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  • 1 week ago
In I Love Boosters, fashion is political, retail workers revolt & capitalism is the enemy. Here, the cast (Keke Palmer, Naomi Ackie, Taylour Paige, Poppy Liu, and Eiza González) talk about Boots Riley's wildly stylish recession-era fever dream.

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Transcript
00:00I don't want the farmers coming after me.
00:02I understand y'all need y'all money.
00:04Hi.
00:04How are you?
00:05I'm good.
00:07So do all of you.
00:08The fits are fitting.
00:10Okay, so as someone who used to work retail, this movie was a little triggering.
00:14There were moments.
00:15But where did you work?
00:16I worked at Hollister.
00:17I worked at Ritzia.
00:19Really?
00:19I worked at Staples.
00:21I know.
00:22Okay, so I want to take a moment for you to just give, like, encouraging words for the
00:26girlies in retail right now.
00:27You were just, like, dealing with a bad boss, dealing with no pay.
00:31Let's get some arch support.
00:33Drunk out a little too long.
00:34Come on, Holka.
00:35Hydrate.
00:37Hydrate, electrolytes.
00:38And also for the girlies who aren't the floor girlies, because I was only seasonal at Rag & Ball.
00:43I was in the back of Rag & Ball folding the jeans.
00:46My hands got stained from blue.
00:48Wow.
00:48So the girlies that aren't seen on the floor, we see you, too.
00:52I was going to get your next job lined up.
00:54Yeah.
00:54Yeah, keep searching.
00:55Start thinking ahead.
00:56I'm going to teach you.
00:56Yeah.
00:58You know where I'm going, because I'm going to get tired of y'all.
01:00Yeah.
01:00I need to be able to play.
01:01So I'm going to be able to cuss y'all out and have somewhere to go.
01:05You know, it can be tough.
01:06I agree with you.
01:07Yeah, yeah, yeah, okay.
01:08All right, I love that.
01:09I think they needed that.
01:10Someone needed to hear that.
01:12So this movie, there's so many things, but one of the big themes, of course, is class and
01:18capitalism, and it goes hard through fashion.
01:21What do you think fashion brings that creates that conversation?
01:26How can you have that political conversation through fashion?
01:28I feel like the thing about fashion, it's like a microcosm of something bigger.
01:33You can use it as an example for bigger things because of how material and commerce travel
01:40around the world and how many people it exploits through the cost of making something to how
01:46much it costs someone right at the end to then who's making it and what the conditions
01:51are like for them to work in, for it to get there, the carbon print it takes to travel
01:55it across.
01:56So there's so much that fashion holds, but it's also a space where we're selling a story,
02:03right?
02:03Like fashion is about selling a lifestyle.
02:06It's dress how you want to be and amongst that, this illusion.
02:10So we as consumers have this idea of like, if I buy this skirt, I'm going to be a different
02:16woman.
02:16Yes.
02:18Salvation.
02:19Like if I can, if I can wear those, you know, whatever, Manolo blonics or if I can get that
02:24Prada bag, somehow that's going to do something for me.
02:28So there's, I think there's so many levels of fashion that allows for these things to
02:32come up.
02:32And the conversation around how some of that is partially true.
02:35Like it's a great entry point to think about, like, which is why people end up pushing and
02:39wanting certain things is because it is true that you could be a young dude from Compton and
02:43be Tyler, the creator.
02:44You know what I'm saying?
02:45Where the way that you look when you walk, I mean, that's the whole dapper thing.
02:49You know, that for Dan and what, you know, people do actually look at you different and
02:52treat you different and perceive you different depending on what you're wearing in fashion.
02:55And so it's kind of weird because it's like, it kind of works, but also it's also a problem.
03:00Yeah.
03:01But it's like a costume, dressable like you want.
03:03It's like a costume that you can use to rebel against the system, the way that you express,
03:07the way you dress, and it's an internal expression.
03:09So whatever you want to say, whether that is, you know, cutting all your hair off or putting
03:16whatever clothes you want to do, it's like a real expression of self.
03:20I mean, that's what hip-hop is.
03:21That's what punk is.
03:22We think about that with Rihanna when she cut that hair off, umbrella.
03:25It was like, I was trying to make me this.
03:27I'm going to be what I want to do with our bae.
03:30You know, it was a movie.
03:31It was a movie.
03:36Oh, those were the days.
03:38Okay.
03:39Also, so much of this movie hinges on the incredible charisma of Kiki Palmer.
03:45That's right.
03:46And I just want to know, like, Kiki, you just, I just want all of you to maybe explain
03:53Kiki to the rest of us and why we're so obsessed with her.
03:57I would love to you.
03:58Kiki, I love that.
03:59Yes.
04:00The most charming, honest, intelligent, grounded, proverb-giving.
04:10Kiki's just a thoughtful person.
04:12She is a kind, she sees you, she recognizes you.
