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Igra sudbine Epizoda 1951,Igra sudbine 1951,Igra sudbine 1952,Igra sudbine Epizoda 1952, Igra sudbine Epizoda 1951,Epizoda 1951 Igra sudbine ,Epizoda 1952 Igra sudbine
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00:15I'm sorry, I'm sorry, but how do you make me a star?
00:20What do you mean? Of course, I can make me a star, my dear Ivone.
00:24I'm going to be a natural beauty and natural talent.
00:28So, I've got to know that I've got to know from you.
00:32Mr. Fabian, pardon, Fabian de Perišić.
00:39De Perišić?
00:40De Perišić.
00:42It's very important, it's D, remember, it's artificial.
00:46I give it.
00:48Mr. Fabian.
00:49You can do that.
00:50Listen to me, if this is a question for me, you know that it won't come to me.
00:54Thank you very much, bye-bye.
00:55I'm sorry, I'm sorry.
00:58I'm sorry, I'm sorry.
00:59I'm sorry, I'm sorry.
01:01I'm sorry, I'm sorry.
01:01Do you want to give me a portfolio?
01:03Do you want to see what I've done?
01:07I've done with the most popular trends, the most popular brands and fashion agencies, dear Ivone.
01:14I have never heard it for you.
01:16That's great.
01:17That's great.
01:19The real picture is behind the object,
01:22not in front of the object.
01:24Now, when I look at you,
01:29we can do a lot of photographs.
01:32That doesn't cost anything
01:35and nothing does not advise you.
01:37The photographs?
01:39Yes.
01:40I will give you 500 euros.
01:43No, no.
01:451000 euros I will give you
01:47for you to be in front of my object.
01:511000 euros for photography?
01:52For a try.
01:53For a real campaign,
01:55you will get many, many, many more.
02:00You will get everything in my mind.
02:03Listen to me.
02:04Listen to me.
02:05Mr. Fabian.
02:06Yes?
02:06I am the most common person.
02:09Are you okay?
02:11Yes.
02:11I am the most common person who has been working for months.
02:21I am the most common person who has been working for months.
02:34No Cindy Crawford,
02:35no Naomi Campbell,
02:37no Heidi Klum,
02:39no Heidi Klum.
02:40I don't know who I am.
02:41No, no, no, no.
02:42I don't know who I am.
02:43They are not really smart.
02:45They are not smart.
02:45Cindy Crawford did not wear lines.
02:47But he wore something.
02:48Something he wore.
02:49Everyone wore something before he discovered,
02:52my dear Ivona.
02:53I am.
02:54I am.
02:58I am.
03:06I am.
03:08I am.
03:10I am.
03:10Never mind.
03:12You can ask me a visit card.
03:13I had a new visit card.
03:15I was.
03:15I am.
03:16I don't know who was pasting them.
03:18I don't know who the visit card that was that,
03:22I don't know.
03:22And I am now,
03:22and I am changing those visit cards,
03:24and they are a new card number
03:25because I am the most evident not far with my artificial concept
03:28that I am now.
03:29You understand?
03:30I am.
03:31But I will send you.
03:31Can I invite you?
03:33Thank you very much.
03:34You are very lovely.
03:35My name is Hemisk.
03:40Thank you very much.
03:42I will write you here my number of phones.
03:45You will also have calls
03:46if you are abroad.
03:49Be free
03:51to walk me
03:53in whatever time,
03:55day and night.
03:57Mr. Fabio,
03:58I am more
04:01than this conversation.
04:03I am more than this conversation.
04:04I am just asking myself to understand.
04:05I just...
04:07I have the courage to do so.
04:10No, no, no, no.
04:11No, no, no, no.
04:13I hear only this conversation.
04:16And, my dear dear Ivona,
04:18we need you to get out of here.
04:21You can relax.
04:22Beauty sleep.
04:24We need you.
04:26Do you understand?
04:28We need you to do that.
04:29Do you understand?
04:31Yes.
04:31We need you to do that.
04:34And how many of you are dressed?
04:36How many of you are dressed?
