- hace 14 minutos
El cantante y compositor Miguel Fernández se rehabilita del alcoholismo y hace una remembranza de su vida desde cómo aprendió a tocar la guitarra.
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00:02:27Come!
00:02:28I told him they weren't selling him any more alcohol.
00:02:30Just look at that.
00:02:34That's fine, commended.
00:02:36Come, brother! Come, come!
00:02:38Come! Come, brother!
00:02:41Let's watch the match!
00:02:44Come, brother! Come, brother!
00:02:46Come, brother! Come, brother!
00:02:48Come, brother!
00:02:49Talk to me, man!
00:02:51V Panelo, Panelo!
00:02:56Vad aốt, Michel!
00:03:00Come here, beautiful! They're going!
00:03:05Move aside, move aside!
00:03:10Okay, the middle one comes in, brother!
00:03:13No, you idiot!
00:03:24Come in, Rufé.
00:03:53He looks like he's vanished off the face of the earth. What are we going to do, Rosendo?
00:03:56And there are only two weeks left until the 25th anniversary celebration.
00:04:00We've been looking for him for a month. We've done everything we can. What do you want me to do?
00:04:06Even private detectives have failed.
00:04:21Stop fooling yourself, Lupe. Miguel is an unclean alcoholic.
00:04:26And who knows what might have happened to him? Maybe he's already gone by now.
00:04:30Shut up, don't go on.
00:04:43Convince yourself, Lupe. You can't keep deceiving people.
00:04:47Nobody believes that story about him traveling around Europe.
00:04:56Has he died?
00:05:02You answer. I'm afraid of bad news.
00:05:11Well.
00:05:14Wait a minute. Cornered.
00:05:21Collado?
00:05:22Yes, Collado.
00:05:24Collado de Madrid.
00:05:26Listen, little one.
00:05:28I can no longer keep lying to my people.
00:05:30You know I did it out of love for Miguel and you.
00:05:36But they have discovered that Miguel has not set foot in Spain for a year.
00:05:40My reputation is at stake.
00:05:43Listen to me, Collado, I beg you.
00:05:45Let me finish, Guadalupe.
00:05:47The Society of Composers trusts my word and continues with the preparations.
00:05:53But I'm going to tell them to suspend everything.
00:05:56I beg you.
00:05:57Give me 72 hours.
00:05:58If I haven't heard from Miguel within that time, I will contact you immediately.
00:06:02Well.
00:06:04Well.
00:06:05Are you listening to me?
00:06:07Yes, woman.
00:06:09So 24 hours and no more.
00:06:19I'm sorry, Lupe.
00:06:21But I left many matters unfinished.
00:06:23If you need me, call me.
00:06:26Thank you, Rosendo.
00:07:04Thank you, Rosendo.
00:07:12Let's go, old lady.
00:07:14Don't get so worked up, Lupe.
00:07:16Besides being married, could you be your dad?
00:07:18That's how I like them.
00:07:20Mature, with experience.
00:07:22But it's not him I'm interested in, it's his songs.
00:07:26You were great, darling, as always.
00:07:28But I've already told you that I don't like you calling me old lady.
00:07:30I'm only telling you this out of pure love.
00:07:33That's his wife.
00:07:34I know.
00:07:36I don't need you to tell me.
00:07:37It's great that I'll be going back to my hometown soon.
00:07:39You haven't been very happy in Mexico, have you?
00:07:41No, I miss my people a lot.
00:07:43I'm one of your people too.
00:07:46Forgive me, cousin.
00:07:47But sometimes you really get on my nerves.
00:07:49You're so awesome, Lupe.
00:07:50You're not content with being the first since the dove retired.
00:07:54No, I'm not satisfied.
00:07:56You'll end up stealing her husband.
00:07:57And that's not right.
00:07:58They say she suffers a lot because he's a drunk and a womanizer.
00:08:01I already told you that the only thing that interests me are Miguel's songs.
00:08:03I want to be the one to introduce them to you from now on.
00:08:06And that's how I'll rise like a rocket.
00:08:08Well, you'll have to pay the price, honey.
00:08:09Because for free, I doubt it.
00:08:11You're wrong, little one.
00:08:12I wasn't born to be such a second-class citizen, much less any man's toy.
00:08:24Where could he be, my God?
00:08:28Where could he be, my God?
00:08:53Doctor, they don't give up, they don't give up, they don't give up.
00:08:58Blow on it, blow on it.
00:09:07Thank you.
00:09:28Thank you.
00:09:47Inject it.
00:09:48Yes, doctor.
00:10:26If you can speak, tell me how you feel.
00:10:32Where am I?
00:10:33In the general hospital, in the alcoholics' ward.
00:10:38How long have I been here?
00:10:40Twenty days.
00:10:42You were locked in a cell, remember?
00:10:47Do you have any family members we can notify?
00:10:52What's it called?
00:10:55Miguel Fernández.
00:10:57What is your occupation?
00:10:59What does he do for a living?
00:11:02I am a composer.
00:11:04Miguel Fernández, the famous composer?
00:11:07Yes, miss.
00:11:09We're serious.
00:11:10What's your name?
00:11:11Miguel Fernández.
