- 6 hours ago
मुंबई, महाराष्ट्र: सिंगर-कंपोजर अखिल सचदेवा ने IANS से खास बातचीत की। इस दौरान उन्होंने 'आवारापन 2' में अपने गाने को लेकर खुलकर बात की। उन्होंने बताया कि उन्होंने 'पिया घर आया' गाना इमरान हाशमी के फैन के तौर पर बनाया है। साथ ही उन्होंने बताया कि फिल्म के लिए गाना कंपोज करने और खुद अपनी आवाज देने का अनुभव उनके लिए कैसा रहा। इस दौरान उन्होंने गाने में इस्तेमाल किए गए म्यूजिकल टेक्सचर, कविता के भाव और उसके व्यापक अर्थ को भी डिटेल में समझाया।
अखिल सचदेवा ने अपनी कला को लेकर भी कई दिलचस्प बातें साझा कीं। साथ ही कैमरे के सामने झिझक से लेकर अपनी पसंद और फैसलों को लेकर बेबाकी तक, उन्होंने बताया कि ये दोनों पहलू उनकी आर्टिस्टिक जर्नी को किस तरह प्रभावित करते हैं। साथ ही, उन्होंने मार्केट के दबाव, प्रोड्यूसर्स और शो ऑर्गनाइजर्स की मांगों के बीच अपनी क्रिएटिव आजादी बनाए रखने और अपने भीतर के कलाकार के साथ होने वाले संघर्ष पर भी बात की।
इसके अलावा उन्होंने देश-विदेश के दर्शकों के बीच के सांस्कृतिक अंतर, स्टेज परफॉर्मेंस के दौरान म्यूजिक, लाइट्स और कोरियोग्राफी के बीच तालमेल और अपने फुर्सत के समय में क्या पढ़ना, सुनना और देखना पसंद करते हैं, इस पर भी चर्चा की। बातचीत के दौरान उन्होंने अपनी बेटी का भी जिक्र किया और निजी जिंदगी की एक प्यारी झलक साझा की। उन्होंने कहा कि अगर किसी व्यक्ति को सर्गम का ज्ञान है, तो उसे ‘श्री राम’ कहने की भी जरूरत नहीं, क्योंकि ‘सा’ में ही श्री राम का वास है। आखिर में उन्होंने फैंस से मिले प्यार के लिए शुक्रिया कहा।
अखिल सचदेवा ने अपनी कला को लेकर भी कई दिलचस्प बातें साझा कीं। साथ ही कैमरे के सामने झिझक से लेकर अपनी पसंद और फैसलों को लेकर बेबाकी तक, उन्होंने बताया कि ये दोनों पहलू उनकी आर्टिस्टिक जर्नी को किस तरह प्रभावित करते हैं। साथ ही, उन्होंने मार्केट के दबाव, प्रोड्यूसर्स और शो ऑर्गनाइजर्स की मांगों के बीच अपनी क्रिएटिव आजादी बनाए रखने और अपने भीतर के कलाकार के साथ होने वाले संघर्ष पर भी बात की।
इसके अलावा उन्होंने देश-विदेश के दर्शकों के बीच के सांस्कृतिक अंतर, स्टेज परफॉर्मेंस के दौरान म्यूजिक, लाइट्स और कोरियोग्राफी के बीच तालमेल और अपने फुर्सत के समय में क्या पढ़ना, सुनना और देखना पसंद करते हैं, इस पर भी चर्चा की। बातचीत के दौरान उन्होंने अपनी बेटी का भी जिक्र किया और निजी जिंदगी की एक प्यारी झलक साझा की। उन्होंने कहा कि अगर किसी व्यक्ति को सर्गम का ज्ञान है, तो उसे ‘श्री राम’ कहने की भी जरूरत नहीं, क्योंकि ‘सा’ में ही श्री राम का वास है। आखिर में उन्होंने फैंस से मिले प्यार के लिए शुक्रिया कहा।
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NewsTranscript
00:00So hello Akhil, welcome to NS.
00:02Thank you so much.
00:03First of all, congratulations for such an amazing response to P.A. Garaya.
00:06The first part of Awarapan, the franchise itself, it's very close to the hearts of millennials.
00:10Yes.
00:10Given its story, the performance, of course the music.
00:13Yes.
00:13So when you were told that you have to compose the music, the song for this film,
00:19and then you have to lend your voice to it, what was going on in your mind?
