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Igra sudbine 1848 epizoda (21/7/2026)
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02:21Come on, come on, come on!
02:44Milena?
02:45Hello, Kaja.
02:47Are you here?
02:50Can you talk?
02:53You won't believe what happened.
02:58I went to the store and everything is...
03:05Everything is changed and changed.
03:07I don't know what to do.
03:08This is total chaos, Milena.
03:09You don't know who was doing that.
03:11It wasn't Milena.
03:12It wasn't almost a lie.
03:13I don't know how to do it.
03:16It's definitely a lie.
03:17It's true.
03:18You came here to break everything.
03:22What do you do now?
03:23I don't know.
03:24I'm sorry to ask you if we can find ourselves somewhere.
03:28Let's go to the business club.
03:30Let's go to the business club.
03:31It's time for now.
03:31It's time for now.
03:33I'm going to go a little bit.
03:34I'm going to go.
03:36Okay.
03:36Okay.
03:37We were talking.
03:37We were talking.
03:38Let's go.
03:40We were talking.
03:41We were talking.
03:55We were talking.
03:57We were talking.
04:05We were talking.
04:06Let's go.
04:06I don't know how to say everything.
04:08What do you think?
04:09No, no, no, no.
04:10Whatever is in the middle, if I can help, I will help.
04:15Mido, Magarac, my eyes.
04:18That's a huge problem.
04:21I don't understand what happened.
04:23Mido has caught himself in the head that he will become a music star.
04:26Do you understand?
04:27There was some type of gudon that was holding a piece of paper.
04:30He convinced Mida that he wrote a text for a song for a song
04:34and he will sell it to him.
04:34He will sell it to him.
04:35And now Mido is going to be an excuse.
04:38He will be known.
04:39He will give me that text that I read.
04:43I read that text.
04:44I see that nothing is alive.
04:46Rimo is here.
04:47I understand that he wrote all that.
04:49The intellectual intelligence, you understand?
04:50AI.
04:51G.P.T. has written a song and he has sold it.
04:54Dora Gorane,
04:56I think he will find someone else who will write a song,
04:59but he is not AI.
05:00Do you hear that Mido has paid for that song?
05:02He gave money.
05:03He gave money.
05:04It's important that a person is alive,
05:05let's leave a song.
05:06How much money is given?
05:085.000, Senka.
05:105.000.
05:11What 5.000?
05:12EUR!
05:14Stop it, wait a minute.
05:16Can you tell me that Mido gave a person who holds the food?
05:205.000 EUR to write a song?
05:24Yes.
05:25Unfortunately, I understood everything well.
05:27Mido is a pure soul.
05:30He is a stupid fool.
05:32And you call him on the phone and tell him,
05:34Mido, I will write a song,
05:35he will think you will write a song with a partner.
05:39That's a stupid fool.
05:40Dora Gorane,
05:41you don't help a man go there and find a money?
05:43Dora, the money is already known,
05:45there's nothing.
05:46He has paid money,
05:47he knows what he did with them.
05:48Here,
05:49you can go to the car and get there.
05:51Do you understand?
05:52Why am I going to get there?
05:53I will explain everything well.
06:06Brother,
06:07what is with Vukasin?
06:08What is with that man?
06:14I don't know,
06:15you can see that it's only Juris Ševrat
06:17on the other side.
06:19He is like my heart,
06:21my dear friend.
06:21I don't know who you are and who I am.
06:24No.
06:25He feels like we are the b-bop
06:28and rockstar.
06:29No, my brother from Alton,
06:31what do you call him?
06:31Yes,
06:32we are the characters of Juris Ševrat.
06:34Here you are.
06:38Do you think today, Lera?
06:42For immunity?
06:44Yes, I'm afraid
06:44that there is no chance
06:46that immunity even if the Greek falls.
06:52Look,
06:53I know
06:53that you never have to believe
06:54that you have to believe.
06:55That's not what you have to say.
06:57When you see the Greek falls,
06:58nothing, nothing, nothing.
07:00I don't think that you have to say
07:01about the Greek people.
07:02That's not our interest, man.