00:11:15Don't you believe me, doctor?
00:11:16I am Miguel Fernández.
00:11:17I am the composer.
00:11:18Yes, yes, it's Javier.
00:11:19Miguel Fernández.
00:11:19Yes, yes, I've done it.
00:11:21Leave him alone, doctor.
00:11:23Can't you see it's raw?
00:11:25And crude oil deserves respect.
00:11:27Look, you go to your bed.
00:11:28But the state of rawness is sacred.
00:11:32All raw foods are sacred.
00:11:34People suffer, and you know that, doctor, don't you?
00:11:37Yes, yes, that's fine, but go to your bed, go on, go to your bed.
00:11:40Go to your bed, Edith.
00:11:44Shall we let him rest for a while, doctor?
00:11:47Alright.
00:11:58Help me get up.
00:12:04You do believe me, don't you?
00:12:06Clear.
00:12:18Excuse me, doctor, and if it were Miguel Fernández, he even looks like him.
00:12:21You know what the reactions of alcoholics are.
00:12:24That man suffers from hallucinations.
00:12:26Could be.
00:12:55Miguel, for the love of God.
00:12:59I don't want sermons.
00:13:02I'm too old to need my mom anymore.
00:13:14Old lady!
00:13:18Old lady, forgive me!
00:13:19I've already told you not to call me old lady.
00:13:22Don't be like that with me.
00:13:24You know that I love you very much and that for me you are the only one.
00:13:27Be quiet!
00:13:28Who do you take me for?
00:13:30Because of an idiot.
00:13:32Do you think I haven't noticed your affairs?
00:13:34I don't know that you go from lover to lover, spending a fortune on them.
00:13:41You are so ignorant, so vain, that you think everyone loves you because you are the idol of the people,
00:13:49of the humble, as I once was.
00:13:55But they only want you to exploit you like an idiot.
00:14:01That's why I'm the only one for you.
00:14:05Because I do love you.
00:14:07Because I suffer and I worry about you.
00:14:25I know I don't deserve you.
00:14:28That I never deserved you.
00:14:31Well, I was nervous, so I had a few drinks.
00:14:35Were you nervous?
00:14:36Why do you always find excuses?
00:14:40No, man.
00:14:41Today they're showing on television the film they shot at the Bernácula song festival.
00:14:47No more for that.
00:14:48Or not for that reason.
00:14:50What if I did it wrong, huh?
00:14:51Miguel, Miguel, you're a creature.
00:14:54You know very well that the public admires you, loves you.
00:14:58But what will happen if I fall out of his favor?
00:15:02If I lose his favor, I would return to misery.
00:15:04To the misery in which you met me.
00:15:09Man, because we were arguing, the movie time was already over.
00:15:30I'm tired of begging you, I'm tired of waiting for you.
00:15:41Because you feel like the king, you think I should worship you.
00:15:50Enjoy the patience she gave you, darling.
00:16:00Now I am the new law and I will rule your destiny.
00:16:09You'll cry just hearing my name
00:16:19I will adore you, for you broke your word as a man.
00:16:43Because of the love I had for you, I won't disfigure your face.
00:16:53Fix very carefully at dawn tomorrow
00:17:02I'd never seen her in person before. She looks good, huh?
00:17:05I told you that sometimes, beautiful woman
00:17:11What's wrong with admiring her?
00:17:14She has a voice and figure like you had before your life
00:17:18I haven't said anything to you, Miguel.
00:17:21Where are you going?
00:17:23I'm going to sleep. I'm very tired.
00:17:26Upon hearing only my name
00:17:32I will adore you, for you broke your word as a man.
00:17:47Not even in love
00:17:51Not even in love
00:17:52Not even in love
00:17:55Not even in love
00:18:35Not even in love
00:18:37Not even in love
00:18:40Not even in love
00:18:40Not even in love
00:19:10Hi how are things?
00:19:10How are you?
00:19:14He is sleeping.
00:19:16He's drunk, isn't he?
00:19:21Well, wake him up, please, Mercedes.
00:19:23Tell him it's something very important.
00:19:25A new contract.
00:19:28Okay, I'll wake him up.
00:19:41Miguel, wake up.
00:19:43Wake up, Miguel, they're talking to you.
00:19:46What's happening?
00:19:46This is Salvador speaking.
00:19:48This is Salvador speaking.
00:19:51Which Salvador?
00:19:53Salvador Molina, our representative.
00:19:55I mean, his representative.
00:19:58Go to hell.
00:20:00Answer, Miguel.
00:20:02Answer me, I'm telling you.
00:20:03Alright.
00:20:08Well...
00:20:09You're raw, aren't you?
00:20:10Yes, I'm hungover.
00:20:11And what's it to you?
00:20:13Lupe la Norteña is coming.
00:20:15And he wants to arrange a contract with you.
00:20:19What time?
00:20:21At four thirty.
00:20:24Alright.
00:20:25I'll be there.
00:20:31Miguel, I mean, Mr. Fernandez is here.
00:20:34Let him in, he doesn't need to announce himself.
00:20:41Hello.
00:20:42What a miracle.
00:20:43I'll be waiting for you tonight, Maria.
