The Secret by Catherine Cookson Miniseries by Beth Freed - Dailymotion

Beth Freed

Period thriller serial. In the late 1880's reformed smuggler Freddie Musgrave has worked hard to turn a legitimate trade, but then a face from his past turns up threatening to ruin things for him.

Transcript

00:00Read our verdicts, die and woman confesses to murder!

00:20Read our verdicts, die and woman confesses to murder!

00:30Read our verdicts, die and woman confesses to murder!

00:44Read our verdicts, die and woman confesses to murder!

01:00Oh, Freddie!

01:17You shouldn't have done it.

01:19I can't make me pay now.

01:21And, you know, I thought of writing something of the kind years ago, but I was too frightened.

01:27I shouldn't have put it off.

01:29Suppose I'd had a stroke like Connie's father.

01:31What might have happened then?

01:33The thought has made me sick all day.

01:36But they should leave you alone now.

01:40There's no news from Connie, I'm afraid.

01:43Have you heard from Belle?

01:45No, it's strange.

01:47How's the pain?

01:49Not to worry.

01:51I want it to pull a face when your mother pours more laudanum into me.

01:56Now, go on.

01:57Ginny's making you a meal.

01:59And it could do with a wash by the look of you.

02:19Welcome home, my dear.

02:23How was London?

02:24Like London, Grandmama.

02:38It's good to be home.

02:40I have to go away soon.

02:42Almost immediately.

02:43What's wrong?

02:46Wrong?

02:47Nothing's wrong.

02:48Why should anything be wrong?

02:50Why should I stay?

03:00Please, Dor, try.

03:02Come on.

03:03You can do it.

03:05I have to find them, Dor.

03:07Come on! You can do it!

03:10I have to find them, duh!

03:14Come on, that's it!

03:17Come on!

03:20Oh, God!

03:28I'm sorry, Freddie, but I didn't get the letter.

03:30We wrote three letters. Three.

03:32Well, I wrote to you both on Sunday.

03:34Aye, and we got it.

03:36All I'm saying is that not many letters get lost in the post these days.

03:40Three. On the trot.

03:42If you didn't get them, then who did?

03:44I know what you're insinuating,

03:46but I'm not going to quarrel with you at a time like this. I'm just not.

03:49The point is, I'd have come straight home if I had known Maggie was in danger,

03:52and you know it! You know it!

03:56I can see you're angry with me for not being here, all right?

03:59Be angry.

04:01I'm not going to defend myself or Marcel.

04:06You've changed.

04:08I'm a married woman.

04:10And where is your husband at the moment?

04:14He's had to go away on family business.

04:16To Harrogate.

04:18There seems to be a lot of family business in Harrogate.

04:21I believe there is.

04:23I believe there is.

04:27Freddie, please.

04:30Tell me.

04:33How much longer has she got?

04:35I don't know.

04:39Days.

04:44Hours.

04:45I don't know.

04:49God forgive me for saying it, but the sooner the better.

04:52The Lord never isn't touching the pain anymore.

04:54I know it's worse for you.

04:59Maggie loves me, of course, but it's a kind of everyday love.

05:05With you, it's something different.

05:10It goes so deep.

05:11Freddie, please don't be angry.

05:26I miss you so much.

05:31What does that mean?

05:33What the devil does that mean?

05:34You should have thought about that before you married him.

05:37Freddie, I didn't mean that...

05:38Well, what did you mean?

05:40You know what I could do right now?

05:41I could take this hand and sweat you from the face of the earth with it.

05:48I'm going to lose Maggie, but I want to lose you as well.

05:53Do you hear?

06:04No problem.

06:07Yes.

06:19Hello.

06:20Goodbye, Maggie.

06:50She's gone.

07:13I'll go and find Ma.

07:20Are you all right, sir?

07:35Bregan?

07:36You seen Belle back home?

07:38What?

07:39Steady on, lad.

07:40He said you'd see her back home.

07:43Oh, aye.

07:47Glad you're doing that.

07:48She looked very low in church just now.

07:53Got anywhere finding out what sort of business that husband of hers is up to?

