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00:00:00THE END
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00:03:38I guess that's the way to play, I guess.
00:04:00Taking your shot?
00:04:45I hope you don't think I'm a Jonah.
00:04:47What's a Jonah?
00:04:48Jinx.
00:04:49No.
00:04:50Can I buy you a drink?
00:04:54You sure can.
00:05:00Name's Jay Wickham, by the way.
00:05:03Joe Gaines.
00:05:07What'll it be?
00:05:08A little scotch on the rocks.
00:05:10Two.
00:05:11Where are you from, Joe?
00:05:13Scranton.
00:05:15Pennsylvania.
00:05:16I know.
00:05:17I'm from Beaver Falls, Idaho.
00:05:20Right.
00:05:25You, uh, traveling or what?
00:05:27Uh, just traveling.
00:05:30I'm not bugging you.
00:05:31I mean, I don't want to be the kind of guy, you know, buys you a drink and then chews
00:05:34your
00:05:35ear off.
00:05:38Don't worry about it.
00:05:38Uh, I guess I, uh, tend to be a little overly friendly at times.
00:05:46Where are you heading from here?
00:06:09Where are you heading from here?
00:06:13I'll buy you a drink.
00:06:14Yeah, thanks.
00:06:15Two more, please.
00:06:17Yeah, I dated her, right up there in the tower.
00:06:22That reminds me of a lady fortune teller I knew once in Macau.
00:06:32Oh, excuse me.
00:06:34Sure, go ahead.
00:06:36You know, unlucky at cards.
00:06:40Oh, excuse me.
00:06:42Yes?
00:06:44I don't like to be pushy, but my name is Gaines, you see.
00:06:49I've seen you before.
00:06:51Yes?
00:06:52Aren't you a friend of Alvin Ross?
00:06:55I know Mr. Ross, yes.
00:06:57Uh-huh. Well, you see, he's a friend of mine.
00:07:00Oh?
00:07:01Say, listen, would you like to join my friend and me in a drink?
00:07:05I was just going up to my room.
00:07:08Yeah, well, I'm just trying to detain you.
00:07:14All right, Mr. Gaines.
00:07:19Just call me Joe.
00:07:29My name is Leiling Forsyth.
00:07:31My pleasure.
00:07:32Mr. Gaines, your friend left.
00:07:34He said to buy you a drink and the lady.
00:07:36Your friend has a lot of confidence in you.
00:07:38He said he did not wish any longer to be Jonah.
00:07:41Jonah?
00:07:43That's a wailing term.
00:07:45Were you at the Montague game?
00:07:47Yes, I was.
00:07:48What did you like to drink?
00:07:50Gin tonic, please.
00:07:52I'm surprised I didn't see you there.
00:07:55You were involved.
00:07:56Oh, not really.
00:07:58You lost.
00:07:59Yes, I did.
00:08:02Which reminds me, after these I'm afraid I'll be financially embarrassed.
00:08:07Don't be concerned.
00:08:09I was relying on Mr. Wickham, I'm afraid.
00:08:13Jonah.
00:08:15Jonah.
00:08:18Which reminds me, how would you like to invite me up for a drink?
00:08:33What?
00:08:34Are you taking a shower?
00:08:36What?
00:08:38Are you taking a shower?
00:08:40I can't hear you.
00:08:43What'd you say?
00:08:45Forget it.
00:08:51Would you like to have some coffee?
00:08:54Aha!
00:08:56Don't tell me you didn't say something that time.
00:08:58Would you like to have some coffee?
00:09:01Yes, thanks.
00:09:40You and you, Miss Forsyte, two hours?
00:09:45That's right.
00:09:47I see.
00:09:48You mentioned the bar at the hotel.
00:09:51Just outside the bar, yes.
00:09:54You never saw it before?
00:09:57No.
00:10:00You were in the shower when it happened.
00:10:03How long?
00:10:04Well, I don't know.
00:10:07A few minutes.
00:10:10Just long enough to take a shower.
00:10:12Now, it is your theory that you and Miss Forsyte surprised the thief in the act
00:10:18and, unable to effect an escape, he was forced to hide in the closet.