00:20:47Hasn't it arrived yet?
00:20:50You're arriving early.
00:20:52When it comes to skirts, you're always up to date, aren't you?
00:20:55Well, what else is a man good for?
00:20:58But explain it to me again, because I didn't understand anything you said on the phone.
00:21:02But you did understand very well that it was about her.
00:21:06Well yes.
00:21:09Don't get your hopes up, Miguel.
00:21:13Lupe, she's not the kind of woman you're used to dealing with.
00:21:17The only thing he cares about is his career.
00:21:19And of you, it's only your songs.
00:21:23I advise you not to...
00:21:25It can happen.
00:21:27Here.
00:21:33Lupe Garza, the northerner.
00:21:35Miguel Fernández.
00:21:37It's a pleasure to meet you in person, Miguel.
00:21:40The pleasure is all mine, Lupita.
00:21:49That?
00:21:50Do you like them?
00:21:53Let's talk about the contract, Salvador.
00:21:55There's just one problem, Lupita.
00:21:58Miguel has many pending commitments and you have to start your tour in a week.
00:22:04What can't be...
00:22:07...delay or bring forward any of Miguel's contracts?
00:22:09Of course it's possible.
00:22:10Yes, you can, Lupita.
00:22:12You still don't know what it's about.
00:22:14Lupita has been offered a very advantageous contract, on the condition that you and she sing a duet.
00:22:18For more reason than to cancel any of my contracts.
00:22:20Whatever you command, Your Majesty.
00:22:22Lupe will also have to premiere one of your songs.
00:22:25You will be paid for your performance with her and for the premiere of your song...
00:22:29Forget about the pennies.
00:22:31Money is the least of it.
00:22:32Speaking of you, Lupita.
00:22:35From you, Miguel.
00:22:37In our environment, we all address each other informally.
00:22:38You probably already know that.
00:22:41Do I inspire fear in you?
00:22:46How can you take everything so lightly?
00:22:49Without knowing the conditions or what they are going to pay you.
00:22:53It's useless, Lupe.
00:22:54He never listens to advice.
00:22:56Okay, so where do I sign?
00:22:57I have everything here.
00:23:04Signed, Miguel.
00:23:12Quedarou.
00:23:38Thank you!
00:23:49I appreciate your generosity, Miguel, but you don't seem to understand what you're signing.
00:23:53Well, he's my friend and I trust him a lot.
00:23:55That's how I am with friends, especially with the ones I love.
00:24:00Well, I'm the complete opposite.
00:24:02The more I love someone, the more distrustful I am.
00:24:06But anyway, as the saying goes, to each their own.
00:24:10I'm very frank and I admire you. That's why I chimed in.
00:24:14No, well that's fine, Lupita.
00:24:15Goodbye, Salvador.
00:24:16Goodbye, Lupita.
00:24:17Lupita!
00:24:19Could I invite you to dinner to celebrate the contract?
00:24:24Uh-huh.
00:24:26The comb has appeared.
00:24:29Don't be offended. That's just how I am.
00:24:33Maybe next time.
00:24:35In the end, there's plenty of time.
00:24:37Bye.
00:24:47Excuse my persistence, Miguel, but going back to the signatures, one day they're going to leave you out on the street.
00:24:53Bye.
00:25:04And if you're not careful, she'll be the one to do it.
00:25:09What do you mean?
00:25:11Oh, besides making a fool of you, she's realized you're a complete idiot.
00:25:16Stop it, Salvador.
00:25:18Don't you realize the kind of life you're living?
00:25:21About your extravagance, your drunkenness, about how everyone is exploiting you.
00:25:26Well, as Lupita said, everyone has their own life, don't you think?
00:25:29If that's what you want, okay.
00:25:31Alright.
00:25:38Beautiful woman.
00:25:40Word.
00:25:45What's up, old man?
00:25:47Are you alone?
00:25:50Yes, man.
00:25:51Suddenly you were left...
00:25:53Well, like dead.
00:25:56Yeah.
00:25:59I think death is stalking me.
00:26:02What's happening to me is happening to the hogaos.
00:26:05They say they see their whole life in a second.
00:26:07As?
00:26:09Did you see it?
00:26:12Yeah.
00:26:13Well, tell me, that will do you good.
00:26:20My name is Felipe García from Piles.
00:26:24I was a little boy who was barely going to turn 12 years old.
00:26:42You play really well, huh?
00:26:44And is that melody yours?
00:26:45I've got it tucked in here, but I just can't get it out.
00:26:49I always get stuck there.
00:26:51You play by ear, right?
00:26:53But to be able to compose, you need to study.
00:26:57I'll speak to the Mother Superior to see if someone can teach you.
00:27:01The Mother Superior?
00:27:03She's going to tell him no.
00:27:04Every time he approaches this organ, he punishes it.
00:27:07And me too, for serving as a lid.
00:27:10Don't talk like that, Rosendo.
00:27:12I will try to convince her.
00:27:18Felipe.
00:27:20Secular music again in the house of the Lord.
00:27:23And you allow it, Sister Cristina?
00:27:26There will be no dinner for you tonight, and tomorrow you will fast.
00:27:29I already knew that.
