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Igra sudbine Epizoda 1939,Igra sudbine 1939,Igra sudbine 1940,Igra sudbine Epizoda 1940, Igra sudbine Epizoda 1939,Epizoda 1939 Igra sudbine ,Epizoda 1940 Igra sudbine
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00:21You know that I'm feeling like I'm in the free test.
00:26Like I'm in the DNK.
00:30Let's hear it here and shake it up.
00:34We'll throw the beograd fuel from Koslija.
00:40Here's a little bit of relief.
00:42Oh, how nice this Vietnard is.
00:44The lemon is from my home.
00:45I'm just sitting here.
00:46You know, the home of the house.
00:48Oh, why is that?
00:51What is it?
00:52That's the Uragan.
00:53That's the center for profit.
00:55No, that's it.
00:56We'll throw this humanitarian action
00:58after the first time.
01:00I'll try it right away in the first time.
01:02We'll keep it up for the last time.
01:03Thanks, Vietnard.
01:05Let's see the air.
01:06Now you find it.
01:06So you can get it?
01:07I don't know.
01:08I don't know.
01:08Get out of the way.
01:10You can't do it,
01:11but you'll dez it as soon as you've lost.
01:16You'll talk to me before.
01:17I'm having some fun I love you.
01:18I don't have fun.
01:19But your thing is great.
01:21Come on, I love you.
01:24Well, you gotta long.
01:25Let's go.
01:25Well, you know.
01:25You know someone said
01:26I think I'm going to love someone who doesn't have money, I wouldn't believe it.
01:31What a lot of emotions.
01:33Nothing like that.
01:35This is my life's last nature.
01:38Let's see.
01:41Let's go.
01:42Oh, my God, how beautiful.
02:08He's beautiful.
02:11As you can see, take a bath.
02:13We're here.
02:17Listen to this one.
02:19You'll remove old,老 old sir
02:23We put it on the thick pieces and then, on each piece we put it in one piece.
02:32And what's happening? It's magic.
02:34Then it's not a mess. It's called a canapé.
02:39Canapé? From the old side.
02:41And for the most part, chips?
02:44Yes, chips is normal.
02:46Mama, this is a war. We did it in Nagarusa.
02:49Go to the messer and buy two kilos of cevapé.
02:52Cevapé? They'll be rich.
02:55You'll just tell me that the messer will take the cevapé,
02:58divide them into half and then two kilos will look like that.
03:01Four kilos. You have to learn.
03:04Optical bag. It's a mother in the taste.
03:09Pre-pollied cevapé.
03:11Okay.
03:12Okay.
03:12And for the health, do you want some champagne for the doctor?
03:17Champagne?
03:18Yeah.
03:18And they'll throw me in the chips and throw me the inventories.
03:22They'll give them a nice taste.
03:24It's good for the soul. It's good for the body. It's good for the cholesterol.
03:27Okay.
03:28So, the taste is good for the whole day.
03:30But see.
03:31Really, when it's the first taste, you want to give them a real cup for a healthy person.
03:37You want to give them a little bit of a healthy person.
03:41We are sponsors, but we're not black and white.
03:45Okay.
03:46Logistics is clear.
03:47And what are we going to call for music?
03:49We'll call them the keyboardist from Bavošić.
03:53So, let's give him 50 euros and backseat. Normal.
03:56It's not that way.
03:57You'll take my phone and go to the keyboardist.
04:00And send it to me today.
04:01Mother, you're going to call us.
04:04What's going on if you're going to call us?
04:07No.
04:07It's just an alternative to the jazz.
04:10Let's go.
04:11Let's go.
04:12Let's go.
04:12Let's go.
04:13Let's go.
04:13Let's go.
04:14Let's go.
04:15Let's go.
04:37Let's go.
04:39Let's go.
04:40Let's go.
04:40Let's go.
04:41Let's go.
05:05Let's go.
05:06No, I can't. I can't do this.
05:10The sun, the sea, the sea, the clouds...
