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Infinito Amor - Capitulo 10 (23 octubre)
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00:07Police, I want to report the theft of some diamonds.
00:19Cristina.
00:19That man stole some diamonds.
00:26Like me, the Count of Monte Cristo emerged from his confinement
00:29to discover that the world had gone on without him.
00:32Now, fate has placed me in the midst of my enemies.
00:36And what I discovered was more cruel than any prison.
00:40She, my infinite love, is the lady, your art, the wife of another.
00:46Because life always takes away what we love most.
00:51To her, I am a shadow that threatens her marriage.
00:54that inspires fear, made me a killer.
00:57And now a thief too.
01:00My sentence is not over.
01:02My ordeal has only just begun.
01:09That man wanted to sell me some diamonds.
01:12A very rare pink diamond.
01:14Of incalculable value.
01:16He probably stole it.
01:22Pablo could not have committed any embezzlement at the publishing house.
01:26Yes, it seems incredible, Mom, but I just confirmed
01:30that the movement was made from Pablo's personal computer.
01:34The same day he died, there's no doubt, it had to be him.
01:38No, that's not possible. There must be a mistake.
01:40Yes, I thought the same thing, but no, it's true.
01:44Please understand, Pablo was incapable.
01:49He always behaved with complete honesty and was always loyal to the company.
01:55And he was always loyal to this family.
01:58That's what she made us believe, Grandma.
02:00He was supposed to be the impeccable Pablo Duarte, but that wasn't the case.
02:03Now, because of him, the publishing house is on the verge of bankruptcy.
02:06Don't talk about your father like that.
02:08That's the truth, Grandma.
02:09It is not fair that they are accusing him now that he cannot defend himself.
02:13He loved the publishing house.
02:16And I don't understand it either, Mom.
02:18We all trusted him, but the reality is that Pablo made a million-dollar withdrawal from the company.
02:24Okay, Johnny, are you sure about what you're saying?
02:26Of course.
02:27Look, man, the evidence is there.
02:29That money came from his computer.
02:31The computer doesn't lie.
02:33And the bank is already tracing the money.
02:35But I doubt we can recover it.
02:38Well, we're not going to let the publishing house collapse.
02:41It is our father Johnny's legacy.
02:42Yeah.
02:43What can we do to avoid losing everything?
02:45The only viable way to lessen the loss.
02:49Yeah.
02:52It's about selling the publishing house.
02:53Oh, no.
02:55Never.
02:57Your father built the publishing house with a great deal of effort.
03:02It's true.
03:03And I will not allow them to get rid of her.
03:06As if it had no value.
03:09Never.
03:10Never.
03:10What does the publishing house mean to you, Mom?
03:13And I'm truly sorry, but I don't see any other way out.
03:23It was all very surprising.
03:26It was very, very fast.
03:28I didn't even get a good look at it, and honestly, I couldn't describe it.
03:32Apologies.
03:34Thank you.
03:37What kind of man have you become, Ariel?
03:40Who are you now after so many years?
03:46And at which jewelry store was that?
03:51Good.
03:52Yeah.
03:53We will pay you for that information.
04:03Oh, my prince thought I was a friend of Mrs. Amanda.
04:07Why didn't you tell her the truth, Emilia?
04:10Well, it caught me off guard, didn't it?
04:11Would you have preferred if I told him I was a thief?
04:14Neither God nor anyone else should order it.
04:16No, no, no.
04:18I don't have those bad habits.
04:20And anyway...
04:21Oh, it wasn't right to lie to my prince.
04:24I even gave him my cell phone number.
04:25I'm a messenger who was going to think about whether he called me.
04:28What if he doesn't call?
04:29Well, lately, that would be better.
04:32What if the boss finds out I took her things?
04:35Oh, but it was only for a little while and I didn't make a mess.
04:45Princess Milly, I've finally found you.
04:57How romantic.
05:00It was so beautiful to feel like a fairytale princess, even if it was just for a little while.
05:07Uncle.
05:08That?
05:08How's my encore?
05:11I heard that she felt bad.
05:12Can I see her?
05:14Not for now.
05:15I gave him a sedative to calm him down and let him rest, but he's going to be fine.
05:19It's going to be okay.
05:22Hey, since I see you, can you explain the argument you had with Johnny?
05:27My grandfather's construction company wants to destroy the nature of Xochinti.
05:31He says he's going to do something about it, but he doesn't want to stop the work.
05:36That's why I'm organizing a demonstration.
05:38Oh, let's see.
05:43Look, I know you're doing it with the best intentions.
05:46And I admire your passion and dedication.
05:48In fact, the planet needs more people like you.
05:51But do you think a protest is the right option?
05:55If I don't do it, nobody listens.
05:57We are invisible.
06:00Look, Uncle Dab, time is running out.
06:03Every day the damage grows and I cannot stand idly by.
06:06You know it.
06:08Look, your friend says that people can understand each other by talking.
