Skip to playerSkip to main content
ReelMovies
A housewife divorces her self-centered husband. Years later, she attends a party where her ex is pursuing another woman. Unbeknownst to him, she is the same ex-wife he'd neglected, now transformed into a fashionable socialite.
#family #drama #comedy #B&W

Category

🎈
Fun
Transcript
00:00:00A
00:00:00A
00:00:01A
00:00:01A
00:00:01A
00:00:02A
00:00:02A
00:00:02A
00:00:02A
00:00:39THE END
00:01:00THE END
00:01:30THE END
00:01:36THE END
00:01:38THE END
00:01:43THE END
00:01:47THE END
00:01:53THE END
00:01:57THE END
00:01:58THE END
00:02:00THE END
00:02:00THE END
00:02:01THE END
00:02:15THE END
00:02:17THE END
00:02:17THE END
00:02:19THE END
00:02:23THE END
00:02:37THE END
00:02:40THE END
00:02:42THE END
00:02:50THE END
00:02:57THE END
00:02:58THE END
00:02:59THE END
00:03:03THE END
00:03:04THE END
00:03:14THE END
00:03:17THE END
00:03:19THE END
00:03:20THE END
00:03:30THE END
00:03:32THE END
00:03:33THE END
00:03:33THE END
00:03:35THE END
00:03:40THE END
00:03:42THE END
00:03:44THE END
00:03:48THE END
00:03:51THE END
00:03:58THE END
00:04:00THE END
00:04:03THE END
00:04:05THE END
00:04:14THE END
00:04:16THE END
00:04:18THE END
00:04:19THE END
00:04:20THE END
00:04:20THE END
00:04:20THE END
00:04:24Well, Mr. McInerney, he's my husband, I guess if I spoil him, it's my own fault.
00:04:29I'll tell you what you can do.
00:04:30You can get the kiddies up and see if they get ready for breakfast.
00:04:32Yes, ma'am.
00:04:33But don't let them disturb Mr. Brown.
00:04:35No, ma'am.
00:04:37I love you, I love you, I love you.
00:04:50Oh, where, oh, where is my little brown tie?
00:04:53Oh, where, oh, where is my tie?
00:04:57Kitty.
00:04:59Kitty.
00:05:02Kitty.
00:05:03Shh, Bob, the kitties are taking their nap.
00:05:09I know, but darling, I can't find the brown striped tie.
00:05:13It's right there where it always is, dear.
00:05:16Oh, it isn't.
00:05:17I've looked every place.
00:05:18I can never find anything when I'm in a hurry.
00:05:20All right, Jim, I'll find it for you.
00:05:23You're always in such a hurry.
00:05:25I don't know what you'd do without me to find everything for you.
00:05:29I've never seen anything like it.
00:05:30You men are just as hopeless as a lot of babies.
00:05:33I never find anything when I'm in a hurry.
00:05:35Now, just a minute, dear.
00:05:35I've looked there.
00:05:38What did I tell you?
00:05:39Well, now, who do you suppose put that there?
00:05:41You most likely did yourself, dear.
00:05:43Let me help you.
00:05:45Well, I just don't know what I'd do without my little wife.
00:05:47That's it.
00:05:48How do you expect me to tie this high before you do that?
00:05:50Oh, ho, ho, ho.
00:05:51What makes you so frisky this afternoon?
00:05:53Oh, I don't know.
00:05:54It's Sunday and golf and everything.
00:05:55Say, you know, I have to hurry, too.
00:05:57I don't want to keep the boys waiting.
00:05:58All right, dear.
00:05:58You finish that and I'll hurry and get dressed.
00:06:01Well, look, dear, it'll take me about three hours to play 18 holes of golf.
00:06:04Why don't you join me at the club later for dinner?
00:06:10Why, Bob, we see so little of each other these days.
00:06:16And I just love to watch you play golf, dear.
00:06:18Oh, that makes me nervous.
00:06:19You know, I always play a rotten game when you're watching me.
00:06:21You don't at all.
00:06:22You always play wonderfully.
00:06:24And I won't be a minute.
00:06:25But, dear, I'm in a hurry and I'm all ready.
00:06:28You old fussbudget.
00:06:29I just have to get into my dress.
00:06:31I love you.
00:06:32I love you.
00:06:34I love you.
00:06:36I love you.
00:06:39Kitty, do you know any other songs?
00:06:43I like this one.
00:06:45I love you.
00:06:47I love you.
00:06:49I love you.
00:06:57Hello.
00:06:57Say, Bob, are you going to keep me waiting here for you all day?
00:07:03Helen, I've told you never to call me here.
00:07:05Now, listen.
00:07:05Do you happen to notice the time limit I'm passing on your street?
00:07:09Yes, but now, look here.
00:07:10I'm afraid we'll have to call this offer this afternoon.
00:07:12My wife and I are...
00:07:13Your wife?
00:07:13Oh, Bob, I'm tired of that bind.
00:07:15I know, but now that you've got to understand...
00:07:19Helen.
00:07:20Hello.
00:07:21Hello?
00:07:23Oh, no.
00:07:24All right, Henry.
00:07:25No, I'll be over there.
00:07:26Yeah, about 20 minutes.
00:07:36Well, Bob, I'm ready.
00:07:38Good.
00:07:39Now, that didn't take me long, did it?
00:07:41No, it didn't.
00:07:45Who was that on the phone?
00:07:46Oh, just the fellas at the club.
00:07:47They're anxious to tee off, huh?
00:07:49Oh.
00:07:52Where did you get that?
00:07:54Why, dear?
00:07:55Don't you like it?
00:07:57I just finished it.
00:07:58Kitty, why don't you go to some smart shop and get yourself some decent clothes?
00:08:03You know, Bob, the clothes are so frightfully expensive, and I can buy us about three and a half yards
00:08:08of material...
00:08:09No, darling.
00:08:10At least I make enough for you to dress well, don't I?
00:08:12There's no need of you skimping and saving like that.
00:08:16Well, you're not ashamed of me, are you, Bob?
00:08:18Of course not.
00:08:20I...
00:08:20Oh, darling, forgive me.
00:08:24Come on now, laugh, smile, will you?
00:08:27Oh, that's better.
00:08:28Put your hat on, we've got...
00:08:29I'll get the golf bags.
00:08:36Uh, hurry, will you, dear?
00:08:37I want a minute.
00:08:40Well, what is it?
00:08:41I beg your pardon, Mr. Brown, there's a lady to see you.
00:08:44A lady to see me?
00:08:45Yes, sir, she's in the front room.
00:08:47Thank you, Mrs. McIntyre.
00:08:55Hello, darling.
00:09:00Look here, Helen, you're carrying this thing too far. Are you crazy?
00:09:03No, no, dear, I'm not.
00:09:04But you must think I am if you believe I'm going to put up with this any longer.
00:09:08I know, but coming here like this is absolutely ridiculous. My wife will find...
00:09:11Oh, now, Bobby, darling, are you going to remain tied to your wife's apron strings all your life?
00:09:15Now, look here, Helen, this is...
00:09:16Oh, now, don't be so...
00:09:17Helen.
00:09:21Uh...
00:09:21Oh.
00:09:24Why, uh...
00:09:24Oh, uh, you're Mrs. Brown, I presume?
00:09:27Yes.
00:09:28I'm Miss Hibbert.
00:09:29Why, Bob, uh...
00:09:32I hope I'm not interrupting anything.
00:09:34No, I...
00:09:34Oh, no.
00:09:35No, not at all.
00:09:36In fact, I think it's about time we met.
00:09:39As long as we have something in common.
00:09:41Helen, this...
00:09:42Now, Bob, we might as well settle this thing right now.
00:09:45Why...
00:09:45I don't quite...
00:09:47Oh...
00:09:48Oh, I see.
00:09:50Well, naturally, you don't understand about Bob and me.
00:09:56Oh, yes, sir.
00:09:57Bob has spoken of you quite often.
00:10:00Oh, he has?
00:10:01Yes?
00:10:02Well, then, of course, you're entirely familiar with the situation.
00:10:05Oh, yes.
00:10:07Um...
00:10:07One has to be quite broad-minded these days.
00:10:10Well, yes.
00:10:13Especially women of your type.
00:10:17Helen, please leave.
00:10:19Oh, no, Bob.
00:10:20Please don't hurry, Miss Hibbert.
00:10:21I think...
00:10:22I must have...
00:10:24forgotten something.
00:10:43There, now, darling.
00:10:44You see how simple it all was?
00:10:45Well, she does understand everything perfectly.
00:10:48And it's the very best thing that could have happened to all of us.
00:10:51Oh, come on, now, darling.
00:10:54Snap out of it.
00:10:57Everything's going to be all right, so don't worry.
00:11:02Well...
00:11:02Cheerio, old dear.
00:11:04You know where to find me, so...
00:11:07Give me a ring sometime.
00:11:16Kitty.
00:11:17Kitty.
00:11:19Kitty.
00:11:21Kitty.
00:11:21Open this door, I tell you.
00:11:23Kitty.
00:11:25You wake the children.
00:11:27Kitty in.
00:11:29Kitty.
00:11:30I never want to see you again.
00:11:32If you don't open this door, I'll...
00:11:33Kitty.
00:11:36Kitty.
00:11:41I'm terribly sorry, Kitty.
00:11:43Please listen to me.
00:11:44Oh, it's true, isn't it?
00:11:46Oh, but you don't understand the circumstances.
00:11:48The real...
00:11:48Oh, it's true.
00:11:49Darling, I don't love her.
00:11:51I've never loved her.
00:11:52I love you.
00:11:52Oh, don't.
00:11:54Oh, that's all over, I tell you.
00:11:56This has nothing to do with the feeling I have towards you.
00:11:58That's what you've got to see.
00:12:00Oh, just go now.
00:12:01Out of the house.
00:12:02While I pack.
00:12:03I'm going to take the children and leave.
00:12:05You're going to hear my side of this.
00:12:06You know I wouldn't hurt you.
00:12:07for anything in the world.
00:12:08Oh, you don't know what you've done to me.
00:12:11Forgive me, Kitty.
00:12:12I've never stopped loving you.
00:12:15You've never loved me.