05:13I'm not a woman for the nature, I'm a woman for the sky.
05:17That's surely the nature of the nature.
05:19The nature of the nature of the sun.
05:22Look at me.
05:23Look at me.
05:24Look at me.
05:25I'm looking at me like this.
05:26I'm looking at me like this.
05:30Let's go and have a little bit.
05:32Look at me.
05:36Look at me.
05:36Look at me.
05:37Look at me.
05:37Look at me.
05:38Look at me.
05:41Tell me something.
05:44If you've accepted me for the community 200.000,
05:50he'll accept you as a rašteljko, believe me.
05:53I can't.
05:56Everything hurts me.
05:57Everything hurts me.
05:59I'm going to get out of it as if you get the ice.
06:00I'll go over it.
06:00I'll go over it.
06:02I won't be able to go over it.
06:02I don't do that, Mariana, tell me that you don't get out of it.
06:04The assassin is 50 degrees.
06:06What does it mean?
06:07I'll let you have a soft ice cream,
06:09I'll show you for a soft ice cream for the sun.
06:13I'll be able to go over it.
06:15I won't fall over it.
06:16I know you are soft ice cream.
06:17I won't drink!
06:19All right, only I won't look!
06:21Look at me.
06:3380 EUR...
06:34It has 4 EUR.
06:35I worry about it.
06:38Okay, good...
06:39Hey, hey, hey!
06:41Hey, hey, hey!
06:43They got addicted to Adanas, we are going to have a life for young people.
06:48Now look, it's almost like this.
06:49The first class is Tursk, clean polyester, but under a certain angle, this can look like a smile.
06:57Look at this. Look at how it falls.
07:01When we get this light, we don't have these garsas.
07:04It's not bad. It's a good time, girls.
07:06What did you take for your legs?
07:08We took these knives. We were in total sales.
07:12Good.
07:13Good.
07:13Good.
07:14You have to be able to do this.
07:20It's amazing.
07:21Stop it.
07:22Come on, stop it.
07:24Go.
07:33If someone has caught me, I'll take the police.
07:36You look crazy.
07:38Don't breathe.
07:38Don't breathe in his brother.
07:40Let's go.
07:46Hold on.
07:46Just see me.
07:47Just see me.
07:48Just see me.
07:49Just see me.
07:50No, no.
07:50Don't talk to me.
07:51I need to talk to you.
07:52Don't ask me to watch the video.
07:53Do I guess?
07:54This is yours.
07:55This is yours.
07:57This is yours.
07:58This is yours.
08:09Here, look.
08:11Don't make it.
08:13I'll see you later.
08:16Come on, come on.
08:17Wait a minute.
08:22Watch out.
08:23Don't worry about you getting in this.
08:25Is it possible?
08:27Come on.
08:28I'll see you later.
08:29Have a great day.
08:30Yes, can I?
08:32Yes.
08:33I don't know.
08:36What?
08:36Mariana, Mariana.
08:38What?
08:39What is that?
08:40What is that? What is the hell? What is that?
08:43The hell is the lactobacterium and the rescue.
08:46Take it, give it the other hand.
08:47This is a slow motion.
08:49Wait, wait, wait.
08:51Can I?
08:53I'm sorry, I'm sorry.
08:55I don't want it.
08:56I'm sorry.
08:57So, so, so, so.
08:58Wait, wait.
09:00This is above the maderoterapia, brazilian.
09:04When you're young with the moklagia,
09:06it's above the cellulite.
09:06This is above the top of the cellulite.
09:17If you want me to see this girl, he will immediately get out of it.
09:22Yes, sure, how can't he?
09:24He has survived the fall from the wrong wall street on the igor's kitchen.
09:29This is a black girl who can't even imagine.
09:32What have I experienced in my life?
09:36A woman who has spent a whole life with champagne on the roof.
09:40She sits in a place near the river.
09:46While you are drinking some sugar, milk or what?
09:53You just described the perfect purpose for the black girl.
09:58Let's go.
