00:00Hola, bienvenidos de nuevo, Klaus Hesler aquí.
00:02Estamos discutiendo la técnica de pedal.
00:04Y en la primera lección hablamos sobre los parálleles y las diferencias entre las funciones de la mano y la
00:13mano.
00:14Y un aspect importante en la técnica de la mano es desarrollar una especie de actividad de la mano.
00:25Y para mí, la traducción de la mano es de la mano, es decir, esto.
00:38Ahora, la técnica de la mano, la técnica de la mano.
00:42La técnica de la mano es muy importante porque hemos discutido la idea de que con los pies hay dos
00:55diferentes formas de movimiento,
00:56que son de la mano y de la mano.
01:00Ahora, con los pies hay tres diferentes formas de movimiento, que son de la mano, de la mano, de la
01:06mano y de la mano.
01:07Ahora, con los pies solo tienen dos opciones para movimiento,
01:11y luego dejarlo de uno de ellos, que solo les da la mano, de la mano,
01:17que son de la mano.
01:21Y eso, por supuesto, no hace todo el trabajo que se trata de hacer como un drummer.
01:27Entonces, cuando alguien me dice que no estoy haciendo los pies de la mano,
01:32mi respuesta es que mi respuesta es muy divertido.
01:36Entonces, siempre play...
01:38...como esto.
01:39Lo que no es el caso.
01:42...como esto es muy importante para practicarse y ser consciente de la manera de movimiento.
01:56Lo que vamos a hacer ahora es más o menos, digamos,
02:00...como tipo de ejercicio control,
02:04...que puedes hacer con los pies en el floor,
02:07...heelos en el floor,
02:09...con los tiempos.
02:10Y una de las primeras cosas que se pueden hacer es...
02:14...imagine las 16 de las notas,
02:16una barra de dedos de single,
02:20...y una barra de dedos de dedos,
02:22...la mano derecha, eso,
02:28...la mano derecha,
02:28...cara el ejercicio podría ser este.
02:301, 2, 3, 4, 1, 2, 3, 4, 1, 2, 3, 4, 1, 2, 3, 4, 1.
02:56My suggestion would be try and keep this going for say about a minute, just as you would
03:03do with stick control and it's pretty sure and pretty likely that in this part of your
03:10leg you're gonna feel some sort of pain maybe even because most people are not aware and
03:17not used to this way of moving which still is an important part if you want to play your
03:24bass drum using leg and ankle activity so if your ankle is not working you're not
03:31using the full potential of that movement. Another exercise could be this, check this
03:38out, so it's at first alternating right left right left right left right left then
03:53only the right foot and then reversing that left right left so you also keep that going for
04:06one minute okay let's try some of that.
04:081, 2, 3, 4, 1, 2, 3, 4, 1, 2, 3, 4, 1, 2, 3, 4, 1, 2, 3, 4,
04:221, 2, 3, 4, 1, 2, 3, 4, 1, 2, 3, 4, 1, 2, 3, 4, 1, 2, 3, 4,
04:331, 2, 3, 4, 1, 2, 3, 4, 1, 2, 3, 4, 1, 2, 3, 4, 1, 2, 3, 4,
04:381, 2, 3, 4, 1, 2, 3, 4, 1, 2, 3, 4, 1, 2, 3, 4, 1, 2, 3, 4,
04:381, 2, 3, 4, 1, 2, 3, 4, 1, 2, 3, 4, 1, 2, 3, 4, 1, 2, 3, 4,
04:381, 2, 3, 4, 1, 2, 3, 4, 1, 2, 3, 4
04:381, 2, 3, 4
04:401, 2, 3, 4
04:421, 2, 3, 4
04:441, 2, 3, 4
04:48I think it's pretty important to also not lose volume on these exercises
04:52and you will most likely notice that after some moments of playing
04:59maybe your left foot is only willing to do this
05:04as opposed to really having some volume
05:09and some sort of serious punch inside that
05:12so your neighbors living underneath you
05:15they should really hear you practicing
05:17when you do that in your flat
05:21the ceiling should be shaking, okay?