00:27:30Come on, come on.
00:27:32Come on.
00:27:36Sister Cristina!
00:27:41Why do you indulge Felipe so much?
00:27:44I do not allow it, Your Reverence.
00:27:45He has a talent for music.
00:27:48And if someone were to teach him, well, I think that...
00:27:50Nobody has privileges here.
00:27:52Thanks to the Lord's kindness,
00:27:53Those boys have a roof over their heads and food on their tables.
00:27:55What more could they want?
00:27:57Retreat to your cell and meditate, Sister Cristina.
00:27:59Here, favoritism is a sin.
00:28:01All our orphans should be treated equally.
00:28:04Yes, Reverend.
00:28:15Come.
00:28:16Don't make noise.
00:28:17I know.
00:28:19I know.
00:28:34I know.
00:29:01Thank you!
00:29:19Have you already changed your mind?
00:29:21I'm going to miss Mother Cristina a lot.
00:29:24Didn't you want to go to Guanajuato?
00:29:25Let's go to Sonora instead.
00:29:27That's where my parents and I were born.
00:29:29I have several relatives who can help us.
00:29:32To Guanajuato!
00:29:33Go for it!
00:29:34You're more stubborn than a mule.
00:29:36Okay, Guanajuato.
00:29:40And now?
00:29:41I was thinking that we don't have a penny to our name, not even for food, or for the truck.
00:29:45We need to find work, but what kind?
00:29:50You'll see.
00:29:56That's not right, Rosendo.
00:29:59Stealing is a sin.
00:30:00I nailed it, which is different.
00:30:03It is a sin to die of hunger.
00:30:04Do you remember Doña Elvira, the widow who never misses mass?
00:30:07On the Day of the Dead, it was my turn to collect alms.
00:30:10And when he put it on the tray he said to me, "For the soul of my deceased."
00:30:14The dead man to the grave and we to Guanajuato.
00:30:16If we spend this money, God will punish us.
00:30:19You really are a real prude.
00:30:20So that I don't punish you, you go your way and I'll go mine.
00:30:33Rosendo, come back! Come back!
00:30:36Comes back!
00:30:37Comes back!
00:30:47Comes back!
00:30:50Comes back!
00:31:01Comes back!
00:31:09Hey, kid, what are you doing?
00:31:11No, nothing.
00:31:12So what are you spying on?
00:31:13It's just that I...
00:31:14Nothing, nothing.
00:31:14I'm going to take you to the police.
00:31:16Let me go and don't bother me again.
00:31:17Daddy, don't be like that.
00:31:19This kid is spying.
00:31:20I don't think it's a good idea.
00:31:22I won't be bad.
00:31:23I'm not a bad person.
00:31:23I want to be a musician.
00:31:24Musician?
00:31:25What instrument do you play?
00:31:26None yet, but I want to learn.
00:31:28Yes, Dad, please don't do anything to him.
00:31:33Well.
00:31:55Well, like that.
00:32:11Well, like that.
00:32:28No no!
00:32:42You have a great attitude.
00:32:44But you can't do anything here.
00:32:47You must go to Mexico.
00:32:48It would be a shame if you wasted your talent.
00:32:55What's wrong with you now?
00:32:57Nothing. I'm sad, Felipe.
00:32:59You're going to Mexico and I'll never see you again.
00:33:01But when I triumph, I will come back for you.
00:33:03Remember that you told me you loved me and that you would come back for me.
00:33:07I swear to you, Soledad.
00:33:36Silence, gentlemen!
00:33:39Fourth commitment fight between the red La Coma ranch and the green La Burrita ranch.
00:33:48Place your bets, gentlemen!
00:33:55Silence, gentlemen!
00:33:58The fight is about to begin!
00:34:09Swallow!
00:34:10The fight is about to begin!
00:34:20Gentlemen!
00:34:23Apúrn!
00:34:25Apúrn!
00:34:25Apúrn!
00:34:25Apúrn!
00:34:26Apúrn!
00:34:27Apúrn!
00:34:27Apúrn!
00:34:28Apúrn!
00:34:29Apúrn!
00:34:44Thank you!
00:35:00Come on!
00:35:10The Red Party, owned by Rosendo Montes, won!
00:35:16I don't know!
00:35:24Permission.
00:35:28Did you recite Montes de los pisos de Santa María de Pénjamos?
00:35:31Himself?
00:35:33Well, I'm Felipe García.
00:35:36Felipe!
00:35:40So you live in Los Gallos.
00:35:42No, I sell cars.
00:35:44Do you mean clunker?
00:35:45No, I sell cars, automobiles.
00:35:49Hey, do you still live in Sonora?
00:35:51No, I live in Mexico, in the capital, and have been for five years.
00:35:54That's better, because we'll keep seeing each other.
00:35:58My name is now Miguel Fernández.
00:36:00Well, that's my stage name.
00:36:03Ah, yes, you're the one who sings at the fair.
00:36:05Yes, what did you think?
00:36:06That's great.
00:36:09You finally got your way, now you're a composer.
00:36:13Go ahead, say I'm a nobody, a failure.
00:36:15You never beat around the bush. Go on, say no.
00:36:19Distinguished audience!