04:39Do you want to do it in my style?
04:41Do you understand?
04:43Do you understand?
04:45Yes.
04:52Do you understand?
04:58Yes.
04:58Don't do this.
05:22I have my own contacts.
05:25Who told me that?
05:26Those who sent me to meet you.
05:29To meet you?
05:30To meet you, to follow you, to listen to you.
05:34Whatever you want.
05:37They gave me a paper.
05:40When you talk about your job.
05:43Where are you born?
05:44Where are you born?
05:45Where are you born?
05:48Where are you born?
05:51I have to tell you that I have to deal with the blood.
05:54No, don't you?
05:56Do you have any questions?
05:58What?
05:59What is wrong?
06:01You and your brother are the same woman.
06:04No, don't you?
06:04You have to deal with everything.
06:05I have to deal with love.
06:08No, don't you?
06:09The first and the last time I tell you.
06:11Don't forget that.
06:14We would have to die for this business.
06:17And here in Beograd.
06:20You are friends.
06:21You are the people.
06:23No, don't you.
06:24I will tell you again.
06:26Don't forget that.
06:28What?
06:29You won't be afraid of me.
06:30You won't be afraid of me.
06:32You can't.
06:32I hate you, not me.
06:34You hate me.
06:35You hate me, right?
06:36You will be afraid of me.
06:37Under the earth.
06:39You see.
06:40That's why I'm coming to get you a little while you're coming.
06:44And you've laughed at me.
06:47Three days you've laughed at me.
06:50And now, I'm a little bit of you.
06:53I'm going to ask you how to do a woman.
06:57On Wednesday, Saturday is your Friday,
07:01and on Thursday is your Friday.
07:04And on Wednesday, we're all together.
07:07I'm going to ask you a second time.
07:08And they say, you're the same as me.
07:13And she didn't know who loves her.
07:15Or she didn't know, but it wasn't important.
07:19That woman is dead, man!
07:24They didn't tell me that.
07:26And they didn't tell you who went with her.
07:28Don't ask me!
07:31I won't.
07:34Don't laugh.
07:35Don't laugh.
07:35Don't laugh, brother.
07:38Don't you know how...
07:40In the house,
07:42or nice,
07:43or...
07:44Don't you know what they say?
07:45I know.
07:46I know what they say.
07:48Okay.
07:50Now, it's not good.
07:52If it's gone,
07:53you don't have to go more, brother.
07:56I don't know.
08:04I don't know.
08:06I don't know.
08:19I don't know.
08:23I don't know.
08:27I don't know.
08:27I don't know.
08:30I don't know.
08:33I don't know.
08:34I don't know.
08:36I don't know.
08:48I don't know.
08:51I'm in a shock.
08:53I'm in a shock.
08:54No, but...
08:56A little before me was a guy.
08:57One guy invited me a job.
08:59What job?
09:03To be a model.
09:05To you?
09:07I mean...
09:08No.
09:09I'm so happy because of you.
09:11Yeah.
09:11Ivona, to be a model.
09:13It's a great news.
09:15It's a great deal.
09:16It's a great deal.
09:17It's a great deal.
09:18I'm so happy because of you.
09:20Yes, Ksenija.
09:21Come on.
09:21Come on.
09:22Come on.
09:23Come on.
09:24Come on.
09:26You're good.
09:27You're good.
09:28You're the best years.
09:29I mean, there's not so many
09:31expensive clothes like this.
09:34Ksenija, please stop.
09:37Why don't you be happy for you?
09:40I don't think that the price is a bad deal.
09:55No, no, no, no, no, no.
09:59Yeah, no, no, no, no...
10:00I couldn't even show you the same thing.
10:00I've got three miles below the ground.
10:02I won't be excuses for you and raise your voice.
10:05Okay.
10:06I'll raise my voice and use my sorry.
10:09I don't want to fall back on my memory.
10:12You'll never mention it.
10:14It's called Višnja.
10:16You'll never mention it.
10:17What's that?
10:19What do you want to do today?
10:21I don't know what I'm talking about.
10:25Okay, I understand.