07:57No.

07:58I'm still trying.

08:01Any luck at your end?

08:02Nah.

08:04Nobody seemed to have heard of any sort of business it's involved with.

08:08I wondered if you might have a little...

08:10little tart set up in a love nest somewhere.

08:14My God, I hadn't thought of that.

08:16May I be?

08:20May I be?

08:23Not sure I'd want to know if he has, mind.

08:26That's what you might call poisonous knowledge, isn't it?

08:30You won't abandon her, will you, Freddie?

08:31What the hell does he want now?

08:36No.

08:48So it was your Maggie Hewitt all the time.

08:51And nobody pointed a finger until that anonymous letter.

08:55After all these years.

08:57Very discreet of the party concerned, wouldn't you say?

09:00Clear off, Freeman.

09:02This isn't the time or the place.

09:03I beg to differ, Musgrave.

09:06Maggie's dead, and Wheatley's blown his boiler, and that leaves you.

09:10And don't tell me you were only a lad.

09:11I knew that lad.

09:13And he was smarter than half the skippers on the river.

09:15So I want to know what happened to that consignment, do you?

09:19Well, find somebody who knows, then.

09:23Maybe you should visit Taylor in hospital sometime.

09:27He tried lying to me in all.

09:28Freddy.

09:47What?

09:49Please don't be angry with me.

09:52Please.

09:53I beg you.

09:56I'm so unhappy at the moment.

09:59Why is that?

10:00I think it's just that everything is so unfamiliar.

10:03It's so strange.

10:04I feel as if I'm on trial in that house all the time.

10:07The only person I can talk to is my maid.

10:10And now that Aunt Maggie's gone.

10:12What about your husband?

10:13He's the one that matters, isn't he?

10:15Yes, of course.

10:17It's just he's not there.

10:20You see, if only I could know that I was still welcome across the river.

10:23As if Aunt Maggie was still there.

10:26I think I would feel much happier.

10:28If that's all that's worrying you, you're out of trouble.

10:35Do you mean that?

10:37There'll always be a welcome there for you.

10:40It's Maggie's house.

10:42She took us both in.

10:43So, in our different ways, we're both her children.

10:46And not of her body, but her soul.

10:51Sometimes I think ties like that are stronger than any other.

10:54Yes, they are.

10:59Maggie's house is your home whenever you want it to be.

11:02I'll not let go of it.

11:04It means too much to me.

11:06Because of Maggie and...

11:08Because...

11:09Well, it was me that brought you to that house.

11:13Me that held you while Maggie had to commit murder to save us both.

11:16So, in a way, you belong to me.

11:22I've never told you this before.

11:25But that's how I feel about you.

11:27That you belong to me.

11:32So, that's for you to put in the bank whenever you're feeling like this.

11:36Whatever happens, I'm there over the river.

11:51Arnott, come with you.

11:55All right.

12:00I feel better now.

12:06The towers.

12:17So, you have buried her, have you?

12:19The woman who murdered my son-in-law.

12:21Self-defense, madam.

12:22Have you seen what the papers say?

12:25It is quite disgusting.

12:27I don't know how Marcel is going to take this.

12:29He knew all about it.

12:31Mr. Musgrave insisted that he should know everything in case the facts were made public.

12:34Marcel can be no more embarrassed than I am, madam.

12:38Believe me.

12:39I dare say not.

12:41So, what has she left you?

12:42I understand she left a considerable amount.

12:45She left it all to Freddy.

12:48Mr. Musgrave.

12:49She left me nothing.

12:51Nothing?

12:51But you were her ward.

12:54How can you be so indifferent about it?

12:56She thought that being married, I would be provided for.

12:59Well, that is hardly the point.

13:00She has denied you in favor of this young fellow she plucked from nowhere,

13:06whom Marcel tells me is a very common fellow indeed.

13:09He is not.

13:10He is nothing of the kind.

13:12Please remember to whom you are speaking.

13:15If Marcel tells me he is a common fellow, then he is.

13:19And it is not right that he should have come into that fortune.