06:12Why don't you try talking to Johnny?
06:15Try it.
06:16He will surely listen to you.
06:17Give it a chance.
06:18Give it a chance.
06:20Give it a chance.
06:21Come on.
06:23Okay, that's fine.
06:25I'll try.
06:27Only because you asked me to.
06:29But if that doesn't work, I'll stand in front of the construction company until they listen to me.
06:34Thank you for giving him a second chance.
06:36Just one.
06:39Hey, you two really don't look like siblings.
06:43My grandfather and you are completely different.
06:47Well, it must be because he's a few years older than me.
06:49You see, I'm the pillar of the family.
06:52Do you know something?
06:53You should be the one to stay in charge of the publishing house.
07:05Every day we receive submissions from young people who dream of becoming the next bestseller.
07:11Why do we all have a writer inside us?
07:14Although we don't always know how to express what we feel on paper.
07:18Is that your case, Cons?
07:19I think you have a great story to tell.
07:23Oh, oh, oh, oh.
07:24Hey, look!
07:25Oh, forgive me, forgive me, forgive me, miss, it's just that...
07:28Hello.
07:29Are you still here or are you already on another planet?
07:31Oh, forgive me, I got distracted.
07:34Well, your distraction must have been very pleasant because you were smiling.
07:39Me, smiling?
07:40No not at all.
07:42Even if you don't want to admit it, the memory made you smile.
07:45Well, I don't see why I smiled at a guy who pretended to bump into me outside the publishing house.
07:51And then he acted like a joker to commit acts of espionage against me.
07:55Well, rather than being bothered, it seems to me that you were really hung up on that mysterious spy.
08:03I.
08:04Not at all.
08:06Friend, have you heard that there's only one step from hate to love?
08:09Please, Samantha, how could you think I'd get attached to a guy I just met?
08:15And I've only seen it once in my life?
08:17Well, perhaps that mysterious spy, if he's so interested, can return.
08:22Do you think he can come back?
08:24Do you see it?
08:25Of course you liked the mysterious spy.
08:27I knew it.
08:32Look where I've come to find you.
08:35Hey?
08:37It was to be expected.
08:39You never give me the full rent.
08:42Look, Mr. Arnoldo, please take this on account.
08:47Oh, oh, oh, yeah.
08:49Don't make that face.
08:51Oh, right.
08:51Do you want to cry?
08:52No.
08:53Even if you put it there, your tears don't move me.
08:57I am only collecting the rent for my home.
09:00My son hasn't sent me any money.
09:03And what I earn washing and ironing is barely enough.
09:07He already pays a very low price per dozen.
09:10Estrudes, if they pay you cheap per dozen and your son went to work on the other side, it's not my problem.
09:15problem.
09:16Don't be mean, I swear I will pay you.
09:20I swear to God.
09:23Come here.
09:24Come on, come here, man.
09:27That's it, dude.
09:30Yes, it's over, it's over.
09:33So you can see that Arnoldo Sánchez is a man of the law.
09:38I'm not going to give him a week, Mr. Son Cruz.
09:42Not seven days, nor ten, nor twelve.
09:43I'm feeling generous today.
09:45I'm going to give him fifteen days to pay me everything he owes me.
09:49Thank you very much, Mr. Arnoldo.
09:52Thank you so much.
09:54But if you don't pay me, I'll throw all your old sticks out into the street.
10:03Smile, smile.
10:05Smile.
10:05Hey?
10:06Loon.
10:09The condemner will make you doubtful.
10:19My mother will have no choice but to accept the sale of the publishing house.
10:22when he sees that there isn't a penny to pay either the employees or the suppliers.
10:29And you're going to help me, Arsenio.
10:31You're going to support me.
10:32I've always supported you, man.
10:34But if there's one thing I won't allow,
10:37Don't ever threaten my wife again.
10:40We already have enough problems.
10:41And this only served to exacerbate all our problems.
10:44Cristina is furious, dude.
10:46And with good reason.
10:48Oh.
10:49How passionately you defend your wife.
10:53That only tells me one thing, nephew.
10:55You love her.
10:57And I understand.
10:59Cristina is the mother of your child,
11:01But you can't let that soften you.
11:04Your wife needs to be very clear about her place.
11:07And what is the risk if he insists on leaving you?
11:10You're the one in charge, Arsenio.
11:13Don't forget it.
11:15Mister?
11:16Yeah.
11:18I got a tip-off from the police.
11:20A guy tried to sell some very valuable stones.
11:24Among them, a pink diamond.
11:29It must be the same one that was in his brother Pablo's safe deposit box.
11:33Dude, we have to catch that thief.
11:35This will confirm that I had nothing to do with the theft of your diamonds.
11:42They are real.
11:44100% real.
11:45It's more than confirmed.
11:47And this one.
11:49This particular little stone is worth a fortune.
11:53Brother, I told you so.