00:10:26How do you explain the fact that nothing was stolen?
00:10:30I don't know that that's true.
00:10:32It is possible that a man came to the door,
00:10:37asked for Miss Forsyte,
00:10:39was granted admission,
00:10:42murdered Miss Forsyte,
00:10:43and fled.
00:10:45With me in the shower.
00:10:48How long had you been in, uh,
00:10:50Layling, uh, Forsyte's room?
00:10:52Hour, hour and a half.
00:10:54The assailant would have to have been in that closet for over an hour.
00:11:00A very patient thief.
00:11:04Deadly, too.
00:11:06Yes.
00:11:08There was no, uh, financial transaction between you and Miss Forsyte?
00:11:15I bought her a drink, she bought me a drink.
00:11:18Oh, yes, I see.
00:11:21Have you read this?
00:11:25Yes.
00:11:26Is there anything further you would like to add?
00:11:31Very well, Mr. Gaines, we won't keep you any longer.
00:11:34Uh, however, there are enough questions, still unanswered,
00:11:40that I must ask you to remain in the city, please.
00:11:44Of course.
00:12:11Any messages for 21?
00:12:13Oh, hey, Mr. Eraser of Kitty Hawk, North Carolina, called several times.
00:12:18Key?
00:12:43Al?
00:12:48Al?
00:12:53The door was open.
00:12:56What are you doing here?
00:12:59Yeah, what happened?
00:13:01What happened?
00:13:03The girl.
00:13:06Oh.
00:13:07She's dead.
00:13:09I know.
00:13:13What do you want here, anyhow?
00:13:16Nothing, uh...
00:13:18I heard about the girl being killed, you know, when you were being there, and, uh...
00:13:23Just want to, uh, hear about it from the inside, is that it?
00:13:29No.
00:13:30Well, yeah.
00:13:32I mean, I guess I'm curious.
00:13:38Well, I guess it's not every day that a guy from Boise gets mixed up in a murder.
00:13:43No.
00:13:45Really something to write home about.
00:13:48Hey, you're not sore, are you?
00:13:51Sore?
00:13:53Why should I be sore?
00:13:55I mean, I guess it might seem like, uh, I've got some kind of morbid curiosity or something.
00:14:01Oh, no. Not at all.
00:14:02No.
00:14:03Because I'm not.
00:14:05Of course not. I can see that.
00:14:08Being involved, sort of, I just thought I'd come by and see if there was anything I could do.
00:14:16No.
00:14:20Just forget it.
00:14:22Cops give you a hard time?
00:14:26Well, my being alone in a room with a murdered girl, uh, made them a little suspicious.
00:14:34They think you did it?
00:14:37I don't know.
00:14:44Well, I, uh, I guess I'll go.
00:14:52Hey.
00:14:58You're not my idea of a partner in crime, but I guess you'll have to do.
00:15:03What do you mean?
00:15:05Well, you want to help me or not?
00:15:08Sure.
00:15:12All right.
00:15:14I've got to get a message to a guy who's, uh...
00:15:16Have you got a pencil?
00:15:20No, I don't. Sorry.
00:15:21That's all right. Just remember it.
00:15:25Now, I want you to see a guy named Alvin Ross at the Red Sail.
00:15:29Now, he's expecting someone from me, so there won't be any trouble.
00:15:32I want you to tell him that I haven't mentioned his name or anything.
00:15:37And I want to leave with him tonight.
00:15:41Now, tell him I'll be there just before takeoff.
00:15:46Now, you got all that?
00:15:47Sure.
00:15:48Al Ross, Red Sail, leaving tonight. Simple.
00:15:58Hey.
00:16:01Thanks.
00:16:02My pleasure.
00:16:33Hey, sir.
00:16:40Hi.
00:16:49The End
00:17:13The End
00:18:10Can you see?
00:18:11Yes, thanks.
00:18:16Anything you want to tell me, Al?
00:18:19What about...
00:18:22She said she wasn't your girl.
00:18:24She wasn't?
00:18:25Well, I asked her.
00:18:28Would it have made any difference if she was?
00:18:30That's hard to say.
00:18:32Probably not.
