- 1 day ago
Igra sudbine 1917 epizoda (28. 9. 2026)
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TVTranscript
00:19DINSTA DNK
00:20You know I feel like I'm in the free test.
00:26Like I'm in the DNK.
00:30You can hear it here, and you can feel it.
00:34Let's throw the beograd's oil from Koslija.
00:40Here's a little bit of relief.
00:42Oh, how nice this water is.
00:44The lemon is from my home.
00:45You know, it's home.
00:48Oh, why is that?
00:51That's true, that's the Uragan.
00:53A little bit of a profit center.
00:54No, it's not like that.
00:56We'll leave this humanitarian action after the first time.
01:00Who knows?
01:03The guests in the show are waiting for you,
01:04but the son has finished half-humor.
01:06Well, what am I doing now?
01:07I don't know.
01:08Go and run away.
01:09Give them the money.
01:10Don't go away.
01:11Don't go away.
01:11I'll leave you here.
01:12You are waiting for me to go away with the vastness of your soul.
01:15Oh, love, you smell me.
01:17You look beautiful.
01:18I love you.
01:19I have to go.
01:20Let's go.
01:20Let's go.
01:21Let's go.
01:21Let's go.
01:22Love, love.
01:24Hey, someone told me that I'm going to love someone who doesn't have money, I wouldn't believe him.
01:31What a lot of emotion.
01:33Nothing to say about that.
01:35This is my life, the last one.
01:38Let's see.
01:39Let's go.
01:42Oh, how beautiful.
02:09Let's go.
02:10Take me, Pijs.
02:14What is this?
02:16Listen, Rako.
02:18You'll take the old, hard cheese.
02:24We'll put it on the thick pieces and then...
02:28We'll put it on every piece of cheese.
02:31And what's happening? Magia.
02:34Then it's not a mess. It's called a canapé.
02:39Canapé? From the old cheese.
02:41And for the most part, we'll open chips.
02:45What's going on?
02:47We'll go to Nagarusa, go to the messer and buy two kilos of cheese.
02:51Cheese? It'll be expensive.
02:55You'll just tell me about the messer,
02:57divide the cheese on half and then two kilos will look like that.
03:01Four kilos. You have to learn.
03:04Optička varka.
03:05It's the mother of the taste.
03:09Preparalleled cheese.
03:12And for the health, we'll have some champagne for the doctor.
03:17Champagne?
03:18Yeah.
03:18And they'll throw me into chips and throw me the inventors.
03:22They'll give us a nice taste.
03:24It's good for the soul. It's good for the body.
03:26It's good for the cholesterol.
03:28It's good for the whole day.
03:30But look, really, when it's the first taste, you'll give them the right glasses for the healthy people.
03:37The other taste is the one, the two fingers, the two fingers, the two fingers.
03:41And as you say, we're sponsors, but we're not the red.
03:43It's good for you.
03:45Okay, logistic is clear.
03:47And for music, what are we going to do for music?
03:49We're going to call the keyboardist from Bavošić.
03:53I'll give him 50€ and backseat.
03:55It's normal.
03:56It's not like that.
03:57You'll take my phone and put it on the sound.
04:00And he'll send it to us today.
04:04And what will you do when I'm recording?
04:07Just like that.
04:08It's an alternative to the jazz.
04:09I mean, learn the role, but learn the role.
04:12Let's go.
04:12Let's go.
04:13Let's go.
04:14Let's go.
04:14Let's go.
04:14Let's go.
04:14Let's go.
04:15Let's go.
04:16Let's go.
04:22Let's go.
04:35Let's go.
04:35I can't resist, Mariana.
04:38Why would you do this Mac aches?
04:38She doesn't care for me.
04:40We're just going to dry.
04:42And all the food is burning.
04:44How are you dressing up in the cold the best of my hair?
04:46What is it that you keep your feet lifting.
04:50Really?
04:50How are you suspension and pretending to節ion?
04:51We're making them all the way for you.
04:52No.
04:53I'm breathing.
04:55I'm breathing all the way so you can get ed erreichen.
04:57I'm breathing all the way!
04:58Yes, as you're breathing all the way up.
04:59that sweet cocktail, I don't know if it's a number.
05:02You know how I feel like I'm feeling that I don't have a capillari.
05:06No, I just can't do that.
05:10The nature, the sun, the sea, the sea, the sea, the sea.
05:13I'm not a woman for nature, I'm a woman for the sky.
05:16Yes, but it's a bad nature.
05:19The bad are the heavy cream for the sun that you eat.