04:14Incredible mother.
04:15She's a child.
04:16You're a battery.
04:17You come out of the tunnel.
04:18I actually meant to ask you, I meant to ask you, are you a generator?
04:21Oh, on human design?
04:24Yes, because you can keep going, girl.
04:25Oh, and that investing generator.
04:26Is that what you're talking about?
04:27I love that.
04:28Of course you're so into this sort of bullshit.
04:30She loves taking compliments, too, clearly.
04:33I know, but like, also business women, sometimes, like, every time I see you, I'm like, how are you?
04:36Because I'll be on my TikTok or my YouTube or something like that, and I'm like, this girl is out
04:41here.
04:41She's watching everything.
04:42Now the new thing is the Pilates thing.
04:44I respect it.
04:47I respect it.
04:48I respect it.
04:48He's always doing something.
04:49Kiki, what do you think it is about you that's so meme-able?
04:53No!
04:54What?
04:55No!
04:57My favorite one is, it's a slave him.
05:01It's a slave him.
05:04Because you know it's true.
05:06Because we had that girl's back up until it was time to leave everything behind.
05:11You know what I mean?
05:12Just think about that.
05:13She had her back up until it was time to stand up to the mind.
05:17And my girl said, look, look, look, look, look, that's a hurtful thing.
05:21Why would you do this to me, sister?
05:23And she had to fly off on the aisle, and Ariana just sitting there.
05:27Bitch, you could have came with me.
05:30That was great.
05:31If Glinda has no haters, I'm dead.
05:32So, um, okay, I don't know if you all saw, there's this conversation online about if shoplifting
05:42from high-end grocery stores is okay.
05:45Yes.
05:45So, like, when is a boost, like, a little boost, okay?
05:48Anything about heroin is okay.
05:50Because I know, heroin is getting okay at a boost.
05:52I don't know how many food should be paid for, honestly.
05:54That's what I said earlier.
05:56No disrespect to the farmers.
05:57No disrespect to the farmers, because we got to, they need money.
06:01I don't want no farmers coming after me.
06:03I understand y'all need y'all money.
06:05That's another meme.
06:06I don't have no fault.
06:07You know, I just, I can see them online.
06:09I can see them online.
06:10It's like, she doesn't understand, she doesn't understand.
06:14She doesn't understand agriculture, and then, um, just canceled.
06:18I respect you as a business, but in the stores, they should make that.
06:25They need to vote.
06:26If you want to, if, you know, things that should be, like, extracurricular stuff made in the factory.
06:31Not stuff that comes to the ground.
06:33Yeah, like, why is it even the last levels, not the apples?
06:35That's right.
06:36That's right.
06:37Also, why are they all so big?
06:39It's just stanching for apples.
06:41This is an apple ginormous.
06:43This isn't even in the house.
06:44I'm fucking with her.
06:45Oh my gosh, Kiki.
06:46I need to clear it up.
06:47That makes me cry.
06:48I need to clear it up when I ran with it.
06:50Well, you know her pelvic floor is not ready for this.
06:53Please, girl.
06:55In the film, your sisterhood, especially the three of you, is so on display.
07:00But I want to know about the sisterhood off camera.
07:02Just tell me about it.
07:03Is it coffee?
07:03Is it not coffee?
07:04Is it not coffee?
07:05We're saying coffee is so much fun.
07:08I mean, we have to see it.
07:08There is one moment that we peed our pants all collectively.
07:12Oh, no.
07:13In the, like, hallway.
07:14We fell to the floor.
07:15In the hotel.
07:15In the hotel.
07:16We just couldn't stop laughing.
07:17No, that story will never forget from you two.
07:21Which can never be repeated any time.
07:23It wasn't.
07:24The thing that we were in the thing, in our maroon outfits.
07:30Yeah.
07:30It was also Sergio Hudson.
07:31We were doing the thing and a lady gets all tall and still.
07:34Yeah, that was the Teas day that we ever had.
07:36Not Teas, we were still in.
07:38That day, baby.
07:39That day, baby, that's what to remind y'all.
07:41I remember.
07:42That day, baby, that's what we did a little bit of.
07:44We did a little bit of.
07:45I love those girls.
07:46That's what I knew.
07:47These are the girls I can talk to.
07:49Yeah.
07:49We went in about that.
07:51We went in.
07:51We were in.
07:52I really loved that.
07:53And also, when it's on set, too, and everyone's mic, we're talking like this.
07:56Yeah.
07:57I was just doing that.
07:59Yeah.
08:03And we just go like this.
08:05It's the eyes.
08:06We all go.
08:06We look at each other and we're like.
08:08We're like, oh, man.
08:12And I can imagine that, especially for women of color to have this in this industry, it's
08:18rare.
08:19Yeah.
08:19And so it was incredible to watch.
08:21I'm getting the rap.
08:22Thank you so much.
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