00:18:34I was just doing some business with Lei Ling, that's all.
00:18:37I didn't see her socially.
00:18:41Do you have any idea why she might have been killed?
00:18:46Well, do you think it had something to do with your business?
00:18:50Listen, Joe, I don't want to dummy up on you, but I don't want to lie to you either.
00:18:54I was going to clue you in on this, but now it's going to have to wait.
00:18:58I don't know who killed Lei Ling, if that's what you want to hear.
00:19:01Whatever you say.
00:19:03Your friend asked me if I thought you did it.
00:19:07Friend?
00:19:08Wickham.
00:19:09What the hell is he doing here?
00:19:11Well, he said that you told him to meet him in the plane.
00:19:13Why?
00:19:14Who is he?
00:19:14I don't know.
00:19:15Some guy that's all hyped up to get involved in the murder.
00:19:32Jay.
00:19:34Al told you I was here, huh?
00:19:38I thought you were going to Tokyo.
00:19:41Well, I am.
00:19:42It's just, you know, I wanted to see how it all came out.
00:19:48Look, I know I owe you a favor, and I'm not going to be mad.
00:19:52But I don't like people following me around, nosing in my business, you see.
00:19:58Now, I know you feel responsible or involved or something.
00:20:02But this is as far as you go.
00:20:07Sure.
00:20:08I'm glad you made it.
00:20:10Thanks.
00:20:13I'll talk to you later.
00:20:33Where are you heading?
00:20:35Home.
00:20:36Cincinnati.
00:20:37Cincinnati.
00:20:38Great.
00:20:39What's so great about it?
00:20:40Certain town names get me.
00:20:43Cheyenne, Wyoming.
00:20:45Dalhart, Texas.
00:20:46Colts Neck, New Jersey.
00:20:50You know anything about death?
00:20:54Death?
00:20:56Yeah, you know.
00:20:57Death.
00:20:59Are you interested in death?
00:21:01It's something that we all go through, at least once.
00:21:05Can't deny that.
00:21:07People do.
00:21:10I don't think so.
00:21:12Man spends millions, maybe billions of dollars a year on booze, drugs, women, religion, psychiatrists,
00:21:19you name it, just to obscure the fact of his ultimate demise.
00:21:23What should you do?
00:21:24Think about it day and night?
00:21:25No, not at all.
00:21:27Just give it its due.
00:21:27That's all.
00:21:31Suppose a man's life is a drag.
00:21:33He makes a pledge, see?
00:21:35I'll stick around until I'm 50.
00:21:37Then if I don't like it, colors of time leading to 50, right?
00:21:43He's only got to go so far.
00:21:45Makes it easier.
00:21:46Gives him control.
00:21:48So?
00:21:49It gives his life form.
00:21:52That's all death is, punctuation.
00:21:55You're focusing on the punctuation and forgetting the sentence.
00:22:00Interesting choice of words.
00:22:03Sentence.
00:22:06Are you sleeping?
00:22:10No.
00:22:11Mind if I join you?
00:22:14Yeah, sure.
00:22:15Sit down.
00:22:18He's sleeping.
00:22:20Who is?
00:22:21Laura Grant.
00:22:23Oh, I'm glad for him.
00:22:29Would you like to sit near the window?
00:22:31Yes, please.
00:22:45My name is Joe Gaines.
00:22:46How do you do?
00:22:52You're not going to tell me your name?
00:22:54Destiny.
00:22:55Destiny, is that all?
00:22:57Cooper.
00:22:59Is that your real name?
00:23:01It's my name.
00:23:05Uh, that fellow's sleeping.
00:23:08What's his name again?
00:23:11Laura Grant.
00:23:12We travel together.
00:23:13What does he do?
00:23:17You have a nice mouth.
00:23:20Thanks.
00:23:29Do you always do that?
00:23:31Kiss people?
00:23:33I mean strangers.
00:23:35What difference does it make?
00:23:38No difference.
00:23:40You have a nice mouth, too.
00:23:43Yes, I do.
00:23:46What's this Laura Grant going to say?
00:23:50Don't ask me so many things.
00:23:53Questions.
