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Igra sudbine Epizoda 1956,Igra sudbine 1957,Igra sudbine 1956,Igra sudbine Epizoda 1956, Igra sudbine Epizoda 1957,Epizoda 1957 Igra sudbine ,Epizoda 1956 Igra sudbine
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00:10Oh, good morning in my house.
00:14Good morning, mother.
00:15What's going on?
00:17Here, drink coffee.
00:18Is it good?
00:21Really?
00:22And for me, it's good coffee.
00:25It's mine.
00:28And how are you?
00:31Yes, you?
00:32Super, you?
00:34Good morning.
00:35Good morning.
00:37Good morning.
00:39Good morning.
00:39That's emotional.
00:43That's emotional.
00:44How are you good?
00:46Good morning?
00:49Good morning.
00:51Do you have any more?
00:53Good morning.
00:54Good morning.
00:55Good morning.
00:56Good morning.
00:57What are you asking me today?
00:59What is it?
00:59What is it?
01:00What is it for you?
01:01Nothing.
01:02What is it for you?
01:02When did you think you said to me,
01:04for two thousand dollars?
01:06what's the last four thousand dollars?
01:10What is it for?
01:11You're not that much?
01:11You've got to hear it.
01:19Good morning.
01:20You're the one that has been wrong?
01:20I'm the one that has paid you for.
01:21We've got to pay for your money.
01:22I'm the one that has paid you for.
01:23I've never been to my money.
01:26How much time is it?
01:35I haven't managed to explain it.
01:36I am like a book open, like a bookmark.
01:43It's interesting to me, why did you choose me?
01:47I said, I was at my friends in the exclusive restaurant
01:52and I looked at the CVs that were standing on the table
01:56and it was really your image.
02:00That's what you said. I don't think about it.
02:02Why am I? What are you seeing?
02:06I don't think about it.
02:08You are not aware of your beauty.
02:11Why do you ask me to excuse me?
02:14I don't understand.
02:16Do you understand?
02:17Do you understand very well, my Ivana?
02:21There is something in the depths of you.
02:23But you don't want to admit that it exists.
02:28Do you understand?
02:28Look how you look.
02:30Look how you look.
02:33How you look.
02:34You are beautiful.
02:35You are beautiful.
02:36You look like the house.
02:37You look like the house.
02:39You are so unpretentious.
02:44You are beautiful.
02:46But you are beautiful.
02:47But for a moment, when you are beautiful, you are beautiful.
02:50You are beautiful.
02:51Yes.
02:52Yes.
02:53Exactly.
02:54But all the girls are suffering half a day.
02:58You understand?
03:00Everything looks pretensious.
03:02Everything looks too much.
03:04And you look at the hair.
03:06Look at how healthy she is.
03:08Look at the brownies.
03:10Blue, healthy, natural.
03:12Beautiful.
03:14Look at that.
03:14Don't use any of the ingredients.
03:16Don't maltrate the hair.
03:18It's a mistake to maltrate the hair.
03:21It's a mistake.
03:22I want to tell you one thing.
03:25I understand that you are not experienced.
03:27But in this business,
03:30naturalness
03:31is something that is the best.
03:33Yes, it is clear,
03:35Mr. Fabiane.
03:36I didn't think about the physical look,
03:38but on what is inside.
03:41The hair.
03:42Your beautiful hair.
03:46Through which you can see
03:47a whole universe,
03:50a depth,
03:51a real vertical,
03:53a real vertical,
03:54if you understand me.
03:55You understand?
03:56And this hair.
03:58It gives you that you are not blind,
04:00like the people who are walking
04:02like some people,
04:02like some zombies,
04:07without any charisma,
04:09if you understand me.
04:10Yes, yes.
04:12Maybe you are right.
04:14Maybe I can't see it.
04:15Of course.
04:16And that's why we will
04:18put you in front of the photo apparatus
04:23to become aware of it.
04:26When we are in front of the photo apparatus,
04:27since I have been looking for a little bit,
04:29which photo apparatus do you use?
04:32Photo apparatus?
04:33Yes.
04:35We have a lot of photo apparatus.
04:39There are different types of photo apparatus.
04:42To me is clear,
04:43but what kind of type?
04:45I don't know.
04:46I don't know.
04:49I don't know.
04:49Wait, wait.
04:49I don't want to take such a question.
