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Igra sudbine Epizoda 1953,Igra sudbine 1953,Igra sudbine 1954,Igra sudbine Epizoda 1954, Igra sudbine Epizoda 1953,Epizoda 1953 Igra sudbine ,Epizoda 1954 Igra sudbine
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00:04o
00:04olga PRIMEIALA SI
00:06gospodin curinu imena u seanse
00:08ja bih pre rekla da sam vas prekinula u glupiranju i to teškom
00:12ja bila ne mogu ovako da radimo ova žena je energetska crna rupa
00:16jeli
00:17a jer bi više odgovaralo da se malo raskomoti te
00:20bila se skinete
00:21i ovaj moj balvan da se spine isto
00:23a ja da izađem da vam ne smetam
00:25možda neku senzualnu muziku da vam pustim a jer biste mogli tako da radite
00:28Olga, there is no need to be so vulgar.
00:32There is no need to be.
00:33Gospodin Sarina helps me to go into the secret of my existence,
00:38and to go through my own life.
00:40I see fantastic.
00:42This body is directly linked to your karmic?
00:46Yes, it is an interesting story between us.
00:49Olga was my wife twice.
00:51It is a nice and interesting story.
00:53It is a problem.
00:54It is a karmic curse that follows all of your lives.
00:58Yes, yes.
00:59Gospodin Sarina, come on.
01:01My wife is an alcoholic.
01:04Therefore, it is simply the use of a healed person.
01:10Olga, no.
01:11No, Olga.
01:13The long-term alcohol use of a long-term need led to it
01:16that he has decreased cognitive capacity.
01:19Yes, it is still a healed person.
01:21No, no, I will try to explain to myself, to myself, to get upset.
01:25I can't explain to myself otherwise.
01:28I will try to explain to myself.
01:29I will tell you that if you don't free the karmic curse in women's shape,
01:32the partner will follow you through all your life.
01:34All the people's lives like you are, all your past lives.
01:37You will follow me and the love will be in your place.
01:40You will be in your place.
01:42You know where you are.
01:43I told you what I told you.
01:46Let's go.
01:47Let's be here.
01:48Let's go.
01:48Get in front of me, Vina, and I will be in front of you.
01:53I will be in front of you.
01:56I will be in front of you.
01:57You've forgotten what you did.
02:00Made in Kampoja.
02:03What a magic.
02:19What are you doing, what am I doing now?
02:21What am I doing?
02:21Here, kill me. Here, kill me. Here, I'm standing.
02:24What am I doing?
02:25I don't want to kill you. I don't want to kill you.
02:29You're a dead man, don't kill me.
02:31Who is dead?
02:31I'm dead.
02:32Y'all are dead?
02:33Oh, you're dead, you're dead.
02:35Let me hear that.
02:35Listenit.
02:37Klippin, where I said I'm a dumbass man.
02:41Have you been sent?
02:42Yes.
02:42I'm fine.
02:43You paid to see who you are.
02:45Yes, I'm asking.
02:47Well, you're right, master.
02:48You are watching a billion Chinese shit.
02:52All the f‑f‑f‑f‑f‑f‑f‑f‑f‑f‑f‑f‑f‑f‑f‑f‑f‑f‑f‑f‑f‑f‑f‑f‑f‑f‑f‑f‑f‑f‑f a‑f‑f‑f‑f‑f‑f‑f‑f‑f‑f‑f‑f‑f‑f‑f‑f‑f‑f‑f‑f так.
03:01Yes, you are called me. I am just making a clip.
03:05Yes, I am making a clip.
03:05Yes, I am making a clip.
03:06But then I will go to the next section.
03:08When people are looking at it, he became viral.
03:10Viral!
03:12Viral!
03:12Viral!
03:13Viral!
03:13I am going to go up!
03:15Viral!
03:16I am going to break myself, my family, and my family!
03:20I mean, thousands of dollars.
03:22I mean, what are you going to do now?
03:23For thousands of dollars?
03:23For thousands of dollars.
03:25For thousands of dollars.
03:26I am not paying from China, it is not legal.
03:29It is not legal.
03:29You are режимiles!
03:29I cannot be able to go.
03:31It is not legal!
03:32You are crazy who has paid a couple of gay people,
03:35so you are even sad to not be one!
03:37I know I was so...
03:38What do I know what a Chinese member means?