13:23As I see it, he has every right.

13:25For years, he loved and cared for her, as he did for me.

13:28Hey, you were looking good.

13:38Well, that helps keep your mind off things.

13:40Well, well, Maggie.

13:43Any news on Birkstead?

13:45No, me contact in Harrogate came up with nothing.

13:47Oh, well, you'll just have to ask him then.

13:50Now, why didn't I get that?

13:51So, when are you and I doing it?

14:18What do you mean?

14:21So, what's he like then?

14:24Oh, he takes us off to heaven.

14:28We can only wait till we're wed,

14:30because then we can do it whenever we want, can't we?

14:33He's lovely.

14:34Can I only keep our hands off him?

14:36Oh, dear host, you should not have killed me.

15:06Come back so soon.

15:07You know you shouldn't.

15:09I had to.

15:10It was torture being away.

15:11She is so beautiful.

15:13Come here, my darling.

15:16And she is truly fond of you.

15:20She loves you.

15:22Well, who would not?

15:25But I'm not sure about your being here.

15:28I'm all right, Nana, truly.

15:30You should have given yourself more time.

15:33He said it was all right.

15:35Honestly, he did.

15:36Nevertheless, my dearest boy,

15:38you must be very careful with yourself.

15:41Really, you must.

15:43I know.

15:45I know.

15:46Belle?

15:50Where are you?

15:53Belle, my love?

16:00Belle?

16:05I'm not here.

16:06What's the matter?

16:07The servants.

16:08Are you in servants?

16:10What do they care?

16:11Have you missed me?

16:12Yes, I have.

16:14Was your business very pressing?

16:16Certainly it was.

16:16Hateful.

16:17It does go on.

16:18You look pale.

16:19You're not ill.

16:20No.

16:23Harassed.

16:24The whole thing is very harassing.

16:33Marcel.

16:33You're hurting me.

16:37Oh, come now.

16:37You're not so delicate.

16:43What is it?

16:46You know Aunt Maggie died.

16:49Oh, yes.

16:50Yes, I do.

16:52Just as well, don't you think?

16:54That she was too ill to suffer the consequences

16:56of being a confessed murderer.

16:58She wasn't a murderer, Marcel.

17:00She saved my life.

17:01She killed my father.

17:02He was going to kill me and Freddy.

17:03Oh, yes.

17:04Freddy is, of course, the other witness.

17:05Well, how very convenient.

17:07No wonder they went into business together.

17:09Freddy wouldn't have lied about it.

17:11He's always told the truth.

17:13Always.

17:14He is the most truthful person I have ever met.

17:16No.

17:16Don't quarrel with me.

17:17I can't breathe when you quarrel with me.

17:19I've missed you so much and I come back

17:21and you start quarreling.

17:23Please.

17:25Please.

17:26I need you to be gentle and sweet.

17:34And then I can be too.

17:39I can truly be myself.

17:40Right, darling, I don't want to quarrel.

17:48I want to understand.

17:52But I don't.

17:54Why do you have to go away so much?

17:57Couldn't I come with you?

17:59You obviously hate doing it.

18:09Perhaps I could make it easier for you.

18:13I feel sometimes that

18:14there's something very sad at the heart of you.

18:17Do you tell me what it is?

18:23Marcel.

18:26My love.

18:30I know what we must do.

18:34We must teach you to ride.

18:37The tailor must come over

18:39and make you the prettiest riding habit ever seen

18:41and I shall teach you how to be elegant in it.

18:44Yes.

18:46That's it.

18:47Come on.

18:49Come on.

19:06All right, darling.

19:13Come on.

19:14Come on.

19:17Talk!

19:20Talk!

19:22Talk.

19:23Oh, my God.

19:53Oh, my God.

20:23Oh, my God.

20:31I maligned you, Musgrave.

20:34For which I'm sorry.

20:36I never meant to make an enemy of you.

20:39You see, once I knew an item from that consignment was around,

20:43I couldn't believe you didn't have the rest.

20:46I couldn't see someone as astute as you passing up the opportunity.

20:50So what's me cut?