04:52I don't want to take one photo apparatus.
04:54I want to take Arsenal photo apparatus.
04:57I should do something.
04:59And I should have asked the best photo apparatus once
05:03and we will know who we are going to do.
05:09And you would like to ask questions.
05:12You would like to jump on some steps and ask.
05:16But it's all about young people.
05:19And when we're at the workshop,
05:20I would have to start.
05:25And if you don't have any questions,
05:27I think we've all talked about.
05:29Just one more thing.
05:30Would you like to be able to get back to the photo session?
05:33Of course.
05:35I'm working on this principle.
05:37I never spend money.
05:39I give money on the sun.
05:44If you let me go,
05:47I will be able to regulate everything.
05:50And you stay in peace,
05:53and be happy,
05:54and drink your coffee.
05:56You deserved it.
06:02And what's happening,
06:05And I will just say goodbye.
06:06I'll just say goodbye.
06:08Bye!
06:10Bye!
06:12Bye!
06:15Bye!
06:15Bye!
06:17Bye!
06:17Bye!
06:30My mother, we have done this completely unintentionally.
06:37But it is dangerous.
06:40Who told you that?
06:42Let me tell you what you care about.
06:45I care about you.
06:46You care about me.
06:49How do you care about me?
06:51You are a mad man.
06:54I know everything.
06:56Everything is told to me.
06:58He is in the sleep.
07:01Do you know that the whole world is now filming and filming clips?
07:05Do you understand?
07:07Then I saw him,
07:09the old man,
07:10the old man,
07:10the old man,
07:10the old man,
07:11the old man,
07:11the old man,
07:11the old man,
07:13the old man,
07:17the old man,
07:20the old man,
07:21the old man,
07:21the old man,
07:21the older man,
07:21to learn how the old man was,
07:24what the old man,
07:26to understand.
07:27I think I know,
07:28I think the old man,
07:30I think,
07:30the old man,
07:30this is a great story for young generation,
07:32so that we can understand these old man.
07:34That's fantastic!
07:37Fantastic!
07:38That was the idea at the beginning.
07:40That's phenomenal!
07:41But you've stepped up to me!
07:45No, we just didn't want to tell you.
07:48We didn't want to tell you.
07:49We didn't want to tell you.
07:50We didn't want to tell you.
07:51We didn't want to tell you.
07:53You're going to tell me.
07:56You're going to tell me.
07:57You're going to tell me.
08:00I'm born to know what, where, and how.
08:04Not really!
08:04I'm not thinking too much so you're going to tell me.
08:08I'll be back to my future and prosperity.
08:11I'll take my little credit, you know?
08:14I'll go to one minute!
08:17This one, please.
08:18Mother, excuse me.
08:21Excuse me.
08:22I'll do everything I need to tell you.
08:24If I need money, I'll give you money.
08:26I'll do everything.
08:27If you need, I'll give you money.
08:28If you need, you need.
08:30You need, you need.
08:32And when you're already doing it, what else do you need to do?
08:36We need to make the motorbizgo.
08:40We need to film it further.
08:43That's what we need.
08:45And that's what we need.
08:47And that's what we need.
08:54My father, tell me that there are no new things in our business.
08:59Listen, I've stayed with Ivonne, we've talked about it.
09:04And I think she's hurt.
09:08Do you think she's hurt or are you sure she's hurt?
09:12Listen, she's a young girl. She's a nice girl.
09:15She's hurt.
09:16She's hurt or not?
09:18Yes, I'm.
09:19And I was very vulnerable.
09:21But she started asking me why I picked her.
09:25Okay.
09:27And why did you say she?
09:29I don't know.
09:30I don't know.
09:30I'm wrong.
09:31It's something special.
09:33It's different.
09:34It's different.
09:35It's not like the other one.
09:36Okay.
09:38Did you ask her?
09:39Or did you ask her to take a photo?
09:42What did you do?
09:43Look at this.
09:45Don't let me ask you that you've mixed our plan B with our plan A.
09:49No.
09:50No.
09:51No.
09:51No.
09:54No.
09:58No.
10:01No.
10:10No.
10:12anything.
10:13You говор you're wrong.
10:15You don't care me that you were wrong.
10:17No.
10:17If you put it over to A or B it's mental, it's our plan but it's going to be a
10:22problem and it's going to be a headache.