09:59What the fuck?
10:00I mean, it is simultanly...
10:06Let's take another one, let's go do that.
10:11Oh, I didn't make it!
10:15What did you say?
10:30Well, let's go. Let's go. Let's go to the water.
10:34Let's go.
10:36Let's go.
10:37Where are we going?
10:37Do you want to throw ice?
10:38No.
10:40Let's go to Perra.
10:41You, and I, and you.
10:42If we're going to die.
10:43Where are we going?
10:44We're going to die.
10:45You, and I, and she.
10:45Wait.
10:46Wait.
10:46Wait.
10:46Wait.
10:47Wait.
10:47Why don't you pay for it?
10:49We're going to die.
10:50We're going to die.
10:51We're going to die.
10:52And that's why, Perra,
10:53glad to be here.
10:54I'm sorry, Igor.
10:55What's your concern?
10:56I'm sorry, Igor.
10:57I'm sorry, I'm sorry.
10:57There's good people, good friends.
10:59We're here one with the other.
11:01Let's go.
11:02You know what?
11:03You're going to throw something.
11:04A little bit of a bite and we're going.
11:06Okay.
11:06I'll be sorry, Igor.
11:07But Diana is sore.
11:08It's like a rock.
11:09It's worse than the body.
11:10Where are you?
11:11I'm sure.
11:11I'll be able to throw it.
11:12I'll be able to throw it in.
11:15He'll be able to throw it.
11:15Where are you, Perra,
11:16becoming a Humanitarian PTO?
11:19No, I'm sorry.
11:21What are you wondering?
11:23You're wondering about this?
11:24Look at what you see.
11:24Look at what you mean.
11:25How you fucking go.
11:26Go, get those rings.
11:26Come on, go buy it in,
11:28And drink.
11:29Come on.
11:31Come on.
11:31We'll see.
11:32Let's go.
11:35They won't eat anything.
11:36Now that's nightmare,
11:37I'll worry about nothing.
11:52I just need to get back.
11:53Hey, I'm sorry.
11:56Sorry, I'm sorry for this.
11:58I'm sorry, I'm sorry.
12:02You bring this, but you'll have to make it.
12:06You want to get it on your air.
12:08It's about 4 kilos.
12:09It's a mess.
12:11It's a mess.
12:12No, it's a mess.
12:14It's a mess.
12:15It's a volume.
12:18Look at this.
12:20It's not a labuda.
12:23God, it's not a mess.
12:24It's not a mess.
12:25Here it is.
12:31What are you doing?
12:34It's a bucket for young people.
12:35What are you doing?
12:36Let's pray.
12:37We're waiting for the decoration.
12:40I found this.
12:44It's a little bit of a mess.
12:46It looks archaic.
12:47It's good.
12:49It's good.
12:50It's good.
12:50It's good.
12:55It's good.
12:56We'll get a fancy napkin
13:03with a taste of pulps.
13:05Let's go to the music.
13:06Let's see what's going on.
13:07Okay.
13:10Hydrological announcement.
13:11The only way beyond the water is bowing.
13:12During the river sea.
13:14It has a stable level of water.
13:16With a number of cycles of climate and climate,
13:19It's the same thing.
13:19No, it's not.
13:20Put something.
13:21Just a guitar!
13:22someone with a guitar!
13:23That will stay.
13:24I'm going to be estoy blind.
13:26Let us laugh.
13:27I'm looking at something like this, and it's not bad.
13:33This is my friend, my dear,
13:35the answer to the Crnogors' relationship
13:38on the Beograd's bankruptcy.
13:40The cafe is ready.
13:46Come on, come on!
13:48I need a space for you.
13:49Come on, come on, come on!
13:51Come on, come on!
13:55Marko, come on, come on, Marko!
13:58What is this?
14:14Come on, come on, come on!
14:16Stay, stay, stay, stay, stay, stay, stay!
14:19Don't be scared, please!
14:21I'm telling you, my pulse is still not moving.
14:23Yes, yes!