00:12:16You've just pitied me.
00:12:17You've lied to me.
00:12:19Every minute this has been going on, you've lied to me.
00:12:22Nothing's been true.
00:12:23I can't believe anything or anyone ever again.
00:12:26Darling, I belong to you and you belong to me.
00:12:29Don't come near me.
00:12:30I love you more than anything else in the world.
00:12:32Don't touch me.
00:12:33Just go.
00:12:35Won't you give me another chance, Kitty?
00:12:37No.
00:12:38Can't, can't we try again?
00:12:40No.
00:12:41Don't you love me?
00:12:42No.
00:12:48All right.
00:12:55If I leave this room, I'm never coming back.
00:12:57Do you want me to go?
00:12:58Yes.
00:13:30I had all this stuff in the garden once when she changed her mind and told me to bring it
00:13:33in here.
00:13:33Certainly.
00:13:34I told her it would be cooler in here.
00:13:36It would be just as well if you minded your own business.
00:13:39It's bad enough to keep up with her notions hopping around all over the place without you changing her mind
00:13:43for her.
00:13:43I've been changing her mind for her for 20 years.
00:13:46And I expect to keep on doing so without any suggestions from you, Miss.
00:13:51Hadley just telephoned from the station to say that nobody got off that train.
00:13:54He was instructed to meet at 315 or wait for a train that somebody did get off of.
00:14:01Well, goodness only knows who will get off or how many.
00:14:03They may be Chinamen or Monkeys this time or King of the Fiji Islands.
00:14:07Telephone Hadley at the station and tell him to wait for someone peculiar or distinctive.
00:14:14Someone likely to be coming here.
00:14:17Whitman!
00:14:21Her name is Brown.
00:14:24Mrs. Cortland Brown.
00:14:27And I want to put in the end of the north wing.
00:14:29The south wing would be much better, Mrs. Boussicole.
00:14:32North!
00:14:34Why will you always insist upon me?
00:14:36Put that pillow in my back where, Perkins, I...
00:14:39How could it be better?
00:14:41Now, why could it be better?
00:14:42That suite hasn't been opened all this summer, madam.
00:14:45You gave orders to have it closed.
00:14:48Bosh!
00:14:49Did nothing of the sort.
00:14:51Well, open it.
00:14:52Very good, madam.
00:14:55Hmm.
00:15:05Eccentric, eh?
00:15:06Bosh!
00:15:08Do you see what they say about me?
00:15:10Am I eccentric, Whitman?
00:15:12Well, I should think...
00:15:13Whitman, am I eccentric?
00:15:15No, madam.
00:15:16Perkins?
00:15:18Oh, no, madam.
00:15:20No.
00:15:21Liars, both of you.
00:15:22Why can't you learn to tell the truth?
00:15:25I am eccentric and you know it.
00:15:27Well, madam, I'm afraid...
00:15:28Just a little, madam.
00:15:29Yes.
00:15:30Well, keep it to yourselves.
00:15:31Oh, yes, madam.
00:15:33Oh.
00:15:34Oh.
00:15:37Oh.
00:15:37Oh.
00:15:37Hi, grand darling.
00:15:38Hello, boozy.
00:15:40We're gonna dip the body from the pool before tea.
00:15:42I'm teaching Dion to swim.
00:15:43Well, you never teach her how to swim.
00:15:45Why not?
00:15:45Afraid to take the crimp out of her hair.
00:15:47Oh, no crimp.
00:15:48Oh, she asks every handsome man she meets to teach you to swim.
00:15:51Oh, but Bob's so big and strong when I'm with him, I'm not afraid.
00:15:54Afraid?
00:15:54You're not afraid of anything.
00:15:56Not even me.
00:15:57Oh, you wicked...
00:15:58No, darling.
00:15:59No, stop that.
00:16:00You know, I hate being kissed.
00:16:02And don't come back in here with a wet bathing suit.
00:16:04Not that I mind you dripping and more emphasized, but there's another guest arriving.
00:16:09Don't get excited, darling.
00:16:10You never can tell who Graham's gonna pick up in her travels.
00:16:12She's a very attractive woman.
00:16:14Well, I'm not interested.
00:16:15Oh.
00:16:15You're more glowing and mysterious than ever this afternoon.
00:16:19Ah.
00:16:20Yes?
00:16:20Go jump in the pool.
00:16:26Hello, Madge.
00:16:27Hello, Wally.
00:16:28Going for a swim?
00:16:29Oh, no, indeed.
00:16:30Wallace is going to read me a poem which I inspired.
00:16:33That's our exit.
00:16:34Oh, Bob, do I inspire you?
00:16:37Not to write poetry.
00:16:41Frightfully dull people.
00:16:44Wallace, dear, would you be sweet enough to move that just a little bit?
00:16:48Certainly, my dear.
00:16:50Yes.
00:16:51Just a thanks.
00:16:53Now, my parasol.
00:16:58You may read to me, dear.
00:17:04My lonely spirit moves in everglades of darkness.
00:17:08Groping, reaching out in vain to touch the stars that mock the night.
00:17:13That's so impersonal.
00:17:15Where do I come in?
00:17:17Oh, uh, let me.
00:17:19Oh, here you are, my sweetheart.
00:17:21Her feverish mouth that drinks at the fount of my very soul is carved from blood-red rubies.
00:17:28And laughter lies on it with a tender grace.
00:17:31Oh, that's so charming.
00:17:35You may take me in your arms, dear.
00:17:38I beg your pardon.
00:17:40Oh, we didn't hear you coming along, Bruce.
00:17:43Have you seen anything of dear?
00:17:44Uh, perhaps, uh, if you were to look for Mr. Brown.
00:17:49Oh.
00:17:51Oh, yes.
00:17:55Such a nice lad.
00:17:56And he's so in love with her.
00:18:03Mrs. Brown is here, ma'am.
00:18:05Oh, oh.
00:18:07The north wing or the south wing?
00:18:10You heard what I said.
00:18:11The north wing.
00:18:13Very good, ma'am.
00:18:15Is this the way?
00:18:16Yes, ma'am.
00:18:17Catherine, Catherine, is that you?
00:18:19Oh, you're welcome.
00:18:26Boosie!
00:18:29Come here, you goose.
00:18:31What a duck you are to send from me.
00:18:33I want to kiss you.
00:18:35Oh, very well, I won't.
00:18:38Oh, my dear, it's too wonderful to be here.
00:18:41And you know, I've had the sweetest welcome.
00:18:43Your chauffeur looked at me rather doubtfully
00:18:45until I asked him if he was waiting for me.
00:18:46Then he said, oh, I beg a pardon, madam.
00:18:49I was looking for something much more peculiar.
00:18:53Will I do?
00:18:54Will you do?
00:18:55Catherine, you're just what I need.
00:18:57And what is that?
00:18:58You know, I'm a little suspicious now.
00:19:01Oh, Boosie, this is too sweet, really.
00:19:03You know, it's as peaceful as England.
00:19:04And just as dull.
00:19:06Are you looking for peace?
00:19:07I'm not looking for anything.
00:19:08I know better.
00:19:09Blessed are those who expect nothing,
00:19:11for they shall not be disappointed.
00:19:13Well, Boosie, this was certainly a hurried call.
00:19:15Tell me, what's it all about?
00:19:18You know, I was on my way to California.
00:19:20Simply wiped everything off the slate,
00:19:21threw my things into the trunk,
00:19:22and dashed without even thinking.
00:19:24Let alone dressing.
00:19:25I'm feeling horribly exposed.
00:19:26I forgot about that bruise.
00:19:27I hope you didn't forget the children by any chance, or...
00:19:31Don't worry, Boosie.
00:19:32I left him in town with a nurse for Monday.
00:19:34Well, that's a relief.
00:19:36I didn't want to ask you to leave him behind.
00:19:38I thought it might seem rude, but I'm glad you did.
00:19:41Well, don't you suppose I know when to display my jewels,
00:19:44and when not to?
00:19:58Well, now tell me, what have you been doing since I left you in Paris?
00:20:01Let me see, there was April, May, June, and July.
00:20:04Why?
00:20:04Oh, different men for different months.
00:20:08Now, let me see.
00:20:09April?
00:20:10Oh, April was the most exasperatingly interesting man I've ever known.
00:20:14May was, hmm, so-so.
00:20:17June?
00:20:18Well, we'll skip June.
00:20:21When are you going to get married again?
00:20:22Never.
00:20:23What are you going to do if you don't get married?
00:20:25Well, my one little talent close is beginning to make money.
00:20:28When I can pay my own bills, men may come and men may go.
00:20:33Are you trying to imply that up to this point,
00:20:35there haven't been any either coming or going?
00:20:40Now, Boosie, that's not like you.
00:20:42That's clumsy.
00:20:44I'm surprised at you.
00:20:45Oh, sorry. That's my way of being subtle.
00:20:48Come here. Sit down.
00:20:51I want to talk to you.
00:20:53Well?
00:20:54I want you to do something for me.
00:20:56Uh-huh.
00:20:56Yeah, there's a man here and I want you to get him.
00:21:01Well, what's he like?
00:21:02Well, he's young, good-looking, divorced, and, uh, money.
00:21:09Humble as men go.
00:21:11Well, that sounds interesting.
00:21:12Hmm. And there's a girl after him, hot-footed.
00:21:16Is he running?
00:21:17No. In fact, I think he's coming on.
00:21:20And that's what's worrying me.
00:21:22Well, Boosie, I thought your religion was hands-off.
00:21:24Well, it is.
00:21:25But it doesn't work when it strikes so near home.
00:21:29She's my own grandchild.
00:21:31Well, you can't be expected to use your common sense at all, then.
00:21:34No.
00:21:36Well, I've got to keep her from going to the dogs before the first of October.
00:21:41Why the first of October?
00:21:42Well, because she's going to marry a nice boy, then.
00:21:44Oh.
00:21:45And I'm determined she'll walk down that aisle a decent girl if I have to lock her up till every...
00:21:51Well, look here, Boosie.
00:21:53I don't think I'm clear enough for this job as if it's as important as all that, you know.
00:21:56Oh, you don't, huh?
00:21:57Well, I do.