10:24So, keep this plan that we've established in the last conversation.
10:28I've understood it, but I think that the idea with the girls is better than around the camera.
10:36I said that she has something in her view, but I honestly didn't know what to do.
10:41I just luped it.
10:44Okay. You luped it? Is it going to happen with her?
10:47She didn't immediately ask me what to do in her view, but I didn't know what to do.
10:54I thought it was a joke. The joke is a joke.
10:58It sounds mysterious.
11:01Bravo, bravo.
11:03But what? It's a joke.
11:05That's what it takes.
11:07That's how you say it's mysterious.
11:10That's Fabian.
11:11Fabian is always just mysterious.
11:14That's right.
11:16Now, we need to talk about how we're going to do the photo session.
11:20I didn't know what to say.
11:22She asked me, but I didn't know how to do it.
11:24I didn't know how to do it.
11:25Okay.
11:27You don't have anything about it.
11:29What will I tell you?
11:30You know exactly what time and the place.
11:32Everything will be great.
11:33Let's go.
11:34Okay.
11:34Let me pray.
11:36It was very uncomfortable.
11:38It was just a question about the photo app.
11:42It was very uncomfortable.
11:43Yeah.
11:46Ivona tebi postavlja pitanje uvezi fotoaparata.
11:50Ma, šta ona zna o fotoaparati?
11:53Šta ti pitala, molim?
11:54Pa pitala me koji fotoaparat koristim.
11:57Dobro.
11:58I šta si joj ti rekao?
11:59Ništa.
12:00Pobego se.
12:00Pa dobro.
12:01Pa joj.
12:02Bogao si nešto da lupiš, nešto da kareš.
12:03Šta sada?
12:04I ti nije neka strašna stvar u pitanju.
12:06Da, ali ako opet na snimanju poče da me ispituje šta ko bude pokušavala da me proveri.
12:11A ja ipak ne bih volao da ispadnem smešan pred ženskom.
12:15Razoneš Ivona, kapiram, to je to.
12:17No, ali neću da budem smešan.
12:19Baš.
12:20Ne možeš ti nikad da ispadneš smešan dogod tebe velika Diana Ersti obučava.
12:27Jesi čuo, a?
12:28Ušto se ovo lepo rekla, je tako, a?
12:33Samo opušteno bajce.
12:35Pa ne znam baš.
12:37Da šta sad ne znaš? Šta ti sad nije jasno?
12:39Sve sam ti omogućila.
12:41Lepo sam ti rekla.
12:42Nabavit ću ti opremu.
12:44Najbolju opremu.
12:45Nabavit ću ti studio.
12:46Nabavit ću ti sve one drangulije što imaju ti fotografite.
12:49One, oneke bele, one njihove stiropore, onda one kišoprene nešto imaju.
12:52Šta ti sad tačno nije jasno?
12:54A da ipak malo naučim da koristim fotoaparat?
12:57Ne, pazi vako.
12:58Nemamo mi vremena za to, Paju.
12:59Ne, u ostalom.
13:00Ajde, molim te, ljudi.
13:01Prvo vide fotoaparat, prvo vide opremu, pa tek onda vide talerat.
13:05Ko da je bitno ovo, da li si talentovan?
13:06Bitno kakav fotoaparat imaš?
13:08A šta, ako me pita nešto stručno?
13:11Ne znam, Paju.
13:12Ako te pita nešto, ti sve snađi čoveče, pa nisi nesposoban.
13:16Ako te pita nešto o tehnici, ti reci, šta da kažeš?
13:20Ne znam, ti reci.
13:22Ti reci, ja ne robujem tehnici.
13:24Ne.
13:24Meni je bitna moja umetnost, moj talent, moj dar.
13:27Razumeš, to je reci.
13:29Dobro, ali ako ona ipak nastavi, pa i sama si rekla da je uporna i pronicljiva.
13:33Ma dobro, Paju. Ako nastavi, ako ona, ako nastavi, ne znam.
13:38Ti joj reci, na primer, mene zanima samo svetlo, eto.
13:42Ja, ja, pa nemoj molim te, svetlo.
13:45Pa znaš šta sve ima oko svetla? Znaš ti koliko je to komplikovano?
13:47To je neka matematika, to se nešto da računa, jeste i normalna.