20:52Your cut?

20:55I'll tell you what your cut is.

20:57It's come to my ears that you've been inquiring about a certain party's business activities.

21:02Is that so?

21:03Maybe.

21:05So.

21:05There's an address on that in Harrogate.

21:11You asked there about a Mr. Marcel Berkstead.

21:13I don't think you'll be disappointed.

21:17You look so beautiful.

21:37Tell me you'll always love me.

21:38Of course I will.

21:41Then tell me.

21:44Say it.

21:45Go on.

21:48You're hurting me.

21:51Sorry.

21:52Sorry.

21:53Just tell me you'll always love me.

21:56Say it.

21:57Say it.

21:58I want to hear you say it.

22:00Always is a long time.

22:03We've only just begun our life together.

22:06I hope I shall.

22:07It depends on how...

22:08I don't want philosophy.

22:12I want love.

22:18Forgive me.

22:19Forgive me.

22:23I'd do anything not to hurt you.

22:27I love you so much.

22:30That's what aggravates me.

22:31Believe me.

22:32It's love.

22:33It's love.

22:35Always.

22:38And you have my love too.

22:42Good.

22:49You're looking surly.

22:57Why do you look surly?

22:59I didn't know I looked surly.

23:02Have we not made you comfortable?

23:05Yes of course.

23:07It's just that I'm a little bored.

23:10I understood I would be seeing to the household.

23:12Let me make things quite clear.

23:18This is my establishment.

23:20I order it.

23:21I have always ordered it and I shall go on doing so.

23:24Do we understand each other?

23:27Yes madam.

23:29I think we understand each other very well.

23:33In which case perhaps you could advise me what I am supposed to do with my time.

23:36Well you could start by being a good wife to my grandson.

23:39You have upset him.

23:43Did you know that?

23:45I don't know what he told you but he upset himself.

23:49In fact I managed to calm him down and then he went away.

23:52That is not what I heard.

23:55You must handle him most carefully.

23:58I don't need to be told these things.

24:00Clearly you do.

24:02It is a wife's duty to offer companionship and support

24:05and to sublimate her own interests in those of her husband.

24:08That is not why I'm married.

24:10It is.

24:11You took vows.

24:13Marriage is a contract.

24:14Your grandson took vows too.

24:17With my body IV worship.

24:20There is nothing holy or sacred about what he does to me.

24:22Let me tell you.

24:24How dare you.

24:27Leave me.

24:28Leave.

24:30Go on.

24:30Get out.

24:31Get out.

24:38You've upset Grandmama.

24:51Your Grandmama upset me.

24:54Can't you understand?

24:56She's an old lady.

24:59And quite a grand old lady at that.

25:01She's been used to running her own establishment since she was a young woman.

25:05She's not used to being contradicted and bullied.

25:08Nor am I.

25:10The way she spoke to me was outrageous.

25:12She is in a position to be as outrageous as she likes.

25:16You are not.

25:18So as long as you are in this house, you will be subservient to her.

25:21What?

25:22You're lucky that she received you into this house at all.

25:25Am I?

25:26And why is that?

25:27Because you are a nobody.

25:29You are a bastard.

25:30Do you realize that?

25:30You are a bastard.

25:33Oh my God.

25:34You're upsetting me.

25:35I'm sorry.

25:36You're making me say these things.

25:39You've changed.

25:41You were so sweet.

25:43And docile.

25:44You've changed.

25:45I have.

25:47Have you seen yourself?

25:52And today I had an argument, a serious one, with the old lady.

26:02She's very pathetic in some ways, but she is also frightening and used to her own way in all things.

26:10To be honest, I do not know how we are to continue in the same house.

26:18Yes, Mary, what is it?

26:19I haven't quite finished the letter yet.

26:22No, it's not that.

26:24I brought Janie to see you.

26:26You see, it's her Julie to clean in here and do the desk.

26:31It was here when you talk about Mr. Freddie Musgrave.

26:34What's all this about, Mary?

26:35Can I show her in, please?

26:37Yes, all right.

26:44You've got to.