00:36:22The company behind this cockfighting arena!
00:36:24She presents to you the winner of the year,
00:36:29Mercedes Domínguez,
00:36:32The Wood Pigeon.
00:36:46Just as the moon needs the sun, because without it it could not give us light.
00:36:56Just as the world needs air, so do I need you.
00:37:05If one day you wanted to leave me for my mother, who wouldn't know whether to think about dying or living, a lot
00:37:23less crying or laughing.
00:37:37When have you seen the stones cry, when have you seen the sea dry up,
00:37:48The Wood Pigeon.
00:37:49Tell me, what is eternal in the world, nothing more than our love and guidance.
00:37:57By a gringo.
00:38:00By a gringo.
00:38:02By a gringo.
00:38:28Swallow.
00:38:29Swallow.
00:38:30Swallow.
00:38:31Senzon,
00:38:31Three Goldmen.
00:38:33Come everyone, today you will hear the most beautiful song in the world.
00:38:43which is the laughter of the one I love most.
00:39:04It seems like you've fallen in love with him.
00:39:06Well, that's how I am, sir.
00:39:08When I like a woman, but the man...
00:39:11I spot them quickly, like a blind man.
00:39:16It's great to see you, Rosendo.
00:39:18I've been waiting for you since yesterday.
00:39:20We still have commitments, but you're going to treat me to lunch.
00:39:24They don't even ask that question.
00:39:26It has become a tradition among us.
00:39:27We meet every year at some fair.
00:39:29Forgive me, Miguel, a very close friend of mine.
00:39:31She needs no introduction.
00:39:34Rosendo's friends are also my friends.
00:39:45Okay, so what?
00:39:46This, with the pleasure of seeing you.
00:39:49Bye, mate.
00:39:57Since I see that their stage names mean nothing to you,
00:39:59I'll have the pleasure of introducing ourselves.
00:40:02Felipe García and Soledad Martínez.
00:40:05Happy.
00:40:08Sound.
00:40:10Felipe.
00:40:12Says.
00:40:17Cheers to the newlyweds!
00:40:23That's it! That's it! That's it! That's it! That's it! That's it! That's it! That's it!
00:40:33That!
00:40:36If they let us, we'll love each other for life.
00:40:47If they let us, we'll go live in a new world.
00:40:56From there we will be able to see the new dawn.
00:41:02To a new day.
00:41:10I hope things go well for you.
00:41:16I hope your sorrows end.
00:41:22Let them tell you that I no longer exist.
00:41:27That you know the nicest people.
00:41:40The only star in my sky is fading away.
00:42:19That I'm in love.
00:42:25My hair is completely white.
00:42:34But I'm going to draw youth from my past.
00:42:40That I'm in love.
00:43:02Thank you, Miguel.
00:43:04Thanks for what?
00:43:05Just to remind you that yesterday we celebrated our 15th wedding anniversary.
00:43:28May God always protect you.
00:43:31I will never stop loving you.
00:43:31I will never stop loving you.
00:43:59You haven't spoken to me for several days.
00:44:02Lord, I already apologized for what happened on our wedding anniversary, but...
00:44:09Why are you so resentful?
00:44:11For the life I've shared with you.
00:44:14Because I gave up my career for you.
00:44:17Well, I got tired of you leaving me stranded in hotels while you were out womanizing and getting drunk.
00:44:24And now that you're going on tour with the northern girl.
00:44:27With that beautiful woman.
00:44:31I can imagine.
00:44:34But at least I won't see it.
00:44:36Where are you going?
00:44:37Start packing your bags.
00:44:54If they let us, we'll love each other for life.
00:45:04If they let us, we'll love each other for life.
00:45:09If they let us, we'll go live in a new world.
00:45:13From there we will be able to see the new dawn of a new day.
00:45:23I think you and I can still be happy.
00:45:47I think you and I can still be happy.
00:46:08If they let us, I'll take you by the hand, my love.
00:46:15If they let us, I'll take you by the hand, sweetheart.
00:46:16And off we go.
00:46:21The song.
00:46:33The song.
00:46:37If they let us, we'll love each other for life.
00:46:47And there, the two of us together, close to God, will be what we dreamed of.
00:47:00If they let us, I'll take you by the hand, sweetheart.
00:47:08And that's where we go, if they let us, away from everything else.
00:47:16We forget them, if they let us.
00:47:39What happened, Luis? How are you?
00:47:58How long are you going to keep saying yes to me, Lupita?
00:48:01Back at it again? What, don't you ever get tired?
00:48:05I already told you that when I want a real man, he will have to be my husband before God and before the family.
00:48:09men.
00:48:09I wasn't born to be anyone's lover, not even yours.
00:48:12I realize that now. I'm too old for you. I could be your father.
00:48:19If I loved you, age wouldn't matter at all. I like mature, experienced men.
00:48:25So, over time...
00:48:27Oh, Miguel! Maybe in our next reincarnation.
00:48:31Look, go away, I have to change.
00:48:36Lupita, Miguel, is meeting with a delegation of businessmen from the city of Matamoros, Tamaulipas, as well as from Brunsville,
00:48:44Texas.