11:54No way.
11:54Your life is about to take a complete 360-degree turn.
11:57You're a millionaire.
11:58Okay, Marco.
11:59The money I plan to make from these diamonds isn't going to be enough to live the high life.
12:05It's going to be to look for my mom.
12:06But Pablo knew what he was doing when he left you like that.
12:10Te esorra, lad.
12:12That man also spoke of rewarding you, Ariel.
12:15And you deserve it.
12:16Of course, Frater.
12:18With this, in addition to finding your mother, you will be able to rebuild your life.
12:22Look.
12:23I don't know if I can rebuild my life without Cristina.
12:26And even less so now.
12:28She, at this moment, is thinking that I am a murderer and a thief.
12:33The jeweler yelled in my face that I was a thief.
12:37I should have seen with the eyes that he looked at me, sir.
12:38Cristina?
12:40Cristina was there.
12:41Cristina knows you have the diamonds.
12:45Oh!
12:52Very well, I'll change it.
12:53Here we have a tree and it has many different fruits.
12:56It has oranges, it has pears, and we only have to count the apples.
13:01How many are there?
13:02Can you tell me?
13:03One, two, three, four, five, six, seven.
13:10Take good care of yourself, champ.
13:13Now, let's...
13:17Angel!
13:19He is Angel!
13:27That man wanted to sell me some diamonds.
13:30He probably stole them.
13:32What are you involved in, Ariel?
13:34Okay, that's enough, enough, enough.
13:37I need to convince him to leave the publishing house before Arsenio finds out who he is.
13:41It's understandable that the jeweler suspected him.
13:44A starving person like that couldn't possibly own such an expensive diamond.
13:48Wait, sir.
13:49Wait.
13:50I've seen that bora before.
13:52Sure, the cafeteria.
13:54I took pictures of all the people who left the cafeteria where our suspect entered after leaving the bank.
14:00Here it is.
14:01Look.
14:02It's the same cap.
14:03Yes, it's the same one.
14:05It looks different there.
14:06He doesn't look like my uncle there.
14:08Realize, he probably wanted to involve me.
14:10Yes, yes, he's a very clever guy.
14:12Look, and that guy she's with must be her accomplice.
14:15I've seen that type too.
14:17I know him.
14:19I hadn't made the connection, but I'm sure it's the same guy who was asking questions of the new employee.
14:26from the publisher.
14:28Look.
14:30We already have his face.
14:31When we find her, we'll find the guy who has my diamonds.
14:37I must take advantage of the fact that there is no one at the publishing house to enter Pablo Duarte's office.
14:42If there's something out there that will lead me to you, I'll find it.
14:48You've arrived.
14:50Thank you for coming, Ariel.
14:52You have no idea how much I appreciate your help.
14:54That machine is going to drive me crazy.
14:57I'm ready tonight.
14:58No, I really value it a lot.
15:00Thank you.
15:02I'll leave you the keys, okay?
15:04You close them when you're finished and hand them over to the security guard.
15:08Thank you very much, Ariel.
15:25This was Pablo Duarte's office.
15:39There must be a clue here that will lead me to find myself, Mom.
15:44No, no, no, no.
15:48No, no, no.
16:00Agenda.
16:02Here might be the number of the doctor who is treating him.
16:05Sometimes, huh?
16:10Actors, doctors.
16:24I left the door open.
16:28Oh, dear.
16:29That door was left open.
16:41We were waiting, but it got late.
16:44Ari has already fallen asleep.
16:46I demand that you explain this to me, Cristina.
17:06Starting with you, you take my breath away.
17:12It doesn't fit in my chest.
17:15This love, I am indebted, my heart.
17:21I have a thousand reasons to question whether there is a heaven or not a place.
17:28Happiness is not a destination, and walking alone is not the same thing.
17:34It wasn't luck, it was written.
17:40And I know that God exists, because He blessed me with you.
17:46I'm by your side and I can't believe it.
17:50My eyes are dying, but with you I see.
17:53I have everything, everything I want.
17:56I'm not getting older, but my wish is coming true.
17:59Every day.
18:01Every day.
18:01Because you are mine.
18:05I'm by your side and I'm being honest with you.
18:08I know the whole world could end.
18:11And if that happens, start over.
18:14As if it were January 1st.
18:18Always together.
18:20To get to the point.
18:24I love you, period.
18:27Alert, there is suspicious activity in the parking lot.
18:30Check the situation immediately.
18:32Change.
18:33This is a warning.
18:35Here, Bárcenas, I'm coming over.
18:47You stood in front of this thief and refused to give the police a description.
18:51Because?
18:52So, do you realize that they might think you're covering it up?
18:55Or worse, are you their accomplice?
18:58So, what were you doing in that jewelry store?
19:01Arsenio, how do you know that I was at the jewelry store?
19:04Did you send someone to follow me?
19:05Of course not, Cristina.