10:27It's a pain topic, I don't want to do it.
10:30The last time I'm going to do it.
10:32The next time I'm going to do it.
10:35Is it right?
10:37Yes.
10:39Let's drink another drink.
10:41Let's forget about it.
10:43I'm going to do nothing more.
10:47Let's go.
10:50I'm not sure how it's a good idea.
10:55You'll tell me what's a good idea.
11:09Hello, friend.
11:11Hello, friend.
11:11Come back.
11:12How are you going?
11:13It's fine.
11:15What?
11:16We have a problem.
11:31We have a problem.
11:33We have a problem.
11:34We have a problem.
12:03We have a problem.
12:04We have a problem.
12:08We have a problem.
12:12Okay, and...
12:14Did you say that you won't stop me?
12:19So, I finished the conversation with Komarcem.
12:22At that moment, a guy comes in and breaks this town.
12:27He started to fight with that town.
12:29Then he was dressed and dressed as Fabian D. Perisic.
12:33After that, he told me how he knew my name.
12:36And he saw my photo from his friend,
12:39where I sent his CV to a restaurant.
12:42And how he suddenly flew to me in a cafe
12:46and suddenly surprised me.
12:49What did you see?
12:51It would be just a guy who could trust this story.
12:55Sorry, but I have to speak.
12:57Ivone, how many people of the people of the world discovered?
13:01Well, man, especially in the world.
13:04I know that I'm watching.
13:05Did you watch that film, Gia?
13:08Or Gia?
13:10The main character is Angelina Jolie.
13:13I mean, you have to start to believe in the truth.
13:16It's so bad that it's going to happen.
13:19I mean, it's raining a little sun.
13:22Ksenija, that guy has no site.
13:26What did you call him?
13:27I don't know Fabian Perisic.
13:30Perisic?
13:31I don't know.
13:32I don't know.
13:32Yeah, I don't know.
13:33Where is it?
13:36Where is there?
13:37Where is it?
13:39Where is it?
13:40Here it is.
13:41Here you go.
13:42You found it.
13:43Here you go.
13:43Here you can find it.
13:45Look at.
13:47F
13:47Look at this.
13:49Look at this.
13:51Look at this.
13:53Look at this.
13:54Look at these images.
13:55Look at the pictures.
13:57If you don't have to work with her, you and I are not the other people anymore.
14:08No, this really doesn't mean anything.
14:18What is this?
14:19It's just some strange, some trees, something.
14:23What is this?
14:26It's not glamourous, it's not fancy.
14:28I see this new building, rent, 3000€, there's no lift.
14:33Okay, I need to build a lift in the building.
14:38Hello, Dekili.
14:40Hello, Dekili.
14:41I don't want to get rid of this, but we have something else.
14:45We've managed.
14:46Okay, let's go.
14:47See, how did you do this?
14:49What is this? Some empty spaces?
14:51What is this?
14:52No, it's not empty spaces.
14:54It's empty spaces.
14:57It's empty spaces.
14:58Your Diana decided to make a different step.
15:02I can't move more than to restaurants.
15:05I just want to have some good place.
15:07A nice one.
15:08Something where I'm feeling, something where I'm feeling.
15:11I can't do that anymore.
15:13What can't do that anymore?
15:13No, I can't. I can't do all my conversations with the people here,
15:18by some restaurants, some cafes. What's going on? No, I understand.
15:22I can't. I don't need any location, any office, any office.
15:26Do you understand?
15:28Yes, I understand. But wait, are you not finishing all the things
15:33on the road or on the phone? I know you're on the phone.
15:38You can see how you can see it. Of course, I'll finish it.
15:44I can finish everything. I can finish it. I can finish it.
15:48That's right. Why do you do that?
15:50I'm going to hear you because I'm going to wake up in 5 o'clock.
15:54I'm a woman who's a white man. You understand?
15:57She's a strong force. At least at least at 4.
15:59And as you know, I can finish it into a fire.
16:05And what do I think right now? Yeah.
16:14The first one is usually like seven.
16:16And now, what is the essence?