00:21:58That's the reason I sent for you.
00:22:01Ho, ho, ho.
00:22:01Ho, ho, ho.
00:22:02I'll never forget that Russian.
00:22:04Ho, ho.
00:22:05You took him away from under that Italian princess's nose sheet.
00:22:09She didn't know what struck her.
00:22:11Now, Boosie, I didn't take him away.
00:22:13Nope.
00:22:13I just borrowed him for the weekend.
00:22:15Oh.
00:22:17Tell me, who else is here besides your, uh, pierce de resistance?
00:22:20Oh, I never see anyone until tea time.
00:22:22From that to midnight, as much as I can stand any guest.
00:22:24You don't care what they do after midnight as long as they let you alone.
00:22:27No, I don't.
00:22:28Whitman.
00:22:29Yes, madam?
00:22:29Uh, show Mrs. Cortland Brown to the south wing.
00:22:33But you said the north wing.
00:22:34Don't argue.
00:22:34The south wing.
00:22:36Very good, madam.
00:22:38Go and change your frock.
00:22:39Righto.
00:22:41They'll all be back here for tea.
00:22:43Tea?
00:22:45Humble, ma'am.
00:22:47Something soft, feminine, and alluring.
00:22:51Vive la vigue, mon general.
00:23:00Eccentric, eh?
00:23:03Fine way of making a living.
00:23:06Drawing pictures of people they don't know anything about.
00:23:10Eccentric.
00:23:12What if I am eccentric?
00:23:16Hello, Boosie.
00:23:17Hello, darling.
00:23:19I'd love to see my dear old Boosie work.
00:23:22Lord, now see what you've done.
00:23:24My word this day has been a complete washout.
00:23:27Oh.
00:23:28Oh, I say.
00:23:30Not such a washout.
00:23:32Oh, I know.
00:23:33You're looking at a woman.
00:23:34And a very beautiful woman.
00:23:35But she's not for you.
00:23:37Selfish old thing.
00:23:38Who is she for?
00:23:39Well, that's my affair.
00:23:41Oh.
00:23:43Townley, this is Mrs. Cortland Brown.
00:23:46She's not as sweet as she looks.
00:23:47But you'll think she is.
00:23:48How do you do?
00:23:49I am nicer than I look.
00:23:51Much.
00:23:52How could you be?
00:23:56How do you do?
00:23:57Oh, you magnificent long-legged Britishers.
00:24:00I've been avoiding you in Paris.
00:24:02But you are wonderful, aren't you?
00:24:04Yes, yes.
00:24:04We are, aren't we?
00:24:06I thought you said it was humble.
00:24:09That isn't the one.
00:24:11Do you mean that I have to say that all over again?
00:24:13Because that's the way I'm going to begin.
00:24:16Begin what?
00:24:16Well, you see, Boosie has a subtly laid plan whereby I have to get a man.
00:24:22Now, would that get you?
00:24:24I don't remember what you said, but you have got me.
00:24:27Oh, I like this one.
00:24:29Boosie, make it this one.
00:24:30All right, practice on him.
00:24:32He doesn't seem to need practice.
00:24:35Oh, let's begin at the beginning.
00:24:40You must be a very sweet person.
00:24:42You found me out.
00:24:43Look here.
00:24:44May I sit at your feet?
00:24:46Because if I go, someone else will come and...
00:24:48Oh, please don't leave me.
00:24:50You make me feel so comfortable.
00:24:54Vienne?
00:24:55Sears?
00:24:56Yes.
00:24:56Alone?
00:24:57Oh, you know better.
00:24:59Plotting?
00:25:00Of course.
00:25:02The more we suffer in love, the happier we are.
00:25:06Who's that?
00:25:07Oh, nobody you care about.
00:25:09Oh, yes, I am.
00:25:10Of course you are.
00:25:11I can see that from here.
00:25:13That's Mrs. Cortland Brown.
00:25:15I won't tell her who you are and get it over.
00:25:17I'll save you that embarrassment.
00:25:19Uh, Bruce Keane, young, very much in demand by the upper high hats, the best people.
00:25:23But by Monday you'll find me very much more satisfactory.
00:25:27Oh, do you think that's clever?
00:25:29I didn't hear him.
00:25:30I was looking at you.
00:25:32Oh, you magnificent long-legged American.
00:25:35I've been avoiding you in Paris.
00:25:41Oh, well now, what's so funny about that?
00:25:43It's neat.
00:25:44You have to be on the inside to get it.
00:25:46Oh, I'm having such a good time.
00:25:48Well, you're going to have a better one at once.
00:25:50Here's tea.
00:25:51And such tea.
00:25:52Tea, Whitman?
00:25:53Give me mine first.
00:25:54And stop that rattling.
00:25:55I'll drink.
00:25:58Are you going to hold that over me while I drink tea?
00:26:01It might add a flattering glow.
00:26:03Oh, you don't need any extra glow.
00:26:05It's not as young as it looks.
00:26:13Hey, who is she really?
00:26:15Oh, a woman I met in Paris every summer for the last three years.
00:26:18I like her.
00:26:21What do you think?
00:26:22Well, she has a very come-hither look in her eyes.
00:26:27Oh, I think so.
00:26:28You know so, you wise old owl.
00:26:32Now, go ahead.
00:26:33Go eat me now, and don't fuck me.
00:26:35I hate anyone who's upset me when I'm at my tea.
00:26:37Having any tea, Matt?
00:26:38No, but I'll let you bring me a glass of water.
00:26:41Water, my dear, yes.
00:26:43Oh, my handkerchief.
00:26:45Oh.
00:26:46My dear, I'm so sorry.
00:26:49Thanks.
00:26:49And dearest, will you be an angel and bring me my scarf?
00:26:52I left it on a chair by the door.
00:26:54Just inside, I think.
00:26:56Yes, dear.
00:26:58Oh, will you be sweet enough to move that just a little nearer?
00:27:02Oh, certainly.
00:27:04Just, uh...
00:27:05All right.
00:27:06Thanks.
00:27:08Is that somebody new back there?
00:27:10Who?
00:27:11Mrs. Cortland Brown.
00:27:12Another Brown?
00:27:13You seem to be going in for Browns.
00:27:16Well, this is a California variety.
00:27:18Kitty.
00:27:19Kitty, come here.
00:27:21She doesn't hear you.
00:27:22She seems to be absorbed in the men.
00:27:27Wallace, go and tell Mrs. Cortland Brown I want her.
00:27:37Oh, Mrs. Brown, may I, uh...
00:27:39Oh, how do you do?
00:27:40Oh, you...
00:27:40Oh, you magnificent.
00:27:41Long-legged British as I've been avoiding you in the palace.
00:27:45How dare you see myself?
00:27:46Isn't it a trifle unfortunate that Deanne has gone in for Browns, too?
00:27:51So near her wedding day.
00:27:52Sure, stop, Nancy.
00:27:53What do you try and talk about now?
00:27:54You know, as I was about to...
00:27:56Oh, Mr. Brown, I was about to say something very charming about you.
00:28:00Well, that makes me suspicious.
00:28:02I wonder if you'll be sweet enough to hand me one of those cushions.
00:28:05Surely.
00:28:09Which one will you have?
00:28:10The black or the white?
00:28:11White, I think.
00:28:16Oh, you must tell that last of Mrs. Boosco, Mrs. Brown.
00:28:20She'll love it.
00:28:21Boosie.
00:28:21Huh?
00:28:23Huh?
00:28:27Oh.
00:28:28Oh, oh, yeah.
00:28:29Oh, you two Browns must know each other.
00:28:31Mrs. Cortland Brown.
00:28:32This is Mr. Bob Brown.
00:28:34Well, what's the matter?
00:28:37Oh, you magnificent, long-legged Americans.
00:28:41I've been avoiding you in Paris.
00:28:42But it is wonderful to see you again.
00:28:45Do you mean that?
00:28:46Don't flatter yourself too much, old boy.
00:28:48She thinks we all have long legs.
00:28:51Anybody a cigarette?
00:28:54Oh, not three.
00:28:55Three is my unlucky number.
00:28:57The third of June is my wedding day.
00:28:58This is the third of August and three years ago today.
00:29:01Thanks.
00:29:02Well, what were you saying, Mrs. Brown?
00:29:04Did something unlucky happen to you three years ago?
00:29:08Well, I thought so then.
00:29:10But I've grown wiser since.
00:29:14Have you ever been in California, Mr. Brown?
00:29:17You know, I keep thinking that I've seen you someplace.
00:29:20Yes, I have.
00:29:21But I don't seem to remember the Cortland Brown.
00:29:25Well, you see, Cortland was my maiden name.
00:29:27Yes, I took it back after my divorce.
00:29:29I'm crazy about it.
00:29:30Mrs. Cortland Brown.
00:29:33Not bad, eh?
00:29:34No, no.
00:29:35If one must be a Brown, Cortland certainly helps.
00:29:39That's the way I felt about it, too.
00:29:42Evidently, you don't mind being a Brown, but I did horribly.
00:29:45You seem to have got rid of it very successfully.
00:30:00I don't know.
00:30:00Where's that nice girl you were telling me about, Pussy?
00:30:02Where is she, Bob?
00:30:04Uh, dressing.
00:30:05Oh.
00:30:06I'm Madge Livingston, Mrs. Brown.
00:30:07Nobody seems to be introducing us.
00:30:09Well, how do you do?
00:30:09I've been admiring you.
00:30:11Oh, really?
00:30:12How nice.
00:30:13I'm grateful.
00:30:14Don't stand there looking so indefinite, Bob.
00:30:16Have your tea.
00:30:17Bob!
00:30:18Huh?
00:30:18Tea.
00:30:19Oh.
00:30:20What's tea?
00:30:21There seems to be something strangely familiar about that man.
00:30:24Who?
00:30:25I dare say all Browns have something in common.
00:30:28Oh, hello.
00:30:29I'm awfully glad you made it.
00:30:31Grand's been giving you plenty of publicity.
00:30:33Oh.
00:30:34I'm starved.
00:30:36Bruce, get me something to eat, will you?
00:30:37Well, surely.
00:30:39You know, if I were a man, I should fall in love with her at once.