03:40Who is know my Chinese!
03:41Who would be sad that people could be the greatest man in the world
03:45who decided to call me gay people.
03:47That is the gay people.
03:49I am not aware.
03:50I am not aware.
03:51Muslims!
03:52I do not know myself!
03:53I am not.
03:54You are not aware.
03:54Where do I have to find a phone call?
03:56I am going to send you to email it?
03:58All on your phone call.
03:59It's a red thing you can do!
04:00But I don't know my life, I don't know my life.
04:03I don't know my life, I don't know my life.
04:05My life, I don't know!
04:08Sorry, I don't know!
04:10You don't know what I'm saying.
04:11If you know, you could pay for it 7 times more!
04:14Don't worry about me, I don't know.
04:18I don't know what I'm saying, forgive me, forgive me.
04:24Hey, look at my mother.
04:28For little things, people in my village,
04:31are in my village.
04:33And you have to tell me something.
04:37Look at that.
04:40If you want to be better, you can eat.
04:42You can eat as much as you can.
04:44It won't be better.
04:46It won't be better.
04:55Mido.
04:57Mido, we're in pain.
04:59Jackpot.
05:00I can't.
05:01Huh?
05:32Where are you, Christian?
05:34I pray.
05:36What does it mean to you?
05:39What?
05:41What?
05:42Well, the director wants to go through his fingers.
05:46Ah.
05:49Well, I'm sorry.
05:51What's wrong?
05:53What's wrong?
05:54What's wrong?
05:55I have to die all night, Stella.
05:58And did you die?
06:02Yes.
06:03I'm sorry.
06:04But she was upset with the question,
06:06did we have ever had something?
06:10When she was unsure.
06:12Okay.
06:15I didn't know that it was vanilla.
06:19What did you need?
06:20What did you do?
06:23I was the first one.
06:25I decided to give her a little,
06:28Sorry.
06:29I'm a little bit confused.
06:30Yes.
06:32And don't forget it to ever again.
06:36If it will be asked you,
06:39you'll tell her that you're upset
06:40and that I'm sorry for the rest of the council.
06:43And that you're a lot of shame,
06:44if you've ever imagined that you're wrong.
06:48Okay. Do I need to mention something first?
06:51No. If she will be the first to ask you, then what do you say?
06:57She will work in a doubt.
07:00Okay. How do you say it?
07:03Yes. As I say it.
07:10Yes.
07:11Yes. What do you say?
07:18There is no way to go.
07:22What a hell of a jackpot. You are not happy. You have the temperature.
07:29They paid.
07:30What did they pay?
07:32Two thousand.
07:33Two thousand?
07:34What?
07:34I don't have a dollar.
07:35I don't have a dollar.
07:36A dollar?
07:37Yes.
07:38Yes.
07:39Yes.
07:40I will tell you one thing.
07:42Yes.
07:43Look.
07:43They can pay as much as they can.
07:46Yes.
07:47Yes.
07:49Yes.
07:49The other thing, very good.
07:50I will pay you more money.
07:51What?
07:52I will pay you more money.
07:53Why?
07:56I will pay you more money.
07:57For the fact that my heart had a mental disease.
07:59To be able to feed off the body.
08:01I will pay me with my good and fortunate heart.
08:03Yes.
08:03That's why I will pay you for a good wine.
08:06I will pay you more money.
08:09I will pay you back to the butt.
08:19Maybe you could buy us, but a few thousand years ago, I don't know.
08:24Wait, here's what he writes in English.
08:26What he writes?
08:28He says,
08:31we laughed a lot, and he says,
08:35Mr. Mido has helped us a lot of our people.
08:39I hear Mr. Mido, how they look at me, Chinese!
08:42And they say, we want Mr. Mido to protect our people.
08:49No, he doesn't come.
08:51What? He doesn't come?
08:52What?
08:54I'll take the money.
08:55I can't, I don't want to.
08:58Let's go.
08:59But I'll go to the far east,
09:01and I'll go to the far east.
09:03Okay, we'll go to the far east,
09:05and go to the far east.
09:06Let's go to the far east.
09:09My dear friend,
09:09my dear friend,
09:11Bata Živoinović is the greatest legend in the world,
09:14because of the world.
09:15No, no.
09:16You're going to be like Bata Živoinović,
09:18and you'll become more than he,
09:20to make the slats when you come to the world.