13:50Pa dje ću sad s ogo svetla, da se pak će?
13:52Pajo! Pajo!
13:55Ti više nisi Paja, ti si Fabian Teperišić.
13:58Razumeš?
14:00I opusti se već jednu Paju.
14:02Ti si tako zgrčen, ti si tako nekako napet.
14:05Ti jednostavno zbog tog svog stanja ne možeš da improvizuješ.
14:09I zato to sve tako nakaradno izgleda, razumeš?
14:12Hajde, čoveče, relaksiraj se više.
14:15Pa ako te pita kako svetlo ti je, onda reci, ne znam.
14:18Ti se uprvo udidi.
14:20Zašto? Postani misteriozan.
14:22Lijepo smo rekli da je Fabian ugad misteriozan.
14:24Dakle ti se udidiš, učutiš, gledaš udalje, usporiš.
14:29Onako nekako sneno, sneno posmatraš.
14:32Neku tačku na zidu, naprimjer, razmišljaš, razmišljaš, razmišljaš.
14:36To traje, traje, traje.
14:38I u posljednim trebolku šta kažeš?
14:40Kažeš, jedino svetlo koje mene interesuje je svetlo koje vidim u tvojim očima Ivona.
14:47Eto ti dobitne kombinacije.
14:48Dobro, okej.
14:53Ajde, bit ćeš ti meni Fabian de Perižić, fotograf par excellence. Ajde.
15:01Doviđenze, Fabian de, doviđenze, doviđenze.
15:08Jovi te dienajte. Doviđenze.
15:33Majko, ja sam mislio da ćeš ti da budeš skroz protiv toga.
15:37E, vidiš, sine moj, nisi me baš precenio. Ajde ovako. Aj sad lijepo da pričamo ko da smo normalni. Ajde
15:48sad kaži šta još imaš, ali onako fino bez da me farbaš o tome kako si htio da me sačuvaš
15:54i pošteniš. Ajde.
15:55Pa dobro, majko, istinu govoreći bilo je i jednog i drugog.
15:59Eh, izgubio si svoju šansu, sad ja pričam.
16:04Kao prvo, mene uopšte ne zanima šta ti i mi domuljate sve dok nije ilegalno.
16:15Pod dva, sedite gde oćete, ali ne smete da ločete preko mere. Ja ću u tom smislu da budem neutralna.
16:28Hvala ti, majko. Izdubine duše moje ti fala za to.
16:33O, kad se dele pare, žao mi je, tu se i ja pitam.
16:42Je.
16:42Je li? Šta treba idu tu da radi, da snima neke gluposti podlaštenje, neke na kineskom, je li to?
16:50Fraze. Fraze, šta gotovo znači.
16:52Znaš šta, majko, to je teško njemu da prevali preko ustatu. Muka je to velika.
16:58Muka?
16:59Jeste.
17:00Ma ne. Ma dal će biti, kad se zarađuju tolke pare.
17:04Pa to ima sve da kliži, ima sve da bude ko poloju.
17:09Nema tu mesta sine za muku.
17:11Majko, on se tako osjeća nekako zanemaren, nekako bez veze se osjeća.
17:16On se, majko, da ti ga kažem osjeća, ko da ga je cijo svijet za srce ujeo.
17:21Ma baš moja prebriga kako se on osjeća? Šta se to mene tiče?
17:25On se češ, on se osjeća. Šta se mene tiče ko je njega za srce ugre?
17:30Ej, bre, on je sada naša brkata, zlatna koka.
17:35Mi moramo da nađemo načina kako da ga motivišemo da i dalje snimu.
17:42Ne zna veš?
17:43Da.
17:47Sinac.
17:49Para priča. Para vrtiđe, Burgija, neće.
17:52Ne znam za to, ali da nam treba, treba da.
17:55Vasta bilirica.
18:07Aha. Znači, nema slobodnih mjesta.
18:14U redu, u redu, hvala.
18:18Izminite, molim vas, da li bih možda mogla da vas zamolim da ukoliko se otvori neka slobodna pozicija da mi
18:24se javite na ovaj broj?
18:27U redu, hvala.
18:45Dobar dan. Zanima me, da li vam još uvek trebaju radnici za poziciju?
18:55Razumem. Razumem.
18:59Hvala puno, prijatno.
19:04Uff.
19:20Dobar dan.