00:30:43Well, that's what we all do.
00:30:45Oh.
00:30:47Oh, I haven't noticed that I've made your temperature rise any.
00:30:50If I seem cold, it's because I'm deep.
00:30:53But the one she's going to marry is so beautifully in love with her.
00:30:57Which one is that?
00:30:58Mr. Browns?
00:30:59Oh, stop now.
00:31:00Stop your monkey business.
00:31:01You know enough I told you.
00:31:02That nice young boy.
00:31:03There, Bruce.
00:31:03That one.
00:31:04There, Bruce.
00:31:04That nice boy.
00:31:06Thanks, darling.
00:31:07Are you a nice boy?
00:31:09Oh, I think I am.
00:31:10Aren't they a beautiful couple?
00:31:14I can see them at the altar.
00:31:16A wedding is a very beautiful thing always.
00:31:20I was married in a very large church in the autumn.
00:31:23The golden leaves were falling.
00:31:25I was married in a very small church.
00:31:28Only it was spring.
00:31:30Everything was just beginning instead of dying.
00:31:36You must have been a lovely bride.
00:31:38Oh, I was.
00:31:40Sweet and simple.
00:31:41I believed it all.
00:31:43And, uh, the bridegroom was satisfactory?
00:31:46Oh, quite.
00:31:48At the time.
00:31:51But as you were saying, Mrs. Livingston,
00:31:53a wedding is a very beautiful thing always.
00:31:57Are you still sentimental about your wedding, Mr. Livingston?
00:32:02I have never had a wedding and my name is Granger.
00:32:08Oh, it serves you right.
00:32:11Oh, I'm terribly sorry.
00:32:13Oh, but as I was saying, um, it's absolutely fatal to marry the ones we're really in love with, isn't
00:32:20it, Mrs. Livingston?
00:32:21My marriage was a success.
00:32:23A very great success.
00:32:25And I can't bear this flippin' cynical talk about the most sacred thing in the world.
00:32:37Well, uh, may I come with you and show you the romantic features?
00:32:41You may not.
00:32:43No, I think it's only right that Mr. Brown should show Mrs. Brown around.
00:32:48So do I.
00:32:50Very well, thank you, Mr. Brown.
00:32:54Oh, my handkerchief.
00:32:56Allow me, Mrs. Brown.
00:32:57How sweet.
00:33:00You know, I had no idea I was going to run into anything as delightful as all this.
00:33:03Life is so much more unexpected than anything we can make up, isn't it, Mr. Granger?
00:33:07You know, I can't help being a little excited for all, Mr. Granger.
00:33:11Not Mr. Livingston.
00:33:20Didn't you just love it when she called Wallace Mr. Livingston?
00:33:24You needn't tell me she isn't on.
00:33:26Oh, go away, go away now. Mind your business. Now, get out of here. Now, go away.
00:33:29Go away.
00:33:30Foundly, give me my cane.
00:33:32Bruce, my parasol.
00:33:33My word, Boosie, you are an old general.
00:33:36I smell gunpowder.
00:33:38Well, you better keep your nose out of it. You'll be blown up, too.
00:33:48Well, Bob, here we are. Funny, isn't it?
00:33:53I can't get over how you've changed.
00:33:57I guess there was lots of room for improvement, wasn't it?
00:34:00But why didn't you tell them who we are?
00:34:02Well, why didn't you?
00:34:03Well, I didn't know what you... I mean, I couldn't very well...
00:34:06Well, neither could I.
00:34:08Well, it certainly is embarrassing.
00:34:10Why, nonsense that happens to lots of people.
00:34:13Why, we were bound to run into each other sometime, someplace.
00:34:15Uh, perhaps I'd better go in town.
00:34:18And leave this nicely armed girl now. Wouldn't that be absurd?
00:34:21She's going to marry Bruce.
00:34:23Not that boy. Why, he's not up to her.
00:34:26She's ready for life. She's gorgeous.
00:34:28But don't let spoil the girl's fun.
00:34:30Oh, Kitty, you can't be as hard as you seem.
00:34:33You didn't expect me to be soft, did you, Bob?
00:34:35But you're making them misunderstand you.
00:34:37They think you're a hard-boiled woman of the world.
00:34:40Now, is that what you want them to think?
00:34:42I think it's all a very amusing situation.
00:34:44But for heaven's sake, let's be gay about it.
00:34:47But I refuse to accept the situation.
00:34:49I'm going to tell them who we are.
00:34:50Oh, no, you're not.
00:34:51I find it very uncomfortable.
00:34:53If you think this is uncomfortable, what would it be if you told?
00:34:56Curiosity, watching, how did it happen, who began it?
00:34:59Feeling so sorry for me because I lost you.
00:35:01Now, that's absurd.
00:35:02Bob, I won't have it all brought back.
00:35:04It's a very trivial thing to ask, it seems to me.
00:35:06But I do ask it.
00:35:08Now, I shall have to leave if you were to tell them.
00:35:10Well, if you put it that way, I won't.
00:35:14Thank you very much.
00:35:34Hello?
00:35:35Hello!
00:35:36Is that you, Kitty?
00:35:38Yes, Boosie.
00:35:39Well, I've got a little secret to tell you.
00:35:41Can you hear me?
00:35:42Oh, yes.
00:35:44Well, now, don't tell anybody.
00:35:46But I've been eavesdropping.
00:35:49All right, we'll keep it a secret.
00:35:51Yes.
00:35:52The little fool, she's jealous of you already.
00:35:55Can you hear me?
00:35:56Yes, Boosie, go. I can hear you.
00:35:59Well, now, listen.
00:36:00Dress up for dinner like a plush horse.
00:36:03You sure you can hear me?
00:36:05Yes, Boosie, I hear you.
00:36:08Well, goodbye.
00:36:14Oh, no, no.
00:36:19That's nice, Boosie.
00:36:21Oh, yeah.
00:36:30Well, that was good.
00:36:32Oh, that was good.
00:36:33That was good.
00:36:34But, Madge dearest, surely you can understand...
00:36:37I can understand the others.
00:36:39But for you to be acting as though you had never seen anything like her before in the world.
00:36:43Yes, but she amuses me, my dear.
00:36:44She's so, so refreshing.
00:36:47Why not?
00:36:48I'm stale, Madge.
00:36:49Stale.
00:36:50You mean to say I no longer inspire you?
00:36:53Oh, my dear, let us go outside.
00:36:55It's so frightfully hot in here.
00:36:58Well, this dear.
00:37:01If what we have isn't perfect, if it isn't the most beautiful thing in the world, it doesn't justify itself.
00:37:08Hmm. It, uh, it doesn't.
00:37:13Forgive me for leaving the table, Boosie, but I couldn't stay and listen to another one of her stories.
00:37:17I don't think anyone noticed you left the table, my dear.
00:37:21Kitty does, you bet.
00:37:25Her technique is marvelous.
00:37:28I can't help but admire her.
00:37:31Uh, I'll find your handkerchief, my dear.
00:37:33Uh, never mind.
00:37:34Wallace!
00:37:35Oh, Madge, did you leave your handkerchief from the dining room?
00:37:41Whitman.
00:37:43Have a drink, Madge.
00:37:45Uh, no thanks.
00:37:46You, darling.
00:37:47No, and you won't either.
00:37:48Oh, lay off, Gran.
00:37:52Uh, Bob, Bob seems to be lingering, too.
00:37:56Hmm, he's just as hypnotized as the rest of them.
00:37:58You mean you want him to be.
00:38:00Gran, you're a scream.
00:38:02Oh, Fox.
00:38:04It isn't working the way you want it to a little bit, is it?
00:38:06Oh, go away.
00:38:07I don't know what you're talking about.
00:38:08I suppose you think I don't either, but I'm afraid I do.
00:38:12I think Bruce is behaving extremely well.
00:38:15What's Bruce got to do with it?
00:38:16Has the man you're going to marry nothing to say about you falling in love with somebody else?
00:38:21And has the man you're married to nothing to say about the one you're in love with?
00:38:24Deanne, behave.
00:38:26I don't know why you expect me to be so different from everybody else.
00:38:29I expect that mine don't visit let other people visit alone.
00:38:31And I expect to be let alone!
00:38:36Oh, fool.
00:38:38The last thing in the world I intended to do was to say anything to her.
00:38:42Isn't this appalling?
00:38:43Would you have spoken to your grandmother like that?
00:38:46No.
00:38:48That would have been a darn good thing for both of us if I had.
00:38:52She was the meanest old woman I ever knew.
00:38:55Equipment.
00:38:56Yes, madam.
00:38:57See, the bridge tables are put out on the terrace.
00:38:59But it's too cold to play bridge on the terrace, madam.
00:39:02I said on the terrace.
00:39:03I assure you it's much too cold.
00:39:05Terrace!
00:39:06Very good, madam.
00:39:12Are they never going to leave the table?
00:39:14It doesn't look like it.
00:39:16They're too fascinated with the fascinating Mrs. Brown.
00:39:20Yes, they seem to be.
00:39:24Let me help you, Boosie.
00:39:26It's about time somebody took some notice of me.
00:39:27Sit down.
00:39:29You have the most amazing collection of friends, Boosie.
00:39:32Some of them on throne and some of them wallowing in the gutter.
00:39:36Well, they're all the best of their kind. I'll say that for them.
00:39:38It's high time you wrote your memoirs.
00:39:40The whole truth and nothing but the truth about my famous friends.
00:39:43Think I want to spend the rest of my life in jail?
00:39:45Bob, Grant thinks Kitty's much more alluring than I am.
00:39:49How about it?
00:39:50Do you?
00:39:51Well, you both have your points.
00:39:54Is that for me?
00:39:55It is not, but I'll fix you up.
00:40:15Well, who, who are you talking about?
00:40:21You remember P.C.
00:40:22We heard her first night in Paris.
00:40:24You said thank goodness for someone more to further than my guest.
00:40:27When you quote me, make it agreeable.
00:40:29No one would believe you said it, Lamb.
00:40:31One on you, my pet.
00:40:35Oh, would someone be sweet enough to move the piano just a little here?
00:40:54Am I disturbing anyone?
00:40:56Yes.
00:40:57Very successfully.