05:22Look at me, please.
05:23Look at me.
05:25My eyes are white.
05:26Look at me like this.
05:28Look at me like this.
05:29Look at me like this.
05:34Look at me.
05:35Look at me.
05:36Look at me.
05:36Look at me.
05:37Look at me.
05:38Look at me like this.
05:41Tell me something.
05:43If he took care of you for the community 200.000,
05:50he took care of you.
05:52Believe me.
05:54I can't.
05:55It's more than that.
05:56It's all burn me.
05:57It's all that tired me.
05:59I'll get rid of this soap, I can't go there.
06:01I can't.
06:02I can't?
06:03I can't, Marjano.
06:03And I can't do that.
06:04This woman with 50 degrees.
06:06What are you saying?
06:07Hi, listen, I'll tell you something to find on some cream cream cream.
06:10The cream cream cream cream for the sun.
06:13Let's go.
06:14You don't want me to find me here.
06:15You know me.
06:16You're a BNR.
06:17I'll be back.
06:18I need to see everything.
06:21I need to see everything.
06:21Look at that.
06:32This is 18 euros.
06:34This is 4 euros.
06:35When you're a cici.
06:37Okay.
06:39Hey, hey, hey.
06:41What are you doing?
06:43What are you doing?
06:44They've been out of here, I can tell you.
06:46But we've found a young girl.
06:48Look at this.
06:50The first glass, the Turkish glass.
06:52It's clean, polyester, but under a certain angle.
06:54This can be like a glass.
06:57Look at this.
06:58Look at this.
06:59Look at this.
07:01When I'm going to pour this light,
07:03there's no gas.
07:04It's not a lie.
07:05It's a good time, girls.
07:06What did you take for your legs?
07:08Here, we took these cici.
07:09We were in total sales.
07:12Okay.
07:13Okay.
07:13Okay.
07:15You have to be able to do this.
07:18Just like this.
07:20It's really great.
07:21Shut up.
07:22Let's go.
07:23Let's go.
07:33Let's go.
07:38Let's go.
07:40Let's go.
07:49Let's go.
07:52Let's go.
07:53A little.
08:08Let's go.
08:09Let's go.
08:10Let's go.
08:11Let's just wait.
08:14Let's go.
08:14Let's go.
08:16Oh, wait.
08:22Watch out that you don't get into it. Is it possible?
08:25Yes, let's go.
08:27Wait a minute, I'll go first. Are you ready?
08:30Yes, yes.
08:36Mariana, Mariana, Mariana.
08:39What is that?
08:40What is this shit? What is this shit?
08:42What is this shit?
08:44It's a hell of lactobacteria.
08:46Come on, give me another one.
08:47Please, wait, wait.
08:50Wait, wait, wait.
08:51Can I?
08:53I'm sorry, I'm sorry.
08:55I'm sorry, I'm sorry.
08:57Wait, wait, wait.
09:00No, this is higher than the Brazilian maderoterapies.
09:04When you're young, you're in the cellulite.
09:06This is higher than that.
09:07I'm sorry, four times.
09:09Maco, you wanted to get the guitar,
09:11You got the bus from the back of the future,
09:14and now you're in the ring again.
09:23It's not, I'm telling you.
09:35In the life of a woman who has been doing this whole life with champagne.
09:39She's sitting on a club in the middle of the hill.
09:46While you are using a cream of milk.
09:53You just described the perfect purpose for the brak.
09:58Let's go.
09:59What is the brak?
10:00What is the brak?
10:01Well, I'm just hypothetically.
10:06Let's take another drink and go.
10:11Ah!
10:12Oh, oh, oh, oh, oh, oh...
10:15Arianna!
10:16Rijana!
10:30Veljko!
10:31Olo!
10:32Let's leave the water to get the water.
10:35Okay.
10:36Let's go.
10:37Where are we?
10:37We'll get a little to the smoke.
10:38No.
10:39We'll go to the milk, you and I and your one,
10:42if we have a life of the milk.
10:43From the pero, you and her?
10:45Wait, when you eat the pero together, you don't pay for it?
10:49From the past, we have to go to the bar.
10:52And that's why the pero, we have to be with you.
10:54I'm sorry Igor.
10:55What are you?
10:56I'm sorry that we will have good people, good friends,
10:59that we're one next to another.
11:01Let's go, bro.
11:02You know what I mean?
11:03You go and throw something to the table.
11:04I'm sorry, we'll go.
11:06Okay, I'm sorry I'm sorry, but Diana is stuck like a rock.