09:22Every world has a number of people.
09:24A billion, a half, a million people,
09:26a billion people have to wait for you,
09:27to wait for you in the world,
09:29in the world, in Shanghai, in the world,
09:30in the world, in the world, in the world.
09:32Maybe, maybe.
09:34But he was a hero.
09:36And I'll be a fool.
09:38Yeah.
09:39Then the majority was a majority.
09:41Hey, watch me!
09:42Don't push me over you.
09:43Don't attack me!
09:46No!
09:47That's all.
10:04What? What do you think, Talo?
10:07We had to stop the project. We stopped the work.
10:11Okay.
10:12We stopped the work. We were from the community and we had to stop.
10:17What? What did they want? A little bit of money.
10:20They came and said that the documents were changed. It wasn't before them.
10:24Oh, don't worry. It wasn't before them.
10:27It was before them when I went to the cafes and bought them for women and their chivalry.
10:33It was before them.
10:35They said that the documents were changed on the level of the state.
10:39Okay. And what is changed here?
10:42I don't know. They need the lawyers to teach them.
10:46What?
10:47You don't know.
10:48You should know that you do something there, as I know.
10:52I will know when the lawyers explain to me.
10:54The only thing I can say is that it is very complicated.
10:58Complicated?
10:59Okay. And how much will it cost us?
11:03It's probably six months.
11:06Six months?
11:08Six months?
11:09You're not normal.
11:09The project will be six months.
11:12I know.
11:13But what can I do?
11:18What can I do?
11:20What can I do?
11:21You have to cut a year for two months.
11:24See what can happen.
11:27No, no, no.
11:28You didn't understand me.
11:29There's nothing to look at.
11:31You have to cut a year for two months or you and I have to finish the story.
11:42What can I do?
11:44Don't ask me.
11:48We've got to set up the building on the woodlands.
11:53What are we going through now?
11:55No, no.
11:57The plan A is the plan B.
12:02Okay, so let's go to the option of the purchase of the company from Uroša Nikolić.
12:08That's right.
12:11Now you'll have to work a little more.
12:26You'll have to work a little more.
12:31The walls are small, everything is heard.
12:34And you're trying to hear it.
12:39I'm glad I knew who a man.
12:42Who is that old Vuk?
12:44What do you care about?
12:48You know, it's not good, but when a man hears the old Vuk,
12:52it's a bit of interesting information, and even a princess,
12:56and I'd like to hear the eyes of the dead.
12:59Okay, but if you're interested in the old Vuk,
13:01who is Toti and Kladionić?
13:04He has the best idea for riding a horse.
13:07Kladionić?
13:08Yes, Kladionić. What do you think?
13:11I didn't think of anything. What do you mean?
13:13Trke Pasa, right?
13:14Yes, Trke Pasa.
13:15Hrtovi.
13:16I heard something about these trke.
13:19What did you hear, mother?
13:21I heard one of a serious man,
13:23that these trke are not true.
13:25What did you say?
13:27What did you say?
13:28How many are you?
13:29Here, I'll tell you,
13:31these trke are filmed for five or six years,
13:36and then they're going to leave,
13:37and they know who's the winner.
13:39And you sit,
13:39you're holding, you're holding,
13:41you're holding,
13:41and they're like a snake.
13:44Let's pray.
13:45don't you fool.
13:47I won't fool you.
13:48I won't fool you.
13:49That's what the man said.
13:50Listen to me.
13:52These trke are also alive.
13:55On the internet,
13:56you have lawyers,
13:57you're alive,
13:58you're doing nothing.
13:59There's no lie,
14:00there's no error.
14:01What you say,
14:02maybe you're in your house,
14:03in your small hut,
14:05and you're in the trke.
14:06In this big city,
14:08as I said,
14:09there's no lie,
14:09there's no error,
14:10there's no error.
14:11In this big city,
14:13there's no lie,
14:13there's no error.
14:14That's right.
14:14I have to remember.
14:16Yes, remember.
14:18Okay.
14:19I wanted to give you a cup.
14:22Go ahead.
14:23I don't have to die.
14:24Now?
14:25Go ahead.
14:27I said,
14:28I have to pay the ticket
14:29to the trke.
14:30What will Matija say
14:32when you hear
14:32that you're walking around the city?
14:34I'm not going to run.