00:22What was that feeling like to finally be a part of such an amazing project?
00:27I think it's one of the most important question that everybody is asking me and that's what the legacy of
00:33Awarapan is.
00:35But I think my song, my story is different because it didn't come from Vishesh films directly.
00:42Imran Hashmi bhai himself called me for the song and he wanted me to make a very different song from
00:48what I've usually done.
00:50So I'm glad that it was not a love song.
00:53It was not a heartbreak song that he wanted me to do.
00:57He told me to do something different and I experimented it.
01:01So I didn't have pressure.
01:03But I knew that the level of Awarapan is a legacy and the standard of Awarapan is a part of
01:12me.
01:13And I'm a person who is listening to me.
01:16I always believe in my gut feeling.
01:17I believe in my gut feeling.
01:18And Imran bhai also told me that what you have to do is write it.
01:21Because you can see that in Awarapan, I have used Punjabi words in my songs.
01:25This has never happened in Awarapan.
01:28So people might be afraid of this.
01:30There will be some different views.
01:33But I thought that naturally it is coming.
01:38And I wanted to clearly tell to all your fans who are listening to me that this song is my
01:46love, my dedication, with all my pure heart.
01:49Whatever I felt 10 years, 15 years back, you will feel it too.
01:53You will feel it too.
01:55Imaran Hashmi.
01:56So it's all the hero, the superstar Imran Hashmi.
01:59That song is all about Imran bhai.
02:02So I'm glad I could make it.
02:04And it's one of the most talked about song in the film.
02:06Other than Thera Mera Rishtahin Toh, Awarapan 1.
02:09I can't talk about it from them.
02:12But the new songs, the whole film is a different song.
02:16My song is Pia Gharaya Homecoming.
02:19So there was no pressure.
02:20I followed my heart.
02:22And I think initially when Sony Music dropped the album, then people heard it for the first time.
02:30I think criticism is definitely what we were expecting.
02:34I was very on for criticism.
02:36I also got abuses for using Punjabi words.
02:40But I think everybody who's gone to the theater and seen the film, they've said sorry to me also on
02:44Instagram.
02:44They've DMed me and they said sorry that we thought it was wrong, something wrong.
02:48But I think that's the beauty of my song and the beauty of doing purely from my heart is being
02:54most talked about.
02:55And I can guarantee you I have a feeling if God is there, this will be the biggest song of
02:58Awarapan 2.
02:59That's my promise to you.
03:01And you spoke about that you did.
03:03There was not any pressure as such for you.
03:05There was not any pressure.
03:05Like I didn't feel any pressure.
03:07I just felt happy and
03:08I just felt happy and
03:30I was just feeling like that.
03:30But you've been forced to you.
03:30That you know this is the premise and then you have to make a song around it.
03:34What were those emotions for you like?
03:36To make a song that will be picturized on him, Devaran Hashmi plus Awarapan 2.
03:40Yeah.
03:40Boy I think the way you're asking me your question,
03:42you're giving me that pressure.
03:44But it wasn't that that pressurized moment when Imran bhai called me.
03:48They were very soft spoken.
03:49They were very much in love with me.
03:51They were very impressed with me.
03:52They were very confident that I would make a song.
03:54Trust me.
03:55I think they didn't approach that song for themselves.
03:58He told me it's gonna be different.
04:00And then
04:01I had that song for two days
04:03and I'm glad it happened that way.
04:08And then he said Vishesh
04:09but he will take care from that.
04:12After that point of time.
04:13And then
04:13I bonded with Vishesh sir very much.
04:15I bonded with him.
04:16Now we've become like a family.
04:19So
04:20those who don't like this song
04:21because that was an apprehension.
04:23Vishesh sir's apprehension.
04:25Vishesh's film
04:25Awarapan's legacy
04:26was an apprehension.
04:27In such a song.
04:29But
04:29his situation was demanded.
04:31Plus
04:31that song is a joke.
04:33That song is a joke.
04:33That song is a joke.
04:34That song is a joke.
04:35That song is one of his favorite tracks.
04:37So
04:38as I said
04:38that pressure was not.
04:40For me it was a dream coming true.
04:41That my voice.
04:42I always wanted to be a voice for Imran bhai.
04:44But I never knew that
04:45I will compose only for him.
04:47And I write words.
04:47So I think this is the beauty that I felt.