14:24What a pulse!
14:24We have time for pulse.
14:25Let's wear this!
14:27Pero said that the dress code is обязable.
14:29What is this?
14:30What is this?
14:31What is this?
14:31What is this?
14:33What is this?
14:34What is this?
14:35It's not like that, Diana.
14:36It's from the boutique.
14:38Soada.
14:39Tursk avant-garde.
14:40You have the keys?
14:41All I have to do with the keys.
14:42I do see that I have keys.
14:44I can see the pieces.
14:48I can see the pieces.
14:49I can't put them on my legs.
14:50I can't put them on my legs,
14:50because my legs are weak,
14:52as thegenes are gone from the sun.
14:54Yes, I can't.
14:55It's not a mistake to pull them out.
14:56Yes!
14:57Please don't be afraid.
14:58If you can, Pepe Lugina,
14:59a poor sister, can be pushed away.
15:01Let's go.
15:02Let's go.
15:03Let's go.
15:03Let's go.
15:04Let's go.
15:05Plastic pieces, plastic pieces,
15:07And we're going to break from electrostatic electricity.
15:10How do you think about physics?
15:11No, no, no. You won't shake your hands.
15:14Let's go.
15:16Mariana, Mariana, please.
15:17Wait, why would she go to the white house and go to Peri in the restaurant?
15:21Well, I don't want to be a queen of Peri.
15:23Dijana, do you know Peri?
15:25This is a matter of aesthetics.
15:28He cares about all the details.
15:30He's a fan of his identity, visual identity, etc.
15:33I pray that we don't break ourselves.
15:36Don't ask questions.
15:38Don't break it.
15:39That's it.
15:40That's it.
15:41That's it.
15:42I don't want to do anything.
15:43I don't want to do anything.
15:45No, no.
15:46I don't see any radioactive smoke.
15:49Like, on all the sides.
15:51You're on all the sides of me.
15:53I'm broken.
15:55Okay.
15:55Let's go.
15:56Let's go.
15:56Let's go.
15:57Let's go.
15:57Let's go.
15:58Let's go.
15:58Let's go.
16:01Let's go.
16:01Let's go.
16:02Let's go.
16:03Let's go.
16:03Come on.
16:16I can't do it, I can't do it, because I'm not able to do it.
16:19I'm not able to do it. I can't do it.
16:24I'm not able to do it. I'm not able to do it.
16:25Just focus on your breath and walk.
16:27I can't do it because I'm very soft,
16:29I'm not able to do it. I'm not able to do it.
16:33I'm not able to do it.
16:34I'm not able to do it.
16:35Why are we so much in the evening?
16:39Because the hair is holding the protocol.
16:41Why are you standing there?
16:42I don't have a sense to go on the evening.
16:44I'm not able to do it.
16:46I feel like a little girl is in the white.
16:52I believe you look like a Bulgarian princess.
16:56You're going to do it.
16:57You're going to do it.
17:00Do you feel like I'm going to do it?
17:02I'm going to do it.
17:04Dixie, you smell love.
17:07I believe it.
17:07Come on.
17:20Jana, what are you doing? What is this? A little bit of a secret?
17:24It's not a secret, but a civilisation. Let me see.
17:27Oh, mother, let's do it.
17:30Let's do it. You're not going to buy a krompir, mother.
17:33Jana, we said we'll go to the belt.
17:35The belt?
17:35The belt. First, the law of law.
17:37I don't know if I can, when I'm afraid, when I'm afraid.
17:41You can only stop and stop in that hole.
17:45Let's go. Let's see.
17:48Okay, let's go.
17:49Let's go.
17:55Let's go.
17:56What is this here? It's a food.
18:00The girl died, but no one didn't tell me.
18:02No.
18:02No, no.
18:02No, no.
18:03It's a food.
18:04It's a little bit weak, but it's a food.
18:07What do you see here?
18:09This is like a
18:13It's a food.
18:16It's a foodie around a room.
18:25That's not the idea of the box.