11:09It's a pain in my body.
11:10I'm sure it's for her.
11:11God, he will come and I'll bring him back.
11:15When did you become a humanitarian therapist?
11:19What are you interested in?
11:21What are you thinking about?
11:23Look at what you're saying.
11:25What are you talking about?
11:26Let's go and buy it.
11:29Let's cry and see.
11:31Yes, we're right.
11:32Let's go.
11:35If this world doesn't save me, nothing will be done.
11:52Only chat.
11:54I'm just a little.
11:56I'm sorry.
11:57Sorry, we need this 100.
11:59I was sorry, we got the氣 and the气.
12:02You bring the about this one.
12:04I need to be sorry.
12:04You owe me the whole thing, but you've got to make you know it.
12:07You have to do it for him.
12:08It's like 4 kilograms in there.
12:10Shefe, it will be nice to see the dno.
12:13There is no reason to see the dno.
12:15Just put a little luk.
12:16What's going on?
12:17It gives volume.
12:18Let's give it.
12:19Look at this.
12:20This is actually not a labuda.
12:23God, it doesn't matter.
12:24It doesn't matter.
12:25Let's give it to the flowers.
12:31Here it is.
12:32What are you doing?
12:34It's a bucket for young people.
12:35What are you doing?
12:36Let's give it to me.
12:37Let's give it to the decoration.
12:40Let's go.
12:42I found this.
12:44It was a little bit of a bag.
12:46It looks archaic.
12:47It's good.
12:49It's good.
12:51Marko!
12:51Is it good?
12:53Is it good?
12:53Is it good?
12:54Is it good?
12:54Is it good?
12:55Is it good?
12:57Why is it good?
13:00We will get a fancy napkin with a taste of pulpe.
13:04Let's go.
13:05Let's go.
13:06Let's go.
13:06Let's go.
13:10Let's go.
13:22Let's go.
13:23Let's go.
13:23Let's go.
13:24I'm sorry.
13:25I will go.
13:25Let's go.
13:26Why do you call it?
13:27I'm looking at something like that.
13:30This is not a bad sleep.
13:33This is, dear my dear,
13:35the answer to the Crnogors' relationship
13:38on the Beograd's bankruptcy.
13:40The cafe is ready.
13:46Come on, go ahead.
13:48Come on, go ahead.
13:51I can't wait.
13:52Come on, come on.
13:52Come on, come on.
13:55Marko, come on to help me.
13:56Marko!
13:58What is this?
14:14Let's go, let's go.
14:16Let's go, let's go, let's go.
14:17Let's go, let's go.
14:18Let's go.
14:19Please, please.
14:21Please, please,
14:21the pulse is still not moving.
14:23Yes, yes.
14:24What is the pulse?
14:24We have time for the pulse.
14:25Let's go, let's go.
14:27Pero said that the dress code is available.
14:29What is this?
14:30What is this?
14:31What is this?
14:33This is an operation of the office.
14:35There is no such thing, Diana.
14:36This is from the boutique.
14:38Suada.
14:39Tursk avant-garde.
14:40You have the keys.
14:41I see that I have keys.
14:44And as we see plasticBillets...
14:46Yes.
14:48I can't use those plastic própria,
14:49not to be able to use it on my feet...
14:50because my feet are so rotten as such an sun.
14:54Yes.
14:54It's impossible to stop and take me out of it.
14:56No, please.
14:57Don't be hurt.
14:58If you have a seasoned female sister,
14:59you're the only one who has to be able to help me.
15:01Let's go, let's go.
15:02Let's try this to be able to help me.
15:05Plastic keys and plastic keys.
15:07and we're going to break from electrostatic electricity.
15:10How are you from physics?
15:11No, no, no. You won't shake your hands.
15:14Let's go.
15:15Mariana, Mariana, I'm sorry.
15:17Why would I go to a black hole in the restaurant?
15:21I don't want to be a bitch of a bitch.
15:23Dijana, do you know a bitch?
15:25This is an aesthetic.
15:28He cares about all the details.
15:30He's a fan of his identity, visual identity.
15:33I'm sorry.
15:34I'm sorry.
15:36I'm sorry.
15:38I'm sorry.
15:38I'm sorry.
15:39I'm sorry.
15:40I'm sorry.
15:41I'm sorry.
15:41I'm like, I'm bleeding.
15:42I'm not even more.
15:46I'm bleeding.
15:49Okay, let's go.
15:56Let's go.
15:56We're going to find ourselves.
16:01Let's go.