07:04I know,
07:05but I heard Vukasina
07:06that if you don't have anything
07:07with the Greek people,
07:08they will destroy us.
07:12Yes.
07:14Well,
07:14what do you say?
07:17What do you say?
07:17What do you say?
07:18What do you say?
07:19I think I know
07:19what we need to do.
07:22What do you say?
07:31You see, it's a serious story. We can't do it all like that. We have to be aware of it,
07:36and we have to be well calculated.
07:39You understand what? He is an imbecile, but he will run away. If we go and we go and throw
07:44him out, he will run away all that.
07:46He will run away all that. If he will run away, he will run away from the moment. You are
07:58a woman of the 22th century.
07:59Gorena, please, please, tell me what I need to do.
08:04You need to do it as a director of an eminent musical festival.
08:12What festival?
08:14We will think of him as a Balkan song. You tell him that we have a Balkan song.
08:20We will be all the best producers from the Balkan, and you will ask him to participate.
08:25Okay, but I don't understand how Mido will get the money from that.
08:28There is a fraud. You will always tell him that he will pay for the festival.
08:36You will pay for about 10.000 euros.
08:40And you think he will be able to win?
08:42Yes, you will. You will be able to win for money, for fame, for fame.
08:47You will surely trust you.
08:48Gorena, these are really great money.
08:51You will see that you are a great player.
08:53When you call him, with your authority, your voice, your voice, there is no one.
08:58You will be able to win.
08:59I will not be able to win that.
09:01You will not be able to win that.
09:02You will not be able to win that.
09:03You will not be able to win that.
09:03How did you call him?
09:05Gudoni.
09:06Gudoni.
09:10Good.
09:11Well, since I'm willing to hear you, I'll make it to you.
09:15D'Aord, For다면, a legend.
09:18Do nema Sirvali.
09:19I don't know how to call each other.
09:20You have no problem.
09:21I will try to告私 you too.
09:22I will doubleimi.
09:22I will just press you to ask yourself.
09:24We will spare you.
09:24That's it.
09:25Right.
09:26Yes.
09:26I love you.
09:28That's it.
09:28Give me a number of people.
09:33God, I tweeted that good.
09:37Thank you, God.
09:49And, what do you think of the next step?
09:53I think it's the end of the time to get the gas.
09:58What's waiting for?
09:59Which gas?
10:01What?
10:02What are you doing?
10:03Which gas?
10:04I think for Gabriela, Bojoševića, Natasha.
10:10I don't know.
10:10You're really a woman.
10:13No, I'm not sure.
10:14It's full of nonsense and nonsense.
10:17I forgot.
10:18That's why it's your time to remember the time.
10:24We'll take it, we'll give it to Gabriela,
10:27we'll finish what we need,
10:28and then we'll buy a good kintu,
10:30and we're safe.
10:31We're safe.
10:32We're safe for some time,
10:34and then we can do what you want.
10:36We'll go to Paraguay, Uruguay,
10:37where am I?
10:38Where do you go?
10:39Paraguay, brother!
10:40I've never been in Paraguay.
10:42I've never been in Paraguay.
10:43I've never been in a small house.
10:44I've never been in the house.
10:45And then we're calling this for Renju
10:46and for Gritlina.
10:47That's right.
10:48And for...
10:49Uroša.
10:51Yes.
10:51I don't want to ask you that.
10:53What is it?
11:10What if they say that you are not the case for us, there is nothing to do with that,
11:17and I just want to ask you.
11:19There is no such case.
11:21What did you say earlier, maybe I'm going to ask you a question earlier.
11:26They gave you a wrong diagnosis, now there is a treatment.
11:31Even for me, there is no treatment.
11:36Did you scare me?
11:37No, I didn't. I don't think so.
11:40Of course, there is no reason to scare me.
11:42Wait, what do you say? There is nothing to do with that.
11:47What do you say? What do you say? There is nothing to do with that. Why are you always looking
11:52forward?
11:53What do you say? The false hope is worse than Igor's eyes.
12:00It is not a false hope. That's why we are going. That's why we would never go.