00:48:45We've come to invite you both to the municipal festivities in Matamoros, Tamaulipas, as well as the
00:48:52Charro Day celebrations in Brunsville, Texas.
00:48:54Therefore, we are sure that both the people of Matamoros and those of Brunsville, Texas, will feel very proud.
00:49:01with the presence of two artists as famous as yourselves.
00:49:06We would be very happy if you accepted our invitation.
00:49:09With pleasure. We are very honored and rest assured that Lupita and I will be there.
00:49:15Partly in return for the support they have given to our career.
00:49:18Welcome to Mexico, and may both celebrations be as wonderful as ever.
00:49:22Gentlemen, make yourselves at home. Cheers.
00:49:25Health.
00:49:34Divorce is on the horizon.
00:49:36Those who know Miguel Fernández's turbulent life say they had never seen him as happy as he was with Lupe.
00:49:42The Northerner.
00:50:00Miguel, I'm leaving you forever.
00:50:03I'm going back to the house my father left me.
00:50:06But I will never give you a divorce.
00:50:27Does Miss Lupe Garza live here?
00:50:29Yes, he lives here.
00:50:45They brought you these flowers, ma'am. And it has a card.
00:50:55Lupita, tonight I will premiere a song I composed for you, Miguel.
00:51:01Throw them in the trash.
00:51:03Oh no, ma'am. What a shame.
00:51:05Throw them in the trash.
00:51:07No?
00:51:14Tonight I'm going to premiere a song.
00:51:17Its title is...
00:51:18...when you live with me.
00:51:29Tears are welling up in my eyes.
00:51:38At my age, I'm in love.
00:51:45My hair is completely white.
00:51:55But I'm going to draw youth from my past.
00:52:04I'm going to teach myself to love.
00:52:09Because you didn't want to.
00:52:13You'll see what you'll learn when you live with me.
00:52:31Blood is oozing from my lips.
00:52:39My defeat is buried deep within me.
00:52:46And I'm going to teach myself to love.
00:52:46It's worthless.
00:52:48Today I surrender myself into your arms like no one else.
00:52:57Because I know that my love without your love is worth nothing.
00:53:05And I'm going to teach you how to love.
00:53:09And I'm going to teach you how to love.
00:53:11Because you didn't want to.
00:53:14And you'll see what you'll learn when you live with me.
00:53:27And you'll see what you'll learn at tuaxiagem.
00:53:29And you'll see what you're going to learn.
00:53:41Yes! But you see, Ben!
00:53:45Look what I can do...
00:53:52Help her
00:53:53I am Erran
00:54:05Well, Lupita, did you hear my song?
00:54:52Subscribe to the channel!
00:54:59What are you going to have?
00:55:01With Jack. With water.
00:55:09Do you know who that person is who came in?
00:55:10Who is it?
00:55:12The one who sat there.
00:55:15Who is Miguel Fernández?
00:55:17No more, no less. And he won't even notice you, he'll make you feel small.
00:55:20Oh, yes! You don't say.
00:55:31Do you want anything else, sir?
00:55:33No.
00:55:38What? You're planning to take it alone?
00:55:43This one and another.
00:55:45Drowning sorrows?
00:55:50I am wounded.
00:55:52There are no sorrows that love cannot kill.
00:56:00You have the face of a promise.
00:56:03Why don't we make it happen?
00:56:08Why not?
00:56:36This one. This one is awesome.
00:56:39Look.
00:56:40That's all, how beautiful.
00:56:42What do you think?
00:56:43Well, I'll tell you.
00:56:45I don't know.
00:56:46It's not for me.
00:56:48Well, what's wrong with that, man?
00:56:49It seems like something a graduate would do.
00:56:52Like for a priest.
00:56:53Very serious.
00:56:55Well, there it is.
00:56:56You can't tell me this one isn't perfect for a girl like you.
00:57:00Right, Rosendo?
00:57:01Go ahead, tell him.
00:57:01Well, to be honest, I don't know.
00:57:03This?
00:57:04No no.
00:57:05Not even if this were free.
00:57:08This is like something for a politician who's just starting out or a junior politician.
00:57:12No.
00:57:13Also, my friend Carmen just died in a car like this.
00:57:17Okay, make up your mind or what do you want?
00:57:19A bicycle?
00:57:20Ah, I like this one.
00:57:25This is divine.
00:57:27Oh, my friend.
00:57:30In addition, it is two-toned.
00:57:32I like this one, my love.
00:57:34Or if you like that one, you can take it.
00:57:36Oh, thank you.
00:57:37Come, come.
00:57:45Will you sell it to me or not?
00:57:46No.
00:57:47No, then you'll sell it to me.
00:57:48And since I don't think my credit is good with you, I'm going to write you a check.
00:57:52You can throw away a quarter of a million pesos just to please her.
00:57:55If I'm not going to buy it for her, I'm going to buy it for myself.
00:58:03Here, give yourself a blank check so you can put whatever price you want on it.
00:58:08We're back.
00:58:13Ibecil.
00:58:43Do you like it, my love?
00:58:57What you deserve, my love.
00:59:00Oh, Miguel.
00:59:03You make me the happiest person in the world.
00:59:05No, there's nothing.
