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00:01I've been reading a little bit about Gene Giscan's biography.
00:06You know, Rina, there are a lot of similarities. You were right.
00:10But, God, there are some differences.
00:14What differences?
00:16He killed so many people in the world.
00:20He has a lot of children. I don't have so many children.
00:25What is your question? Your eternal soul?
00:28Okay, okay. I believe. I 100% believe in your vision.
00:33And don't worry about Gene Giscan.
00:36At the end of the day, it's not the only life you've lived.
00:39Life before life.
00:41How much of it is lived and forgotten.
00:43Really?
00:44Yes, yes. Your previous life is only the most famous and the most famous one you've been.
00:49But you're not the only one.
00:52Wait, Rina.
00:53How much have we been to life before this year?
00:57We're going to have to look at this new season.
01:00We're going to go to life between lives.
01:03It would be important to know what is your task in this life.
01:07I'm so tired.
01:10I'm so tired.
01:12I'm so tired.
01:13I'm so tired.
01:14I'm waiting for you to see you when you're free for the next season.
01:18I'm so tired.
01:18And you're not the best.
01:19Maybe tomorrow?
01:21Tomorrow, that's great.
01:23I'll call you to tell you exactly what time is, you know?
01:30Who did you talk to?
01:32With a pencet.
01:34I called him to get a little depressed.
01:36He did a lot of pain with Vukashino and all the time.
01:40Are you sure?
01:41Sure.
01:44Sure.
01:44Sure.
01:45Sure.
02:04Sponsors, these are serious people.
02:07These are serious companies.
02:08These are global companies and global sponsors.
02:11What do you know?
02:12Ok, ok, ok.
02:14When you ask the sponsors,
02:17Alexa, sure?
02:18What, Alexa?
02:19What?
02:20The Far East.
02:22The Far East?
02:23The Far East.
02:24The Far East.
02:25Look at that.
02:27See?
02:27I told us that our mothers are still there.
02:30You understand?
02:30When we sell our mothers,
02:31we sell our mothers.
02:33You understand?
02:34What do you understand?
02:35What is this?
02:37What do you know?
02:38You're going to turn on me.
02:39How is this?
02:42What is this?
02:43What?
02:46The Far East.
02:48I tell you, I tell you, if you sponsor us something about the show,
02:53you know, you know what I'm saying,
02:56I'm just asking them for the sponsorship, you understand?
02:59That's right, see, if you go, go.
03:02It's going to be the most effective.
03:04This is so loud.
03:05People said that for the first clip, we'll send you $1,000.
03:11KUKU!
03:13$1,000!
03:14$1,000!
03:14Why do you go? Why do you go?
03:17Why do you go?
03:18Why do you go?
03:19They wrote here, on this paper,
03:22what you say,
03:24means that on their language.
03:26Here, read it.
03:28What do you read?
03:29Here, you go.
03:33You just read it.
03:35I read it.
03:35They read it.
03:37They read it.
03:38O,
03:40O,
03:41O,
03:41O,
03:43O,
03:45O,
04:11Then you add 5 words, then you add 5 words, then you add 10 words and you've finished it.
04:21Let's go.
04:22You don't have to concentrate on me.
04:27Let's go.
04:27Let's just hear it.
04:32Okay, let's go.
04:33Let's go.
04:41Let's go.
04:50Let's go.
04:51Let's go.
05:08Let's go.
05:14Let's go.
05:15Let's go.
05:18Look, I wanted to tell you something for Ivana.
05:22What is now?
05:24I did nothing.
05:26He has done a lot in the last time.
05:30Ivan is always very funny, so what is currently doing?
05:36Epa, concretno, tvoj otac je umislio da je Džingis Khan.
05:44What?
05:46Umislio je da je u prošlom životu bio Džingis Khan.
05:50In general, it's not funny.
05:52Ok, ok, it's not funny.
05:54Where is that?
05:57Ona Rina, video Njakinja, šta je već, ona ga je ubedila u to.
06:00I on sad ne može da se smiri, celu noć čita knjigu o Džingis Khanu, o Mongolima.