12:04What do you say?
12:05Olga, I would not be angry if I would say I could not.
12:12What do you say?
12:13What do you say?
12:14I cannot go and I want to get away from everything.
12:21I cannot be false hope. I cannot be false hope.
12:33What do you say? What do you say? What do you say to me?
12:37Look at me, what does it mean? What is it now? What is it? What is it? What is it?
12:42I'm here with you, I'm telling you, everything else.
12:45I know you're a brave man. What do you want to do with me?
12:50Thank you, thank you.
12:53You're my brave man.
12:54Of course, I'm your wife or whatever.
13:11Kajo, are you good? Did you see anything again?
13:17Sorry, Milana, I'm sorry, but everything is broken. Do you understand?
13:22The whole magazine is broken. Everything, everything, everything.
13:25I tried to take something out of my way, to take something out of my way,
13:29but you know exactly what the magazine is broken.
13:31Everything is broken, you know?
13:33What is it?
13:34It's crazy.
13:35It's terrible than everything else that Mila is holding hands on everything.
13:38Mila? What is it?
13:40From everything else.
13:41From everything else.
13:42Just from everything else.
13:44What is it?
13:45How beautiful.
13:47He went to live with the panchette and there he died.
13:51Why are you with him?
13:54I don't want to live there.
13:56Okay, Kajo, I understand, but I'm not sure.
13:59What is it?
14:00I won't go there, not at all, I don't want to remember.
14:04You don't know how it is when you live with panchette with the panchette
14:06on the other side.
14:07It's only a fool around everything.
14:09What exactly is it?
14:11Around everything.
14:12Everything.
14:13Everything, non-stop.
14:13Non-stop.
14:15And that's it.
14:16It's about how I live with my life.
14:21You don't know how it is.
14:22It's crazy.
14:22What?
14:23You know, Kajo, there's something.
14:26What?
14:28Something that I would like to tell you.
14:30Ah, I see.
14:31Everyone would have something to tell me.
14:33And here, my dear, tell me and you.
14:34Let's hear it.
14:35I would like to give you a suggestion.
14:37You are you.
14:38Just don't give me a suggestion.
14:50I would like to let you know you're speaking a little bit.
14:55It's a little strange that Lukashin is going to ask you about yourself.
14:59I'm trying to tell you that.
15:02Is it?
15:03No.
15:04No, I'm sure I'm not at all.
15:06Really, I'm just at all.
15:07What?
15:08How about that?
15:10Yesterday we thought that there was a king of the government.
15:14We thought that Velibor was a tough one.
15:16Okay.
15:18There is no way to do that.
15:20What if that is?
15:21That is the very serious situation.
15:22I don't think that there is no way to do that.
15:25I think that there is no way to do that.
15:26I think that there is no way to do that.
15:33I think that there is no way to do that.
15:37What kind of a man?
15:41A man, a man, a man, a man, a writer, a business owner, a man.
15:47He has no idea for him to be the one who is on my own.
15:49He is not the one.
15:50And he is still thinking about that he is a Greek man.
15:54Give me.
15:55What do you think about Lukashin?
15:57What Lukashin?
15:59Lukashin is not a citizen.
16:01He is interested in everything.
16:02Everyone is interested in it.
16:04Everyone is interested in it.
16:07Everyone is interested in it.
16:08He is interested in it.
16:10We are on the table.
16:13Trust me, man.
16:14I am a professor.
16:16He is a man who is willing to investigate.
16:19He is willing to know about people.
16:21I don't know you.
16:22That is why I tell you.
16:23I know you.
16:25It is less the theory of the truth than we are in our job.
16:30Yes.
16:32For Gabriel.
16:34For Gabriel.
16:36And to stop the theories of the truth.
16:40And one more thing.
16:41I pray for those eyes and eyes.
16:43Don't forget it.
16:44And now, I pray for those eyes and eyes.
16:45And throw it on Natasha.
16:46And finish that job.
16:52And finish that job.
17:00Listen to what the story is.
17:02I met with Dijana Merski.
17:04We talked about these different strategies for my new job.