19:07So why do you have the photograph?
19:11Now you answer me, Arsenio.
19:14I found out what happened, that you were there, and I was worried.
19:17Okay?
19:18Yes, Cristina, please.
19:20I don't want us to be arguing about everything.
19:22I've been thinking about us a lot and I admit, I was wrong.
19:26I didn't react well to the issue of your daughter.
19:28That is why I agree to you carrying out the exhumation.
19:33He's even talking to someone to expedite the process.
19:36Did you really do that?
19:37Yeah.
19:38Are you serious?
19:42Arsenio, really...
19:44Thank you so much, really.
19:45Thank you.
19:47Thank you for that.
19:56Go ahead, it's open.
20:00Leo, please sit down.
20:02Would you like something to drink?
20:02Water, coffee, juice...
20:03No, thank you very much, Molita, I'm fine.
20:05I'm coming quickly.
20:07I've come to say goodbye.
20:08As?
20:09Well, in the end I am going to the little room I told you about.
20:11It's a great price, and I'm leaving early tomorrow for the city.
20:15So soon, Leo?
20:16Have you thought it through?
20:18I've made up my mind.
20:20Also, tomorrow afternoon, there's Alba's demonstration and...
20:24And I want to be there nearby to...
20:25Well, to help her in any way she can.
20:27No.
20:28No, no, no.
20:29Leo, you're making a mistake.
20:30Sochinti, this is your home and the city is very dangerous.
20:33Molita.
20:34I'm going to be fine.
20:35You don't have to worry about me, I promise.
20:38Better send me good vibes or something, right?
20:39So what?
20:40Do you support my decision?
20:43Molita.
20:44No, Molita, don't be like that.
20:48I just want to ask that the exhumation be done with the utmost discretion, Cristina, please.
20:53That's how it's going to be, that's how it's going to be.
20:55Alcenio, you really have no idea how important this is to me.
21:00Look, I was devastated when I lost my dad and when I lost my baby.
21:06I met you shortly after.
21:08You invited me to work on your party's social causes and...
21:12And thanks to that I had a new reason to live and I thank you for that.
21:16You were the only woman who wasn't by my side out of self-interest, but because you genuinely wanted to help.
21:22That's what made me turn around to look at you, Cristina.
21:26You earned your price so easily, at everyone's expense.
21:29And so, I wanted to have you all to myself.
21:33What was it really like for you?
21:36Was I a prize you had to win?
21:39You were the woman I needed in every way.
21:42And you're not Cristina yet.
21:44Look, that's why I don't want to lose you.
21:48I want us to fight for the family we have created.
21:51For our son, Cristina.
21:54Don't you think Ari deserves it?
22:00See you tomorrow, good night.
22:02Hey, hey, hey, girl.
22:04I need you here to hang out all week.
22:07Wow, boss.
22:08I'm going to have to talk to my sisters and especially to my brother.
22:11Because we don't sleep in houses that aren't ours.
22:14You'll understand, right?
22:15But tomorrow I'll be here bright and early to work really hard.
22:18Yeah?
22:19Eh, eh, eh.
22:20Where are you going?
22:21You can't leave through that door.
22:23It's for me and my guests.
22:25The maids leave through the service entrance.
22:28Ah, you'll have to excuse me, right?
22:30The lack of habit of one.
22:31So, come this way.
22:33Yeah.
22:33Yeah.
22:34Am I doing okay?
22:35Careful, you'll crash.
22:35Oh, thank you.
22:36Yeah.
22:39Mom, mom.
22:40Who do you think I met today?
22:42Whom?
22:43Well, to that Ariel Bravo guy.
22:46Tell me everything you kept secret from that damned wretch.
22:49That's it.
22:50I mean, I only heard good things about him.
22:51In the Todos los Santos neighborhood, they love him dearly and respect him immensely.
22:54They fear that ex-convict, they don't respect him.
22:57You have to be very careful around that guy.
23:00No, it's just that Mom, on the contrary.
23:02Ariel Bravo is not what I expected.
23:03She even defended me from some bullies, I swear, Mom.
23:06He seems like a good guy.
23:07That bastard murdered your father.
23:09Never forget that, Franco.
23:11I want you to find out tomorrow what he's up to, what he does for a living, everything about him, do you understand?
23:15Mother.
23:15No, but Mom.
23:17Listen to me, Mom.
23:19How do you expect Franco to ask me out if I've only ever been seen wearing cheap clothes?
23:23Mom, I want designer clothes, Mom, okay?
23:25And not from the open-air market.
23:26There are only pirates there.
23:29Oh, you're not making a big deal out of it, honey.
23:30If I go, it's because my life is barely long enough.
23:33Hear me, hear me, hear me, hear me.
23:36Do you think it was easy for my sister to raise you and be a single mother?
23:39Well, it's not my fault my dad died, you know?
23:42Well, neither does Carmela, huh?
23:44Come on, sister.
