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Igra sudbine Epizoda 1942,Igra sudbine 1943,Igra sudbine 1942,Igra sudbine Epizoda 1942, Igra sudbine Epizoda 1943,Epizoda 1943 Igra sudbine ,Epizoda 1942 Igra sudbine
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TVTranscript
00:15What would you like to do?
00:16What would you like to sit here like a pharaon?
00:20You would like to drink a calorie drink?
00:23I would like to think more like a shaker than a pharaon.
00:29And what calorie drink is?
00:32It's juice.
00:33How many calories have you?
00:34It's more calories than half a pound.
00:38That's right.
00:39Wait, who is a pound?
00:41What do you think?
00:43Small or large.
00:45What do you have to do with that?
00:46Because it's a small amount of calories than a large amount of calories than a large amount of calories.
00:57No, I don't have need to do this conversation with you.
01:00If you want coffee, please, go ahead and save yourself a coffee.
01:04Yes, I save yourself a coffee,
01:05and this house will help me to read my news.
01:09No, those women came to clean the house.
01:11That's it.
01:12You don't have to go to the house without a need.
01:14And you won't have to drink any coffee because we need to go to the food for God.
01:19Yes, yes.
01:21You can see how Vukashin is because of his family.
01:24His daughter doesn't come to the food,
01:27and I have to be the first one.
01:30So now we need you to want to go to Vukashin's food for the food.
01:34No, no.
01:35I'm not sure if there's something there.
01:37It's a mess.
01:40You know, even Alex,
01:41and this one,
01:43and this one,
01:43and this one,
01:43they don't get too much.
01:45Let's pray.
01:46Go ahead and get ready.
01:47You won't be able to get too much.
01:48Okay, okay.
01:49Let's go.
01:53Let's go.
01:54And Olga?
01:57What do you think of Ivan's right
01:58related to this mess?
02:02I don't know what I think.
02:03It's possible.
02:04I don't know.
02:05But you know what?
02:06When he says something,
02:07I always think that he's in it.
02:10And now,
02:11he doesn't want him to go and get ready.
02:13He would rather stand here
02:14to go and get back home.
02:17Yes,
02:22and you know what?
02:23When he says something,
02:23I think that he's in agreement with that.
02:25I think he's in agreement with that.
02:26And now,
02:28he doesn't want to go and prepare.
02:29He would rather stand there
02:30and take care of his family.
02:32He would rather have to live in a house.
02:39No, Ivona, I didn't think so. I just wanted to tell you that it's simple.
02:45From the time of the year and the year, Ivona, everyone knows that.
02:49I'm respected, it goes hand-hand hand together.
02:52I mean, I don't want anyone to do that, right?
02:54Let me pray, Lupeteš, here are some things that aren't any things.
02:59No, Ivona, I didn't want to say that.
03:02I actually think that I would judge you the whole city.
03:05Only if you don't have your dirty face, from which everyone run like bubba shvabe.
03:10I have dirty face, because I always come to some bullies.
03:14When I came to someone who was normal, Ksenija, I would have talked with that person.
03:20I would have been open, communicative, more and more.
03:23You understand?
03:24What a normal, what a normal, Ivona?
03:28There is nothing like that.
03:30Find a normal thing to know who you are.
03:34Let's go.
03:35What a normal, Ivona?
03:36What do you say?
03:37Bebo, you want tea?
03:39Bebo, you want dinner?
03:40You want dinner?
03:40You have three pse and mother.
03:42It's not worth talking about love relationships.
03:45It's not worth it.
03:47Your perception is beneficial for healthy love relationships.
03:53My perception is my.
03:55My.
03:55Upravo to.
03:56I, unlike you, Ivona, I know what I want to say.
03:59When you talk about the prince on the yellow horse,
04:02what is there?
04:03There is only in the senses.
04:06Listen to me.
04:07It's better to talk about the prince on the yellow horse,
04:10rather than to be with some people who are in the selected ranks
04:13after night and who knows what is going on?
04:16I don't want you to feel like it, I don't think so.
04:19I only have someone who is left after night,
04:21but you have someone who is waiting for the reason.
04:23And you?
04:25It's not your time to wait for you.
04:29We're already at the time.
04:32What is the conclusion?