04:49That's the only song in the whole album
04:51that has been done by only one artist.
04:52That's me.
04:53That's my song.
04:54And I'm glad that
04:55I could write my feeling
04:56what I felt for him.
04:57I could compose the melody.
04:58Myself what
04:59I want to compose.
05:00The notes for him.
05:00And I could sing the way
05:02I want to sing
05:02for Imran Hashmi
05:03and Awarapan.
05:05So
05:06it's gonna be the most special song
05:07always for my life.
05:08In my whole life.
05:09I think.
05:10And it's a very different song.
05:12It's not a lot of pressure.
05:13And
05:15a blessing.
05:16I think
05:16I would like to thank you
05:17I would like to thank you
05:17to the above.
05:18Because they have such a moment.
05:19It's a dream of everyone's
05:20for the song for Imran bhai.
05:21It's my dream of Imran bhai
05:23and Ekranbeer Kapoor
05:24for the song for the song.
05:25For the song for the song.
05:26But
05:27it's the same thing
05:27that you make the song for me.
05:29So what can I do?
05:30And I'm glad that
05:31it's his one of the favorite songs.
05:33Disha's favorite song
05:34is Pia Gharaya.
05:35Everybody's favorite song.
05:36Like I really love Amal's song in it.
05:38Like if you ask me personally.
05:39I think
05:40I really like Amal's song.
05:42I think
05:43he really catered
05:44to Amal's song for the family.
05:46And our universe
05:47gets the same.
05:49And
05:50I think
05:50I was the first artist
05:51who shared also
05:52in my stories
05:53two, three times.
05:54I wrote it.
05:55It's Kamal's song.
05:56But I think
05:57my goal was
05:58that I'm different
06:00in this film.
06:01I don't do that
06:02who are doing it.
06:03And I think
06:03that he asked me.
06:04and Imran bhai
06:05could be something different.
06:05And I said
06:06he wasn't the artist.
06:08He was the fanboy.
06:09He made him
06:09Imran bhai.
06:11And if I talk
06:12about the song itself.
06:13I want to understand
06:14the textures
06:15that you have used in the song.
06:16In addition to the poetry.
06:17The larger essence of the poetry.
06:19The gist of the poetry.
06:19If you could walk me through that.
06:21As I said
06:22I'm somebody
06:23who always followed my heart.
06:24Whatever comes from my heart
06:25naturally. And if it touches my heart.
06:27I think that's the song
06:27that I write.
06:28I never take about
06:29anyone else's opinion
06:30on that.
06:31Until unless producer
06:32or director tells me
06:33to change that.
06:34But I'm glad that
06:35they it could touch
06:36people who are not
06:37even willing to take that
06:38Punjabi.
06:39It's not too Punjabi.
06:40Punjabi. It's a mix of
06:40Hindi and Punjabi.
06:42But
06:42wujo Punjabi ke bhi words bhi hain.
06:44Gal.
06:45Shor.
06:46Khaf.
06:46Like all those words.
06:48It was just about
06:49heroism and a superstar
06:50what Imran Hashmi is.
06:52So I wanted to maintain
06:53that as I said
06:54my whole idea was
06:55if Imran Hashmi enters
06:57in front of me right now.
06:58What will I feel?
07:00So that was the whole
07:01intention.
07:01and I made myself
07:02like a fan.
07:03I changed.
07:04I had to go back
07:05fifteen years
07:06when I was not a musician.
07:08And I used to see
07:09Imran's bhai film.
07:10So whatever he's done
07:11to those millions of fans,
07:13girls and boys
07:14at the same time.
07:15I wanted to write
07:16that emotion.
07:17And I think that naturally
07:18that's my natural one.
07:20And it suits me
07:22to my wife's style.
07:23So I wanted to go with him.
07:24and that's how I presented
07:26the song.
07:26And trust me.
07:27And I'm glad
07:28that one single word
07:29didn't change me.
07:30Navishesh sir.
07:31Because I feel
07:32that maybe they'll change
07:32that they'll say
07:34a little Hindi.
07:35I think that one single word
07:37would be changed.
07:37And one single note
07:38changed me.
07:39And I went with my
07:40gut feeling.
07:41And as I said,
07:43everything is from all of us.
07:45Not me.
07:47But I think all of us
07:48who is in the camera
07:49and we are sitting
07:50we have to see
07:51what he feels like.