17:08And in that case, I got a wedding gift.
17:16Okay.
17:17And what is the relationship with my wedding gift?
17:20Okay.
17:21Listen.
17:21Let's listen.
17:22We'll get to that one by one.
17:23What a wedding gift?
17:25What are you talking about?
17:27Did Dijana didn't find some shaykh?
17:29No.
17:29It was even worse.
17:31She found him at Donia.
17:32But he won't be able to do this night.
17:35He drank a pedal.
17:36And...
17:37What?
17:39I mean...
17:40What doesnt happen?
17:41I mean...
17:42What do you think...
17:44Ne...
17:44...What...
17:44Just tell me...
17:46What is that, quand you mentioned?
17:47On and the knowledgeablewer.
17:49How has this connection on the quand.
17:51ne understand.
17:52Maybe you're gonna get good for yourself.
17:53Me, do?
17:54Yes.
17:55Do, what did you talk about yourself?
17:57You're telling her, what?
17:58To tell me.
17:58Maybe he comes upつか to start loving it.
18:00What?
18:01What does it mean after you?
18:02What's yourkat?
18:05I'm okay.
18:06A person is a successful businessman.
18:08He has plenty of money!
18:09He can be beautiful,
18:10you can use them to enjoy it
18:12and start when it says...
18:13... you're welcome.
18:15Do you know what, Kaja?
18:17I don't think so explored,
18:19because it was most important to you
18:21just financial stability in the world.
18:24I also think...
18:25... about nature.
18:26However that's the only reason, detained.
18:31I am the other sort of you.
18:34The other sort?
18:37You're a stupid woman, I'll tell you.
18:39It's better to stay at the panchette,
18:41and to listen to someone who will be older,
18:44than to listen to you, a little girl who lupes the stupidity.
18:47I don't lupes the stupidity, you know.
18:49It's a stupid truth, Kajo.
18:53Let's go.
19:05I don't want to make a melodrama of our lives,
19:08but I don't know if you can understand it.
19:10The most important thing would be to go there
19:12and tell me that there is nothing to do.
19:17Okay, I can't understand it.
19:19I can't understand it.
19:23Jasno mi, ali moraš i ti da razumeš da sam ja tu,
19:26uz tebe, nisi sam.
19:28Hvala ti, hvala ti.
19:30Moraš da veruješ u to, razumeš?
19:32Da, ja znam da ja moram da našem snage u sebi
19:36i hrabrosti da to prevazići mi i da odem tamo.
19:39Pa ne znam kad ćeš već jednom to da uradiš.
19:41Imaš tu hrabrost u sebi?
19:42Da, znam, moram to da uradim zbog tebe.
19:46Ne zbog mene, nego zbog nas.
19:48Bravo si, bravo si.
19:49Zbog nas ja imam najbolju porodicu na svetu
19:53i ako ništa drugo moram da to da uradim.
19:55Smo porodice.
19:56Jeste, zbog mene, Luleta, Alekse,
19:58svih koji te vole koji su tu uz tebe.
20:00Eto, nema potrebe da si tako malo udušen.
20:04Slušaj, zato si nam i dužan.
20:06Dužan da se boriš dokle god možeš, ok?
20:09Hoću, hoću već.
20:10E, čekaj, pokupljujem papire.
20:13Ovo je za tebe i zlote.
20:15Idemo.
20:16Bravo.
20:36Rene mi se ne javlja.
20:39I dalje.
20:41Da.
20:42To ko zna gde je i ko zna s kim.
20:46Ne razumom, Ksenija, šta pričaš?
20:49Pa Ivona možda je našao novu devojku.
20:51To je dobro ko znao zašto je to bolje.
20:54Šta bolje? Šta bolje, Ivona?
20:57On, ako nađe novu devojku, ja ću da odem na prvi most
21:01da stanem tamo, da se isplačem i da skočim sa njega.
21:05Nisi ti normalna.
21:07Ti pričaš o čoveku koji te prevario za novac.
21:10Čovek koji te varao na svakom ćošku.
21:12Kažeš mi da bi skočila sa mosta zbog njega.