04:35What is the conclusion?
04:36The conclusion is that I'll call him Comarca and solve things.
04:41How do you convince Comarca that he will find it?
04:47I'll give him another one that won't be able to do it.
04:50Ksenija, I think you'll watch more films.
04:53Okay, I hope you'll have a good idea.
04:57That's a good plan.
04:59I always have a good idea, Ivona.
05:00I don't know what you don't understand.
05:02I'm going now and I hope you'll see you in a little more attractive outfit.
05:09You started.
05:10Bye.
05:11Bye.
05:19Sorry.
05:21Bye.
05:23Bye.
05:32Bye.
05:40Bye.
05:42Bye.
05:45Bye.
05:46Bye.
05:49Bye.
05:53Bye.
05:53Bye.
05:56Bye.
05:57Bye.
05:58Bye.
05:58Bye.
06:01Bye.
06:01Bye.
06:01Bye.
06:03Bye.
06:03than just to know how long I'll be at home.
06:07You see, the man, it's not nice.
06:10You're asking for me, and I can't speak two words from you.
06:15What is the rule number one?
06:18I know, I learned it.
06:20First, don't ask where I am.
06:22And the other?
06:23Don't ask where I am.
06:25I know, I learned it, who is our son.
06:27It's not our son.
06:28It's just that you don't care for me,
06:34and you don't care for me.
06:35You know, as they say,
06:37who makes the rules,
06:39she doesn't care for him.
06:47It's a nice day.
06:49It's a nice day.
06:51It's a nice day.
06:51It's a nice day.
06:54But when I go down,
06:56I don't say anything,
06:58because I don't want to control myself.
07:01I want to control you?
07:03And when you go down,
07:05you don't know what to say,
07:08because you don't know what you will do.
07:10I'm trying to control you.
07:12But wait, who gave you the blood?
07:14Oh, my God.
07:19One, two...
07:21Stop, stop.
07:23That's it. You can see.
07:26From the perfume.
07:28Original.
07:29Good, you see.
07:30The perfume, the perfume, the cipers.
07:34Did you see it with your own?
07:37My own.
07:38The one.
07:39That's what you can't tell me.
07:43It's not today's day for her.
07:45What?
07:48What?
07:51Okay, if you don't, you don't have to tell me.
07:56And I don't.
07:58And you don't have to.
07:59It's important for me to go to Miro's coffee.
08:02I'll open the window so I can get everything out.
08:04And until the end of the day, I don't hear anything that I'm not.
08:13I believe you'll enjoy it.
08:16But I'll still tell you where I'm going.
08:20I'll go to the food of your victims.
08:47I'll go to the food of your victims.
08:48I'll see you in the morning.
08:51I'll go to the food of your family.
08:53I'll go to the food of your family.
08:55I'll go to the food of your family.
09:05What?
09:07I'll go to Bostonville.
09:08What?
09:09You did talk about the middle?
09:09What you heard?
09:11Sure let's go .
09:12Let's go from the mid I'm in.
09:12Pa, why did you starti the middle here?
09:14Jang-pa.oru,
09:17this friend, of Dogos, Odydese, kind of called it. On a
09:22son okay? Yes.
09:23It's
09:23on a son okay. Where did
09:24you start to debut?
09:25You know what?
09:26Hey, look at her. She went to Paris.
09:31What are you talking about?
09:34I have to talk to her.
09:36No, no, no, no.
09:38There's no need.
09:39No, no, no, no.
09:40Look at her.
09:40Look at her, look at her.
09:41Look at her.
09:44Look at her.
09:44Look at her.
09:45I have to talk to her.
09:49That's the krokodils' sins.
09:51No, let me talk to her.
09:52I have to talk to her.
09:54See, we are the other people.
09:56I will find her.
09:57Let me tell you.
09:59I hope so.
10:00Look at her.
10:00Look at her.
10:02Look at her.
10:02Look at her.
10:03Look at her.
10:06I don't know.
10:12I haven't seen her for 100 years.
10:16Go ahead.
10:18You understand?
10:20You are waiting.
10:21She will come.
10:22There's no philosophy here.
10:25I know.
10:26But you just say that I fall.
10:27So, I understand the rose.
10:29I fall.