00:40:59Oh, play that song you played this afternoon.
00:41:02You know, uh, oh, yes, yes, uh, à la Paris.
00:41:05Oh, yes.
00:41:06Come on.
00:41:06Let's all sing it.
00:41:10Ah, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la Paris.
00:41:18Swinging, singing, our voices ringing.
00:41:22Charlie, is there a few making that particularly bad noise?
00:41:25No, I'm making the ten up.
00:41:27Well, stop it.
00:41:28La, la, la, la, la, la, la, la, la.
00:41:30Don't stop.
00:41:31You make the rest of it sound so good.
00:41:33Franching, franching, life and love in franching.
00:41:36Ah, la, la, la, la, Paris.
00:41:39Oh, it's a good song.
00:41:41Come on.
00:41:41Let's sing it again.
00:41:42Right.
00:41:43Ah, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la,
00:41:47la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la.
00:41:47You know, a divine boy sang it all the way over on the boat.
00:41:49Diddy, I'd love your gown.
00:41:52Only 20.
00:41:54The gown?
00:41:55No, the boy.
00:41:56I was divided 20.
00:41:59You still are.
00:42:00We all are.
00:42:02I can't hear a word you say.
00:42:04I said we all are.
00:42:06What?
00:42:06He said we all are.
00:42:08You all are what?
00:42:10Don't you know what we all are?
00:42:13La, la, la, la, tell me.
00:42:16La, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, Paris.
00:42:24Swinging, singing, our voices ringing.
00:42:27Oh, Polly.
00:42:28I think you're being paged.
00:43:11I would love to see you.
00:43:14Would she let your heart
00:43:15go for me?
00:43:17Yes, I know, but I'm not sure I want to.
00:43:22Well, you've been keen enough about going out with him every night.
00:43:25What of it?
00:43:26Oh, for goodness sake, dear.
00:43:28And have you gone off your head about him?
00:43:29What are we going to do about it if I have?
00:43:33Now, listen.
00:43:35We're going to talk this thing out right now.
00:43:38What's the use?
00:43:39I know everything you're going to say.
00:43:42And I'm not sure what I want to say.
00:43:44Yet.
00:43:45We can't go on like this.
00:43:47Oh, it's true.
00:43:47Let me alone for a little while.
00:43:49Please, old man.
00:43:50We'd only ball things up now.
00:44:11Do you think?
00:44:12No, I've let it slide.
00:44:15I've let lots of things go in the past few years.
00:44:18Oh, really?
00:44:19I seem to have been very busy in the last few years picking things up.
00:44:23Such as, uh, me?
00:44:26Townley?
00:44:27Come here.
00:44:28At once.
00:44:30At once.
00:44:41Kitty.
00:44:42Do you remember this?
00:44:44I love you, I love you, I love...
00:44:49Kitty.
00:44:50Kitty.
00:44:51Please.
00:44:51I want to talk with you.
00:44:53What on earth have we two to talk about?
00:44:54Oh, lots of things.
00:44:56For instance?
00:44:57Ourselves.
00:44:58You.
00:44:59There are lots of questions I want to ask you.
00:45:01I can't imagine myself answering any of them.
00:45:03I'm afraid you'll have to answer one or two of them.
00:45:05Which one?
00:45:06Now, Kitty, please, I must talk with yours.
00:45:08Please, Bob.
00:45:11Oh, uh, Mrs. Brown, may I, uh...
00:45:13Oh, why, yes.
00:45:15Thanks.
00:45:15The bridge tables are ready, madam.
00:45:17The bridge... bridge tables?
00:45:18Where?
00:45:19Where?
00:45:19On the terrace.
00:45:21I said in the drawing room.
00:45:22You said on the terrace, madam.
00:45:24The drawing room.
00:45:25Very good, madam.
00:45:26Oh, my certainty are so stubborn, I don't know.
00:45:31I...
00:45:31Bob.
00:45:32Yes, Lucy.
00:45:33You want to play bridge?
00:45:34Oh, I don't care to play bridge, Lucy.
00:45:37No.
00:45:38Uh-huh.
00:45:39No, of course.
00:45:41The bridge tables in the wrong place, and the guests in the wrong place.
00:45:48Well, uh...
00:45:49Well, what about tomorrow?
00:45:50I know a nice little place up the river where we could dine together,
00:45:55all cozy and quiet and...
00:45:57And nobody there.
00:45:59Nobody.
00:45:59But us.
00:46:01I'll have to think.
00:46:03What about?
00:46:04I don't know.
00:46:05Oh, please.
00:46:06Please.
00:46:07Now, Townie, you try to explain me you fall in love with me.
00:46:09Or is this just your weekend charm?
00:46:12Bo.
00:46:12Oh?
00:46:14Can't I see you tonight?
00:46:16Later?
00:46:16Well, where?
00:46:17When?
00:46:17How?
00:46:18You have a balcony, haven't you?
00:46:20So I have.
00:46:21With steps.
00:46:24Oh, Kitty.
00:46:25May I say, Kitty, you are the darling.
00:46:27What are you talking about, Townie?
00:46:28Get out of here.
00:46:29Well, dash it all, Boosie.
00:46:31Where shall I go?
00:46:32Go to...
00:46:33Boosie.
00:46:34Well, really.
00:46:36And if you come back, bring me some very hot coffee.
00:46:39I will.
00:46:41Oh, Kitty.
00:46:42Stop your maneuvering and go into battle.
00:46:44Go on.
00:46:45Get Bob tonight.
00:46:46Take him away from Deanne.
00:46:47Now.
00:46:48You can do...
00:46:49Kitty.
00:46:50Kitty!
00:46:51Oh, well, now, listen, Boosie.
00:46:52You're putting a ridiculous thing up to me.
00:46:54An impossible thing.
00:46:55Well, you're efficient enough with the others.
00:46:57Why are you so mulish about this?
00:47:00Boosie, I've been watching them.
00:47:01She is in love with him, isn't she?
00:47:03Why on earth don't you let them alone?
00:47:05Because he hasn't the slightest intention of marrying her.
00:47:07Oh, boy.
00:47:08She's just throwing herself at him.
00:47:10Hot-headed.
00:47:11Kitty.
00:47:13I'm frightened.
00:47:14Oh, poor Boosie.
00:47:16Oh, there.
00:47:16Now, Kitty.
00:47:17There's a good girl.
00:47:18Now, you go out there on the terrace.
00:47:19He's there.
00:47:20And you take him now.
00:47:22Take me.
00:47:22Oh, Kitty.
00:47:23Please.
00:47:23For me.
00:47:24Please.
00:47:24Oh, all right, darling.
00:47:25I'm as weak as I said.
00:47:26Oh, that's all right.
00:47:27Now, Kitty.
00:47:28What shall I do?
00:47:29Oh, don't ask me that question.
00:47:31Go down there.
00:47:32I have to put on all the work.
00:47:33Oh, uh.
00:47:34What are you doing here?
00:47:35Don't snort at me, General.
00:47:37I was sent for this.
00:47:39Uh-huh.
00:47:39Well, you brought it in.
00:47:40See if you can take it out.
00:47:41Oh, you be.
00:47:42Whitman.
00:47:43Whitman.
00:47:48Oh, uh.
00:47:49I wanted to tell you.
00:47:51The last verse has just come to me.
00:47:53Oh, isn't it as lovely as the others?
00:47:55Oh, more so.
00:47:57It's, uh, you.
00:47:58Oh.
00:47:59Oh.
00:48:00I'm just thrilled, Tink.
00:48:01You know, something's never happened to me.
00:48:03Poetry.
00:48:04Shadows of understanding in her eyes.
00:48:07Shadows of happiness.
00:48:09Gone.
00:48:09Oh.
00:48:10Well, I suppose it's all right,
00:48:12as long as you don't say lines under her eyes.
00:48:15Oh, Wallet.
00:48:17Yes, my dear.
00:48:18Yes.
00:48:19It was autumn, and the golden leaves were falling.
00:48:25Wallet.
00:48:26Coming, my dear.
00:48:27Coming.
00:48:29Hmm.
00:48:33Wallet, would you be sweet enough to move that bench just a little nearer?
00:48:39Oh, but my pet, it's stone.
00:48:41Did I ask you what it was made on?
00:48:47Oh, pardon me.
00:48:48I was just taking a little stroll.
00:48:51Kitty.
00:48:53This situation is becoming more uncomfortable every minute.
00:48:57Surely you're not embarrassed, are you?
00:48:59About Dion, you mean?
00:49:00Oh, I can explain that.
00:49:02Bob, you don't have to explain anything to me, you know.
00:49:05But really, Kitty, I do want to talk to you about you, about what you've been doing, and the children.
00:49:12Are they well?
00:49:14Yes, very.
00:49:16Robert is getting more like you every day.
00:49:18And Catherine is marvelous.
00:49:20I hope she'll be just exactly like you.
00:49:24I mean, as you were.
00:49:27She won't, I assure you.
00:49:28She'll be much more intelligent, much more prepared.
00:49:31I believe in preparedness.
00:49:33You've certainly changed.
00:49:35I hope so.
00:49:37Three years in Paris ought to improve any woman.
00:49:40Like you, I've been amusing myself with anything and everything that came my way.
00:49:46I know how a man feels about those things now.
00:49:50Kitty, you're going to listen to me, do you understand?
00:49:52Now I want to talk with you.
00:49:53Oh.
00:49:54Pardon the intrusion.
00:49:55No, sorry.
00:49:56You weren't trying to ransom, were you, Kitty?
00:50:00And what would it mean to you if I were?
00:50:01Would it be a joke or a tragedy?
00:50:04Bob knows what it would mean to me.
00:50:07Well, of course, if Bob knows what you mean, and you know what Bob means,
00:50:11nothing else matters, does it?
00:50:13Nothing.
00:50:16Well, that makes a perfect exit for me.
00:50:27Let's see.
00:50:29Now, Wally will sit here and Madge here and over there.
00:50:33Oh, yeah.
00:50:33And Mrs. Brown will sit here.
00:50:35And Mr. Brown will sit there.
00:50:37But I thought Mr. Brown was not playing cards this evening, madam.
00:50:40You did.