23:45Tell him.
23:46Tell him it wasn't easy for you to carry the package.
23:48Ah.
23:49The package?
23:51Is that for you, Mom?
23:53A package?
23:54A burden?
23:55Oh, oh, look, don't even try to turn her around, okay?
23:59Oh, please, Rudi, stop the little hand.
24:01Let me speak to my daughter, please.
24:03Come on.
24:05You respect your mother.
24:07You respect your mother.
24:10Okay, honey.
24:12I propose something to you.
24:15If you promise me that you're going to eat better and that you're going to put more effort into your studies,
24:20I'll take out a loan to buy that outfit you want so much.
24:24Yeah.
24:25Okay, Mom.
24:26I accept the deal.
24:27Goes.
24:28I'll take everything you serve me.
24:30But that's true, right?
24:31Don't overdo it either.
24:33Because I don't want to get as big as a water tank.
24:35As you will understand.
24:42And then Mordita arrives and sees me and says,
24:44Oh, that limited edition display doll!
24:46Oh, calm down, my all-mine!
24:49Look, look, come, come, come, come.
24:51Come on, I was waiting for you, my pretty little queen.
24:54So, what's this about you going to work at the house of some rich people and not
24:57let me know?
24:59Ah, look, look.
25:00And why did I have to warn you?
25:01Were you going to give me money for the fare or what?
25:03Ah, I'll give you whatever you want.
25:05What's more, I'll carry you if you ask me to.
25:07Well, no, I'm not asking you for anything because you, Marcelo, are nothing to me, okay?
25:13Wait a minute.
25:14Look, open your eyes wide and just notice what you're missing.
25:18I didn't see anything.
25:19Where do you see me?
25:21I'm the carnal desire of many, many dolls here in the neighborhood, my cool queen, huh?
25:26Little queen?
25:27Mango, yes, move aside because I want to go home and rest now.
25:29Emilia, let's see, let's see, just a little bit, Emilia.
25:31Yes, listen, Marcelo.
25:32Emilia doesn't need you, love yourself a little.
25:34Who requested mariachi?
25:35Is that 12th Street, or what?
25:38Yeah, Marcelo, that girl will never pay attention to you.
25:40Or rather, Armenian.
25:43I caught you.
25:45You're afraid that some rich guy from where you work will take you down a peg, aren't you?
25:48They're going to lower it for me.
25:50Look, so you know, if anyone's going to keep Emilia, it's me.
25:53Hold on tight.
25:54Finally, the Virgin Mary and God heard me and I met my prince charming.
26:01And I'm sure you missed it.
26:03Just so you know, Rutilia, his name is David.
26:06And he even asked for my cell phone.
26:09Like baseball, huh?
26:10More than a prince, he is my king.
26:13Milly.
26:19Johnny.
26:20Yeah.
26:21I was waiting to talk to you.
26:23Did my mom get sick?
26:24No no.
26:25No, it's Alba.
26:27She is determined to hold a demonstration in defense of her achintí.
26:32Go and do the morning.
26:33In front of your construction company's offices.
26:38That girl has never been with anyone, not a chance.
26:41For me, Camila is still a real virgin.
26:44Oh, wait!
26:45Your tongue fell out, my otaku.
26:48If the only virgin here is you.
26:50With all that stuff about you locking yourself in your room to paint your face and doing your cosplay and whatever.
26:54No girl comes near me.
26:58A mind as limited as yours wouldn't understand.
27:02Mermensa.
27:04The point here is that you have to understand that the art of cosplay is very misunderstood.
27:09The real problem is that you love harassing virgin girls.
27:14Clear!
27:16That's why you're always chasing after her, right?
27:18Because you want to be first.
27:20Yes, brother.
27:21He wants to give it to her.
27:25Shut up, shut up.
27:26You guys are really stupid, aren't you?
27:28Did they throw them headfirst or what?
27:30Well, these two, yes.
27:31Oh, let's see, let's see.
27:32I'm going to tell you something so you understand.
27:34They have to respect Emilia because Emilia is going to be my girlfriend.
27:38And they respect her just as they respect me.
27:41Even you don't believe that, dude.
27:43Or what?
27:44Want to bet?
27:46Okay, how much do you want to lose?
27:48But everything has to happen, or you'll back down.
27:56Be quiet!
28:14Be quiet!
28:15Oh, what time is it?
28:17You already teased him by reminding him of Cristina.
28:19And Cristina is a whole different ballgame, isn't she, brother?
28:22Yes, that's true.
28:23Forgive me, little brother.
28:25No, it's okay.
28:27Oh.
28:28Well, my dear sisters, um...
28:29I'm going to sleep, I'm very tired.
28:32See you.
28:32Emilia, Emilia, Emilia.
28:34Thank you.
28:35Oh, tell us, aunt.
28:36What's your Prince Charming like?
28:38The most handsome man in the universe.
28:40And with a smile that makes you swoon.