00:24:07Can I come in?
00:24:08Miss Cooper, sure.
00:24:11How did you know my name, Mr. Ross?
00:24:13I work here.
00:24:14How'd you know mine?
00:24:17I don't know.
00:24:21I don't know.
00:24:22Raphael.
00:24:23Mr. Logren?
00:24:24Where's Destiny?
00:24:26Up front, in the cockpit.
00:24:28Go and get her.
00:24:35Ever gone up front before?
00:24:38No, I don't think so.
00:24:41How long before we're over land again?
00:24:45Excuse me.
00:24:48Destiny?
00:24:53My pleasure.
00:25:04Don't send Raphael after me like I was your dog, Minsk.
00:25:08Understand?
00:25:10You're so sensitive, Destiny.
00:25:13I don't like it.
00:25:15I apologize.
00:25:17What do you want?
00:25:20I just wondered where you were.
00:25:22We're on an airplane, Vince.
00:25:24Just where do you think I could be?
00:25:26I haven't thought about it, actually.
00:25:40Pardon me.
00:25:41Yes?
00:25:42What would you like?
00:25:44What game is that?
00:25:46It's called Gore.
00:25:48G-O.
00:25:50Gore or go?
00:25:51Yes.
00:25:54How's it played?
00:25:56You have to surround, you see.
00:25:59Oh, and then you take it off.
00:26:00You see like this.
00:26:02Oh, I see.
00:26:03That's very interesting.
00:26:06I'm interested in games.
00:26:07Thank you very much.
00:26:09Quite all right.
00:26:15Later, Jay.
00:26:29You should see this game these guys are playing.
00:26:32It's called Gore.
00:26:33Oh, you surround each other's buttons.
00:26:38I'm not good at games.
00:26:40I like them.
00:26:41You're competitive.
00:26:43I just like to play.
00:26:56What are you writing?
00:26:58What are you writing?
00:27:00About me?
00:27:02No.
00:27:05I'm sorry to interrupt.
00:27:20Do you mind?
00:27:22Yeah, I think I do.
00:27:25I'm sorry to interrupt.
00:27:29You're much too aggressive for me, lady.
00:27:33If I whimper a little, will you feel safe?
00:27:40Whatever you like.
00:27:44I don't want anything from you, Mr. Gaines.
00:28:01Excuse me, please.
00:28:04Are you a friend of a gentleman?
00:28:07Why do you ask?
00:28:09Curiosity.
00:28:10Would you care to sit down, Mr.?
00:28:12Jay Wickham.
00:28:14Vincent Loughran.
00:28:15How do you do?
00:28:19Are you an American, Mr. Wickham?
00:28:21Who's that guy you're with?
00:28:24Mike Vallée.
00:28:25I see.
00:28:27Mr. Gaines was involved in the murder of an Oriental girl,
00:28:32a Miss Forsythe, I believe.
00:28:34Prior to our departure, wasn't he?
00:28:37Gee, I don't know anything about it.
00:28:38Why don't you ask him?
00:28:41You are a good friend, Mr. Wickham.
00:28:44I will not interrogate you any longer.
00:28:47I hope I have not imposed upon you.
00:28:50No, not at all.
00:28:55The cell is coming.
00:28:56All right.
00:29:01All right.
00:29:03All right.
00:29:05All right.
00:29:17juntin.
00:29:18All right.
00:29:47Are you all right?
00:30:12You all right?
00:30:14Oh, yes.
00:30:18Anybody else hurt?
00:30:19I can't tell, Joe.
00:30:21She's out.
00:30:24It's not gone, huh?
00:30:26Yeah.
00:30:27The port engine's getting rough, too.
00:30:29We're going to have to go in.
00:30:30A better radio.
00:30:33Attention.
00:30:34We can't control the fire in the starboard engine.
00:30:36The port engine is running roughly.
00:30:38I decided it's best to try and crash land.
00:30:41We're over some pretty rough terrain,
00:30:43so we're going down to take a look now.
00:30:45No.
00:30:46Be tight.
00:30:48No choice.
00:30:52We've spotted an opening.
00:30:53We're going down.
00:30:55We'll approach from the south and land into the wind.