00:50:41Well, Mr. Brown is playing cards.
00:50:43But he said he was not playing.
00:50:45I said that Mr. Brown was playing bridge this evening.
00:50:49Oh, then he is.
00:50:51Yes, he is.
00:50:51Very good, madam.
00:50:52Yeah.
00:50:53Now, let me see.
00:50:53We'll have, uh...
00:50:55Now, Kitty, what are you doing here alone?
00:50:57Where is he?
00:50:58Mr. Anne.
00:50:59Oh, how could you?
00:51:00You are the most...
00:51:02The...
00:51:02Townley, what are you doing here?
00:51:03Go and tell them to come here.
00:51:04We're going to play bridge.
00:51:05Yes, my pet.
00:51:06Well, go on.
00:51:06Kitty.
00:51:07Now, you sit here.
00:51:08Now, what are you doing, Kitty?
00:51:10Huh?
00:51:11Oh.
00:51:12Well, Boosie, where do I sit?
00:51:15Oh, you sit here, Bob.
00:51:17Oh, no.
00:51:18Bob is going to play with me.
00:51:19No, I can't.
00:51:20Really.
00:51:21Oh.
00:51:22You do much better playing over there.
00:51:24If you take me on, you'll have to be a good loser as well as a good player.
00:51:27It depends upon what I'm losing, how good I am.
00:51:30Madge!
00:51:31Yes, yes, yes?
00:51:32Come here.
00:51:32You're holding up the game.
00:51:33Come on.
00:51:33Sit over there.
00:51:34All right.
00:51:34You sit there.
00:51:35And, Wallace, you sit here.
00:51:36Yeah, that's it.
00:51:38And, Townley, you sit over there.
00:51:40Oh, Boosie, do I have to play with you?
00:51:42Oh, I don't care what happens to me.
00:51:48I'll put that light over my shoulder.
00:51:52I need more than a light over my shoulder when I play with you, darling.
00:51:55If I didn't love you so much, I'd hate you.
00:51:57I do hate her.
00:52:00But I have to play bridge with her.
00:52:02Well, how do you suppose I feel?
00:52:03Hate her.
00:52:05Now, be careful, Dianne.
00:52:06You don't know what you're doing.
00:52:07I know what I'm doing and what I want.
00:52:10Bob!
00:52:11Dianne, please.
00:52:13Too bad Mr. Brown can't be in two places at once.
00:52:16No.
00:52:18What are you playing for?
00:52:19Uh, whatever you say.
00:52:21Whatever you say, as long as you make it about 25 cents a point for Boosie.
00:52:25Oh, my soul.
00:52:27Who's going to pay my losses?
00:52:28I should be delighted.
00:52:30I love to have beautiful women under obligation to me.
00:52:33Townley, Townley, come on.
00:52:34Play, play, play.
00:52:34Now, put on the brakes, Dianne.
00:52:36You've had enough.
00:52:37Don't be a silt.
00:52:38Well, why do you do it?
00:52:39What is there in it?
00:52:41It's not a thing.
00:52:43Not a darn thing.
00:52:44Go put something in it.
00:52:46You can't have any more.
00:52:48You give me a pain in the ear, beloved.
00:52:51Whitman!
00:52:52Bring me a highball.
00:52:54Kitty, kitty.
00:52:55Keep your mind on the game.
00:52:57I don't play bridge with my mind.
00:52:59No?
00:53:00What do you use?
00:53:02Just my hands.
00:53:03Oh.
00:53:04Bob, Bob, be a beard.
00:53:06Bye.
00:53:07One heart.
00:53:09What?
00:53:10One heart, dear heart.
00:53:14Sweet spade.
00:53:15Oh, thanks.
00:53:17Bye.
00:53:19What are those, Wally?
00:53:20Clubs are same.
00:53:22Well, really, are we playing or are we not?
00:53:25Oh, we're playing, old dear.
00:53:27And how?
00:53:29Oh, now, now, come on, child.
00:53:30Call it a club.
00:53:32It's all right by me.
00:53:33Funny-looking little things, aren't they?
00:53:36Whitman!
00:53:37Oh, let up, Dianne.
00:53:39Oh?
00:53:40You mean, Patrick, that trick, Mr. Brown?
00:53:42It must have been an accident.
00:53:44You either played it very cleverly or very innocently.
00:53:46I'm not sure which.
00:53:48Oh, innocence is not my long suit.
00:53:51There, I'm dummy now, and I'm going over there.
00:53:56Kitty, do you know why Gran got you here?
00:54:00Auntie Anne, please.
00:54:01To get Bob away from me.
00:54:04But it can't be done, can't Bob?
00:54:06Bob, can't you do something?
00:54:07Oh, yes.
00:54:07Come on, Dianne.
00:54:08It's too hot in here.
00:54:09Let's go outside.
00:54:10Bob wants to shut me up.
00:54:12Look at him.
00:54:13Not at all.
00:54:13Come and say it to me.
00:54:14Come on, please.
00:54:14But I want Kitty to know the whole situation.
00:54:17Bruce, take her out of the room.
00:54:19Why should I leave the room?
00:54:20I'm a great deal more decent than anybody other.
00:54:25I don't think there's any doubt about that.
00:54:27Why don't we all leave the room in order of our sins?
00:54:29No splendid idea.
00:54:30I'll start the procession.
00:54:32I'll come next.
00:54:32But, Kitty, I want you to know.
00:54:34Oh, Dianne.
00:54:35Oh, Bruce.
00:54:36I can't help it.
00:54:38Dianne, you've disgraced yourself.
00:54:40Why do you say that, Boothie?
00:54:41She's only telling the truth.
00:54:43I think it's delightful.
00:54:46It's nice.
00:54:47I know.
00:54:48Just chatty, aren't you?
00:54:49Now, did I.
00:54:50The things I could have told about the first time I fell in love.
00:54:53Couldn't you, Mr. Brown?
00:54:54I don't think anyone would be interested.
00:54:56Oh, I think it's always amusing.
00:54:57Let's all play an I confess game.
00:55:00And cross our hearts to be as honest as Dianne.
00:55:03How many times was the first time with you, Townie?
00:55:05Well, I should have to speak to my attorney.
00:55:08Oh, you're no good.
00:55:09What about you, Mad?
00:55:10I find this excessively disagreeable.
00:55:12Bob, you tell Kitty how it is with us.
00:55:15Oh, stop this, Dianne.
00:55:16Kitty, you wouldn't take him away from me now, would you?
00:55:19I don't think there's much chance of that.
00:55:21Do you, Mr. Brown?
00:55:23Dianne, leave the room.
00:55:24No.
00:55:25I want Kitty to know.
00:55:27Oh, come on outside and tell me all about it.
00:55:29I know just how you feel.
00:55:31How could you resist, Mom?
00:55:33Catherine, are you upholding her?
00:55:34I'm doing my best.
00:55:36She's a little tall for me.
00:55:37Catherine?
00:55:38Catherine, Kitty.
00:55:39Come here.
00:55:40Kitty.
00:55:42Oh, I'm ashamed of you.
00:55:44That's good.
00:55:45I'm ashamed of you too, Boothie.
00:55:46You've been very naughty with your heavy intrigue.
00:55:49I told you I wasn't clever enough for this job.
00:55:51What job?
00:55:52Oh, to get you and have you and hold you forever.
00:55:54I can't stand such brazenness.
00:55:57Now, if it's been Wally you wanted me to take away from somebody,
00:55:59there's no telling what might have happened.
00:56:05I want to ask you something.
00:56:07Oh, not the answer.
00:56:08Now, Brucey, you be a good old boy and go away.
00:56:11Go away.
00:56:13No, Bob.
00:56:15Come here, Bob.
00:56:16I want you to be right here.
00:56:22Kitty, there's something I want to ask you.
00:56:25Well, Dion, I don't think I'm a very good person to advise you under the circumstances.
00:56:29Oh, but Kitty, you've got to help me.
00:56:31I'm in an awful fix.
00:56:33I promised to marry Bruce.
00:56:36But I'm just crazy about Bob.
00:56:41Dion, don't be silly.
00:56:43Now, please.
00:56:44Kitty, what would you do if you were in my place?
00:56:50If I were in your place, I'm sure I'd marry Bob.
00:56:54I'd believe that he was the one man in the world for me,
00:56:57and that I'd be the one woman for him always.
00:57:00I'd believe that nothing could change that ever.
00:57:04That's the way I feel about Bob.
00:57:07But, of course, you're much too intelligent for that.
00:57:11It's very exciting.
00:57:14It's a little bit.
00:57:15Maybe it's better to go.
00:57:15Who is this?
00:57:15Who is it?
00:57:17Who is it?
00:57:27You're gonna have a small little picture.
00:57:28Who is this?
00:57:28Who is this?
00:57:32His dog is how he feels.
00:57:33And what?
00:57:33Who is this?
00:58:00Not really.
00:58:02Inevitably.
00:58:04You're too amusing.
00:58:06I'm coming up.
00:58:08Oh, I thought you were taking a walk.
00:58:11Thank goodness these stairs don't creak.
00:58:15Oh, I say, how pretty you look in that light.
00:58:20You look better yourself.
00:58:22I hoped you'd say that.
00:58:24Where do we sit?
00:58:26We don't.
00:58:27Oh, yes, we do.
00:58:30I don't think it's safe.
00:58:31Thanks.
00:58:33I mean, climatically speaking.
00:58:36Oh.
00:58:37Anybody next to you?
00:58:40I mean architecturally speaking.
00:58:43Oh.
00:58:45I haven't seen anyone.
00:58:48Don't tell me you'd be embarrassed if you were discovered here.
00:58:52I should be terribly flattered.
00:58:54Oh.
00:58:55Would you be ashamed of me?
00:58:57I'd be proud.
00:58:58Why shouldn't I be proud to have an irresistible man found on my doorstep?
00:59:02Well, there's no reason at all.
00:59:05So long as you don't resist him.
00:59:09Pardon me.
00:59:10Oh.
00:59:11Don't you like me as well as you thought you were going to before I came up?
00:59:15Mm-hmm.
00:59:16More.
00:59:17So far.
00:59:19Oh, Kitty.