28:43Yes, right, Ruth?
28:44You already met him.
28:45It's the same guy we saw outside that school where he works...
28:49Sarina Street is a different story altogether.
28:51Do you remember?
28:52Did you go to look for him, Emilia?
28:55Of course not.
28:57I met him in...
28:59on the street, near my employer's mansion.
29:02They're probably neighbors.
29:04He lives around there.
29:05Oh, just watch out, Emilia.
29:08I'm not going to make that guy have bad intentions.
29:10because he sees you as incredibly poor.
29:12And as soon as you give her the little gift, she'll tell you to get lost.
29:17The spinster spoke, bravo.
29:19Oh, my prince is a special case.
29:24Who is it?
29:25It's him.
29:26It's him.
29:26Ah!
29:28Listen to him.
29:31Hello?
29:33Hi, Mili.
29:35Well, as you can see, I couldn't resist calling you.
29:39I just can't stop thinking about you.
29:42And I'd like to ask you out tomorrow.
29:44What are you saying?
29:45Oh, what...
29:47Alright.
29:48I'll check my schedule and let you know.
29:50Okay.
29:51Good night.
29:52See you later.
29:55What do you think, Cecilia?
30:01No, Marco.
30:03I'm going to have to go back.
30:05I need to make a list of all those doctors who are on the schedule.
30:08to call them and see if any of them attended to my mom.
30:26Here is everything I have experienced during these years.
30:30My truth.
30:43My love, I know you don't want to see me or hear me.
30:48But maybe if you read this
30:51until I know that I am still me.
30:55that you don't have to be afraid of me.
30:58That I still love you
30:59and that never,
31:01I will never hurt you, Cristina.
31:06That's going to be the only way.
31:09I'll leave you these pages
31:11so that you know the truth.
31:13That's going to be it.
31:18Go ahead, go ahead.
31:22Well, thank you both for agreeing to chat.
31:25Trust that with love
31:27can resolve this conflict.
31:29Excuse me.
31:30Thank you, brother.
31:31Thank you.
31:31I've been reading what you're trying to make your book.
31:35It is well written, with good grammar,
31:37but it doesn't live up to the publisher's standards.
31:39It lacks research.
31:42Duarte construction company says
31:44It is affecting the Sonchintí area.
31:47The homes and residents will lose everything.
31:51This is out of context.
31:53Forget the demonstration and the book.
31:57I will not allow him to create any more problems for the family.
32:01We already have enough.
32:06Grandfather,
32:07You haven't even listened to me.
32:09You never support me.
32:11This book is mine,
32:12It's my project
32:13and I have worked very hard to see it born.
32:16You would have preferred that I die
32:18And not my dad in that accident, right?
32:21Why do you never talk to me about that?
32:22Are you hiding something from me about my parents' death?
32:25How can you say that?
32:27Since they died,
32:29take care of yourself
32:30And thanks to the businesses you criticize so much,
32:34You've never lacked anything.
32:36That doesn't excuse your lack of responsibility towards the planet.
32:40Grandfather,
32:41please,
32:42publish my book
32:43and stop the chintilla project.
32:46That project
32:46It will have more benefits than drawbacks for the area.
32:50And I can't stop it now.
32:52Well, I'm not going to stop either.
32:54I'm going for the truth, grandpa.
32:56Because the truth must always be known.
33:23Cristina,
33:27Here's my story.
33:30I just hope that when
33:34Know my truth,
33:36understand everything and
33:40Do not abhor me from your heart.
34:05Go on, go on, go on, go on,
34:07Quick, quick, here, here, here.
34:08Let's go, let's go, let's go, let's go.
34:09Go on, go on, go on,
34:10Hurry up, hurry up, hurry up!
34:12Let's go, let's go!
34:13That's it, that's it,
34:14again here, here.
34:15That's it, over there again.
34:17Let's go, let's go,
34:17that.
34:19Maria,
34:21You know that here at the post
34:22I love you, you're full of energy.
34:23Work is work
34:24And you have to be on your toes,
34:26darling.
34:26Yeah,
34:27Sorry, Mom.
34:29The thing is,
34:29Leo went to the city
34:31And I really miss him a lot.
34:34What if it really was
34:34Do you never return to your chintín?
34:44And this?
34:48Oh, Susi,
34:49It's so good to see you,
34:50look.
34:51Here is the catalog
34:53of the new materials
34:54And there's one that's about textures.
34:56which I love
34:58And I think that to the children
34:59They're going to like it a lot,
35:00It's this one here.
35:01Ah, okay.
35:02What is this?
35:03This manuscript
35:04It's like those who are always...
35:05They receive it at the publishing house.
35:07They've made a mistake.
35:08and they brought him here.
35:10Well, I think so,
35:11It's likely.
35:12I'm heading there right now,
35:13Do you want me to deliver it?
35:14Yeah.
35:15Okay.