07:53Or millions of fans
07:55what he feels like.
07:56He's the charm.
07:57He's the charm.
07:58That's the song.
07:58So I just believe
07:59my gut feeling.
08:01I kept the scale
08:03that I wanted to use
08:04my low, low, low, low.
08:06The bass
08:06which is good for me.
08:08I wanted to use
08:08a blessing
08:09which is good.
08:10I wanted to go with it.
08:12I don't want to go with it.
08:14I don't want to go with it.
08:14I don't want to go with it.
08:16The elements like my house.
08:17If you hear the starting
08:18and the end.
08:19The part is on high pitch.
08:20But majorly
08:21the essence of the song
08:22is very intimate.
08:23Very hauntingly.
08:24It's a...
08:25I think it's
08:27it's a mess.
08:28It's a mess.
08:29So I thought
08:30that I wanted to keep it.
08:32I wanted to keep it
08:32from my voice.
08:33I wanted to keep it
08:33from a different way.
08:34And I think
08:34that's the beauty of the song.
08:37I'm proud.
08:37When I heard Vishal
08:38Vishal Mishra
08:39he also told me
08:42the way you've sung it
08:43only you could have done it.
08:44So I'm glad
08:45that I could do that.
08:47And prior to this interview
08:48you were saying that
08:48you are quite shy of the camera.
08:50That was one thing.
08:51The second thing
08:51that you mentioned
08:52is that you are very brave
08:53with your choices.
08:54You don't generally listen
08:55to what people all around
08:56are telling you.
08:56If you have...
08:58something you go...
08:59Yeah, yeah, yeah, yeah.
09:01I want to know
09:01how do these two extremes
09:03lend a greater depth
09:04to your artistry?
09:05I'm shy on stage.
09:06If you've seen me on stage
09:07performing.
09:08And I don't even think
09:08I live in mediocrity.
09:10I'm extreme.
09:11Either I'm here
09:12or I'm there.
09:13So those two things
09:15work for me
09:16and I don't want to say
09:18what I don't want to say.
09:19or if you be usual
09:21I prefer myself
09:22I feel like I live in my life
09:24I live in terms ofenders
09:24if you have been loving it
09:24or if you love it
09:26I don't know, I gotta分 be totally
09:30I can you think
09:33that in this way
09:33that you really get a twist of stuff.
09:39I want to say
09:40it's so nice
09:41that you can do it.
09:44gelecek
09:44In my heart
09:45There are many hearts in my body, so I work with my heart, and I do my heart with my
09:51heart.
09:53You said that you believe in yourself and in your craft.
09:57The world also says something, but the market forces are also something that affect an artist to a large extent.
10:04Some composers, not composers, producers or show organizers, they arm twist you, not you necessarily.
10:11What's your trick to navigating?
10:12I think that it is a time phase.
10:14I've said that I've been told that I've been 15 years old when I'm doing music.
10:18For 10 years I've been a debut in Bollywood, 2017, I've been a member of Madri Nati.
10:25I've been almost 9 years old.
10:28I've been a couple of years since I've been a year.
10:32People have been a year and I've been a year and I've been a year and I've been a year.
10:37When I connect my fans, I've been a year and I've been a year.
10:43It's that's why I try to write songs myself.
10:49Because what I want to say about what I want to say,
10:50what I want to say about the mouth of algo,
10:52that might not say anything else, it might not say anything else.
10:54That has been interesting and it's been happening for many times.
10:56Do you yearn for creative control?
11:28Do you yearn for creative control?
11:56Do you yearn for creative control?
11:58Do you yearn for creative control?
12:26Do you yearn for creative control?
12:59Do you yearn for creative control?
13:22Do you yearn for creative control?
13:43Do you yearn for creative control?
14:16Do you yearn for creative control?
14:20Do you yearn for creative control?
14:23Do you yearn for creative control?
14:24Do you yearn for creative control?
14:39Do you yearn for creative control?
14:47Do you yearn for creative control?
14:55Do you yearn for creative control?
14:58Do you yearn for creative control?
15:00Do you yearn for creative control?
15:25Do you yearn for creative control?
15:29One yearn for creative control?
15:37Do you yearn for creative control?
15:51Yeah.
15:53So what's that like for you, the difference between the Indian audience and the cultural difference between the audience and
15:58the space of performing on stage with all these peripherals?