00:59:20You're the most wonderful.
00:59:25Smoke.
00:59:26Smoke hard.
00:59:31Kitty, you have the prettiest ears I ever saw.
00:59:35I wanted to kiss the right one all through dinner.
00:59:38Especially with the salad.
00:59:40Why didn't you?
00:59:43I'll do it now.
00:59:45Oh, no.
00:59:46It'll be so commonplace now.
00:59:49It would have been so diverting for everybody then.
00:59:51Oh, Kitty.
00:59:52I love you.
00:59:53Beautifully.
00:59:54What you...
00:59:56What you going to do with me?
00:59:58I'm afraid I'm going to say goodnight to you.
01:00:00But...
01:00:02But I haven't told you how I...
01:00:04Now, please go while I'm still dying to hear it.
01:00:08But...
01:00:08You mustn't send me away like this.
01:00:11I'm mad about you.
01:00:12I can't go.
01:00:14You better go before you're eaten alive.
01:00:17That's it, old Kitty.
01:00:18You can't get rid of me like this.
01:00:20Oh, darling.
01:00:21Kiss me goodnight.
01:00:23Now, listen.
01:00:24I like you frightfully.
01:00:25Please don't spoil it.
01:00:30Let's go.
01:00:53Kitty.
01:00:55Yes?
01:00:56Who is it?
01:00:57It's Bob.
01:01:01Well, what do you want?
01:01:02I want to talk with you.
01:01:05Couldn't we let it go till the morning?
01:01:08No, I want to talk with you tonight.
01:01:10Why, you can't come in here like this, Bob.
01:01:12Why not?
01:01:12You're my wife.
01:01:14I'm your widow now.
01:01:19Stop laughing.
01:01:20I'm dead serious.
01:01:21So am I.
01:01:22What happened tonight has made me so.
01:01:24It was terribly stupid, but surely you're wise enough to understand.
01:01:28Another instance where I've learned wisdom through you.
01:01:31Oh, Kitty, you're more beautiful than ever.
01:01:33I could fall desperately in love with you.
01:01:36Oh, Mr. Brown, this is so sudden.
01:01:40Kitty, I adore you.
01:01:41Why am I so glowing and mysterious?
01:01:44Oh, stop bluffing and hedging.
01:01:45You haven't said a real thing tonight.
01:01:47I don't know any real things.
01:01:48Do you?
01:01:49Yes, I do.
01:01:49I love you.
01:01:50Doesn't that mean anything to you at all?
01:01:51Yes.
01:01:53But I'm something new to you, possibly.
01:01:58Have you forgotten what we meant to each other?
01:02:00Oh, I've filled my life with other things.
01:02:03What things?
01:02:04Oh, things.
01:02:05Things.
01:02:06To take the place the ones I thought were everything and found one nothing.
01:02:08You were the sweetest thing in the world.
01:02:11Was I?
01:02:11I don't remember.
01:02:12Oh, I don't believe you've changed.
01:02:13You're the same wonderful girl I loved and you're even more so now.
01:02:16Oh, no, no, Bob.
01:02:17Please, please, darling.
01:02:19Oh, stop, Bob.
01:02:19Please, I can't help it, Kitty.
01:02:21Why can't I have you?
01:02:22Marry me again.
01:02:22Oh, that's over.
01:02:23That's finished.
01:02:24I'll make up to you for everything.
01:02:29Will you?
01:02:30We'll forget the past.
01:02:31I'll worship you.
01:02:32Forever and ever, never changing?
01:02:34Never.
01:02:35Always loving, always faithful.
01:02:37Always.
01:02:46You don't think I'm fool enough to believe that, do you?
01:02:49Oh, no, Bob.
01:02:50I believed you once.
01:02:52Heaven and earth were all mixed up in you.
01:02:54Kitty.
01:02:54Oh, I don't blame you.
01:02:56I bored you.
01:02:56The children bored you.
01:02:58It gave you a perfect excuse to go out and express yourself, which you did magnificently.
01:03:03Oh, I hate you when you talk like this.
01:03:05Of course you do.
01:03:06We all hate to hear the truth.
01:03:08I came here and found a young, trusting girl listening to you, believing in you.
01:03:12That...
01:03:12Oh, don't worry.
01:03:13I won't tell her.
01:03:14I hope she's more fortunate than I was and finds out before you're married instead of after.
01:03:19We're not going to be married.
01:03:21No?
01:03:21After what happened tonight?
01:03:24Then I think we two have nothing more to say to each other.
01:03:27Joe!
01:03:28Who's in there?
01:03:30Oh, why, no one.
01:03:31Of course.
01:03:31That's my bathroom.
01:03:37Come on.
01:03:38Cheerio, Brown.
01:03:39Come on out, Townie.
01:03:41I say, Brown, you are long-winded.
01:03:44Oh, what on earth?
01:03:46This is getting more like a French farce every minute.
01:03:49I hope you don't misunderstand, Mr. Brown.
01:03:51I understand many things now.
01:03:53Then it's the first time you've really understood me.
01:03:55Joe!
01:03:56Oh.
01:04:01Good gracious.
01:04:03Why, Wally.
01:04:05Do come in.
01:04:10Uh, cheerio, Wally.
01:04:13You see, we're all here.
01:04:14Is Madge with you?
01:04:16Uh, no.
01:04:17She, uh, she isn't.
01:04:19You see, I...
01:04:23I...
01:04:25I...
01:04:26I...
01:04:26I...
01:04:26I've brought you over here.
01:04:26A poem.
01:04:27Oh, how sweet.
01:04:29Now, Townie and I will enjoy that.
01:04:32Won't you stay, Mr. Brown?
01:04:33No, thanks.
01:04:34I hate poetry.
01:04:35Good night, Townie.
01:04:36Good night, Wallace.
01:04:37Good night, Mr. Brown.
01:04:39Good-bye, Mrs. Brown.
01:04:41Oh, Mr. Brown.
01:04:43Would you mind closing the doors?
01:04:47Hasn't changed a bit.
01:04:51Uh, I...
01:04:52I have a little poem to read to you, uh...
01:04:55Alone.
01:04:55Oh, Townie won't mind.
01:04:57Come on over, Townie.
01:04:58Let's sit down here.
01:04:59Come on.
01:05:01Oh, come on.
01:05:02Sit here.
01:05:04Be cozy.
01:05:05Come on, you can sit on this town.
01:05:10She walks in loneliness,
01:05:12and in the melancholy night...
01:05:15Sorry.
01:05:18My soul and hers, like fallen stars,
01:05:22meet in the moving silence.
01:05:23Oh.
01:05:24Oh.
01:05:25You'll have to try a large door.
01:05:26Meet in the moving silence.
01:05:28Uh, uh...
01:05:28What, old boy?
01:05:30Moving silence.
01:05:32No, moving silence.
01:05:33Oh, yes, yes.
01:05:34Moving silence.
01:05:35She walks in...
01:05:37There goes your silence.
01:05:39Princess Madge.
01:05:40Oh, dearer, gracious me.
01:05:42Kitty.
01:05:42Kitty.
01:05:43If you don't mind, my dear,
01:05:44I'd rather not, uh...
01:05:49That's Bob.
01:05:50I mean, Mr. Brown.
01:05:51I'd refuse to sit in that bathroom again.
01:05:54Coward.
01:05:55Look.
01:05:59Why, Boosie?
01:06:00What on earth?
01:06:01Well, you have made a mess of it.
01:06:06Of what?
01:06:07Of everything.
01:06:08Oh, I'm so beside myself, I can hardly talk.
01:06:11Deanne.
01:06:12Bob.
01:06:13They're idiots.
01:06:14They've just told me.
01:06:15They're gonna be married.
01:06:16Do you understand?
01:06:16Married.
01:06:20Why, Boosie.
01:06:21Yes.
01:06:23When did this happen?
01:06:24Just this minute.
01:06:26There they were, locked in each other's arms.
01:06:32But, Boosie, there must be some mistake.
01:06:34Of course there's a mistake.
01:06:35But there they were, in his room.
01:06:38Oh, I caught them.
01:06:40Oh, the younger generation will drive me crazy.
01:06:43When I was a girl, went to a man's room.
01:06:44At least I had the decency not to do it before the servants.
01:06:59Oh, Perkins.
01:07:01Mrs. Brown is leaving on the 11 o'clock train.
01:07:04It might be as well for you to assist her.
01:07:07That's just where I'm going.
01:07:08And without any suggestions from you.
01:07:21Who's rapping up there?
01:07:22You instructed me to rap you up at 10 o'clock, madam.
01:07:25Bosh.
01:07:27I've been up for hours.
01:07:28Coffee is served in the upstairs sitting room.
01:07:31Whitman?
01:07:32Yes, madam?
01:07:33Did you tell Hamlet to meet that H15 train from town?
01:07:36Yes.
01:07:37But he telephoned from the station to say there was no train until 10.15.
01:07:42Well, let him wait.
01:07:44You're doing good.
01:07:45Very good, madam.
01:07:50Really, darling, you'll get over it.
01:07:52I like you better than anybody I know.
01:07:55But I'm not crazy about you the way I am about Bob.
01:08:00I'm trying to understand, dear.
01:08:04Well, I love you and there isn't anything I wouldn't do for you.
01:08:07Thanks, darling.
01:08:10Oh, dear.
01:08:12Gee, Bruce, you make me feel like a heel.
01:08:16Please don't think I'm too awful.
01:08:18And you know I could never think that.
01:08:21And if you should ever change your mind, dear.
01:08:24I'll be waiting.
01:08:26Thanks, darling.
01:08:35Oh, dear.
01:08:49Thank you, darling.
01:08:50Hey, Maggie.
01:08:51If you're singing, would you mind stopping it?
01:08:53Certainly. Dion should have a very large wedding.
01:08:58I still remember mine.
01:09:00It was dusk and the shadows were falling.
01:09:03When I was married, heavenly sunshine fell across the altar.
01:09:08And such bridesmaids.
01:09:10They wore large soft hats and green tulle frocks.
01:09:13Darlings, every one of them.
01:09:15They all have their divorces now.
01:09:23Something tells me Madge will be very glad to see you go, Kitty.