10:33But you know what?
10:35I will do this.
10:36You stay with a rose.
10:38And I with a pancetta.
10:40To the sacred?
10:41What?
10:42Yes, like where you are.
10:43The sacred.
10:44You are going to see her.
10:46Look at her.
10:46Ok, good.
10:47I won't be so angry like a clown.
10:48You understand?
10:50I am a test.
10:51I am in a test.
10:52I am a test.
10:52I am a test.
10:53I am a test.
10:54I am a test.
10:56Are you ready?
10:59Yes, I am.
11:01I am ready.
11:01I am waiting.
11:02I am ready.
11:07What did I tell you?
11:09Did you see this?
11:12No.
11:13No.
11:15No.
11:15No.
11:16No.
11:17No.
11:17No.
11:17No.
11:19No.
11:20No.
11:20No.
11:27No.
11:29No.
11:31No.
11:32No.
11:40No.
11:43No.
11:44No.
11:46I don't know I can tell you.abaduis.
11:48No. No.
11:59I cannot
12:00see myself.
12:01No. No. No. No.
12:01Let me see how much it was all over.
12:09And then?
12:12Nothing then.
12:15A number of tears.
12:19I'll see how much it was all over.
12:24You're only over.
12:28It's hard words.
12:32Hard words.
12:34You're going to kill someone, Suze.
12:37Me?
12:40Listen to me.
12:44Suze, in general, is grumbling.
12:46And the one who is standing standing,
12:49he's standing, standing,
12:51standing, lying.
12:54We'll see.
12:57You're going to see the uniforms there.
13:02There will be plenty of police there.
13:04It will be his colleagues,
13:05who are coming to protect him.
13:07They will have their hands in their hands.
13:10You told me that you don't go away,
13:12so that you wouldn't be caught up.
13:13And you go there,
13:14where all of them are there.
13:17I don't know anyone in Beograd.
13:19I'm an unseeable man.
13:22You're unseeable man.
13:23You're unseeable man.
13:24Yes.
13:26Yes.
13:27I go there,
13:29I go there,
13:29I walk around,
13:30I stand outside,
13:32I look at who's crying and who's not crying.
13:36And then he says.
13:40Who do you know me?
13:45Wait a minute.
13:46Do you think something you think about me?
13:49I think I think.
13:51I think I think about my employees.
13:54The employees?
13:55Yes.
13:57Yes.
13:58I'd like to die.
14:00Yes,
14:01I just move my horse,
14:02and I get the gas there,
14:03and I'm just going to go.
14:16Yes,
14:19yes.
14:20Yes,
14:21yes,
14:21yes,
14:21yes,
14:21yes,
14:22yes,
14:22yes,
14:23yes,
14:23yes,
14:23yes,
14:38What you see?
14:39You see that the word I haven't spoken to. What are you?
14:43What is this?
14:43Yes, from the end of the day,
14:45I'm going to get rid of the other one.
14:47But I don't know the other one.
14:48I know, Gorani.
14:50I know.
14:51In normal situation she would have done me,
14:53because of this suitcase,
14:56But now nothing, you know?
14:58Now nothing, as if this isn't right.
15:00You understand?
15:02That's mine.
15:03I don't understand nothing.
15:04Nothing.
15:05That's not right.
15:06Oh, my God.
15:08I think that it's not right.
15:10I think that it's normal.
15:11I don't think that because Vukasin would have died in his death,
15:13that would have been put in a man to Kovacek,
15:15and that would have been saved by himself.
15:16Why?
15:17Why?
15:18I don't know, but I think everything is strange.
15:21To be alive and strange.
15:23I don't know what happened.
15:24Everything is strange.
15:26Well, see, Goran, I'm sure that you don't understand me.
15:29Do you understand?
15:29What is it?
15:30Stop, listen, listen.
15:33Come here, you're coming.
15:34The taxi arrived!
15:36I'm convinced that she knows something.
15:38Go!
15:39Go!
15:40What?
15:40Get out of the taxi,
15:41you're looking at me.
15:43Today I'm not going to get out of the car.
15:44Here I go, Goran.
15:45I don't have to get out of the car.
15:46Here I go!
15:49Here you go!
15:53Where I live,
15:55God,
15:55you help me.