16:03I think when I said that abroad, they catered more than the Indian audience.
16:18And I realized one thing, as you said, there is no language of music.
16:25If they are connected to my aura and my charm on stage, which is a lot of artists, I don't
16:30think there is a blessing.
16:32I didn't see a blessing. I saw it in my eyes.
16:35If they are connected to me, then the whole hall would be hidden.
16:41So I feel like such a blessing is happening.
16:45It's like someone else's mind.
16:47It's happening in their hands.
16:50So I feel like somewhere, somewhere, a little bit of pressure.
16:53Because I'm a stage artist before becoming a playback singer.
17:14I feel like I'm a stage artist.
17:24I feel like I'm a stage artist.
17:26I feel like I'm a stage artist.
17:27Because I don't have the same things, people outside who come to India and hang out and have to be
17:30able to understand that.
17:32It has to touch your heart.
17:33Whether it's a melody or your eyes or your happy.
17:36It's an overall thing.
17:37It's a new thing.
17:38That's an aura that can connect you in front of the camera.
17:42But hey, I feel like that about the purity of the purity.
17:44And I feel like this is not taking the same moment for the stage.
17:48Because I'm 15 years old by stage.
17:50and that is my strength and my strength
17:54and as I always say in all my interviews also
17:57my dream is to have my last breath on stage
17:59so stage is everything for me
18:01and for the second part performing between all those peripherals
18:04firing on all cylinders with everything going on on your performance and choreography
18:07light, what's that?
18:09nothing matters, you need to be doing what you are meant to do
18:12that is all others
18:14if you have done your choreography, that is choreographers' work
18:16you need to definitely make sure that it sets right
18:18but when I am not going to do it, I don't know
18:21I don't know who is going to be playing
18:24but now I have a time for a long time
18:26my band was 15 years old, I have the same band
18:30India was a big band, it was a big band
18:31it was a big band, now I have to be the same
18:34today it is a big band
18:35so I have to know where to go
18:37where to go, where to go, where to go
18:39you need to be the world
18:40because the stage is not a normal world
18:43it is a different world, you have to be a different world
18:45you have to be an international world
19:16or if you have to see it
19:17So it's a connection with my audience.
19:19I can't speak much more.
19:21I think it's a gift to him.
19:23And I love him.
19:27And an artist's biggest currency is what he does.
19:31Because when they're thinking.
19:32That's when they're planning about their life or their craft.
19:35I want to know in your free time, in your leisure time,
19:37what's that you consume, read, watch, listen to?
19:40I don't have a leisure time.
19:41I don't have a leisure time. I don't have a sad time.
19:43I don't have a sorrow time.
19:45I'm a very simple person at heart.
19:48I'm a family-oriented person.
19:51And I want to live there.
19:52I want to see my family.
19:53I want to see my family.
19:54I started singing for my family.
19:57But now the singing of mine is the same.
19:59And now I'm thinking about singing before I think about it.
20:02So it's a very simple thing.
20:04I'm thinking about eating and eating.
20:05And living at home.
20:07I don't have to socialize in life.
20:09I have to be out there and perform.
20:12I don't have to be out there.
20:13I don't have to be out there.
20:14Otherwise I don't have to be here in my studio.
20:16I'm a human being.
20:17I'm a human being.
20:20And now I'm a beautiful daughter.
20:23Nine months ago.
20:24So I think my mother, who died two years ago,
20:26was a very different period.
20:30I was very close to my mother.
20:31I am very close to my mother.
20:33But my mom's a thing.
20:35If I go and go and go and go and go.
20:36So I don't have to be able to live.
20:39I think I don't have to live in my mother.
20:40My mother was my daughter.
20:42And when I got married.
20:43I think she had a strong strength.
20:46She's got a name on it.
20:48I think my life is just a lot.
21:07And the more I speak with you, the more I realize that you have this.
21:11Because you have a band.
21:13Yes.
21:15Certain carefreeness about the world.
21:17Living in your own space.
21:18Yes.
21:19Not giving a damn to what the world thinks about.
21:21It's not giving a damn to the world.
21:23But it's just that I am.
21:24My world is my world.
21:25My world is my.
21:27But again.
21:28That thing juxtaposed with a competitive and a very ambitious space.
21:32Like Hindi film music or film.
21:34Yes.
21:35How do you balance this?
21:36I don't have to balance.
21:38You can't balance.