18:28It's as a foodie.
18:31It's a foodie.
18:31or bring someone to the table, because I have to sit here with the Turkish tables.
18:34Please, people, give me a table, I'm a woman, I want to...
18:37And why Joca sits here with a lamp like a chair?
18:43Let's see, what does that mean?
18:45Listen, we paid 50 euros.
18:48The real mother was looking for money to go to the ground,
18:51and Jovan ran a formular from the internet.
18:54What a mother, what?
18:56You're welcome, woman, you see?
18:59Joca, I'm sorry.
19:00Joca, who doesn't want to put two separate letters,
19:05I'm sorry.
19:06Listen to me, Mr. Polijester, I've been here very seriously.
19:11I've been doing all day, articulation and diction.
19:16Please, please, go to the altar, or the wall.
19:20I don't understand this.
19:23I'm sorry, I'm sorry.
19:25I'm sorry, I'm sorry, I'm sorry.
19:28Please, what should I do here?
19:31I'll tell you the truth to Igor, and you'll tell me the truth to Infostar.
19:35Please, please, I'm sorry.
19:37Diana, love, I know I don't have a car and I don't want to drive you to Bahama.
19:41I don't have that property in Perignon, but I have you.
19:45And I've decided to stop you until you don't understand that you can be better than me.
19:54People, is this really?
19:56Yes, really, Diana, really.
19:59Stella and me, we bought you this piece.
20:01Yes, and the piece.
20:01I mean, they were on sale, but they look at the top.
20:05No, no, no.
20:05No, no, no, no.
20:06And so you think of the
20:08You've been paying me.
20:09You know I can't.
20:11It's very simple.
20:12You know what I'm buying?
20:12No, that's not enough, I don't know.
20:16You're playing.
20:17You're enjoying it.
20:17You're playing, you're enjoying it.
20:18You're enjoying it.
20:23That's a lot of shit.
20:24I'm having you, that's a lot of shit.
20:31I'm having you, I'm not having you.
20:33No, you're not having me.
20:35I'm having you.
20:36It's so much help.
20:37Do you believe me?
20:38Yes, you are sweet. I'm from the soul.
20:43No, no, no. I'm going to show you what I want.
20:47They have to go out and go out and go out.
20:50And on all the other side, they have the first restaurant to fly in the air.
20:53Love, everything goes in the air, but I've found my happiness.
20:57I know that you love me.
20:59I'm going to go ahead and go ahead with me as a top authority.
21:04This is all here. This looks like it's survived atomic bomb.
21:08I know.
21:10Cipele, they are so upset. They are so unquality.
21:13I have a problem where I'm going to get a large amount of lube.
21:16I know that.
21:18I'm going to throw it away.
21:22Because of the static electricity.
21:24You're going to organize the food. I'm not going to organize it.
21:27Okay. All right.
21:30Peace, peace, peace, peace.
21:32Peace, peace, peace in the air.
21:34On the terrace.
21:35We'll get started.
21:38I and Jovan Glavočić,
21:41from the local authorities here,
21:44before the witnesses,
21:47I ask you, Žejko,
21:48Do you want to take an electric bill,
21:52if youases a death insaner?
21:57Absolutely.
21:58You'll stop like this.
21:58You can take an Davie.
22:10I you can take an electric bill,
22:18I will take anyone, just to get me the bucket of milk.
22:26As a black face in front of the Tivat, I will welcome you, husband and wife.
22:33I am, I am, I am, I am.
22:37Give me a hand, give me a hand, we will be here again.
22:42So, that's it!
22:45Prstens? Who bought them?
22:48Joc, you used them for prstens? I gave you two euros.
22:51He gave them to Peruda and bought them.
22:54Oh, shit! We'll get them to prstens!
22:57Just slowly, just slowly, without panic.
22:59Optička, varka, majka, braka.
23:01Marko! Marko, don't give me these dihtunge!
23:04Come, come, come!
23:06Look, the real Italian dihtunzi
23:09They're stuck, they don't hurt.