16:18I can't always sit in the restaurant.
16:21You can't understand it anymore.
16:23I can't even imagine people, their aura.
16:26I can't even feel it more comfortable in such an atmosphere.
16:31For example, this little girl,
16:35they don't know the difference between Caprese and Cesar Salate.
16:39Yes, that's completely clear.
16:43But I think nothing is clear.
16:46But what do you say?
16:47Why did we get up to that?
16:50I started with Yvonne.
16:53Well, that's a good one.
16:56Wait, are you sure you don't do that?
16:59But not in the sense of what you think.
17:01I started with Fabian De Perisic.
17:07Oh, I like it.
17:11Yes.
17:12And how did it go?
17:15I think it was good.
17:16I think it was gone.
17:18But we have one problem.
17:23What's the problem?
17:24What's the problem?
17:25I said that I'm a photographer.
17:27But I'm not a photographer.
17:30Just let yourself out, little girl.
17:33Well, everything is yours, Dijana.
17:36Yes?
17:36Yes.
17:38Just let me go.
17:38Can I go?
17:40Of course.
17:41Yes.
17:42Yes.
17:43Yes.
17:44And...
17:44I'll take a look.
17:46Yes.
17:59Don't leave me here, get me a post in the ultimatum.
18:02Okay, I had no thought of anything.
18:05I know you had no thought of anything,
18:08But you know I don't like that, I don't like it when you say it.
18:16Ivona, now we're going real.
18:18What does it happen to you in life?
18:21I'm writing your name.
18:23Okay, except that.
18:25Nothing.
18:26That's right, nothing.
18:28You don't have a fray, you don't have a job,
18:30you don't even have any of your friends who don't have a car,
18:33you don't have to send you to some sladoled.
18:35Okay, I'm fine, I understand you.
18:38Pa ako si razumela, prihvati ponudu.
18:40Ako je okej, okej, ako nije nikom ništa.
18:43Pa nije baš nikom ništa.
18:45Može tu svašta nešto da se desi.
18:48Dobro, šta može da se desi?
18:50Pa može, na primjer, čovjek da me odvede u Belo Roblje
18:52i da proda ova tri bubrega koja imam.
18:56Ivona, ti si moja najbolja drugarica i ja ne želim da te vređam.
19:02Matora si ti za Belo Roblje.
19:04Mislim, prekini više da katastrofalizuješ svaku situaciju.
19:08Šta ako dobiješ posao u nekom kafiću,
19:10kreneš na posao i pum udari te autobus.
19:13Misli šbbkbb, šta bi bilo kad bi bilo.
19:16Ovo ti je odlična ponuda, dobra prilika.
19:19Još ako ima para.
19:21E, pa jes ti pominjao neke pare?
19:24Koliko?
19:25Boga mi, finusom.
19:28To je to. Stvar je rešena.
19:30Ja te učim kako da lepiš trepavice pošto sam ja pro.
19:33Naučit ću te kako da rešiš to svoje gnezdo na glavi.
19:36Kupit ćemo klusku haljenu da se svaka oblina vidi.
19:41Gola leđa, razrez na butini, štiklica.
19:46I eto nas dve na Billboardima Times Square-a.
19:52Ne znam, Ksenija, ne znam, pa nisam ti ja za to.
19:54Meni lepo da je jajncer i onda ću ja lepo da uslužujem gosta.
19:57Ne sad da stanem tu nešto da se slikam, da se pokazujem.
20:02Ajde ovako, popijemo dve rakice, tebi će sve lepo da se izbistri sve do balčaka.
20:07Može?
20:08Konobar!
20:10Dobro bi mi došla rakica sad.
20:14Pa zašto me tako gledaš tim tvojim okicama, pa jo?
20:20Jel? Što ti tačno nije jasno?
20:23Pa iskreno sve mi nije jasno.
20:26Sve ti nije jasno, ajde.
20:29Jesi ti čuo nekad za izraz profilaktično?
20:34Nikad u životu.
20:35Pa vidim da nisi, sad će tebe tvoja Dijana da edukuje.