35:15And then we'll see.
35:16about the materials,
35:17thank you.
35:17Perfect,
35:18clear.
35:22Cristina will have already seen
35:23my notebook.
35:26What will he think?
35:27When will I read it?
35:31Hi, Ariel.
35:33Can they charge you?
35:34please,
35:34two decaf lattes
35:36with sugar?
35:36If that's what you want,
35:37TRUE?
35:39Hey?
35:40Ah, yes, yes,
35:41That's fine with me.
35:42And a sponge cake,
35:43please.
35:44Immediately.
35:46Oh,
35:47That waiter is new.
35:48No?
35:48I hadn't seen it,
35:50He's very handsome.
35:51Did you already know him?
35:53Well,
35:54Let's say yes,
35:55But I can't tell you.
35:57how I met him.
35:58Hello,
35:59hello hello,
35:59I'm so glad to see them.
36:01They left by mistake
36:02this manuscript
36:02on Cristina's desk.
36:04Can I give them to you?
36:05Yes, yes, of course.
36:06It's definitely for the publisher.
36:08Very good.
36:10Ladies,
36:11their cafes,
36:11there is no cake,
36:12but chocolate cupcake.
36:14Thank you.
36:15Thank you.
36:16Thank you.
36:17Sorry.
36:18Thank you.
36:19Don't get nervous.
36:21Wasn't it you?
36:22the one who brought Ariel
36:23the day that was lost?
36:24Ah, of course,
36:25You work
36:26In high school, right?
36:27By the way,
36:28I wanted to ask you,
36:30Has Mrs. Cristina arrived yet?
36:31Yeah.
36:32Why do you ask?
36:34No,
36:35no reason.
36:36What does he want?
36:37A cappuccino,
36:38please.
36:39Immediately.
36:42I have some news for you.
36:44that will leave you frozen.
36:45You don't know
36:46from what I found out.
36:48Did Cristina already tell you?
36:49the type name
36:49who is surrounding her?
36:50No.
36:51His little wife
36:52He doesn't want to talk about it
36:53for me,
36:54that she suspects
36:55I'm going to tell you.
36:57Amanda,
36:58You have to get
36:59that data.
37:00I need
37:01get rid of
37:01of that unfortunate man
37:02than a bad omen
37:02of my marriage.
37:03OK,
37:04Alright.
37:05I will speak again
37:06with Cristina.
37:07Now let me tell you
37:09that your dear niece,
37:10Dawn,
37:11is convening
37:12on social media
37:13to a demonstration
37:15just outside
37:16from the construction company
37:17from your uncle Johnny.
37:17How are you?
37:18When?
37:20Today,
37:21in a little while.
37:23Are you going to tell him?
37:24your uncle?
37:25Yeah,
37:27but when I
37:27I'm working on fixing it.
37:31I'm going to show you.
37:32that always
37:33You can count on me.
37:37Really
37:37that this place
37:38It seems more
37:38a store
37:39than a house.
37:40Everything is very old.
37:42Furthermore,
37:43I'm sure
37:43that there are a lot
37:44of things
37:44that I've been introduced to.
37:47Look!
37:47Come closer
37:48so they can see
37:48this antiquity
37:49of 1,400.
37:50Who's bidding higher?
37:51Who's bidding higher?
37:52Oh!
37:53Oh, God!
37:55This actually works.
37:57Well?
37:58What about you,
37:59girl?
38:00Answer like healthy pieces.
38:02Oh, patron saint,
38:02sorry,
38:02It's because it caught me
38:03unprepared.
38:03The only thing you have
38:04What can I say?
38:05when you reply
38:06the phone is
38:06They're talking
38:07to the residence
38:08Mrs.
38:09Amanda Soriano.
38:10Leave your message,
38:11please.
38:12Yes, you know how to write.
38:12TRUE?
38:14So, let me say that.
38:15write, write.
38:16No, not really,
38:17Emilia doesn't do it,
38:18but if,
38:19Yes, he understands me.
38:19My handwriting, huh?
38:20And if I don't understand,
38:21I'll explain it to him.
38:22Of course not, ma'am.
38:23Oh, well, that's it!
38:24In the replay
38:25I left a list
38:26of what you have
38:27what to buy
38:27to make food
38:28and the money
38:29It's on the table.
38:31Don't worry.
38:32In a little while
38:32I'll have a little run
38:33to a market
38:34which is near my house.
38:35There's the vegetable
38:35and the fruit
38:36They're nice and fresh.
38:37You'll see.
38:38I'll make it so delicious
38:39To eat, sir.
38:40Well, look,
38:41I decided to stay
38:42in Mexico
38:43by my mother,
38:43but now
38:44I also want to learn
38:45how to handle
38:46This business.
38:47Well, congratulations!
38:48David.
38:49That was something
38:50that he always wanted
38:51Don Pablo.
38:52All the time
38:53I was thinking of you
38:53and I knew that one day
38:55You were going to work here.