19:22Za ovim povodom...
19:25Tako je, da.
19:28Pa...
19:30Sva su zauzeta.
19:34Važim.
19:35Hvala puno.
19:37Prijatno.
19:44Šta radiš?
19:45Ma evo, zovem za...
19:48Zovem za posao i nigde nema slobodnih mjesta.
19:51Jel ti možda veruješ da danas nikome ne trebaju radnici?
19:55Što si tako, tvrdoglava?
19:57Što lijepo ne pitaš Aleksu kako je krenulo najčeš posao sljedeće godine?
20:01Uuu, Asija, oni su nama već mnogo pomogli.
20:04Mislim, kako što sad treba tek tako da legnem čoveku na kičmu? Ne, molim.
20:07Dobro, kako ti kažeš.
20:14A što si se ti tako snuždila?
20:18Bolje da ne znaš. Nije ni bitno.
20:21Pa dobro, ajde, kaži mi, bit će ti lakše, Asija.
20:23Nije stvar u tome da mi bude lakše. I u ovakvoj situaciji nikako ne može da mi bude lakše.
20:29A otkud znaš? Evo pa možda baš ja mogu da ti pomogljam.
20:32Ja sam ti majka, a majke ipak nešto znaju, ili tako?
20:37Dobro, izgleda da će ova Bukašinova akcija zahtevati da neko neduža na neko vreme ode u zatvor.
20:49Mhm.
20:51Kažem ti, nije toliko jednostavan problem.
20:58Slušaj ovako. Ja ću ti sad nešto reći što se nadam da će ti verovatno biti korisno.
21:07Ok.
21:14Mene, sve ta silo izazlje iz ovih zidova.
21:17Om.
21:18Sve ta silo izazlje iz ovih zidova.
21:21Om.
21:22Šta? Ne. Šta om?
21:25Ne možeš čoviće, boži i om je samo kad ja povedem om.
21:29Izvinite, molim was. Izvinite. Ne, neću.
21:31Ah!
21:32Yes, I know.
21:33Again.
21:36All the power is out of the walls.
21:39Om.
21:41Om.
21:43Om.
21:43Om.
21:44Don't get into the frequency!
21:47Don't get into the frequency!
21:49Sorry, Mr. Serena, but I'm not really into the ritual and magic.
21:53Maybe I'm wrong.
21:54It can't be, it can't be.
21:56It's my negative energy, my negative energy,
21:59and I'm tired of it.
22:01Yes, I understand you.
22:04Sometimes I feel like when Olga comes,
22:06I'm totally confused,
22:08and she brings me negative energy.
22:10It can be a bit of a feeling.
22:12It's not possible.
22:12I have to contact Shaman.
22:16Shaman?
22:17Yes, yes.
22:18For this kind of negative energy,
22:20I have to go a little deeper,
22:23to unknown,
22:25and for that I'm going to be needed
22:26and I'm going to attend a series of Ajahuasque.
22:30Wait a second?
22:32Ajahuasque.
22:34What is that?
22:37Evanne...
22:37Ajahuasca is a holy drink
22:39from the heart of Amazon.
22:43He opens the doors,
22:45the cosmos,
22:46the senses,
22:47the traditions of past life.
22:50That's so potent!
22:52Yes, potent!
22:55It's just like my mother Gaja takes a hand,
22:59with one hand.
23:00She can make all the pain of the ego,
23:04the eyes of this society.
23:06It's crazy!
23:08It's crazy!
23:09It's crazy!
23:10Where does it have to buy?
23:12In a small spice,
23:14or a healthy food,
23:15or an apotheque?
23:17That's right!
23:17No!
23:19I'm telling you,
23:20it can be found in the heart of Amazon.
23:22There,
23:23with a tribe,
23:24you have to try it.
23:26The teachers will discover their own properties,
23:29but they can't do it!
23:30So,
23:31they have to go to Amazon,
23:33in a tribe,
23:35to try it.
23:47Let me know what you have to say.
23:51Asija,
23:52how do you believe me?
23:53You never believe
23:54when I have something to say something.
23:56How do I live in this world,
23:57Asija,
23:58and how do you?
23:59Okay, let me tell you,
24:00I'm like,
24:01I don't care about it.
24:02What do you think?
24:03So,
24:04listen to that.