21:15Ti si devojku budala.
21:17Vona.
21:18Ti nisi normalna.
21:20Pssst.
21:22Vona, ti ništa ne razumeš.
21:24Nisam ja budala.
21:26Neko se ja borim za svog čoveka.
21:28A Ela, a za kakvog to čoveka se ti boriš?
21:31Dobro, šta pričaš sad?
21:33Šta šta pričam?
21:34Ja ne mogu da verujem da ti uopšte nemaš ni malo samopuznanje.
21:37Št.
21:38Ja ne mogu da verujem da ti nemaš vera u sebe.
21:40Ksenija, kako ti ne padne na pamet da dođeš i da kažeš
21:45Univerzu me pošalji mi nekog čoveka koji je bolji od Relja.
21:48Ja to ne razumem.
21:50Jel vidiš?
21:51Jel vidiš da ništa ne razumeš?
21:53Zato što ti, draga moja drugarice, nisi bila sa nama od početka.
21:57Razumeš?
21:58Jer Relja je na početku bio sa mnom nežan, dobar, mio,
22:03pun poštovanja, pun razumevanja, ispunjavao mi je sve želje, sve.
22:09Ksenija, tako sam se i ja zeznula.
22:11Znaš šta je fora što si ti njemu bila samo i još jedna nova igračka?
22:15I onda se on tako tobu malo poigravao i onda kad si prestala da mu budeš zanimljiva
22:18onda je on pokazao svoje pravo lice i to ne jedno, mnogo puta, Ksenija, mnogo puta.
22:24Dobro.
22:26Ali ja svakako ne mogu da uradim to.
22:30Šta to?
22:33Pa ono.
22:34Koje ono?
22:36Pa ono što mi je tražio tambura.
22:43A šta ti je tambura tražio?
22:55Hvala.
22:59Hvala.
23:03Hvala.
23:05Hvala.
23:11Hvala.
23:13I viede, vidi, vidi, vidi.
23:15Kona se te osmi, Juli.
23:17Na?
23:18Kak je to zagodne ti osmije, hauko nam je?
23:22Pričao sam sa Senkom.
23:24Sa Senkom.
23:25Ah te.
23:26IT.
23:26I pomoć.
23:28Ona?
23:29Kako će ta pomoći?
23:31Ubijedio sam je da izgrava direktorku jednog umjetničkog festivala.
23:35Ah te.
23:36Kakog crdnog festivala sad bakalım.
23:38The European festival, the Vrhun festival, you understand, the art, the culture, the mother, it's now in mode.
23:44In mode, right? Stop, let's hear it.
23:48And the point is that he needs to call Gudonija.
23:51What?
23:51And to call him to the festival as to make him happy that he comes to the festival.
23:56To make him happy.
23:57Yes, you understand.
23:58Stand up.
23:59And Gorane, what does it mean to me that there is something evil?
24:04What?
24:04What the hell?
24:05What the hell?
24:06She calls him to participate in the festival, but for that he needs to give him a caper.
24:11A caper?
24:11How much?
24:1210,000 euros.
24:14Who?
24:1510,000 euros?
24:17Well, let's see how he plays with him, how he plays with him.
24:22Let's go back to him.
24:23Okay, good, Gorane.
24:25It's all in order.
24:27But I think that there is a little problem.
24:30Besides that, of course, that plan.
24:43You might know nothing about that.
24:46Tell me, Ksenija, I won't tell you.
24:52What will you mean to do?
24:53You see, there are things, nothing, nothing.
24:57What is it?
24:58What do you mean to do?
25:00I can tell you, Ksenija, what is it?
25:00I don't want to tell you, I won't tell you.
25:01What is it, Ksenija?
25:01I won't tell you, I'll tell you.
25:02I won't tell you.
25:02We'll tell you something, you won't tell you.
25:02I can't tell you.
25:05But you have to do it.
25:06You have to do it.
25:07You have to do it.
25:08You have to do it.
25:09Okay.
25:13Tambura is required to lie to Relju.
25:17Do you want to lie?
25:18Yes.