00:30:57I'll warn you when we're on final.
00:31:04We're going to crash.
00:31:17We're going to crash.
00:31:19Good luck.
00:31:20We're going to crash.
00:31:22We're going to crash.
00:31:35And we try to play.
00:31:41We'll go.
00:31:41We're going to crash.
00:31:46And then we're on rails.
00:31:50I do the spid Imaginary Center.
00:32:06Joe. Hold still. Hold still.
00:32:09No, no, don't. My chest. I can't breathe. I can't move.
00:32:15Dying. Now. Forget that. What's the difference? My case. Case? Behind the seat. My case. Find it. Open it. There's
00:32:42a pouch.
00:32:48Smuggling. That's why Lady Link murdered. Stolen. It's a payoff. I don't know. I don't know whose they are. You
00:33:00keep them.
00:33:04Someday, when the going gets rough for the boys out there, tell them, win one for the Gipper.
00:33:15Uh...
00:33:17Uh...
00:33:19Oh, my God.
00:33:51You all right, Joe?
00:33:55Joe?
00:34:02Fire's out.
00:34:06Both dead?
00:34:12That girl, Gloria, and Raphael, too.
00:34:17The old Jap's pretty bad.
00:34:25Come on out, Joe.
00:34:28Let's get some air.
00:34:59How's the radio?
00:35:01It's out.
00:35:01At least I can't make it work.
00:35:03It's smashed in.
00:35:04The way I see it, we'll head west first toward the ocean and the mountains.
00:35:14And then south, maybe we can pick up some fishing villages there on that side.
00:35:20It's okay by me.
00:35:21I don't know anything about it.
00:35:23What's the matter with her?
00:35:26A little shock, I think.
00:35:27She'll be all right.
00:35:51Jay?
00:35:55this is not going to be so easy the three of us have got to carry the old japanese and
00:36:00there's
00:36:01lorgrin's broken leg so uh we'll camp here tonight tomorrow we'll prepare supplies
00:36:08try to find out where we are like that joe you want to know something what you're probably not
00:36:15going to like it well then don't tell me i'm getting kind of a boot out of it what are
00:36:24you
00:36:24talking about coming through the crash alive it makes me feel like uh immortal you know
00:36:30are you out of your mind no it's true it's a tremendous feeling look i don't want to hear
00:36:35that crap now we're going to be burying those people in there let's see you feel immortal on
00:36:41that buster burying them yeah i'll bury them i can't what do you mean you can't not fooling
00:36:49around with any dead bodies all right okay you dig and we'll bring them out
00:37:20nothing the diamonds are either in that plane or one of the survivors has them get back there and
00:37:28look inside outside underneath all you understand
00:37:37i want to be sure before i involve anyone else
00:38:05good evening lovely there's d and food how's the leg fine if i don't move it
00:38:16mr gang's yeah rather good don't you think so hey just like the boy scots
00:38:23you know that old man's in bad shape
00:38:28perhaps we should stay here
00:38:31now we could sit around here forever if nobody picked up our distress how far must we go
00:38:36can't say maybe 10 maybe 50 miles
00:38:49where's destiny she said something about looking for a book
00:38:55in the wreck she'll be back soon
00:38:59uh don't bother to look for her let's call her
00:39:05destiny destiny i think i better go see where she is
00:39:16did you have a nice walk mr wake up just great
00:39:25destiny destiny who is it joe gaines
00:39:31who is it joe gaines
00:39:55what are you doing here
00:39:58what are you doing here
00:40:02didn't you hear logger
00:40:12what are you doing here
00:40:18looking for you
00:40:23destiny
00:40:28logger's calling you
00:40:38he can't do anything
00:40:41he's got a broken leg
00:41:06we'll rest right here
00:41:08hot
00:41:11it's gonna get hotter
00:41:16we'll rest here you can go on
00:41:32rest up here
00:41:34i'm ready
00:41:38there's a chance we could be out tomorrow