15:58Here.
16:12Here.
16:13How do you do this?
16:14Here you go, Pirka Vetrovic.
16:15There's a warm air.
16:18Yes, yes.
16:20I understand.
16:22There's so many places in the city, you can take a park for yourself to see you.
16:25Now you just said, hot air, nature, greenery. Where are you going to be better?
16:34Yes, the kids play, they play.
16:38Well, what do you mean?
16:42What do you say to me?
16:43I say to me.
16:46Okay.
16:47We have that coffee for dinner. I'm not one of them.
16:51I don't know if I can drink coffee from karponskih čaša.
16:56Okay, until the next time, I'll bring the espresso.
17:01Where are you?
17:03That's right.
17:05Why are you going to find out this park?
17:08What do you mean?
17:12It's nice to me.
17:14Did you bring the fish here when you were young?
17:17No, that's not the question.
17:20I found myself here with a man.
17:24So, what did you bring here?
17:27Give me your memory. Don't be kidding me.
17:31Why did you give me that idea?
17:33Okay, why are you kidding me?
17:35I came here with a man who taught me many things in my life.
17:41What did you teach me?
17:43You know what?
17:44Did you play philosophy?
17:45No.
17:47It's like that.
17:49It's a great person.
17:50But it's not important now.
17:52It's not important.
17:56What did you want to see?
18:00It's like that, let's not do that.
18:12No.
18:15Okay, what did you tell me?
18:17Why did you tell me that I wasn't going to try and grow so?
18:20Why did you tell me that I was going to try and get the animals and just play?
18:25The man exploded in the explosion, died a little bit.
18:32It's not related to the body he will not see.
18:36He can see if Sahra is fake.
18:41Wait, man.
18:43You want to tell me that you don't know about me?
19:03Do you want to tell me that you don't know about me?
19:05I'm going to leave you there.
19:09Mama, you need to go soon.
19:11I'm going to go there.
19:12I'm going to go there.
19:13Mama, you don't have to go there.
19:16Do you know what we're going to do?
19:20We're waiting for us to stand up there,
19:22in the rain, and we're going to cry.
19:24Mama, people will notice if you're not there.
19:27They are called us.
19:28I know. I know.
19:30Until then, I'm not going to go.
19:32I'm looking for people who are crying.
19:34I don't know what's inside.
19:36I don't know what's inside.
19:38I don't know what's inside.
19:39I understand that it's hard to understand the whole situation.
19:44But think that you don't go.
19:46People will ask me where your mother is and why she hasn't come.
19:49And what's inside?
19:51I don't need to tell you what's inside.
19:53I don't want to be angry.
19:55I don't want to be angry.
19:56I don't want to be angry.
19:56I don't want to be angry.
19:57I don't want to be angry.
19:59Only nobody knows.
20:01You don't want to be angry.
20:01You are angry.
20:04You are angry.
20:06One, two, three, and cry.
20:08But, but someone knows how to be angry,
20:11and someone who doesn't know.
20:12We need to talk like people who don't have no idea.
20:15Asya, what is angry.
20:17What kind of crazy, what kind of life is.
20:19I'll take the whole situation down there.
20:21I don't know, this is absurd.
20:26I'll look at you.
20:29Come on, prepare me later.
20:33Okay, let's go.
20:47What kind of life is that?
20:54The fear does not lead to the question, but it is the question.
20:57Why?
20:59There is no body.
21:02Actually, there is some remains,
21:04but our autopsies say that on the basis of them
21:07it cannot be confirmed whether it is going to be in this case.
21:11Of course, it will be like that
21:13when a man is thrown out with a bomb.
21:14What kind of life is that?
21:15Well, I'm just a lie.
21:18If you're trying to get yourself a little,
21:19or if you're throwing it in a little more subtle way,
21:22it wouldn't be in this situation.
21:24Why did you just take it off and take it off?
21:28Why did it take it off and take it off?
21:31I don't know.
21:33But you could do it another way.
21:35That's right.
21:38Did you want to take it off?
21:41Did I take it off?
21:43Yes.
21:43Is it all done?
21:45Is it all done?
21:45Is it all done?
21:46And what is it now?
21:47Is it all wrong with him?