00:59:20Careful, careful, go slowly.
00:59:22No, there's nothing.
00:59:27No, there's nothing.
00:59:42No, there's nothing.
00:59:50Are you making me the cheesiest one?
00:59:52Tuna, is it a slow way to end your life?
00:59:57Are you finished?
00:59:59Yeah.
01:00:01It is the sorrows and the remorse.
01:00:05I cannot forget that woman's death.
01:00:08I don't doubt it, but she was also to blame.
01:00:12In addition, you gave a lot of money to the family.
01:00:15But on the other hand, you feel no remorse for Mercedes, whom you made suffer so much.
01:00:23That's killing me too.
01:00:26What's truly killing you is the love you feel for Lupe.
01:00:31It isn't true?
01:00:33But she doesn't even pay attention to you.
01:00:35What? Have you already lost your dignity?
01:00:37And what do you want me to do?
01:00:40I don't know what's wrong with me and that woman.
01:00:44I think he's got me under his spell.
01:01:08Miss Lupe Garza?
01:01:10Yes, this is it.
01:01:28They brought these flowers and this card.
01:01:32You know where to throw them.
01:01:45Lupita, I'll come see you today after my show.
01:01:48If you despise me again, I will never bother you again.
01:01:51It will be the last song I write.
01:01:53Well, I'm going to retire for good.
01:01:55Miguel.
01:02:04Because there is nothing in you.
01:02:06I'm not going to play.
01:02:11Thank you.
01:02:18My plan...
01:02:22Esquipo.
01:02:24Now it's all she uses of the year looking at the mesh.
01:02:48The only star in my sky
01:02:54It's being erased
01:03:00The dark cloud of my misfortune
01:03:06Little by little, it's covering it up.
01:03:16And even though I want her not to leave
01:03:22It is my destiny never to look at her again.
01:03:32Why did I have to put my eyes on them?
01:03:38On a star that's so high up?
01:04:10The only star in my sky
01:04:15It's being lost
01:04:22The dark cloud of my misfortune
01:04:28Little by little, it's covering her.
01:04:38And even if I want him not to let me.
01:04:44She walks away while I scream.
01:04:54Why did I have to put my eyes on them?
01:05:00On a star in the infinite sky?
01:05:11Thank you so much
01:05:14Thank you
01:05:28I will be your lover, Miguel
01:05:32No strings attached?
01:05:34No strings attached
01:05:35Only one
01:05:36I'm not going to compete with other women
01:05:39And even less so with the bottle.
01:05:40Neither women nor bottles
01:05:41For me, they're over.
01:06:06No way, man, I'm not going to get all worked up in front of everyone.
01:06:22Miguel
01:06:25Miguel, wake up
01:06:28Forgive me, my love
01:06:29When you compose, you even forget about me.
01:06:33You have made me the happiest man alive.
01:06:36You have lit many lights in my life
01:06:39How beautiful
01:06:41Repeat it to me
01:06:45You have lit many lights in my life
01:06:48How will I be able to pay you?
01:06:51You have already repaid me with your love and your songs
01:07:02Miguel Fernández's love affair with the northern woman
01:07:06They were the cause of the tragedy
01:07:08Oh my God!
01:07:49Saint Mary
01:07:51Saint Mary
01:08:00T
01:08:00T
01:08:00T
01:08:01T
01:08:01T
01:08:01T
01:09:06We are miserable!
01:09:09We killed her!
01:09:23Get out! I never want to see you again!
01:09:25Not only did you end my career, but I will always live with this regret.
01:09:29I should never listen to you.
01:09:32You can't leave me.
01:09:33What can't I do? They don't know me very well!
01:09:39Get out!
01:10:13I hope things go well for you. I hope your sorrows end.
01:10:24Let them tell you that I no longer exist.
01:10:31May you meet better people.
01:10:36May they give you what I couldn't give you.
01:10:43Even though I've given you everything.
01:10:48I will never bother you again.
01:10:55I adored you.
01:10:57I lost you.
01:10:59No way.
01:11:04How many things you left burning deep inside my soul.
01:11:16How many lights did you leave on?
01:11:21I don't know how I'm going to pay for them.
01:11:29I don't know how I'm going to pay for them.
01:11:51Coconuts of me forever.
01:11:54May a dream be filled with blood.
01:12:01And may life bring you luck.
01:12:06I don't know if your absence will kill me.
01:12:12Even though I have a chest of steel.
01:12:18But no one should call me a coward
01:12:24Without knowing how much I love her
01:12:34How many things did you leave on?
01:12:39Deep inside my soul
01:12:45How many lights did you leave on?
01:12:51I don't know how I'm going to turn them off.
01:13:01I hope things go well for you, beautiful.
01:13:24Okay, could you please put me through to Miguel Fernández?
01:13:30Mr. Fernandez no longer lives here
01:13:32It is now the residence of the Méndez family
01:13:52I know, gentlemen, I know
01:13:54But what do you want me to do?
01:13:56The thing is, society has been looking for it for a month.
01:13:58Spain is urging us to have Miguel Fernández appear in Madrid
01:14:01I have no doubt
01:14:04But as I already told you, gentlemen
01:14:06He left me hanging too.