26:45You can't back out now.

26:47Where does that put me?

26:47All right, all right.

26:49Well, first thing is, I saw Mr. Marcel come out of this room.

26:55I think Mrs. B had called for him.

26:57He was in a hurry anyway.

26:58So I come in to clean.

27:00It was the time that I usually clean in here, so I don't think there was any harm in it.

27:04I'm sure there wasn't.

27:05When was this, Janie?

27:07A few months ago.

27:08Long before you come here, madam.

27:10Very well.

27:10Well, I'm supposed to change the paper and the blotter every day.

27:16So I come over to do it and I see this letter line on the blotter.

27:20So I read it, see?

27:23Well, it was there and I had only meant a glance at it, but then I saw it was for the police.

27:28So I got interested.

27:29It said the police should question Mr. Musgrave regarding the murder of Mr. Gallagher, because Mr. Musgrave was there.

27:43Janie, you must be mistaken.

27:46No, miss.

27:49Look, this is what I took from the blotter.

28:10Does anyone else know about this?

28:12No, madam.

28:13Why did you keep this?

28:14It's a very strange thing to do.

28:16In case?

28:17In case what?

28:19Mr. Marcel can be, well...

28:22Unkind.

28:23Very unkind.

28:25And sometimes he says things.

28:27He makes things out as if they're true and aren't.

28:30I didn't want to be accused of something I hadn't done and then get stuck with it.

28:34I thought if I had that...

28:35I see.

28:38Then you had better keep it.

28:40Thank you, madam.

28:42You won't tell, madam?

28:45No.

28:46No, of course not.

28:50I'm sorry, madam.

28:53Indeed.

28:53business.

28:57No, Mr. Musgrave.

28:59No, no, no, no, no.

29:15Marcel's visits to us.

29:17How shall I put it?

29:18Keep him on an even queue.

29:20I'm not with you.

29:24Barclay House is a sanatorium for those who have difficulties with life in the outside world.

29:31Difficulties?

29:31Well, you've seen him.

29:34He's a very plausible young man.

29:36Quite charming, really.

29:38That's how he thinks of himself and how the world takes him.

29:42The problem is, Marcel's not really in control.

29:45It's impossible to predict his violence.

29:47And those who are close to him are most at risk.

29:50That's why I find it hard to believe that Mrs. Burkstead allowed him to marry.

29:54So Bell could be in danger?

29:56Oh, I'd be lying to you if I said no.

29:57Well, I understand your concern, though.

30:01That shouldn't have been allowed to happen.

30:03I'll write to Mrs. Burkstead today.

30:12You were late for your riding lesson.

30:14But I'm...

30:14This is the time for your riding lesson.

30:19I want your acknowledgement that this is the time for your riding lesson.

30:22Very well.

30:24Since it means so much to you, this is the time for my riding lesson.

30:27Good.

30:28You're learning.

30:29Get on the horse.

30:30But, Marcel, I'm not dressed for riding.

30:31Get on the horse!

30:32Marcel!

30:33Get on it!

30:35Go on!

30:36No!

30:39Marcel, I can't!

30:44Please stop, Marcel!

30:48Whoa!

30:49Whoa!

30:50There!

30:51You see?

30:53It's simple.

30:54Another couple of hours and you'll get the hang of it.

30:56Yeah!

31:01Marcel, go!

31:02No, I can't!

31:15No, no!

31:18No!

31:20Wait.

31:21No, no!

31:22No, no!

31:23No, no!

31:24No, no!

31:25No!

31:25No, no!

31:27You were gone for such a time, Miss.

31:40I thought you might like a hot bath.

31:49Well, Cummings?

31:51Young Mrs. Bergstead says please to excuse her.

31:53She's tired and unwell and doesn't wish to take dinner, Mum.

31:57Not good enough.

32:00Not good enough by any means.

32:07Benedict.

32:26Oh, fuck.

32:27For God's sake.

32:29I thought you were unwell.

32:30Get into bed.

32:32I am unwell.

32:34I can hardly move.

32:36I'm afraid all that riding was too much for me.