20:40Čim smo se ti ja dogovorili, razradili mu strategiju uvezano za Fabiana?
20:45Ali stani, stani, stani.
20:47Da budemo jasni, to je bila tvoja ideja.
20:50Pa normalno da je bila moja ideja.
20:51Pa nego čija će ideja da bude nego moja ideja, pa sve najbolje ideje na svetu su samo moje ideje.
20:55To je logično. Ne pričamo tome, ne.
20:57Nego čim smo se dogovorili, ja sam odmah hrenula ovu akciju.
21:01Zašto? Zato što znam sa kim imam posla.
21:03I delovala sam kako? Delovala sam profilaktično.
21:07Zašto? Zato što sam odlah istog trenutka sela i napravila website Fabiana.
21:12A uhu, baš si brzo reagovala.
21:15Pa ne brzo, ja sam reagovala kako zaštitnički. Šta znači profilaktično? Znači zaštitnički.
21:21Zašto zaštitnički?
21:23Pa zato što znam sa kim imam posla. Znam ja da si ti, moj pajce, jedan mali, slatki, napaljeni jarac.
21:32Da, pa znam ja tebe. Pa vidjela sam ja to, čim si se ti onako hitro podigao i taj tvoj
21:38zategnuti gluteus uzdigao sa stolice, čim sam omenila Fabiana i odletao, znala sam već i nešto da se dogodi.
21:43Tako da reagovala sam. Zaštitnički?
21:45Znači ovako, Vijana, Fabian sad ima svoj sajt, je li tako?
21:49Da.
21:51Ima sajt, vrlo profesionalni. Pazi, tu ti piše sve, ko su njegovi klijenti, dakle sa kim je sarađivao, postoje recenzije,
21:59nagrade koje je dobio, sve.
22:02Da bi se znao da to može tako brzo, stvarno.
22:06Kad se znaju ljudi, onda sve može brzo. A ako neko poznaje ljude, onda je to Dijana.
22:12Pa u to ime? Žive li?
22:14Kuc, kuc, kuc.
22:19Si rekla nagrade?
22:20Da.
22:21Pa ja nemam ni jednu nagradu šta ako budu proveravali.
22:23Pa ja nemam ni jednu nagradu, pa ja nemam čak ni Vukovu nagradu iz Osnovnoškova.
22:27Pa daj molim te, ako hoći da proverava nagrade, šta je s to?
22:30Ma nagrade.
22:32Šta, kako se dela nagrade? Ja tebi, ti meni. Mi kao drugovi pa delimo jedno drugom nagradu.
22:36Ajde, pa te gluposti.
22:38Da proverava nagrade, šta ti padne na pametljivo?
22:43Neverovatno.
22:44Ma ja sam tamo navela kako su to neke nagrade.
22:46Nešto iz Turske, iz Bugarske, nešto, razumeš, nešto što niko ne zna, ne može da proveri.
22:52Uostalom, kad već pričamo o festivalima, što možemo evo sad, ti i ja ovde, da svečano otvorimo restoranski festival.
23:00Dodelimo nagradu za Zlatnu Cezar salatu, za Grand Prix Caprese i eto festival. Ako ne mi užiri, užiri no moja
23:10mala konebarica.
23:10Dajte moja. Neko će proverava nagrade. Koga briga za nagrade?
23:15Dobro, mislim, ako ti tako kažeš, ja ipak i dalje nisam siguran o to, ali dobro.
23:24Nema što da ne budiš siguran kada sa mnom sarađuješ. Razumeš? Kod mene nema valjda, kod mene sve sigurice. Razumeš?
23:31Budi siguran da je tako, baš tako kao što sam ti rekao.
23:35Nego kako je reagovala na tvoju ponudu?
23:40Sve sam uradio kako si mi ti rekla. Od A do Š.
23:45U startu nije bila baš jako malo imala neki gard, držala se onako, pa dok sam ja to probio, ja
23:50sam probio, ti kaže, ja sam jarac, ja sam to probio, i ona je progutala priču.