14:35I'm not going to run.
14:35He didn't have to pay the ticket.
14:38I'm not going to pay the ticket.
14:39I'm your little boy.
14:40If you see you,
14:41ask me where you are.
14:43Okay.
14:44If you're my little boy,
14:44you're not my mother.
14:46You won't go,
14:47I'm not going to go to the street.
14:49Okay.
14:50I won't go out.
14:52I just want to tell you
14:53that I'm happy
14:54to decide to stay.
14:55That's right.
14:56I'm happy.
14:57I'm happy.
14:58Let's see.
14:58Bye.
15:17Bye.
15:18Bye.
15:20Bye.
15:22Bye.
15:24Bye.
15:24Bye, bye.
15:25Bye.
15:25Bye.
15:26Bye.
15:26Bye.
15:26So,
15:26until you're running
15:26years ago,
15:28you're society
15:29and young,
15:29you're in a science
15:29more and very
15:29popularly,
15:29to become visible, viral, and after a few years of hard work,
15:35that's the end of the day again.
15:37You understand?
15:38That's what you hear.
15:39But I don't want you to do it, man.
15:41God, you know that you are the one in the whole world world world,
15:46who has been viral for a day, who has been popular for a day,
15:50who has been a million Kineza.
15:52There's nothing to do.
15:54Why not?
15:56God, how not?
15:58I'm so smart, this wicked idea.
16:04Don't you like me?
16:05What's your best?
16:06I'm so talented, aren't you?
16:08Don't you like me?
16:09Don't you like me?
16:09I'm so talented to see a million people around the world.
16:12We're going to remind me that this is half a planet.
16:15I'm so talented.
16:17I know I'm so talented, I can't do it!
16:20I got a letter from Kineza.
16:22What are they saying?
16:22From the shop, the letter came out.
16:24What are they saying?
16:24What are you saying?
16:25They say that the film has been seen over 300 million people.
16:28300 million?
16:32Oh, look at me.
16:34That's it.
16:36They say that they are on social networks and that it became a viral hit.
16:40That's it.
16:41Well, I don't even have to tell me.
16:43Mido, listen to me now.
16:45See, I know that you're making a picture,
16:49but we need to continue on this talas
16:52and get rid of all the best things you can do in this situation.
16:56Can I?
16:56No, I can't.
16:57I can't.
16:58I don't want to sell it for money.
17:00That's not my pocket of tea.
17:01You don't drink tea.
17:02You don't drink tea.
17:04That's good.
17:05Well, you know something about me.
17:08I won't.
17:11Don't cry.
17:15Oh, what's going on?
17:16I have to tell him,
17:18as I know and I know.
17:21I don't call him Goran Crnojovic
17:24and Malegu Bjeri.
17:26You want me to...
17:30I'm a Tijemac.
17:41How?
17:44How?
17:45How?
17:46How?
17:47How?
17:51How much.
17:53What?
17:54How much?
17:55How much?
17:56How much?
17:57What?
17:57How much?
17:57How much?
17:58How much?
17:59I have to get up to Alex for your account.
18:01I'm going to find it on the other hand.
18:02And I'm going to find it on the other hand.
18:04It's not a little.
18:06You have the biggest payment in the company.
18:09Allow me to work.
18:12I've worked at least three of these payments.
18:16I know that you've become a little bit more.
18:20You know what plans are for us,
18:22and you're right here and moralizing.
18:26And I?
18:29We know you.
18:31I know, but I don't think you're going to take care of the real things.
18:36What things?
18:37Well, for me.
18:40I mean, because you've changed the last time.
18:43The only thing you're talking about is a stone.
18:46A stone, a stone, a stone, and I nothing.
18:49Again.
18:52I told you that it won't last long.
18:54Well, you told me that it won't last long, but it will last.
18:57What?
18:58It's a job.
19:00And you're trying to destroy it in your own personal affairs.
19:04I'm sorry.
19:05Everything's okay.
19:06I didn't mean anything wrong.
19:07I'm sorry.
19:09I'm sorry.
19:09Don't want to be sorry.
19:10It's not good for the job.
19:13Okay.
19:14I don't want to deal with it anymore.
19:15I'll do everything I can to get Duraša Nikolić.
19:18Is that okay?
19:19Okay.
19:21And see how we can see him in the middle.