23:11Let's go!
23:15Dichtunzi!
23:16I'm holding on my hand the dihtunge from the coffee app.
23:19People!
23:21You'll only have to go back to me
23:23because the right hand is holding on to you.
23:25Ah, you're amazing!
23:28What have I experienced?
23:30I'm falling down, down, down, down!
23:32God, help me!
23:34Okay, now you can love young people
23:38and get you back.
23:40Come on, come on!
23:40Come on, come on!
23:44Come on!
23:44What are you doing?
23:47You're not doing that!
23:48You're going to electrified the polyester,
23:50you're not going to have to go back.
23:50No, it's not.
23:51It's an emotion.
23:52Marko, give us a champagne.
23:54What?
23:55What?
23:57What?
23:57What?
23:57What?
23:57What?
23:58What?
24:02What?
24:02What?
24:03What?
24:04Here!
24:11Here!
24:15Here!
24:16Here!
24:19Here!
24:20Here!
24:20Here!
24:21Here!
24:24With joy!
24:27People!
24:28Let's go!
24:29Let's go!
24:32Let's go!
24:33Let's go!
24:33Let's go!
24:35Let's go!
24:36Let's go!
24:40If you're a good friend of mine,
24:43you can buy the Perguson tractor with a bike
24:45on every four points.
24:48Only today.
24:49In the box, give it to you!
24:51Well, it's perfect!
24:52The tractor for the beginning of the car
24:55is not enough.
24:58No!
24:59And this is some sweet water with a lemon, right?
25:01No!
25:01It's a detox champagne for young people!
25:04Let's go!
25:05Let's go!
25:06Let's go!
25:08Let's go!
25:09Let's go!
25:10Let's go!
25:10Let's go!
25:11Let's go!
25:11Let's go!
25:12Let's go!
25:12Let's go!
25:14Let's go!
25:16Let's go!
25:17Let's go!
25:18Let's go!
25:18Oh, my God.
25:49Oh, Nadu, nisam ja znala da ima romantike bez para, ja da ne bio.
25:53Ćuti, nemoj da ti prepričavam ljetovanje u Zutomoru sa poštetom i sa probušenim šatorom.
26:00A veđina si 20 godina u vraku.
26:03E, to je prava ljubav.
26:08Što nisiš ti, Pero, kad smo mi ovako sve ovo što se kaže lepo upriličili, da upalimo jednu partiju i
26:14odsati i ja?
26:15E, nećemo, Kuma, nećemo, odrala si ne kožu sleđa. Imao sam troškove oko ove smatbe.
26:22Dobro, Pero, pa nisam mislila u pare, majko mo.
26:25Kuma, ovo javca, s togom samo tabliče.
26:38Joco, preuzmi ulogu šefa save.
26:40Nada, daj ovim ljudima ćevapi i pazi, koji ako pa ne vrati ga, nemamo zanim.
26:46Inače, ovi su ćevapi nešto kao neki karpač od ćevapa.
26:53Wait, wait. High-end minimalism.
26:56Yeah, if someone told me that I'm going to be angry,
27:01that I'm going to smell cold milk, that I'm going to wear this diphtung on my finger,
27:06then I'd have to blame him for the blame.
27:09And now?
27:10Yeah, I think it's the most beautiful, the most beautiful, the most beautiful,
27:14and the most beautiful thing I've ever seen in my life.
27:16And I love it.
27:18Željko, I'll make you a successful girl.
27:22Do you have to buy me the diamond prst?
27:26I don't want to wear this whole life, I pray.
27:29It's agreed to love, it's agreed to.
27:31As long as I'm standing on my knees, I'm going to be 255.
27:35Dixi, I want you to be static and I don't remember her.
27:41This is a lot of philosophy.
27:44I'm going to give you a lot of food.
27:47And here we go.
27:51Torta!
27:52Torta!
27:54Torta!
27:54Torta!
27:56Torta!
27:56Torta!
27:58Hop!
28:10Ja!