21:50What are you doing?
21:53What are you doing?
21:55What are you doing?
21:55What are you doing?
21:55Did you take it off?
21:56Did you take it off or not?
21:56Of course, I am.
21:58What is it going to happen?
22:00If he just wants to be safe,
22:02that he is on the ground floor?
22:03What are you doing?
22:05What are you doing?
22:05What are you doing?
22:07What are you doing?
22:08I am not a trustee.
22:10I have no trustee.
22:11I have no trustee.
22:12I have no trustee.
22:14I have no trustee.
22:16I have no trustee.
22:17How many of you have to be involved with me?
22:19How many of you have to come back and ask me to do something wrong?
22:23How many of you have to be involved with me?
22:28A
22:28a
22:29a
22:29a
22:29a
22:29a
22:29a
22:53a
22:53a
22:53a
22:53a
22:53a
22:54a
22:54a
22:55a
22:55a
22:57a
22:58a
22:58a
22:59a
22:59a
23:00a
23:00a
23:01If there is a wrong reason to doubt that you have something changed,
23:06you know very well what is waiting for you.
23:10And what now?
23:12Let's say that he won't get me,
23:17and he will tell me that I haven't done the job I have done.
23:20And what now?
23:24If you have done everything as you need
23:26and you don't have anything changed,
23:28then everything will be done.
23:33I have to go, Hidro.
23:34You will be in peace and you will not do anything.
23:38Take care.
24:08You will be in peace and you will be in peace.
24:11You will be in peace and you will be in peace.
24:17I will be in peace and you will be in peace.
24:23What do you have to do with that job in Crnoj Gori?
24:26I don't know. I really don't know.
24:29We don't work so close.
24:32I thought that if the job starts,
24:35I won't be able to watch him.
24:39What?
24:41I'll work.
24:44Well, I know, but it won't be on that level.
24:48You won't be able to work with a bureaucracy.
24:49The bureaucracy will be completely opposite to that.
24:52What do you think? It's a bit slower?
24:54Yes, it's a bit slower.
24:57You just go and take a picture of the apartment
24:58along the way and along the street of Stefan.
25:00Nice.
25:04Sorry, we didn't have to do that.
25:05I'll call Boris.
25:07That's the message.
25:09Yes.
25:17Sorry, I don't say anything. I'm thinking about you.
25:20B.
25:22Awww.
25:23Awww.
25:23Awww.
25:24Awww.
25:25Awww.
25:42Awww.
25:47Awww.
25:49B.
25:51Awww.
25:52Dziší hourscpreter 3,2 oz 여z
25:55How are you? How are you healthy, eh?
25:58Well, it's not bad. What are you doing?
26:02I'm walking a little by the park.
26:05Ah, you started driving a healthy life?
26:08Yes, a little bit.
26:11Is it not enough?
26:14You are not enough enough. You are not enough enough.
26:19You didn't talk so much when I called you to hotel.
26:24Well, you know what?
26:25Well, you know what I mean to me.
26:28I'm not enough enough.
26:30I'm not enough enough.
26:34I'm not enough enough.
26:34Let's go, Ksenija.
26:35What happened?
26:36You want me to talk about that?
26:38That's why you called me, right?
26:40Well, not really.
26:43Well, we won't be able to talk about that, right?
26:46I have something else in my head.
26:50I'm not enough enough.
26:51Well, you sound like you liked it, right?
26:53Well, I don't think so.
26:55But I have something else in my head.
26:58What's that?
27:00I want you to help my friend to know who is worth it.
27:04Well, Ksenija, do you have someone else to engage for this?
27:09Maybe someone could find yourself, but you would be like for such an action.
27:14Well, Ksenija, I have a really important position and other responsibilities.
27:18I don't have time for that.
27:18I don't think so.
27:20I don't care what you need.
27:21I just need you to enjoy this.
27:26I don't want nothing to do with you.
27:28You hear?
27:30Again, you and your desire.
27:31I don't care what you want.
27:33I want you to help me to find out who is worth it.
27:37I tell you that I don't want.
27:39Well, you'll have to.
27:41Why?
27:42I don't want to tell you about your name.
27:44I don't want to know you guys.
27:44If you don't like, Relic will know that you are also together.