00:41:48i'm going to take the diamonds
00:41:51i will need your help destiny
00:41:55what for
00:41:57i want to take control of the situation
00:42:00before i lose all my strength
00:42:05what do you need me for
00:42:08to help me watch our friends
00:42:11when i assume control
00:42:15that episode in the wreck with gains
00:42:19it has no meaning
00:42:24how do you know
00:42:27because i know you
00:42:32mr gaines
00:42:42i'll come straight to the point
00:42:44mr gaines
00:42:46i believe you have something in your possession that belongs to me
00:42:49i want it
00:42:51what might that be
00:42:53come mr gaines
00:42:55mr ross gave you a pouch filled with diamonds
00:43:00they belong to me
00:43:03would you hand it over please
00:43:04why should i
00:43:06even if i do have them
00:43:08because they are my property
00:43:11if not for that
00:43:15because of this
00:43:19that's not exactly a bill of sale
00:43:22no need to involve the rest
00:43:24anyway i'm not robbing you
00:43:27they are my diamonds
00:43:31why didn't al tell me about this
00:43:33i didn't know
00:43:36hand it over
00:43:40you know if you shoot me
00:43:42you'll never get out of here
00:43:44don't be melodramatic
00:43:45mr gaines
00:43:47no one wants to see you shot
00:43:51least of all you
00:43:53if you don't give me my property
00:43:56i'll shoot you on the spot
00:43:58and take it
00:44:08hold it mr gaines
00:44:09destiny
00:44:22you have a soft touch
00:44:30thank you mr gaines
00:44:35you're gonna have to watch me
00:44:37every minute
00:44:38i will have help
00:44:41don't feel too badly
00:44:43about destiny
00:44:44we're old friends
00:44:46stop the batter
00:44:49anything else
00:44:51just don't try anything aggressive
00:44:54everything will be fine
00:44:56there have been too many people hurt already
00:45:00when do you want to start out again
00:45:02i leave that all up to you
00:45:15that was not too difficult was it destiny
00:45:29this guy will never make it
00:45:31what's that mean
00:45:33nothing why
00:45:35you think we should dump him
00:45:37i didn't say anything about that
00:45:38yeah well don't
00:45:40what's the matter with you
00:45:41nothing nothing at all
00:45:43i didn't say anything about dumping the old jack
00:45:46first place the young guy'd never go for it
00:45:48notice how he never takes his eyes off him
00:45:50no i never noticed
00:45:52like he wants to see when he dies
00:45:56get away from me will you
00:45:57what
00:45:59you depress me jay
00:46:01just keep away from me
00:46:02what did i do
00:46:03i never said anything about
00:46:04look we're pulling out
00:46:07you're the one that said it not me
00:46:08i'll carry you lead
00:46:14wickam will lead and you can follow it
00:46:17she can stay behind me and the stretcher
00:46:19so you will feel safe
00:46:34order
00:46:34you
00:46:36don't
00:46:36there are
00:46:38there are 2
00:46:44there are 2
00:46:475 or 6
00:46:47here are
00:46:48and then
00:46:514
00:46:52go
00:46:52there are
00:47:035
00:47:04CElusive
00:47:25I'll lead.
00:47:31We'll make two more hours and camp.
00:47:33Not too close.
00:48:20Let's go.
00:48:27Let's go.
00:48:31Let's go.
00:48:32Let's go.
00:48:32Let's go.
00:48:55Let's go.
00:49:01Let's go.
00:49:01Let's go.
00:49:02Let's go.
00:49:28Let's go.
00:49:30Let's go.
00:49:49Let's go.
00:49:56Let's go.
00:50:08Let's go.
00:50:12Let's go.
00:50:14Let's go.
00:50:18Let's go.
00:50:24Let's go.
00:50:48Let's go.
00:50:51Let's go.
00:50:54Let's go.
00:51:14Let's go.
00:51:22Let's go.
00:51:23Let's go.
00:51:24Let's go.
00:51:24Let's go.
00:51:25Let's go.
00:51:25And let's go.
00:51:26Did you see him?
00:51:28Who's there?
00:51:31Sige, parelli muna.
00:51:49Nadi, don't jump.
00:51:51Venna, venna.
00:52:06Venna, venna.
00:52:15Why didn't you tell me about the gun?
00:52:19Lorgren didn't tell you either.