23:58Dobro, ako je tako, onda u redu. I šta? Ajde se kucnemo jednom u tvoje ime, onda je sve u
24:06redu, ja?
24:07Oooo. Uff.
24:10Nego ajde da ne gubimo više vreme, treba da pronađem taj kancelarijski prostor. Ako možeš da mi, pozoveš ovu malecku
24:17da mi donese salatu.
24:18A, kapreze. Kapreze, kapreze, ne znam. I ako možeš samo da odeš.
24:22Jednostavno, mene remeti i strašno me nekako uznemirava ta vizura tvog pejsa.
24:33Ništa, vidimo se.
24:34Ajde.
24:35Na ručiću ja kapreze.
24:41Doviđenjse, Fabiane, doviđenjse.
24:46Perišiću, perišiću.
25:09Komaras, druže.
25:11Ni smo tija, nikakvi drugori.
25:14Ajde, molim te, prenoš to odeš, sa čekaj minutu.
25:18Sto? Ni pola minuta.
25:25Evo, ne moraš ni pola minuta.
25:28Da nije neka nam mešteljka, bre.
25:30Pa nije, ajde, sloni to. Šta mla taraš ti mođe cijeli dan?
25:34Sad ću, sa čekaj me ođe.
25:52Otko ti?
25:53Tujem da imate nevolje u Raju.
25:56Ne mogu da izdržim sa ovim čovjekom ni pola minuta više.
26:00Čuješ ti to?
26:02Samo vrijeđanje po vazda.
26:05Ajde, proštaj.
26:07Što da li išiš?
26:09To što si čuo.
26:12Hajde, hoću da ostane da popričam sa komaracim nasan.
26:23Kakav kraten je ovde.
26:25Pusti sad njega.
26:27Pa kako da ga pustim, rečovječe brek na gudi.
26:29Zdržim ni sekund više sa njim, bre.
26:30Sigurno ovde sad negde prestuškujem.
26:32Komarac, stani.
26:35Ima nešto ozbiljno da ti kaše.
26:55Šta je bilo?
26:57Šta šta je bilo? Šta šta je bilo?
26:59Šta šta je bilo?
27:00Nekako priča o tome kako nam je neka policijska patrola ispred zgrade?
27:03Mama, preteruješ.
27:04Šta ja preterujem, Asija?
27:06Jutras kad sam krenula na pijecu, čula sam onu komšinicu iz sutere nekako priča sa mužem o tome.
27:12Dobro, normalno da je ona primetila kad živi u sutere.
27:15Dobro, a sad kad sam se vraćala?
27:17Šta sam čula one dve komšinice ispred lifta kako samo razglabaju, kako nam je patrola motri na zgradu.
27:23Pusti ih da razglabaju, šta tebe briga?
27:25Pa, naravno da sam ih pustila.
27:26Naravno da sam ih pustila.
27:28Spustila sam glavu kao miš kad sam čula o čemu pričaju.
27:31Evo Bože, ko zna šta one misle sad o meni?
27:33Verovatno ne misle ništa.
27:35Pa da, pa da o tebi je lako to da kažeš.
27:38Ti staviš na svoju slušalice na uši, izađeš iz zgraden i ne javljaš se komšiluku.
27:42Baš tebe briga za sve.
27:44I jeste, i ja ne prisluškujem tuđe razgovore.
27:47Slušaj, Asija, nisam ja nikoga prisluškivala. Ja sam se slučajno našla oba puta tu.
27:52Mama, jel ti znaš koliko ljudi živi u ovoj zgradi?
27:56Pa, mislim, ne znam za tačan broj, ali...
27:58Mnogo.
27:59I niko ne zna da je ta patrola tu baš zbog nas i naših problema.
28:03No, ne znam da si.
28:04Ja se osjećam kao da mi je meta nacrta na čelu.
28:07E, upravo se tako osjećam, kao da sam obeležena.
28:10Mama, niko ti nije nacrtao metu na čelu.
28:12Ajde, ajde, hoćeš čaj da...
28:14Ma, kakav čaj, Asija, molim te.
28:16Ja hoću samo da se ovaj pakao više završi.