06:05Bože, koliko on brzo padne na neku žvaku.
06:08Slaži se, lako veran je.
06:11Vidi, ljudima je potrebno da veruju nešto, tako da pusti ga malo.
06:14Samo nemoj da mu daješ da jaše konja, da ne mora da uplaći mnoj kuk.
06:18Vidim da je tebi ovo jako zagorno, ali veruj mi, meni uopšte više ovo nije smešano.
06:38Uroš ne zove lično.
06:40Ima telefon, ima advokati, ima ljudi.
06:44Zašto se ide preko tebe?
06:47Zato što Uroš više ne zove nikoga lično.
06:50Mene je zvao.
06:51Ranije?
06:52Ranije je bio napolje.
06:54Sad je unutra i gleda da se ogreda.
06:55Uroš radi od svega.
06:56Uvek je neko ismiđu.
06:58Ako nekog uhvate, uhvate posrednika.
07:00A on ne zna ništa ni o čemu.
07:02A posrednik si ti?
07:04Danas ja, sutra neko drugi.
07:06Tako on radi od kad je ušao.
07:09Aha, znači nije samo nepoverljiv prema meni.
07:12Nije.
07:13Nepoverljiv je prema svima podjednosti.
07:15Nemoj to da primaš k srcu.
07:17Ne prija ništa k srcu.
07:20Kako je Uroš?
07:21Dobro je.
07:22Prešao je u veću ćeliju.
07:24Lepi vesti.
07:25Jeste.
07:25Ima lep pogled na dvoriške.
07:29Zavidit će mu pola Beograda.
07:31Komu je to sredio?
07:32Njemu niko ništa ne sređuje.
07:34Uroš je uroš i unutra.
07:36Ljudi mu sami nude.
07:37Ne mora ni da traže.
07:39Ljudi uvek nude onome ko može da vrati.
07:42Recimo da ga pozdravljam.
07:44Treći ću.
07:46Još nešto.
07:48Šta je presuda za našeg druga komarca?
07:51Još je na tanku.
07:54Malo postaje nestrpljiva.
07:56Nestrpljiva?
07:57Zbog čega?
07:59Obavio je posao.
08:01Zahvana je bila.
08:03Sveće su gorele.
08:04Ko je trebao da vidi videovi?
08:06Sad čeka da vidi šta dobija za to.
08:09A za sad dobija samo čutanje.
08:11Čutanje je bolje od nekih drugih stvari koje možete dobiti.
08:14Uputi ga da bude sir.
08:16Znam ja to.
08:18Ne zna on.
08:19Ozbiljno ti kažem.
08:22Okej.
08:24Ako počne da pravi buku, let će da bukne pre nego što neko gore odluči bilo šta.
08:30Ja rekao sam okej.
08:32Strpljiva spaša.
08:34On je moj čovjek.
08:35Ja ga držim.
08:38Je li to sve?
08:39Nije.
08:40Imamo za tebe novi zadatak.
08:44Koji zadatak?
08:48A šta treba evo? Hoćeš da ga pošeljem u ludnicu? To?
08:52Neću, naravno.
08:53Pa dobro, ništa. Razgovarat ću s njim, pokušat ću da ga urazumim i jat.
08:57Dobro, a šta ja da radim dok ti ne budeš razgovarao s njim?
08:59Da ga gledam kako se ponaša kod aj džingi s kanjom?
09:03S njim stvarno ću da poludim više od njega, majke mi.
09:05Razgovarat ću s njim i evo, poslaću vas na neko letovanje.
09:08O ne, nemoj nas da šalješ na letovanje. Njega pošalji negde da se odmorim od njega jer stvarno više nemam
09:15živaca za njegove budalaštine.
09:17Polako, molim te, razgovarat ću s njim i evo.
09:18Izvini, ali ne može polako, razumeš?
09:21Ne znam je li ti shvataš da u ovim godinama ja sam mislila da ulazim u jednu mirnu fazu života,
09:27opuštenu, gde ću da uživam sa svojim unukom, recimo.
09:30I šta ja ovde radim? Vraćam se sa tvojim ocem u vrtić.
