way to speak.
06:23So, it is about something.
06:25You always make a film.
06:27So, it is about something.
06:29You always make a film.
06:31Everybody gets to touch your heart.
06:33You learn something.
06:35You learn something.
06:36Your story will remain.
06:38You learn something.
06:40You always make a film.
06:42It's about something.
06:44You always make a film.
06:46To touch someone's heart.
06:48You learn something.
06:50We are all about stories, the early man made a story in the cave
07:03Humans make stories, that's why humans are not dogs or cats
07:11Do you think that being a female director has been presented with you?
07:19Do you think that being a female director has been presented with you?
07:23No, he does it in his own way
07:26I mean, I am also a mother
07:31I think that my style of viewing is different
07:34I have some insights from a recent mother
07:38As a mother, I knew that system, I knew feeding
07:50These are all things, but I have to believe that
07:53When you get to understand the script
07:55You know, like when we met Samajlo
08:01It's written that the character of Geet
08:03You don't have a male, but in our memory
08:06You know, take DDLJ
08:08You know, Kajol's character is in your mind
08:11So, it's about the character, it's about the story
08:20Firstly
08:21In the film industry, female directors have a few opportunities
08:27So, your experience is that you have to face a challenge
08:32And what would you suggest to young women directors
08:35To follow your future?
08:38See, challenges come from all places
08:40Where do you come from?
08:41Challenges are part of life
08:43Challenges are part of life
08:45And trauma is also part of life
08:48So, I do all these things
08:51I think of them
08:53Of course, I want equality for women
08:55I have a very strong feminist voice
08:57But I will also say that
08:59All the girls who want to become directors
09:02Come and take their stories
09:04And take their scripts
09:05Work hard on them
09:06And you can do it
09:07You can achieve it
09:08Mrs. Chatterjee vs. Norway
09:11How does the international audience reaction
09:13How do you feel?
09:14Do you feel that
09:15In our country
09:16There is a lot of respect on the global platform
09:18What do you need?
09:20Of course, there is
09:21Look at Pail Kapadia
09:22Look at Pail Kapadia
09:23She is in the jury
09:24Of course, film is a very complicated medium
09:32So, because of your ethics
09:35Cultural culture
09:37Language
09:39Storytelling
09:40Technique
09:41Craft
09:42So, the story depends on
09:45Where you can push it
09:48So, if it is an international topic
09:51Then it is internationally accepted
09:53Rani Mukherjee
09:54The character
09:55Vs. Chatterjee vs. Norway
09:56The role
09:57Is it completely immersed?
09:58So, do you think
09:59Is it a deep emotional performance
10:02Of experience actors
10:03Or may it be possible?
10:04Or do you expect a new talent
10:05To expect a new talent?
10:08Of course, the stars
10:10Those who have the big stars
10:12Count their experience
10:13They count
10:14You know their experience
10:15They understand
10:16For Rani
10:17I will say
10:18Her understanding
10:20Of her craft
10:21Their craft
10:22Their understanding
10:23How solid is it?
10:24You know
10:25What will they express?
10:27What will they hold?
10:28What will they hold?
10:29What angle is it?
10:30Where is their focus point?
10:32What options
10:33Can they give you
10:34Take after taking?
10:35This is all craft
10:36So, this is all craft
10:37So, you have
10:38With experience
10:39Developed
10:40You know
10:41So, she
10:42But
10:43Newer actors
10:44Bring freshness
10:45So, everyone
10:46Is a strength
10:47And I feel
10:48Performance
10:49Look at
10:50Aneet Padda
10:51In Sayara
10:52What a performance
10:53Brilliant
10:54Whatever
10:55Is a dream come true
11:01To me
11:02That has turned
11:03To me
11:04It is a dream come true
11:05For me
11:06So, she
11:08But
11:08Is this
11:08Is this
11:09It was like that
11:10So, yeah
11:11She is very professional
11:12It was like that, so yeah, she was very professional, she didn't do this, she said, yeah, I will do this, very clean, neat, clear-cut, and the film started.
11:32Not at all, not at all, it's Rani Mukherjee, just.
11:48Lastly, after the national awards, there was a controversy happening today, in which people are saying that Shah Rukh Khan won't get the national awards for young people,
12:02but if it's an old film, it's about Swadesia.
12:06She was a Southie actress, she said that she wouldn't get the national awards for young people, but she wouldn't get the Southie actress.
12:14So what are you saying about this?
12:16I mean, see, Shah Rukh, I think I should get the national awards every year, because I love him.
12:22And he's a fabulous actor, he's a star, he's an actor, he's a range, he's a swades, he's a duplicate, he's a one-two-four, he's a bazi-gar, he's a weed-zara.
12:35So this range, look at that, it was only a matter of time, and it was well-deserved.
12:42I loved the film, Jawan, it was a great film.
12:45I wanted to get others, of course I wanted to get.
12:47I always say that the performances of these last two years have been exemplary, they've been wonderful.
12:51So, yeah, I think of course I wanted to get.
12:55Lastly, what message would you like to give us to our fans?
12:59I would like to say, please, you guys come to the hall and watch the films on your phone and on your iPad.
13:06It is an experience, you can enjoy it, come to the hall.
13:09And we want to make a film for the theatre, and we want to enjoy our audiences to the theatre.
13:16Last question.
13:19Yes.
13:20Yes.
13:21Yes.
13:22Yes.
13:23Yes.
13:24Yes.
13:25Yes.
13:26Yes.
13:27Yes.
13:28Yes.
13:29Yes.
13:30Yes.
13:32No.
13:33Mm-Hmm.
13:35No.
13:36Me because it's wrong.
13:38Yes.
13:39You will hold on to some of anyone's woman or others' something you want, doing this.
13:43It's a creative murder.
13:46You can't do this until and unless the director wants it.
13:50If the director says that they try it, then try it.
13:53You can't do anything in the film.
13:56I'm totally against this kind of interference.
14:01What is this?
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