05:24so that's pretty important I think
05:26now there's tons of different ways to come up with different organization
05:32of right and left foot with feet flat on the floor
05:36and stick control is a perfect source for that
05:39you can also look into different ways of incorporating the front and rear part of your foot
05:49which is later then also transferred to the pedal
05:52in later lessons in this course
05:57so let's say if you were thinking about a paradiddle
06:00and you would be playing that paradiddle between the front and the rear part of your foot
06:06you would have paradiddle paradiddle paradiddle paradiddle paradiddle
06:37and so forth again keep that timeframe of say about one minute for any of these exercises
06:43and you can for sure come up with more paradiddle like combinations
06:48say for instance if you were using say double paradiddle double paradiddle paradiddle
06:57which would be double paradiddle double paradiddle paradiddle
07:22and so forth again you can make stick control the perfect source for that just think
07:32any right would be the front part of your foot and any left would be the back part of the
07:40rear part of your foot
07:41and you can come up with any sort of combinations and exercises which actually then come from stick control
07:48and you don't have to think about exercises that you first have to generate before you can try to practice
07:54them
07:54so that I think saves you a lot of time and I think most of you should have stick control
08:01because that's actually the bible for us as drummers
08:05no way you don't have this book right
08:08another way of using rudiments as say exercises with flat feet on the ground would be say pick a five
08:18stroke roll
08:19and then not only consider the front and back part of your foot as the ingredients for the movement but
08:27also the right left information
08:29so on a five stroke roll you could think about this
08:33Right, left, right, left, right, left.
08:49Right, left, right, left.
08:54Left, right, left, right, left, right, left, right, left, right, left, right, left.
09:00Any of these exercises will help you to actually acquire more facility with the movements,
09:11more, say, you're more familiar with how you move and organize your feet.
09:21And that is actually a pretty important thing to have before you take things on the pedal, which we will
09:30be doing now.
09:32And actually, it's a mix of things which are derived from a hand exercise.
09:43The hand exercise may be something like this.
09:55So you have this,
10:00which on the pedal may be something like this.
10:10You have this,
10:15which on the pedal may be something like this.
10:26And you have this,
10:32which on the pedal may be something like this.
10:40And the funny thing is,
10:42you can still use it on both of your pedals,
10:46no matter if you're using double pedal or not.
10:48It may also be the hi-hat and the bass drum.
10:52So, an interesting combination or an exercise you may want to try could be this.
10:58Check it out.
10:59I feel like,
11:14and,
11:15as soon as upon the pedal may be anything of the pedal to the pedal.
11:20I'll try it by your pedal.
11:20Because a speed of pedal ends
11:28and you'll take them off the Eric coupons.
11:28You have this,
11:57Gracias por ver el video.
11:59Gracias por ver el video.
12:12Two more things that you should keep in mind when you practice that.
12:16First of all, the toes of my feet, they don't do this inside the shoe.
12:22My whole foot is completely relaxed.
12:25And the other aspect is when I'm practicing this heel-toe kind of technique,
12:35it's actually not this part of the foot that creates the stroke.
12:40Everything still happens here.
12:42So it's some sort of rolling down the footboard as you bring up the rear part of your foot and
12:52down again.
13:01That at least is what I try to keep in mind.
13:06And this is also why I usually prefer pedals with a little bit of a longer footboard,
13:12because that critical spot on the board somewhere here, say in the proportion of the pedals,
13:22would be bigger on a longer board.
13:24So I'm not speaking about a long board with no heel plate.
13:29I really cannot play those. I'm not good at that.
13:33But I just like long boards, long foot pedals,
13:37because they make it easier for me to realize that rolling down the board and up again.
13:44So far with that lesson, stay tuned for more.
13:49Thank you so much. Bye-bye.
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