19:26How to see him when he's in the door?
19:28I don't understand.
19:29What do you think?
19:29I'm going to the door and say,
19:31Good day, I'm here.
19:32Why would you let me go to the door?
19:34Why are you laughing at me?
19:36Why are you laughing at me?
19:38You're stupid.
19:40Who's trying to go to the door?
19:41You.
19:42Why are you laughing at me?
19:43You'll find someone who will send a message.
19:47And that's enough for the beginning.
19:53I don't know what I'm saying.
19:56I'll try and see what I can do.
20:00Don't look at him.
20:02Don't do it.
20:04How do I do it when I don't know where he is?
20:06I don't have a crystal ball.
20:08You don't have a crystal ball,
20:10but you certainly have a good lawyer
20:14who you have been paying for.
20:15And now he's coming to his office
20:18to return to his office.
20:20Let's remember.
20:23You know what?
20:24When I'm thinking a little better,
20:29I think I know who to be able to return.
20:33That's right.
20:35Remember your old contacts.
20:37改變.
20:39Turn around.
20:40Let's open up a little bit of work.
20:41That's right.
20:43That's great.
20:44You just gave the idea.
20:46You don't need to go to the job tomorrow.
20:48Yes.
20:50While the task is doing this work.
20:53We've got to get to Uroša Nikolić.
20:57And you can see that if I have a advocate
20:58who I am in mind,
21:00he can help me.
21:03We will know it again in the evening.
21:08I love you.
21:13You can see everything when you want.
21:24Okay, so you don't have a gron.
21:31No, give me devil-sized tea.
21:33Unfortunately, we don't have him, sorry.
21:36Maybe I would have dropped a pearl spray.
21:38He has a great, very familiar taste.
21:41A pearl spray?
21:43You have to do it for three minutes.
21:45Do you think I am from yesterday?
21:47What do you want to put inside me?
21:49It's brown in orange
21:50and the most expensive one.
21:53Please, what do you have in order?
21:55Everything we have is located here,
21:56on the coffee table.
22:02Jad.
22:04Beda, beda.
22:07Siromašt.
22:09I really don't know what you plan to do with this bad card.
22:14Sorry, but I'm not the owner.
22:18I can see.
22:19I mean, by you.
22:21I can make a cocktail for you.
22:24I don't know how to do it for me,
22:26when you don't have my desire until now.
22:29I think...
22:31You have to improve your drink card
22:33if you plan to hold such a special guest as I am.
22:36I mean, for now, nothing.
22:39Nothing.
22:40Good morning.
22:41Good morning.
22:41Hello, Ivona.
22:42And for you, Gospodice, please?
22:43For her, you will have a bottle of water to come to her.
22:47Good morning.
22:48Good morning.
22:48Where are you until now?
22:50Ksenija.
22:52You started to behave like a Diana Erskine,
22:54and here you are a little bit.
22:57I'm not.
22:58I don't want to be a Diana Erskine,
23:01but I'm so sad.
23:02How long do I have to wait for you?
23:04I don't know how it is.
23:06Sorry.
23:07Did you call Fabiana?
23:10I haven't yet.
23:13What are you waiting for?
23:15What are you waiting for, Ivona?
23:16We are good.
23:18You don't understand how much it will be to you.
23:21When you start the objective,
23:23when you start the shooting,
23:25when you start the posing,
23:27you start the posing,
23:27you will be to you.
23:28Believe me, Ivona.
23:29Listen to me, Ksenija,
23:31I'm a little skeptical about this question.
23:34What?
23:34I'm not that I am.
23:35I'm not that I am going to stand against the objective,
23:36and now I go first,
23:38second, left, left, left, right,
23:39left, right, right, right, right, right,
23:40right, right, right, right, right, right, right, right, right, right, right.
23:42And I don't feel it.
23:46I'm on the other side,
23:47God, it's a nice question.
23:50Ivona, listen to me,
23:51Listen to me,
23:52listen to me,
23:53see,
23:55wearing your clothing every day.
23:56Yeah.
23:57New wearing,
23:58styling,
23:59changing clothing,
24:01traveling,
24:02and the attitude of someone paying you.
24:06Is it possible to be better?
24:10Is it possible to be better than that?
24:12Well, you can't.
24:13You know what?
24:15Listen.
24:17I have a little thought about everything.
24:20Okay.