32:39Nonsense.

32:39You've got to learn.

32:41And the sooner the better.

32:41I am very disappointed.

32:42I am very disappointed.

32:44If you are going to insult Grandmama by not coming down for supper, you could at least have a decent excuse.

32:51Now, get into bed.

32:52Marcel, would you do something for me?

32:58What do you want?

33:01Would you mind if I slept alone tonight?

33:03Who the hell do you think you are?

33:05Who the hell do you think you are?

33:08My wife telling me where to sleep.

33:10Come on.

33:11Get in bed.

33:12No, Marcel, I won't.

33:14How dare you?

33:14You filthy whore.

33:22I'm leaving.

33:23I'm going home.

33:24Are you really?

33:25This is your home.

33:34And don't you forget it.

33:42Good evening, Mrs. Cummings.

33:44Good evening, sir.

33:55He's mad.

33:58I can't stay here.

34:00Will you help me?

34:01How, miss?

34:02I'm going to write to Mr. Musgrave.

34:05Will you send it as before?

34:06All right, miss.

34:07It is urgent.

34:09Can't you see how urgent it is?

34:11Yes, miss.

34:12Mary, if you get into trouble for helping me, Mr. Musgrave will make sure you've found a post.

34:18I promise you.

34:19But begging your pardon, miss, how do you know he will?

34:25Because he loves me.

34:35My dearest Freddy, things have gone from bad to worse.

34:39I beg you to come and take me away from this place.

34:42As you love me, come here soon.

34:45My husband is so cruel and violent, I doubt his sanity.

34:49Yesterday he assaulted me.

34:51I beg you to...

34:52Where?

34:52What have you got to say for yourself, you silly girl?

34:56All that nonsense about not coming down for supper and sleeping by yourself?

35:02But don't worry.

35:04You're too beautiful to be angry with for long.

35:09Good Lord.

35:16What have you done to your face?

35:19Come on.

35:21Cheer up.

35:22It's a perfect morning.

35:29What are you writing?

35:31I hope it's an apology to Grandmama for your behaviour yesterday.

35:36You'd better read it to me.

35:38You really have no idea about these things.

35:40Come on.

35:42My dear Grandmama...

35:43No, no, no, no, no, no, no, no.

35:45Dear Mrs. Burkstead, you can't be intimate when you've upset her.

35:52Dear Mrs. Burkstead, I hope you will forgive me for my absence from your dinner table last evening.

35:57So, where would you like to meet him?

36:12What?

36:14You find it surprising that I should allow him to come and fetch you.

36:17I told you, Belle, I want your love.

36:21There is nothing improper between Freddy and me.

36:24All of it.

36:25I won't share it.

36:26It's not in my nature.

36:27It is better that Freddy should come and take you away.

36:30Until you can find it within yourself to love me as I want.

36:33Come.

36:40Right.

36:44Yesterday he assaulted me.

36:47I beg you to...

36:49to come to the towers tonight.

36:56Meet me by the lake at midnight.

37:00You really are prepared to let me go.

37:03Of course I am.

37:05I've explained.

37:06I just don't want that man in my house, that's all.

37:10You can take a bag and meet him there.

37:15Do you doubt me?

37:17No, Marcel, of course not.

37:20Sign it.

37:22Sign it.

37:28Good.

37:30There we are.

37:31We'll get that off soon.

37:33Now.

37:35I want to show you something.

37:39You remember you once said to me...

37:42Actually, no.

37:43I don't want to spoil it for you.

37:45Marcel, I'm not sure.

37:47Shouldn't we go downstairs and talk to your Grand Mama?

37:50Yeah, silly.

37:51Grand Mama doesn't want to be bothered with us at this time of day.

37:54Come on.

37:54You look like I took up this place.

38:09Get off me.

38:09No.

38:10No.

38:11Come on.

38:11You little bitch!

38:28You could make a fool of me, did you?

38:36I'll see to your precious Freddy, don't you worry.

38:39I'll see to him all right.

38:41You see this room, you filthy whore?

39:03No one knows about it except me.

39:06It's my secret.