38:56Really?
38:57Yeah.
38:59Well, although I don't think
39:00Stop painting, okay?
39:01In fact,
39:02I need to rent a place
39:03to set up my studio.
39:04Where do you believe?
39:05What could it be?
39:06Why not at your house?
39:07For example?
39:09No, I want a place
39:10that gives me an identity.
39:11A space
39:12where I can feel
39:13truly independent.
39:15Free to express myself
39:16on the canvases, you know?
39:18A place with history,
39:19with a life of its own,
39:21that tradition is palpable
39:22in every corner.
39:23Hey, more coffee?
39:25Uh, no,
39:26We're doing well for now.
39:27Thank you, thank you.
39:28Yes, after so many years
39:30abroad
39:30I urgently need to fill up
39:32of our own,
39:32of the authentic.
39:34To value popular stagecraft,
39:36Mexican customs,
39:38the colors of the street,
39:39the music that comes out
39:40from the windows,
39:42All that would give me
39:43inspiration
39:44that I need
39:44for my paintings.
39:45That sounds great, doesn't it?
39:47Yeah.
39:48Listen,
39:49sorry,
39:49I half-heard
39:50And I think that what you
39:51What you need is to visit
39:52the Todos los Santos neighborhood.
39:54It has all
39:54those things
39:55that you are looking for
39:56and I have a very good friend
39:57who has a premises,
39:58Perfect, then.
39:59just the way you need it.
40:00His name is Don Justino.
40:02Sounds good, doesn't it?
40:03All Saints,
40:04sounds good.
40:04All Saints.
40:05Thank you.
40:06I'm here for anything.
40:07Yes, thanks.
40:08I want to go visit myself.
40:09Look.
40:17Majito, ajito!
40:18Hello.
40:20Have you finished studying yet?
40:21What are you doing on your cell phone?
40:22I'm looking for
40:23designer dresses
40:24in order to leave
40:26with my new friend Franco.
40:27Oh, girl, he's gorgeous.
40:29And I can't put on
40:30anything
40:31if I'm going to walk
40:31dating him.
40:33Girl, now.
40:34Girl, now.
40:35Come on, now.
40:36Okay, go ahead and act stupid.
40:38or get to work.
40:39Come with us
40:39Let's go to the restaurant.
40:41And that way you'll be able to
40:42buy everything
40:43Whatever you want.
40:44No, no, no, aunt.
40:45I'm not going to do it
40:46Just a simple little table, huh?
40:47Maybe Franco
40:48return to the neighborhood
40:49and he sees me.
40:50Can you imagine?
40:50Oh no, how embarrassing.
40:52Then,
40:53I'd better find myself
40:54a finer job
40:55where I don't get so tired
40:56and turn me off better.
40:58Okay, alright, go, go, go, go, go.
41:00If you find one
41:00Yes, let me know, okay?
41:01Yeah?
41:02Come on.
41:02I'll let you know, okay?
41:03Well, it's getting late, isn't it?
41:04No?
41:04What do you have to do?
41:05Yes, here I go.
41:06Okay, then.
41:07Okay, fine.
41:07Here I go.
41:09Let's go.
41:10You behave nicely,
41:11majito, ajito.
41:12Yes, yes, yes,
41:13like a little angel.
41:21What's up, Mommy?
41:24What are you doing here?
41:28Come on, Cristina.
41:30Tell me who it is
41:30that infinite love
41:31that's got you thinking
41:32elsewhere.
41:35I want to help you.
41:36to prevent Arsenio
41:37discover it.
41:39Arsenio does not have
41:39nothing to discover.
41:40Amanda, I assure you.
41:42You can say whatever you want,
41:43But your eyes don't lie.
41:46Amanda, seriously,
41:47there is nothing left
41:47What to talk about,
41:48So here they are
41:49the signed documents
41:50And if you'll excuse me,
41:51I have a lot of work.
41:53Yes of course.
42:03I brought you some tea.
42:05Do you know who's going to work?
42:06Are you in the cafeteria?
42:07The man who brought Ari
42:09the time it got lost.
42:11Did you already know that?
42:13Of course, surely in gratitude.
42:15You got him the job,
42:16TRUE?
42:17Okay, no, no, no, no, no.
42:18I didn't get him anything
42:19And look, Susy,
42:21I would appreciate it
42:22Don't mention this.
42:23because I wouldn't like it
42:24that everyone would think
42:25just like you,
42:26please.
42:26Clear,
42:27I won't say anything,
42:29But he asked me
42:29for you
42:30And if that does
42:31with everyone,
42:32It would be impossible.
42:33Keep the secret.
42:39I am by your side
42:40And I don't believe it.
42:42You are my eyes
42:44But with you I see
42:45I have everything,
42:47all I want
42:48I don't have birthdays.
42:50But the wish comes true.
42:52every day
42:53Because you are...