09:34Razgovarat ću s njim, rešit ćemo.
09:37Mada, sad malo bolje razmislim, opšte ti nije loša ta ideja za ludnicu.
09:42Si ozbiljna?
09:43A nisam ozbiljna, naravno.
09:44Ali molim te, reši to, počet ću ovde da bijem po kući kao pančeta.
09:48Dobro.
09:53Jink is gone, može misli.
10:09Koji je zadatak?
10:11Treba da uđeš u kontakt sa Aleksom Žegovićem.
10:15Ko je taj?
10:16Suvlasnik jedne firme u kojoj Uroš ima vlasnički udel.
10:20Uroš je taj udel kupio malo pre nego što su ga ukapsili.
10:25Dobro, i?
10:26Moraš da ga ubediš da proda svoj deo firme Uroš.
10:30Da proda?
10:31Da proda, ceo svoj deo.
10:33Uroš hoće celu firmu.
10:35Šta će Uroš u firma dok sedi u čeli sa pogledom na dvorište?
10:40To ne pitaš ti, ne pitam ni ja.
10:43Firma vredi i vredi će još više.
10:45Uroš ne kupuje ono što ne vredi.
10:48Znaš, malo mi se ne sveđa da budem po trčko Urošev u celove priče.
10:53Pa, ne treba na to da gledaš tako.
10:56A kako da gledam?
10:58Prvo mi je dao da mu skinem onu sedu glavu sa vrata.
11:03Sad ubeđujem nekog Žegovića da proda firmu.
11:08Sutra će da traži da mu nosim paketiće u zatvor.
11:11Ti si jedan od redkih ljudi u koje on i dalje ima poverenja.
11:14To nije mala stvar.
11:16Da, ali ne dovoljno da me lično pozove i to kaže.
11:20Ta okolnost ne treba da te odvraća od mišljenja koje je Uroš imao tebi.
11:24On o tebi misli sve najbolje.
11:26Zato ovo daje tebi, a ne nekome drugom.
11:29Dobro.
11:31Kako misliš da to uradi?
11:33Ne znam.
11:34Ali uradi to.
11:35Ne znaš.
11:38Taj Žegović je koliko čujem čovjek sa parama.
11:41Takvi ne prodaju zato što ih neko lepo zamoli.
11:45Zato Uroš i šaljen tebe na neadvokata.
11:49Ko neće Milom?
11:50Bez zile.
11:51Uroš ne želi nikakvu muku oko tog inena.
11:53Prvo lepo, pa vidimo.
11:55Prvo lepo.
11:57A ako lepo ne prođe?
11:58Onda ćeš da nas zoveš pa ćemo da se dogovorimo šta dalje.
12:02Nemoj ništa na svoju ruku.
12:04Ništa na svoju ruku. Razumem.
12:08Gde mogu da pronađem togo, Žegović?
12:10Poslat ćemo ti broj.
12:32Njim.
13:00Njim.
13:01Panči, to mi je upustio za daljinac, ali je na kineski. Pa pokušao da ga nauči.
13:08Ti si ovde napisao jednu rečenicu. Upustvo za daljinac je ovoliko. Ogromno. Šta muljaš? Lepo da kažeš i da se
13:20izraziš da ne bi drao kožu na šiljak sad. Ajmo.
13:24Eh, pa pa čete, mislio sam ne, ali propade mi sad iznenađenje. Eto ti.
13:29A ćeš da te ja iznenadim jednom metlom po glavi.
13:32Pa mo pušti me.
13:33Teo.
13:34Pušti metlu sa ženska glava.
13:36Teo.
13:36Slušaj me.
13:37Goran mi je rekao da je našao neku prodavnicu. Puna je kineza. Mislim, ono ima dosta radnika, razumijem.
13:44A oni žele da čekaju kinesku Novogodinu kod nas u Maldive, Panči.
13:49Mido, ne pasiraj mi mozak. Maldivi se renoviraju. A kineska Novogodina je tek u februar.
