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Writer/Director Jay Diaz & Actor Jeff Torres talk to Fest Track about perspective vs. perception, micro-agressions and coding and the balance of dreams and sacrifice in regards to their new film "Angeleno" playing the Feature section of Dances With Films LA 2026 in Los Angeles, California.

#FilmInterview #Perspective #Angeleno
Transcript
00:25perspective and perception
00:27you know obviously with angel
00:29that's I mean we see that when he's
00:32in that one meeting
00:32his friend wants to change the perception of the story
00:36he wants to tell you know
00:37and that's true that's you know obviously
00:39there's a certain ghosting to that
00:42there's the coding there's all kinds of stuff
00:44going on but it's interesting
00:45to look at a character's perspective
00:48but how they want to be perceived
00:50versus how they think they
00:52need to be perceived that's why the
00:53scene with Mia right at the end
00:55and I don't want to give too much away
00:57it really decodes that
00:59to show that you know what do you want
01:02yeah I think
01:04it's interesting you're saying that I think
01:06you know Jay wrote something and I think
01:08that again I connected to this idea of
01:09this is something that I think anyone
01:12anyone who's like a
01:13a person of color
01:16you know anyone's a minority
01:17will understand these levels
01:19of microaggressions these levels
01:22of I'm trying to help you
01:23but like the undertone of it is
01:25I'm trying to help you
01:27be less you
01:28because you need to be
01:30more mainstream
01:31or whatever that is
01:32it's a sense of like
01:34I'm accepting you
01:35but I'm only accepting part of you
01:37you know
01:37I want to shape you this way
01:40and
01:41there's this interesting thing
01:42that I think
01:43you know
01:43when I watched it
01:45I was like
01:45I'm so glad that it came across that way
01:47that there's a thing
01:48you know
01:49the code switching is a thing that happens
01:50there's a thing called
01:51code
01:53there's code shifting
01:54and code
01:56shifting
01:57and then there's a
01:58code changing
01:59and they're different
02:00shifting is kind of like
02:01you're still yourself
02:02but you're adapting to different environments
02:03and there's something about Angel
02:05that he just is himself
02:07everywhere
02:08and it's interesting
02:09that the different people
02:10put on a different view of him
02:12that's what I thought was interesting
02:14it's like
02:15he's himself
02:15in the whole movie
02:16I'm not like
02:18massively changing
02:19depending who I'm talking to
02:20it's not that I don't
02:21interact or meet them
02:22where they are
02:22but he's himself
02:24and when he's in these meetings
02:25they're like
02:26oh
02:26we see you as this Latino guy
02:28we see this aspect of you
02:29we're going to make this movie
02:30and all of us have that
02:31I've been in so many meetings
02:33where people are like
02:33oh I see like
02:34you're spicy
02:35whatever
02:35and they're putting all this stuff on me
02:37and I'm just like
02:38this is weird man
02:39like I think
02:39I'm just like kind of a dude
02:41and I'm bilingual
02:42and I grew up an immigrant mother
02:43and like you know
02:43I am
02:44I'm
02:45Mexican dude
02:45like you know
02:46whatever
02:46I was born here
02:48but like
02:48I had Mexican roots
02:49but it's like
02:50that's not
02:51it's not I'm one or the other
02:52it's like I'm both
02:53I'm all
02:54and then that was like
02:55a really interesting thing
02:56to be like
02:57this dude is just who he is
02:58and the perception
02:59is not his own of himself
03:01it's everyone else's version of him
03:04you know
03:04so I thought that was like
03:05a really interesting thing to see
03:07and how
03:07again
03:08he doesn't really take it personally
03:09even at the end
03:10well not to give too much away
03:12but
03:12it's him making the decision