00:52:21Well, I'm talking to you now.
00:52:23It's not really difficult to understand, is it, Mr. Gaines?
00:52:27It's an old impulse Mr. Wickham followed.
00:52:30Yeah, so what? I don't have it now, is the point.
00:53:01There are a lot of people I'd rather be in jail with.
00:53:05What do you think is their intended use for us?
00:53:08Ransom, hostages, it's hard to say.
00:53:11How are we gonna get out? That's the point.
00:53:15What are you asking me for?
00:53:19Well, I'll tell you one thing.
00:53:22They're not gonna let us limp out.
00:53:25Your single-minded desire for self-preservation
00:53:29is a truly admirable thing, Mr. Wickham.
00:53:33You must have much to live for.
00:53:36I didn't break your leg.
00:53:44I don't feel much like relying on this guy's hospitality.
00:53:49But it's one hell of a lot better than getting my brains blown out
00:53:54escorting a hospital train out of here.
00:53:57Well, I'm not waiting around till this monkey decides to blow my head off.
00:54:01I'm taking the first chance I get in cutting.
00:54:04That's all there is to it.
00:54:06I haven't done much running lately.
00:54:08You haven't been jailed lately.
00:54:13It is apparent we cannot sneak out from under their eyes.
00:54:17It seems to me that even considering my broken leg
00:54:20and destiny's feminine gait,
00:54:25a well-timed flight is our best chance.
00:54:28It's gonna get down to that sooner or later anyway.
00:54:34Gaines?
00:54:39Well,
00:54:42I'm not too interested in staying around
00:54:44explaining to our man that I wasn't in on the escape.
00:54:50So I guess I'm outvoted.
00:54:56What about him?
00:54:57He'll get the idea.
00:55:14I've also left my man.
00:55:20Okay.
00:55:21All right.
00:55:29Hey!
00:55:30Sit down.
00:55:40Your name is...
00:55:42Destiny Cooper.
00:55:49Blame for us?
00:55:51Yes.
00:55:57Scots.
00:55:59Please.
00:56:18It's good.
00:56:31Soft.
00:56:33Very soft.
00:56:52Stand up.
00:57:04Hey!
00:57:05Barbara.
00:57:35You all right?
00:57:38Surprised you're still here.
00:57:39Two of them coming right now.
00:57:48Here he comes.
00:58:14Oh, my God.
00:58:41Oh, my God.
00:59:12Oh, my God.
00:59:41Oh, my God.
00:59:41Oh, my God.
00:59:53Oh, my God.
01:00:09Oh, my God.
01:00:10Oh, my God.
01:00:13Oh, my God.
01:00:26Oh, my God.
01:00:43Oh, my God.
01:00:58Oh, my God.
01:01:00Oh, my God.
01:01:03Oh, my God.
01:01:05Be smart, Joe.
01:01:07Drop the gun.
01:01:09I worked hard for these.
01:01:12The diamonds all the way.
01:01:23Oh, my God.
01:01:26Oh, my God.
01:01:27Oh, my God.
01:01:32Oh, my God.
01:01:47Oh, my God.
01:01:48Oh, my God.
01:02:00Oh, my God.
01:02:01Oh, my God.
01:02:04Oh, my God.
01:02:06Oh, my God.
01:02:08Oh, my God.
01:07:59Don't wait till you bleed to death.
01:08:57Answer me!
01:09:06Don't take it personal, Joe!
01:09:08No!
01:09:08No!
01:09:08No!
01:09:09No!
01:09:09No!
01:09:09No!
01:09:11No!
01:09:15No!
01:09:15No!
01:09:15No!
01:09:26No!
01:09:36No!
01:09:39No!
01:09:40No!
01:09:41No!
01:09:45No!
01:09:47No!
01:09:49No!
01:09:56No!
01:09:57No!
01:09:59No!
01:10:09No!
01:10:11No!
01:10:13No!
01:10:14No!
01:10:15No!
01:10:16No!
01:10:31Let's go.
01:11:22You can't kill me, Joe.
01:11:27Let's go.
01:12:01Let's go.
01:12:27Let's go.

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