24:05Then,
24:06you must do some things
24:08that may not be the best
24:11and the most effective
24:12But there are,
24:13that is the aspect,
24:14every job.
24:15And God,
24:16may God
24:16you must be a little instead,
24:18that is one of the things.
24:21Do you see
24:22I think it's something that hurt me.
24:24Okay, I don't want to hurt you,
24:26I'm going to teach you
24:27that sometimes you have to listen to me.
24:32Who is here to listen to me?
24:33Okay, I understand.
24:36Vukashin.
24:37That's right.
24:39Vukashin is a member.
24:41Now, I understand why it is now problematic.
24:44Because Vukashin is a strategy
24:45and you have to do something
24:48that is part of your boss.
24:49Yes, I know.
24:50I will do it,
24:51but I am the idea that someone
24:54is sitting in the door
24:55because of something that I haven't done.
24:57I don't see you at the end of the day.
24:59Asija, welcome.
25:01You are in the world of finding
25:03false criminals
25:04and putting them in the door.
25:06It's not always like that.
25:08I fight for the truth.
25:09It's just such an action.
25:11That's why I'm not so upset because of that.
25:14I understand everything.
25:15I understand everything.
25:15I understand everything.
25:17I understand everything.
25:18I understand everything.
25:19But, as I say,
25:20knowing Vukashina,
25:21he is a famous and famous man.
25:25Is that right?
25:25Yes.
25:26So, I think,
25:27I think,
25:28I think,
25:28I think,
25:29before or later,
25:30he will be put on the freedom,
25:31and he will end there.
25:32He will be there,
25:33where I am the place.
25:35Right.
25:37You are right.
25:38You are right.
25:38I am only worried about it.
25:39Without a reason.
25:40Of course,
25:41you are worried about it.
25:42Listen,
25:43you are one of the beloved and honorable girl.
25:47I pray,
25:47don't forget to forget me
25:49and never forget to ask you
25:51or ask you to ask you.
25:52Because you are the beloved and honorable person.
25:58You think so you think about me?
26:00You love me,
26:01but what are we going to do today?
26:06Satara.
26:08Satara?
26:08Oh,
26:09maybe.
26:26Satara.
26:26Nategnuta.
26:28Koliko nategnuta?
26:30No,instruana.
26:33Po dana mi
26:33mlatara pištoljem ovde, kada sam u
26:36sobarica. Pre neki dan
26:39mi okvatio za kragnu zbog jednog
26:42ženskog imena. Što si pomenjao
26:44žensko imem? No, nije sam znao
26:47da je
26:47zabranjeno. Sad znam.
26:49Listen to me, just keep the low tension.
26:53Take care of yourself and play the story.
26:55You are there to hear him, and not to let you go.
26:59Where do I take care of him?
27:01I don't live in the palace, but I take care of him.
27:04I'll take care of him.
27:06Where do I take care of him?
27:09I'll take care of him.
27:11Okay, I'll try. I'll take care of him.
27:15Now he doesn't have him again.
27:16And why?
27:17When he's in jail, not illegal.
27:20Where is he?
27:21He says he's paying tickets.
27:24He's a horse.
27:26What else do I think?
27:28I don't know.
27:30He's hungry and he knows where he's sleeping.
27:33He's sleeping.
27:35He's sleeping like a tractor.
27:37And when he's sleeping, he doesn't make any problems.
27:40When he's sleeping, he's sleeping.
27:42That's the problem.
27:43Okay.
27:45What's the problem?
27:47What's the problem?
27:48What's the problem?
27:48When he's sleeping, he'll be the first job.
27:51I wasn't in this town because of her.
27:55I know you're because of what you're coming.
27:58That's why you work.
27:59Who tells you that he'll be able to find you.
28:04Always the first job.
28:06That day, Matija, they were talking to you.
28:09You're not in this town.
28:12You're telling me.
28:13You're telling me.
28:14You're telling me.
28:15You're telling me.
28:18You're telling me.
28:18I don't know.
28:19I didn't know.
28:20I didn't know how to hear them.
28:21The walls are dark, but I didn't hear.
28:24He's missing some Uroš and some Alex.
28:28I didn't understand.
28:30Alex?
28:31Alexa.
28:32What?
28:33Do you know him?
28:35I'll remember him.
28:37Okay.
28:37I have a question for you.
28:38I have a question for you.