39:07No one will hear you, no one will find you, ever.

39:17Only me, when I choose.

39:21When I choose.

39:39I'm sorry.

39:40No one will see you.

39:41I'll see you next time.

39:43No one will find me.

39:45I'll see you next time.

39:46I'm sorry.

39:46I'll see you next time.

39:48I'll see you next time.

39:49I don't know.

40:19Come in, sir. My wife is unwell.

40:26I'm sorry to hear that, sir.

40:28Yes, it is a war, but there we are.

40:30I'd be obliged if you'd tell the maids not to disturb her on any account.

40:33She's taken an analgesic and she needs to sleep.

40:36Very well, sir. I'll tell them.

40:49No, no. I'm just going to ride down to the quay with some letters.

41:02You're very tense, my dearest. What is it?

41:05I'm fine. Nothing that a good ride won't cure.

41:08Well, can we take luncheon a little late?

41:13Yes, of course. I'll wait for you.

41:21Belle has a bad headache, by the way.

41:25She won't be joining us.

41:26I shall enjoy having you to myself.

41:44Callum.

41:46Aye.

41:46I want this delivered, Callum.

41:53That's the address. Can you read it?

41:55I can't, sir.

41:56Good.

41:57This must be delivered to Mr. Musgrave in person.

42:01If he's not at home, you will wait.

42:02But it must be delivered to him personally.

42:06Do you understand?

42:08Aye, sir.

42:12Thank you, sir.

42:14If he asks who gave you this commission,

42:17you will say it was one of the servants from the towers.

42:30John!

42:31John!

42:32Belle's in trouble.

42:38What kind of trouble?

42:39Need you ask.

42:40That husband of hers.

42:43I'm going to the towers.

42:45She wants me to fetch you.

42:46Oh, that's crazy.

42:47What the hell's she thinking of?

42:48Freddie, don't go.

42:50If it's that bad, send for the police.

42:52I'm all she's got, Nancy.

42:54It's me she needs.

42:55Do you want some company?

42:57I know, but thanks for the offer.

42:59If I'm not back in the morning, call for the police.

43:01Oh, Freddie.

43:01Be careful.

43:03Aye.

43:04I will.

43:05I will.

43:05Al.

43:06Al.

43:07Al.

43:08Al.

43:09Al.

43:10Al.

43:23Al.

43:25Al.

43:25Goodbye, Mr. Musgrave, and good bloody riddance.

43:55Oh, my God.

44:25Oh, my God.

44:55Why isn't she here?

45:05Where is she?

45:07Where?

45:10Where?

45:14Somewhere you will never find her.

45:18You shouldn't have told me that.

45:20I know where you mean.

45:22The attic, you bloody madman.

45:25The attic, you bloody madman.

45:55The attic, you bloody madman.

46:05Hey, hey.

46:07It's all right.

46:08It's Freddy.

46:09I'm here now.

46:11No one's going to hurt you.

46:16Freddy, I thought you were dead.

46:20There's my cellar.

46:24I need only to worry about him.

46:26He won't be troubling you again.

46:44Come on, let's get you out of here.

46:50Get out of here!

46:57Get out of here!

47:00No!

47:03Brittany!

47:06No!

47:07No!

47:08No!

47:09No!

47:10No!

47:11No!

47:12No!

47:13No!

47:14No!

47:15No!

47:16No!

47:17No!

47:18No!

47:19No!

47:21No!

47:22No!

47:29No!

47:31No!

47:32No!

47:37No!

47:39Oh no!

47:40Ah!

47:41Ah!

47:42Who are you?

48:07Where are you going?

48:12Oh, where is the bold man, my bonnie?

48:27Oh, where is the bold man, bring him to me

48:35To ferry me over the time to my honey

48:42And I will remember the bold man and thee

48:51Oh, bring me a bold man

48:55I'll give any money

48:59And you for your trouble

49:03Rewarded shall be

49:07To...

The Secret (2000) Period Drama Thriller by Catherine Cookson TV Miniseries E03 Final

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The Secret by Catherine Cookson Miniseries

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