25:19Why do you want to lie?
25:21I required to tell him that I'm kind of hard,
25:24that I'm going to get here and get here.
25:26And then Tambura is, I don't know who,
25:29I don't know who you are here.
25:30Wait, wait, I don't understand what you are telling me.
25:33Just a second.
25:34Why would I have to lie here?
25:36I'm telling you, I don't understand anything.
25:39It's not easy at all.
25:41On the other hand, Tambura doesn't know who is Relja.
25:44I know who is my Reljica, because he is my Reljica.
25:47But Tambura doesn't know.
25:49But on the other hand, Tambura wants to let me go and sing.
25:56I don't know who I am.
25:57Ksenija, why are you talking, woman?
25:59I don't understand anything.
26:02I don't understand and I understand.
26:05He says that I will save Relju.
26:08But why do you save him?
26:11Well, from him.
26:12Who?
26:12Because they kill him.
26:16Ivona, listen.
26:23They call him.
26:27And we have to stop him from the street.
26:30That's it.
26:32Oh, Ksenča, it's a tough story.
26:35I know. You see how hard it is for me. I have to fight between him and himself.
26:41And when I think about it, he will never forgive me.
26:44And I thought that we will forgive ourselves.
26:47And we will never forgive ourselves.
26:50And on the other side, the chorus will let me sing.
26:54I need an outstanding desk.
26:56Yes. He put you in a difficult position.
27:00Yes.
27:03The tambour will never help me if...
27:06If you don't do what you want from you.
27:09Yes.
27:11Yes.
27:19You're too much in the head to focus on yourself.
27:24Yes.
27:24Yeah, Lea, you don't understand, but he is truly a king.
27:29He is so spiritual. He is interesting.
27:33He is incredible. He is really special.
27:37You just love yourself.
27:39Yes.
27:41Yes, I really love you.
27:43And I really like it because of that.
27:45I am so excited.
28:00Yes, I am so excited.
28:02I'm so excited.
28:02And I'll do it for a while.
28:03And it's been a while.
28:03And I'm so excited.
28:04I'm so excited.
28:05I feel excited about this.
28:06Please do this.
28:07And I think that, if you think of this thing,
28:10I'm so excited about this thing.
28:10And I don't know that this thing is a bit like that.
28:14But I'm so excited about this.
28:15And I'll tell you guys.
28:15You have to have patience.
28:16No, I don't. I'll lose him, you know, don't make it.
28:18Everything will be done.
28:20Just don't do that now, you'll do some bad things.
28:33You're a bad guy, you're a rude guy.
28:36If you're a mancheta knows this,
28:38he'll leave you alive in the middle of the circus,
28:42when people live in the middle of the circus.
28:44You're a bad guy, you're a bad guy.
28:46You're a bad guy, you're a bad guy.
28:48You're a bad guy, you're a bad guy, you're a bad guy, you're a bad guy.
29:00You're a bad guy?
29:01I'm in the coordinators, we're waiting for a call.
29:03Okay, all right, all right?
29:04Yeah, Ivana is caught up in the last hour,
29:07but we're waiting for a call, all right.
29:09All right, normal is to have a call,
29:11but it's important to get out.
29:13We're waiting for a call.
29:14We're waiting for a call.
29:40We're waiting for a call.
29:42We're waiting for a call.
29:43Yeah, and yeah.
29:44Listen, I have a small call for you.
29:46We're waiting for a call.
30:09We're waiting for a call.
30:12I'm waiting for a call.
30:24I'm sorry, I'm sorry.
30:27I'm sorry, I'm sorry.
30:33But Lea, what did you do?
30:36Nothing.
30:37What did you do, Lea?
30:49How can't you?
30:50So, you can't.
30:51You can't.
30:51You can't.
30:52So, you can't.
30:53So, I can't.
30:54I can't.
30:56I can't.
30:57I can't.
30:59You can't.
31:00You have to do it, Lea.
31:01You can't.
31:04That's it....
31:05Ok.
31:07I'm
31:22going to take a look at this place.
31:24I hope I won't be able to die.
31:28What do you hear now?
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