16:03Let's go.
16:25Let's go.
16:28Let's go.
16:28Let's go.
16:52Let's go.
16:54Let's go.
16:56Let's go.
16:58Let's go.
16:59Let's go.
17:28Let's go.
17:29Let's go.
17:30Let's go.
17:31Let's go.
17:32Let's go.
17:33Let's go.
17:34Let's go.
17:35Let's go.
17:35Let's go.
17:36Let's go.
17:47Let's go.
17:49Let's go.
17:51Let's go.
17:51Let's go.
17:52Let's go.
17:57What's this?
17:58It's a food.
18:00It's not Perot died, but no one didn't know me.
18:02No.
18:02Let's go.
18:03Perot is alive.
18:04He's a little weak, but he's a little weak.
18:07Let's go.
18:08The meat here is a menu, It's like a srirotinuan.
18:12No, no.
18:13I don't get in these things.
18:15Gastro-selective,
18:16subi,
18:17njeguški sir,
18:18kanapei,
18:19from subog njeguški siri,
18:20환ers.
18:21Then pulled vegetables,
18:23friamed,
18:23trun screaming.
18:25Really?
18:27You're sure.
18:28You have to buy some vegetables on the floor.
18:31Want me to bring a rod on the floor?
18:32And I'm going to wait here.
18:34I can't hold you.
18:35Give me a table, I'm a wife, I want to...
18:38Why Joca is sitting here with a lamp like a chair?
18:43What does that mean?
18:45Listen, we paid 50 euros.
18:48The real mother was looking for money on the floor.
18:51And Jovan was released from the internet.
18:54What a mother?
18:56You're welcome, woman. You see Joca?
19:00Joca, who doesn't want to put two separate letters,
19:05I'm sorry to me.
19:07Listen, Mr. Polijester, I've been here very seriously.
19:11I've been doing all the morning, articulation and diction.
19:16Please, go to this altar.
19:20Dixi, love, I didn't understand this.
19:23I'm sorry, I'm sorry, I'm sorry.
19:29What do I need to write here?
19:30That I'm going to tell you about the life of Igor,
19:33and you're going to tell me about the life of Infostar.
19:35I'm sorry, I'm sorry.
19:37Dijana, love, I know that I don't have a boat
19:39and I don't have to drive you to Bahame.
19:41I don't have that house in Perignon,
19:42but I have you.
19:45I decided to hold you until you don't understand me
19:48that you can get better than me.
19:54People...
19:55Is this really?
19:57Really, Dijana, really.
19:59Stella and I are buying you this haljim.
20:01And the cipel.
20:01I mean, they're selling you, but they look at the top.
20:05No, no, no.
20:06And you think you're thinking about it.
20:08Yes, yes, yes.
20:10What is it?
20:11It's when there are musicians,
20:14who play, who play,
20:15who play,
20:16who play,
20:17who play,
20:17who play,
20:18who play,
20:18who play,
20:19who play,
20:19who play,
20:20who play,
20:21who play,
20:21who play.
20:24That's right.
20:25Are you making sense?
20:30and that I'm going to burn the milk.
20:32Why will I burn the milk?
20:33No, Diximo, you smell from the soul, believe me.
20:38Really? You're sweet, I smell from the soul.
20:43No, no, no, I'm going to show you all this.
20:46You know what?
20:47I'm going to go out and sit down the stairs.
20:50There's this restaurant to fly in the air.
20:53Love, everything goes in the air,
20:55but I've found my heart.
20:57I know that you love me,
20:59and I'm going to go ahead and go ahead and go ahead
21:02as a top authority.
21:04This is all here.
21:05This looks like they've survived the atomic bomb.
21:08I know.
21:09Cipele, they're so angry.
21:12They're so unquality.
21:13I'm going to get rid of the size of the milk.
21:16I know that.
21:18Yeah, I'm going to throw it out.
21:19I'm going to be finished.
21:22Because of the electric electricity.
21:24I'm going to do it completely.
21:25I'm going to do it.
21:28Okay.
21:28All right.
21:30All right.
21:30All right.
21:30I can't pray.
21:31I can't pray.
21:32Peace and peace in the peace of the law.
21:34Oh, and otherwise we'll have the order to come up.
21:38I'll move on.
21:39I'll be in front of Jovan Glavojиче,
21:41in front of the localído,
21:44I'll ask you to ask her
21:48if I'm in front of you and when you use it.
21:54And you want to be sed shaken properly.
21:56Yes, I'll take it.
21:59Great!