01:14:08But the thing is...
01:14:10Wow, the composers' society
01:14:12This anniversary of Fernández cannot be postponed
01:14:15Clear
01:14:15The 25th is the 25th is Fernández's 25th anniversary
01:14:20Just a moment, gentlemen, just a moment
01:14:22You and society are aware
01:14:25Fernández has already sold off all his properties
01:14:28What thing?
01:14:29You heard me right.
01:14:30He sold everything
01:14:32Your house
01:14:33The Polanco building
01:14:35His shares in the record label
01:14:38All
01:14:39And he left.
01:14:40Does that mean there won't be a tribute for Miguel Fernández?
01:14:45Look
01:14:46You do whatever you want
01:14:48I cannot decide for one of my clients.
01:14:51I don't know where he could be.
01:14:53I don't even know if he's alive or dead.
01:14:57Yes, but how many cylinders does it have?
01:14:59Eight cylinders, but it's very economical
01:15:03Rosendo
01:15:04Please
01:15:06Please allow me a moment
01:15:07Yes, go ahead.
01:15:13I need your help
01:15:14Miguel has disappeared
01:15:15I've looked for it everywhere.
01:15:17And nobody knows his whereabouts
01:15:19Please help me find him, I swear on my life.
01:15:21I urgently need to find him
01:15:24Don't worry
01:15:25I will do everything I can
01:15:27Wait for me a moment
01:15:33You might bring a snack.
01:15:50Give me a little mask
01:15:51Yes, but here you pay in advance.
01:15:54I am the one who is singing
01:15:56I am Miguel Fernández
01:15:57Give me a little step and then I'll pay you.
01:16:00Look at Miguel Fernández
01:16:02Either you leave or I'll have you kicked out.
01:16:11I told myself to leave.
01:16:13Let's go
01:16:21Look, it's good, it's gold
01:16:23Give me a bottle for her
01:16:25Please
01:16:27For pity's sake
01:16:29Yeah?
01:16:30Thank you
01:16:31It's working well.
01:16:32Drinking fast, the house loses
01:16:35I got lost
01:16:57Let's see how you feel, sir.
01:17:01Better
01:17:05Miss
01:17:06Miss
01:17:07I know that nobody wants to believe me
01:17:09But for charity
01:17:11Call someone to get me out of here
01:17:14Whom?
01:17:17To Lupe Garza, the northerner
01:17:19The singer?
01:17:24Alright
01:17:26What is your number?
01:17:27Five
01:17:29Twenty-four
01:17:30Fifty-six
01:17:33Fifty-four
01:17:36Rest
01:17:49Well
01:17:51Please put me in touch with Miss Lupe Garza, the northerner
01:17:54She speaks
01:17:56I'm from the health clinic
01:17:58We have here in the alcoholics' ward
01:18:00A man who says his name is Miguel Fernández
01:18:05Thank you
01:18:05I'm going there right away.
01:18:23You need to recover, Miguel
01:18:24Remember that the doctor said you needed rest.
01:18:29But I can't stand them up, Lupita
01:18:32Please tell them I will be present at the tribute.
01:18:35And I'll be premiering a song
01:18:38That's a great honor, my love.
01:18:42You and the applause of my audience are all I need to feel good
01:18:48You will make me live again
01:18:53And I'm going to draw youth from my past.
01:18:57Do you remember?
01:19:02Distinguished audience
01:19:03We have gathered on this occasion
01:19:06To pay homage to the greatest composer of Arnácula music that Mexico has ever produced
01:19:11Author of more than five hundred songs
01:19:14And more than one hundred
01:19:15They've turned the world upside down
01:19:17He has accepted this tribute on the condition that it takes place here.
01:19:23In his homeland
01:19:25Where she first saw the light
01:19:27Surrounded by his family and friends
01:19:30Receive this tribute
01:20:14Friends, friends of the world, thank you to all those who have ever sung one of my songs.
01:20:36How can I repay people for loving me because of all my songs?
01:20:48I've already thought about it and I can't quite manage to cover such lovely intentions.
01:21:00I've earned enough money to buy a world more beautiful than ours.
01:21:12But I throw it all away because I want to die like my people die.
01:21:23I don't want to know what it feels like to have millions and millions.
01:21:46To make them vibrate and fill their souls with dreams once again.
01:21:59And to be able to pay them for loving me and all my songs.
01:22:15Thank you. Really, thank you so much for putting up with me from 1947 until now.
01:22:24And I feel that they still love me and they know why.
01:22:28Because I have earned more applause than money.
01:22:32I've thrown the money away, I don't even know where.
01:22:35But their applause, nobody can take that away from me.
01:22:38And those will go with me until death.
01:22:42Yes, they will go with me until death.
01:22:49And to be able to pay them to love me.
01:22:59And to all my songs.
01:23:15And to all my songs.
01:23:38I have caused a lot of damage,
01:23:41so much so that...
01:23:43I ask you to forgive me.
01:23:47And to you, good luck, handsome.
01:23:54Ah!
01:23:56Ah!
01:23:58Ah!
01:23:58Ah!
01:23:59Ah!
01:24:13Thank you!
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