13:59Ama za mene to nije tek pančeta. Nije tek. Ja znam kad je. Nego ja už da se pripremim na
14:05vrijeme. Razumiješ da ja to lijepo naučim.
14:08Književni, kineski, da ih dočekam lijepo. Razumiješ kad dođu gosti.
14:13Da.
14:13Eh.
14:14Pa to ima smisla.
14:17Pa kako da ne imam pa to ti priječa.
14:18Dobro, dobro. Malo da im se dodvoriš.
14:21Pa malo.
14:22Svi vole. Malo.
14:24Vjerovatno će posle toga da ostave i veći makšiš.
14:27Pa to ti priča. To ti priča. Znaš šta, Miligoran?
14:30Šta kaj?
14:32Kinezi imaju tih praznika. Ne znaju ni oni sami koliko razumiješ. I svi će kod nas. Pa to je tek
14:38početak, Panči.
14:40Ne se pa ježu.
14:41Ja što više znam tih riječi, razumiješ? Da.
14:44I što bude bolje govori o kineski, imat će veći bakšiš.
14:51Tačno.
14:52Pa šta si se sad ovde, šta se raspravljaš sa mnom? Šta mi toliko reči bre prosipaš?
14:57Uzmi bre ovo lepo i uči. Ajde. Uči na pamet, na izust. Ajde.
15:02Ma ja učim nego me ti zamajavaš.
15:04Ma ko te zamajavaš?
15:05Ti.
15:06Sad ću ja tebe da preslišavam.
15:08Eh, pa djemoj, djemoj, djemoj.
15:09Oću, oću, mora, mora, mora.
15:10Što mora, baš šta?
15:11Mora, mora, mora.
15:12Ako hoćeš da zaradimo pare, ima da naučiš sve ovo lepo. Ako treba pevaš.
15:20Nemoj pančeta se.
15:20Ima da pevaš na kineskom.
15:22A ne...
15:24Čekaj, tekst.
15:26Čekaj, tekst.
15:29Dobar, ne moraš da pevaš, ali ajde.
15:45Vidiš, Rule, taj Džingis Khan, on je bio veliki, veliki mongolski vladar.
15:53On je to vremena svojio pola poznatog svete i bit će upamćen kao jedan od najmoćnih ljudi tog vremena.
16:01Vidi, Deko, mi nismo nešto posebno učili o njemu u školi. Više smo radili Nemanjiće i zajedno.
16:08Dobro, dobro, dobro, dobro. Mislim, to je lepo, znaš što to Nemanjiće.
16:13Ja sam htio da te pitam, ovaj, pogledaj, pa li ti ja onako malo ličim na njega?
16:21Te podsjećam na njega?
16:22Pa, ne baš.
16:24Dobro, ne baš, mislim, on je azijat, mongol, razumiješ, ja sam evropljanin.
16:30Ali ovako, mislim, kad pogledaš sliku, ovakvu stavu u izgledu, a?
16:37Pa, obojica ste debeli, imate velike glave.
16:40Marš broj, ajde, ajde, beži se oko, ajde.
16:43Češ ću malo.
16:45Ešte ima.
16:45Ma ništa ovaj priča, nešto sa lule, to mogu ti reći.
16:49Baš izbizobrazio posljednje leve.
16:51Vidi, Ivane, ja sam mislio da tebe pošaljem na jeno putovanje.
16:55Kako putovanje?
16:56Pa sećiš kad si mi spominjao Zanzibar.
16:59Kad sam ja tebi spominjao Zanzibar?
17:01Onda kad ste se krili kod Biljane od Gabriela, sećiš se.
17:05Ma dobro, to sam ja samo šalio, znaš.
17:07E, pa vidiš, ja sam ti kupio kartu.
17:10Kako si mi kupio kartu?
17:11Lepo kucu podatke, tamo platio i kupio ti kartu.
17:14Samo meni?
17:15Samo tebi.
17:16Aha.
17:17Znači, fly Ivane, fly.
17:21Vidi, Aleksa, jel se to meni čini ili bi ti mene nešto kao da otkačiš, a?
17:52Gooo, ši, gej, go, to.
18:00Šta je sad?