22:03Do you want to take the bride's bride,
22:07so that you don't give him a long way,
22:09and in the good and the good,
22:11and in the badness?
22:14Very bad.
22:16I'll take anyone else,
22:19just to give me this one.
22:20Anyway, that was a big problem.
22:22Ma'am...
22:25Like even a man from the neighborhood,
22:30I'll give you a husband and wife.
22:33I pray, I pray...
22:37Please, please, please,
22:39please give our hands up
22:40if we're going now to spend it here.
22:43And so.
22:44What's the hands up?
22:46Who bought the hands up?
22:48My husband.
22:48I gave you 20 euros.
22:51I gave you 20 euros.
22:52He gave him a pair of shoes.
22:54You're a fool, we'll give him a pair of shoes.
22:57Just slowly, just slowly,
22:58without panic. Optička, varka,
23:00maika, braka.
23:01Marko, don't give me these dihtunge.
23:04Come on, come on.
23:06Look, the real Italian dihtunzi
23:10rastegljivi, nerđaju.
23:11Look, look.
23:12That's it.
23:15Dihtunzi.
23:15I'm going to hold on my hand
23:18dihtunge from the cafe apparatus.
23:19People.
23:21You'll only have to go back to me,
23:23because the right hand is holding on to you.
23:25Ah, it's amazing.
23:28What have I experienced?
23:30I'm falling down, down, down, down.
23:32God, help me.
23:34Okay.
23:35Come on.
23:36You can love young people.
23:39Come on.
23:40Come on.
23:41Let's go.
23:41Let's go.
23:42What are you doing?
23:46What are you doing?
23:47You're going to be electrified from the polyester.
23:50It's not. It's an emotion.
23:52Marko, give us a champagne.
23:55That's it.
23:56That's it.
23:57That's it.
24:00Let's go.
24:03Let's go.
24:09Let's go.
24:16Let's go.
24:20Let's go.
24:21Let's go.
24:23Let's go.
24:23Let's go.
24:24Let's go.
24:25Let's go.
24:26Let's go.
24:27Let's go.
24:28Let's go.
24:29Let's go.
24:30Let's go.
24:32Let's go.
25:01It's a detox champagne for young people!
25:04Come on, let's live!
25:06Come on, come on, come on!
25:08Come on, come on, come on!
25:10There are no chevaps!
25:15Good luck!
25:16Good luck!
25:50Good luck!
25:51I have no romance without a lot of money!
25:53Can't wait!
25:54Maybe I will not tell you the rest in Sotomayor!
25:57I will never forget you, Sotomayor!
25:58with a pusher one and a newlywed soda,
26:00but I will never forget you,
26:0120 years ago in the war!
26:04That's right!
26:06Love!
26:08What do you think, Perot,
26:10when we have all of this, what is said,
26:11that we have to pay for a party,
26:14and you and me and me?
26:16No, no, no,
26:17I don't have any money,
26:19I had a lot of money.
26:22Okay, Perot,
26:23I didn't think about money, my mother.
26:25No, no,
26:26I don't have any money.
26:38The end of the war...
26:39He took the role of the chef of Saleh.
26:40I believe that give all these people
26:42cevapis, and watch all that,
26:43if they don't return them,
26:43we have no problem.
26:45In fact, these are cevapis
26:48like some Carpathian from cevapa.
26:53Wait, high-end, minimalist...
26:56Oh!
26:57If someone told me that I'm going to be guilty, that I'm going to smell the milk, that I'm going
27:04to wear this diktum on my finger, I'd have to charge him for the blame.
27:09And now?
27:10I think it's the most beautiful, the most beautiful, the most beautiful and the most beautiful thing I've ever seen
27:16in my life.
27:16And I love it.
27:18Željko, I'll make you a successful girl.
27:22You have to buy me that diamond prst.
27:26I won't be able to wear this whole life.
27:28I pray for you.
27:29It's agreed to love.
27:30It's agreed.
27:31As long as I'm standing on my knees, I'm going to be 255.
27:35Dixie, I want you to be static and nobody will remember it.
27:41It's a lot of philosophy.
27:44Please give me young people a little bit.
27:47And here we go.
27:52Tort!
27:53Tort!
27:54Tort!
27:55Tort!
28:00Yeah.
28:01Željko, better here to be without a pair than in Beograd,
28:04and to be a purple burguer,
28:05and to be a grub.
28:06I'm a grub.
28:06I'm a grub.
28:07I'm a grub.
28:09I'm not going to go.
28:09I'm not going to go.