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WATCH: A Different Kind of Hero | Anthony Mackie
essencemagazine
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11 months ago
After more than 20 years of stellar stage, TV and film
performances, Anthony Mackie is stepping into the spotlight to
play the superhero of all superheroes—but in a new way.
Category
🛠️
Lifestyle
Transcript
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00:00
The lessons I've learned in my own life that I've found most valuable when it comes to
00:09
shaping my characters, be honest.
00:12
One of my first acting teachers in high school, he would always say in class, to be honest
00:19
is to tell the truth.
00:20
If you don't believe what you're saying, it's not the truth.
00:23
So be honest.
00:24
Like, the only thing that comes out of a lie is heartache and regret.
00:27
So just tell the truth and let the person across from you deal with it.
00:31
I try to do that all the time and use those lines, making them real and telling the truth
00:37
to the person across from me.
00:41
I'm Anthony Mackie, and this is my Essence digital cover.
00:54
When I look back on my career, the most defining moment personally is actually very early on.
01:03
One of my first jobs was Million Dollar Baby, Clint Eastwood and Morgan Freeman, who took
01:10
my role.
01:11
I auditioned for that role.
01:14
Growing up in my house, it was like Martin Luther King, Jesus, you know, Bruce Lee and
01:19
Clint Eastwood, the pinnacle tree of man, you know, and Malcolm X.
01:24
When I did Million Dollar Baby, I bought the posters for the Man With No Name trilogy.
01:30
And I had them sign them for my dad, framed them, brought them home.
01:35
And you know, at the end of a work day, my dad would have all of his workers come around
01:38
and they would sit around the shop on a Friday and have beers.
01:40
And I'd never had a beer with my dad.
01:42
My dad had never, my dad, anybody, you know, who knew my dad, my dad was the Anheuser-Busch
01:47
of New Orleans.
01:49
And when I gave my dad his posters and my dad looked at me and was like, you know Clint
01:55
Eastwood?
01:56
I said, yeah, I did a movie with him, I got him to sign the posters.
02:01
And he goes in the cooler and he gave me a beer.
02:05
He said, you all right, boy.
02:10
I would like for my work to inspire young actors and storytellers in the way of training.
02:15
My first day in New York, my very first day, before I started Juilliard, when my brother
02:21
brought me up here, I was sitting down with my brother at a cafe and Wynton Marsalis walked
02:26
past us.
02:27
And you know, I jump up, I run over to Wynton, I'm like, Wynton, I'm a homeboy, bro, like
02:32
I'm from the seventh world.
02:33
I went to NOCA.
02:34
He pulled out a pen and as classy as Wynton Marsalis always is, you know, he cool, write
02:40
down his number and give me the paper.
02:42
He goes, look homeboy, you need anything, you let me know.
02:45
So I called Wynton a few days later and we went over to the basketball courts on 65th
02:51
Street and he proceeded to bust my ass in basketball, which was outstanding.
02:56
But he told me something very important that I've always held true.
03:00
He said to be is to study.
03:02
He said when he left New Orleans, he could play jazz better than anybody.
03:07
He could play second line street music better than anybody.
03:10
But coming to Juilliard gave him the opportunity to learn so many different composers and so
03:16
many different types of music that no matter what you hit him with, you could do it.
03:20
Your training is the platform from which you jump off to create characters.
03:26
And I've always rocked with that.
03:28
And going to Juilliard taught me so much.
03:31
I mean, reading so many different writers and, you know, listening to Tupac as well
03:36
as Stravinsky, like, you know, listening to Chopin as well as, you know, Diggable Planets.
03:42
When you learn your art form and your expressive status, it really gives you the freedom to
03:48
do whatever you want.
03:49
So you can't be pigeonholed.
03:51
You know, you can't be put in a place where you can only play gangsters or you can only
03:55
play the good guy or you can only play the love interest.
03:59
Like you can do whatever you want to do.
04:01
And I think that comes with training and discipline.
04:04
When young actors look at me, I want them to know I trained 13 years hardcore.
04:10
I went to boarding school and gave up my last two years of high school.
04:15
I went to Juilliard and gave up my entire college experience and everything I thought
04:20
college would be for that one opportunity to play Tupac in Up Against the Wind off-Broadway.
04:27
And that comes with training because after playing Tupac, I came back and I played Martin
04:31
Luther King.
04:33
And not too many people can do that.
04:35
Not too many people can do off-Broadway, Broadway, independent theater, as well as major motion
04:41
pictures.
04:42
And all of that comes with training.
04:43
All of that started at NOCA from North Carolina to Juilliard.
04:49
A personal mantra that's always guided me was something my brother told me.
04:54
My brothers, both of them, have always been a huge influence in my life.
04:59
I am the living example of a village raising a knucklehead.
05:03
And my brother would always tell me, in the race of life, when you find out you're behind,
05:11
you have two options.
05:12
You can run faster or quit.
05:16
And our daddy didn't raise quitters.
05:18
When he told me that, it was like the Rocky music came on.
05:22
And every time I have something that I have to face or something that I feel is going
05:26
to be difficult, I think about that.
05:28
And I think about what my grandfather went through being a sharecropper.
05:33
I think about what my dad went through dropping out of school in eighth grade to work with
05:38
my grandfather and becoming a successful businessman and roofer.
05:42
What my brother went through when he went to law school at USL and what my other brother
05:46
went through when he got his Ph.D. at Georgia Tech.
05:49
And that didn't leave much room for error and failure, you know.
05:55
So I decided to run faster.
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