18:01Stav.
18:01Pa šta ne?
18:03No, it's because it's not a regular order.
18:05That's how I signalized you.
18:09Listen to me.
18:11She says gay, you speak for another language.
18:16She says G, she gives you a nod.
18:23I know.
18:24You see?
18:26But that...
18:28And that...
18:29It's all the same.
18:31And that...
18:33It's something similar.
18:36Well, I don't know.
18:37And the bread and the bread are similar, but it's not.
18:40I don't know what it means here,
18:43but it's important.
18:46Let's teach you this beautiful thing.
18:48Let's go!
18:49Fine, fine, fine.
18:51You have to do it.
18:52You have to do it.
18:54You have to do it.
18:56You start from the end.
18:59You can do it again.
19:00Okay, fine.
19:01You have to read it.
19:05I know what is your problem.
19:07What?
19:08You don't want to stop it.
19:10You don't want to stop understanding.
19:14You have to do it.
19:15You have to do it.
19:17You have to do it.
19:18I have to do it in my head
19:19that it's called
19:22Happy New Year.
19:24And then...
19:26See?
19:27Let's see.
19:28That's the problem.
19:29I have to do it.
19:31It's true.
19:33It's true.
19:34It's true.
19:34It's true.
19:35It's true.
19:35It's true.
19:36It's true.
19:37It's true.
19:37It's true.
19:39I don't know what to do.
19:40I don't know.
19:41Just explain that they are just like a language.
19:45But I don't know what to do.
19:50Let's go.
19:51Let's go.
19:53Let's go.
19:53Let's go.
19:54Let's go.
19:54Let's go.
19:55Let's go.
19:56Let's go.
19:57Let's go.
20:02Let's go.
20:03Let's go.
20:04Let's go.
20:05What is it?
20:07Wait.
20:08Wait.
20:11Let's go.
20:12Let's go.
20:13Let's go.
20:16Why?
20:19The New Year is only in February.
20:22I have time to learn.
20:24Let's go.
20:26Let's go.
20:27Let's go.
20:28Let's go.
20:40Let's go.
20:42I'm sorry.
20:42I don't know.
20:43I'm sorry.
20:45I'm sorry.
20:50I don't know.
20:55Let's go.
20:57No!
20:58Nothing is simple.
21:01It's like a clicker.
21:10I don't think I'm going to leave you alone.
21:12I think I'm going to leave you alone.
21:14And I'm going to leave you alone.
21:17What did you do?
21:18For example, this idea.
21:20Home, souls, past lives.
21:23You need to change the middle.
21:24And why Zanzibar?
21:27And why not?
21:28And when the night?
21:29Tomorrow.
21:30Tomorrow?
21:31Well, you see, I can't go tomorrow.
21:34And I won't go.
21:35Why?
21:36Because I won't go alone, like a clown.
21:39And you stop to treat me like a clown.
21:42Let's go, no one doesn't treat you like a clown.
21:44I know that you don't even think about me alone.
21:49I don't know who's wrong with the song.
21:52Fly, Robin Fly.
21:54In this case, Fly, Ivane Fly.
21:56I don't know who's wrong with the fingers.
21:59That's wrong with the song of your mother.
22:01Okay.
22:01You did a little beat on your head with the jingis cup.
22:04That's right.
22:05That's the limit of her patience, right?
22:08Okay, Ivane.
22:09Okay.
22:10Let me ask you something.
22:12Because I'm wrong with what I believe.
22:15I'm wrong with someone.
22:17I'm wrong with someone.
22:18I'm wrong with someone.
22:19I'm wrong with someone.
22:20No.
22:21Then you stop to treat me like a clown.
22:25You send me your mother to Zanzibar.
22:27No one will go there and get away from this clown.
22:31And you'll leave me at peace.
22:32I'll have a quality time with my son.
22:36Come on.
22:39Take care of yourself.
22:55Hey, comero, do you have something?
22:58I don't have anything yet, but I've sent you in my mail.
23:02I've sent me to analyze people who are doing it a few days.
23:06She has a name and an address.
23:08What kind of people?