21:39You can't balance.
21:40You can't balance.
21:41I will do nothing.
21:43My self-esteem is that other artists don't want to be very good.
21:47I have to come from Mumbai.
21:48I go by by by by by by by by by by by by by by by by by by
21:53by by by by by by by by by by by by by by by by by by by by
22:05by by by by by.
22:05now I'm going to live in space
22:06now I always know what I have to do
22:09so I always tell myself
22:10I don't think there is no idea
22:11it's good job
22:12I always tell you
22:18that the performance
22:20never have to do this
22:22you will talk about it
22:22you will not ignore my song
22:23that's my belief
22:25so that's what I do
22:27I love your plants
22:28you can tell you
22:28industry
22:29and what I should buy
22:30and when it's time
22:31it's time to write
22:31and when it's time
22:32it's not
22:32and when it's not
22:33. . . . .
23:03. . .
23:33. . . .
23:33. . . . .
23:33. . . . . . . . . . . . . . . . . . . .
23:35. . . . . . . . . . . . . . . . . . . .
23:37. . . . . . . . . . . . . . . . . . . .
23:39. . . . . . . . . . . . . . . . . . . .
23:42. . . . . . . . . . . . . . . . . . . .
23:45. . . . . . . . . . . . . . . . . . . .
23:47. . . . . . . . . . . . . . . . . . . .
23:49. . . . . . . . . . . . . . . . . . . .
23:52. . . . . . . . . . . . . . . . . . . .
23:53. . . . . . . . . . . . . . . . . . . .
23:55. . . . . . . . . . . . . . . . . . . .
23:56. . .
23:56Just make a song with your heart.
23:58You don't see it today.
24:00People will see the trend.
24:01After all, everyone wants to see the truth.
24:07Everyone wants to see the trend.
24:08It's not today or tomorrow.
24:11I was yesterday, but today too.
24:13I will believe it.
24:15I will work for it.
24:17Is it a sacred space for you?
24:18Is it a way to become one with the universe?
24:22Beyond the deadlines and briefs.
24:24But in the essence of it, what does music mean to you?
24:25Everything.
24:26As I said, my breath is back.
24:28I'm saying that my breath is back.
24:30I'm sleeping.
24:32I'm sleeping.
24:32I'm sleeping.
24:33I'm sleeping.
24:34I'm sleeping.
24:35I'm sleeping.
24:35I'm sleeping.
24:36If you don't have a breath, then you will not be sleeping.
24:40Frankly speaking.
24:44You say that the water, water, water, water, water.
24:47I feel that if you have to talk about it,
24:51because my friends have to talk about it.
24:54You have to think,
25:04I'm sleeping too,
25:06I'm sleeping.
25:07I'm sleeping.
25:09I'm sleeping.
25:11I'm sleeping.
25:11shri rama bholnay ki bhi zhurot nahi hai
25:13saa ke anndar shri rama bäthay ho hai
25:15toh sangeet toh woh chiz hai
25:16narad muni hamarai sangeetkar hi toh thay
25:18joh sab ko pasand aate thay
25:21sangeet se hi dunia jitit jati hai
25:22sangeet eek alag dunia hai
25:23aapne aapne yuniversi alag hai
25:24or mahi is janem me nai
25:26maipne har janem me eki chiz mangta ho
25:27mujhe same maa dena
25:28joh meri is janem me thai
25:29same shakal same
25:30same unki body
25:32viesi mouti honi chahi hai
25:33woi sisi honi chahi hai
25:34utnhi khubhsurat
25:35bus itni jaldi choudu ki nai jani chahiye
25:37aur dousera sangeetkar
25:38aysa hi banana mujhe
25:39chahi min ko dheer se
25:40mera manzil tuk le jana
25:41par mujhe aysa hi sangeetkar
25:42sacha dill se sangeet kar raha
25:44insan banana
25:44toh mera bhot clear raha
25:46siraf sangeet karna hai
25:47aur kuchh nini karna
25:48aur sangeet bhar bhar ke karna hai
25:52thank you so much my brother
25:55bhai bhot crazy
25:56aap inglish me hie bhat ker te ho
25:57hindi me hie bhat ker te ho
25:58aapne meri inglish bhi explore ker li
25:59aapne meri hindi bhi explore ker li
26:00mazze hai
26:01but bhot acha raga
26:01it's been amazing talking to you
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