24:21See, I have one problem.
24:23I think that I have a problem.
24:25It's always a problem with you.
24:27Wait, Ksenija, listen.
24:28Listen, listen.
24:29I have a problem.
24:31I don't know how to choose yourself.
24:32You know?
24:36What is the problem, Ivona?
24:39I need a little help.
24:50Good, good.
24:51I want you.
24:52Come on.
24:53Come on.
24:55Hey.
24:56Who are you talking about?
24:58With Lenko.
24:59Really?
25:00Hello everyone.
25:02What's her?
25:03What's her?
25:04She's been at Palma de Mallorca.
25:06She's really talking about it.
25:06You could have to give up a little heart to go.
25:09Don't worry.
25:10I like that I'm here.
25:11But she was crazy here.
25:14Who's crazy?
25:15Rina.
25:16What?
25:17What happened to Ivan's head with some stories about the past lives?
25:22I was talking about some different nonsense, but I didn't have any time to do anything.
25:28Did you talk with Ivan?
25:30Do you want to go somewhere?
25:31Yes.
25:32I'm talking about it.
25:33Do you want to go somewhere?
25:34Otherwise, I'm going to ask him somewhere.
25:36I don't want to go anywhere.
25:37What kind of head.
25:39What kind of head.
25:40Let me go.
25:41Ivana, I wanted to talk about it.
25:56Ivana, you are the best friend.
26:03There's no cocktail.
26:05Let me drink some coffee.
26:06What are you bringing me?
26:07Let me tell you.
26:08Whatever you have, I'm here.
26:10What kind of thing you can do is we can't solve.
26:15I don't know.
26:17What kind of head, Ksenija?
26:20I don't know how to say this.
26:22I can tell you something.
26:23What kind of head.
26:26What kind of head hurts you?
26:28What kind of head hurts you getting a bit free to shoot?
26:32Well, it's easier for you. You know, art photographs are free. Art photographs are free, because they are art.
26:40You know, art falls in your trans, and there are art photographs.
26:44But this will be a business story. Good photo, good love.
26:48Yes, yes, but not that. I don't talk about that.
26:52What if he wants me to show you?
26:59Naga.
27:02Wait, you won't.
27:04You're normal. Why do you show Naga?
27:08Who are you? Don't pay attention to my intimacy.
27:12I don't want anyone to give it to me. You're stupid.
27:16Ksenija!
27:17Kada bih ja imala tu šansu da se slikam Naga, tebi mi kraj bi, Iwona.
27:24Mislim, ja sam to već planirala i razmišljala sam o tome.
27:27Međutim, ovaj profil Baby Vanga, mislim, to mi ne dozvoljava. To bi baš bio skandalono.
27:31Još ovaj ucenjivač sad što mi se nakačio...
27:34Senija, ne pričamo sada o tebi i sada razgovaramo o meni.
27:38Upravo si, upravo si, izvini, molim te.
27:40Moj savjet je da saopštim.
27:44Pa lepo, Iwona.
27:45Nazovi ga i tražimo da se sastanete.
27:49Dobro da se...
27:51Budeš profesionalna, jasno postaviš stvari, kažeš ovo je moja crvena linija i ja preko nje ne idem.
27:58Ja se slikam samo obučena.
28:00Tako je.
28:01Samo obučena i ništa bikini i ništa donji veš.
28:04Ništa bikini i ništa donji veš.
28:07Mislim...
28:08Ne znam što ne bi malo usrećila narod.
28:10Mislim, napaćeni ovaj narod.
28:12Koga preda usreći majke ti?
28:14Da ih usrećim toko što ću gola da zaslikam. Ajde, molim te nek se sami vesele.
28:18Nazovi ga i tražimo da se sastanete do sedmaca.
28:23A možeš samo ti da budeš tu dok ga ja budem zvala?
28:27Naravno da mogu. Samo moraš da požulješ da mi ne zapiš ti ova nanogi.
28:30A misliš sada da ga zove?
28:31Sada? Nego kao?
28:32Aha. Čekaj.
28:33Juj, ne znam da li imam.
28:35Upošte on meni na salveti opisao broj telefona.
28:38Dobro, dobro.
28:39Čekaj, čekaj, čekaj.
28:40Evo ga. Aha, aha, daj, daj.
28:42Aha.
28:45Dobra.
28:46Idem se.