23:11Really. Don't ask them.
23:14It wouldn't be nice to know.
23:16Okay. And then what?
23:18Then I'll talk with what she writes
23:22and your partner will never get any messages.
23:26How is she?
23:29Ksenija like Ksenija.
23:31She's doing everything in order.
23:33That's the best.
23:35I know, I know.
23:37I've noticed that.
23:38Come on.
23:40Thank you for doing this.
23:42You'll thank me when we end up at the cafe.
23:46I've already told you that you're not.
23:47I've already told you that.
23:49But I'm going to get out of here.
23:50Okay. Tell me if you know anything.
23:53I love you.
23:55Tell me.
24:05Thank you so much.
24:09Doc Kelly.
24:10Did you.
24:11Do you?
24:13Yes, I am.
24:16I don't believe.
24:18I don't believe you.
24:20I believe you are your photo.
24:24Where?
24:24I have my friend.
24:27I have a friend who is working on a Belgian restaurant.
24:32And they have put their own CV on the job.
24:35And I have my job.
24:35In any case, I see you your photo.
24:37What restaurant is in question?
24:39Okay, it's not important what restaurant is in question.
24:41Excuse me, please, but for me it's so important to know what restaurant is in question,
24:45even though my photo is made from the other hand.
24:47I would like to know where it started.
24:50La Bubu Malubu.
24:51It's a Japanese restaurant.
24:54You should try sushi.
24:56It's from there.
24:57Yes.
25:00I don't like it.
25:02It's fine.
25:03I don't know how it ended.
25:04In any case, I saw your photo.
25:07Okay, please, how can I help you?
25:10Ivona,
25:13I'm going to make you a guest.
25:31Are you going to finish?
25:34I'm going to make you a guest.
25:35What's up?
25:37It's an interview?
25:39I heard this drive, but I would not want to go to the car.
25:44When am I so RT?
25:46And why are you so nice?
25:50I'll be back tomorrow, and maybe...
25:55Who is the girl?
25:57She's not a girl, but a business partner.
26:01And a business partner?
26:02And at the end of the day, I like you to be a business partner.
26:07Everyone tells me that. I think I was you yesterday.
26:11You're not?
26:13Okay, let's start from tomorrow.
26:17Is this or is there a girl?
26:20Nothing. I mean, a combination.
26:24A two meters with my fingers, nothing.
26:29We need to find something.
26:31I don't care about it.
26:32I don't care about it.
26:33Look at yourself.
26:35What happened to you?
26:36Good work.
26:38Now, a circle.
26:40How did you call it?
26:41Stella, right?
26:43You're a girl tomorrow morning, but today I'm a woman.
26:45You're a girl, you're a girl.
26:48But everyone needs to have someone.
26:50No, there's no need.
26:53There's no need.
26:54You have to. You have to.
26:56But you won't admit it.
26:57You don't have to be so familiar in our business.
27:01What?
27:02Because in our work, when you are alone, you end up in the door or in the grave.
27:12If you end up in the door, then nothing.
27:15If you have someone, either you come to a visit, or you wait with cash,
27:22and if you end up in the grave, then you come and pay for the Svećan.
27:30It's not good for you.
27:33You wouldn't give it to anyone.
27:37Really?
27:40Listen.
27:44When you have someone, you give them the chance to shoot you, but they don't bite you.
27:50That's why in our work, our employees, they ask you how you are.
27:54How you are a woman. How you are a child.
27:57And they don't ask you anything else.
28:00That's right.
28:02Did you always think so?
28:05There was one woman before.
28:07Ah, you see?
28:09You don't see anything, but ask her.
28:17What was it?
28:24It was the only one.
28:27It wasn't like today, she looked at the phone.
28:29She looked at me.
28:32When I go to the space, you know that she left, and that you don't bite.
28:38Hmm.
28:39Hmm.
28:41I don't know what she's doing.
28:43I don't know what she's doing.
28:44I don't know what she's doing.
28:47What did you do?
28:48If that was definitely something else about her.
28:49Would a ton of questions?
28:50That will keep me all the time.