01:09:27Oh, good morning, Wally.
01:09:30Good morning.
01:09:31Morning.
01:09:33Everybody.
01:09:34Wallace, dear.
01:09:35Yes, my dear.
01:09:37Have you heard the priceless news?
01:09:40Dion and Barbara engaged.
01:09:42Good gracious.
01:09:43How interesting.
01:09:45Oh, Wally, would you be sweet enough?
01:09:49My soviet.
01:09:50Oh, delighted. Delighted.
01:09:52Whitman.
01:09:53Whitman.
01:09:54Oh, Madge, give me some cream.
01:09:56Whitman's never around.
01:09:58Oh, certainly.
01:10:00Not sugar.
01:10:01Cream.
01:10:02Sorry, Boopie.
01:10:04You know, Kitty, I'm frankly sorry you're leaving.
01:10:07I'd hope to read my poem to you later.
01:10:10Oh, what a shame.
01:10:11I'm sure I would have loved it.
01:10:13Do you...
01:10:15Do you think that is...
01:10:18Would you care to have me call on you in town someday soon?
01:10:21I can't think of anything I'd like better.
01:10:24Really?
01:10:25Well, how about Tuesday for tea?
01:10:29Tuesday?
01:10:30Let me see.
01:10:30No, I'm busy Tuesday.
01:10:32Wednesday, Thursday.
01:10:33How about Friday?
01:10:34Both of you telephoned me at four.
01:10:36Oh, you know, you're so kind.
01:10:38You've made me very happy.
01:10:40I shall have a new poem by then.
01:10:43Oh, a woman, dear.
01:10:45Yes, my dear.
01:10:49Let's go for a stroll in the garden.
01:10:52Oh, but, Madge, dearest, I haven't had my tea yet.
01:10:55Did I mention tea?
01:10:57No, dear.
01:10:59Come, Wallace.
01:11:01Go, Wallace.
01:11:02Better to walk out than to be carried out.
01:11:08Don't forget next Friday.
01:11:09Right.
01:11:15Boosie, what on earth are you fidgeting so about?
01:11:18You expecting someone?
01:11:19Oh, nonsense.
01:11:21I've got a right to be nervous.
01:11:24Too bad your tricks didn't work with the right person.
01:11:32Cheerio, Boosie.
01:11:34Good morning.
01:11:38Good morning, Tony.
01:11:40Morning.
01:11:43Did you sleep well?
01:11:45I sleep after an evening in the moving silence in a drafted bathroom?
01:11:51What's that?
01:11:52Nothing for you to know, my bet, except that I just avoided having pneumonia last night.
01:11:58Too bad you didn't catch it.
01:11:59Thank you, darling.
01:12:00You're welcome.
01:12:02Kitty, there's something I wanted to ask you.
01:12:06Do you like yachts, moonlit nights, and soft music?
01:12:12I can't think of anything I'd like better.
01:12:14Well, that's all right, then.
01:12:16I've got a yacht that's waiting for someone just like you.
01:12:21Now, what about it?
01:12:22Just you and me, under the stars.
01:12:25No drafts of mosquitoes.
01:12:26Say, uh, Tuesday.
01:12:29Tuesday?
01:12:29Now, let me see.
01:12:31No, I'm busy Tuesday.
01:12:32Wednesday?
01:12:33Thursday.
01:12:33Well, what about Friday?
01:12:35I suppose you telephoned me at four.
01:12:38Splendid.
01:12:38We'll take a little run down the coast for, uh, for as long as you say.
01:12:45And nobody there?
01:12:47Nobody.
01:12:48What else?
01:12:50Uh, I beg your pardon.
01:12:52Oh, uh, hello, Brown.
01:12:53Hello.
01:12:54Oh, good morning, Mr. Brown.
01:12:55Good morning.
01:12:56You know, I think I could go for another cup of that coffee.
01:12:59There you are.
01:13:01Oh, let me congratulate you.
01:13:02I want to wish you every happiness.
01:13:04Thanks.
01:13:05Oh, rather, congratulations, old boy, and all that sort of try.
01:13:08Townley.
01:13:09Come here.
01:13:14Townley.
01:13:15At once.
01:13:17Just think of it, I've never been on a real seagoing yacht.
01:13:20Isn't it exciting?
01:13:21You don't mean you're actually going to take a trip with that fellow alone.
01:13:24Well, now, really, Mr. Brown.
01:13:27Oh, Kitty, how can you be a party to such an a...
01:13:30Is the word a fair?
01:13:32Because if it is, it's, uh, mine and nobody else's.
01:13:35Now, see here.
01:13:36I just won't allow you to do it.
01:13:38I can't possibly see what difference it makes to you.
01:13:41Well, it, uh, doesn't really mean anything to me.
01:13:44Your life's your own.
01:13:45But I should imagine you would have some self-respect.
01:13:58I beg your pardon, madam.
01:13:59Your bags are in the car.
01:14:01Well, thank you, Struthers.
01:14:02I'll be down in a minute.
01:14:05Come on.
01:14:06Up here.
01:14:06Come on.
01:14:07Hurry up now.
01:14:07You'll find her here.
01:14:08Come along now.
01:14:09And don't mess me now.
01:14:10Be careful.
01:14:11Children, there's your mother.
01:14:13Why, darling!
01:14:15Mother!
01:14:17Heaven!
01:14:18Oh, Robert!
01:14:19What a surprise!
01:14:21I didn't expect you this morning.
01:14:23Why, Ned, why don't you bring the children up here?
01:14:24But, madam, late last night I had a telephone call from here asking me to bring the children up here.
01:14:30You did?
01:14:31Oui, madam.
01:14:37Boosie.
01:14:39Well, I thought it was high time for you to display your jewels.
01:14:43Well, I don't understand.
01:14:45How did you know that...
01:14:47Well, that's just another one of my ways of being subtle.
01:14:51Well, I think this time you've been just a little too subtle.
01:15:03Well, what's the matter?
01:15:06Don't you know your own father?
01:15:07Daddy!
01:15:09Bobbie!
01:15:09Catherine!
01:15:11Oh, darling.
01:15:12Mama said you were gone.
01:15:14Where have you been all this time?
01:15:18Why, surely they're not yours, Bob.
01:15:22What?
01:15:23Yes.
01:15:24Of course they are, Deanne.
01:15:26Come on, Kitty.
01:15:27Come on, Candy.
01:15:28Come on, Candy.
01:15:28Come on, Candy.
01:15:30Bob, why didn't you tell me about this?
01:15:31Well, let's clear this up, Deanne.
01:15:33Kitty and I are...
01:15:34You mean we were?
01:15:35You were what?
01:15:36Oh, don't you know what they were?
01:15:37No, what were they?
01:15:38Married.
01:15:39Mrs. Brown.
01:15:40Mr. Brown.
01:15:41Husband and wife.
01:15:42And there are the results.
01:15:49Come on, Kitty.
01:15:52Deanne, I'm terribly sorry this happened.
01:16:01Oh, Bob, you had no right to do this thing.
01:16:02Oh, let me explain, Deanne.
01:16:04We were married.
01:16:05Kitty divorced me three years ago,
01:16:07but she's still my wife to me.
01:16:09There never has been and never will be anyone
01:16:11to take her place.
01:16:13You always did have good manners, Bob.
01:16:16You're just being magnificent, Deanne.
01:16:18This accidental meeting hasn't changed anything for us.
01:16:21That was all settled three years ago.
01:16:25So please don't let it change anything for you.
01:16:27Change anything?
01:16:28Do you think I want him now?
01:16:31You can have him.
01:16:33Oh, but I don't want him.
01:16:34Oh, yes, you do.
01:16:35Oh, but you're quite wrong.
01:16:36I wouldn't have him again.
01:16:37Neither would I.
01:16:38Will you please stop arguing about who is to have me
01:16:40and who isn't?
01:16:41Well, as far as I'm concerned, we're through.
01:16:44Ruth!
01:16:45Ruth!
01:16:54You're so subtle, huh?
01:16:57Eccentric.
01:16:57Bosh!
01:16:59Want some candy?
01:17:01Yes, please.
01:17:02Oh, well, come on.
01:17:03Don't mess me now.
01:17:05Whitmer!
01:17:08Oh, dearly.
01:17:09Oh, Barbara, I'm terribly sorry that you've spoiled your fun.
01:17:11I want you to know that I had nothing to do with it.
01:17:14Absolutely nothing.
01:17:15Oh, dearly.
01:17:15Oh, dearly.
01:17:15Oh, Barbara, I'm terribly sorry you've spoiled your fun.
01:17:16So now, goodbye, and good luck.
01:17:20Well, at least we can be friends.
01:17:23Yes, I guess that's all we can be.
01:17:28Kitty, please give me a chance to make you love me again.
01:17:32Bob, I'm not going back. I'm going on.
01:17:34I don't know just to what, but on.
01:17:36Now then, let's be gay about it.
01:17:38But aren't you sick of batting around like this,
01:17:40trying to fool yourself into thinking you're having a good time?
01:17:43Well, maybe you've had enough.
01:17:44You've been at it longer than I.
01:17:46Maybe you're ready for a flipper by the fire, but I'm not.
01:17:50Marry me again, Kitty.
01:17:51Oh, you're out of your senses.
01:17:52It's what I want. It's the only thing I do want.
01:17:54Let's make a fresh start.
01:17:56You know, I could be fascinated by you again in no time at all,
01:18:00if I let myself go.
01:18:01Oh, you're adorable.
01:18:02Oh, no, Bob, don't let's make fools of ourselves.
01:18:05It'll certainly be no joke for either of us to try to settle down again.
01:18:08But we could do it.
01:18:08No, Bob, I'm afraid. I'm honestly afraid.
01:18:10Why, dearest?
01:18:11Oh, I don't know. I've been so gay,
01:18:13so full of, uh...
01:18:16Come in.
01:18:17Kitty.
01:18:18Come on.
01:18:19Darling.
01:18:21Oh, Bob, I love you so much.
01:18:23Take me back.
01:18:34Oh, Bob, I love you so much.
01:18:35I love you so much.
01:18:35I love you so much.
01:18:35I love you so much.
01:18:35I love you so much.