03:13to be like
03:14oh man
03:15I'm not going to ask for permission
03:17for people to see all of me anymore
03:19that's the journey
03:20the journey is like
03:20I'm going to be myself
03:22and I'm going to do my thing
03:23like that's kind of
03:24the journey that we're taking here
03:25right
03:25and
03:25and I
03:26you're right
03:27that it's a lot of it's unspoken
03:28it's in the reactions
03:29it's in hearing what people are saying
03:31and understanding deeply
03:33what they're actually saying
03:34versus what they're saying out loud
03:36and their energy
03:36it's kind of like
03:37uh
03:38okay
03:39I see where I stand here
03:40and I don't like it
03:41and I don't like it
03:42and I love
03:42I kind of love that
03:43that it isn't
03:44again
03:45it's not punchy
03:45it's like
03:46it's going
03:47it's like very fluid
03:48and very like
03:49I don't know
03:49there's something really cool about that
03:51that I
03:51that I really
03:52I'm glad that that stuff
03:53comes across
03:54when you say that
03:54it's not in the dialogue
03:55that
03:56that makes me very happy
03:57to hear that
03:59so fucking good man
04:01a friend of mine brought me here
04:02a long time ago
04:06I love places like this
04:07so authentic you know
04:09oh yeah
04:10yeah
04:10for sure
04:11thanks for hanging out with me tonight
04:13yeah
04:14I'm glad we reconnected it
04:16same here
04:16it was all fun
04:17fucking great
04:18was that party
04:19dude that was actually really fun
04:20right
04:20yeah
04:20that was the after party
04:21you know
04:22well it's a character piece
04:23in many ways
04:24it's plot driven
04:24but it's a character piece
04:25I mean Jay
04:26could you talk about
04:27perspective and perception
04:28in that way
04:28because you know
04:29writing there's a certain voice
04:31that has to come across
04:32in terms of
04:33the character
04:34but in terms of the
04:35overall
04:36you know
04:36picture
04:37that's
04:37that's your approach
04:39you know
04:39and you have to give that perspective
04:40you know
04:41while showing
04:42because you're a filmmaker
04:43you're at LA
04:44you're doing all this
04:45you don't want to make it too meta
04:46but you also want to make it
04:47you know
04:49respective of what
04:50the experience is
04:51if you will
04:52I mean I think
04:53Jeff nailed it on the head
04:55in terms of the perspective
04:56and perception thing
04:57the one thing I'll add
04:59is that
04:59you know
05:00I come from the Linklater
05:01Sean Baker style movies
05:03where like
05:04it's very slice of life
05:05and very you know
05:06observational
05:07of like what
05:07what
05:08how grounded
05:10something could be
05:11and how
05:13I don't know
05:14I think
05:15I think for me
05:18the biggest
05:19the biggest
05:20compliment
05:21that I could get
05:22from this film
05:23is
05:24it's
05:25it's real
05:26it feels real
05:27I think
05:27and
05:28and that's the only way
05:29I can
05:30describe it
05:31to anyone else
05:32about what this movie is
05:33because
05:33not a lot of people
05:35haven't seen it
05:36I'm really excited
05:36about what
05:37people will think of it
05:40I'm not necessarily
05:41nervous
05:42if I'm being honest
05:44it's more just
05:44this excitement
05:45of just like
05:46I hope
05:46people can see
05:47what I see
05:48and maybe
05:49I'll hopefully
05:50be for the better
05:50wow
05:51that was
05:51the wrap party
05:52was okay
05:53you know
05:53it was the wrap party
05:55but no one lets loose
05:56that's why
05:56oh the double party
05:57the Taylor classic
05:58yeah
05:58Taylor classic
05:59that's why I do
06:00the after parties
06:00I remember the classic
06:01Taylor double dorm parties
06:03yeah right
06:04you had to keep
06:04the party going
06:05got it
06:05and you got to be
06:06Colin
06:07how cool is that
06:08he's cool man
06:09he's a cool dude
06:09he's great
06:10he's a good director
06:11and he
06:12he liked you
06:13yeah
06:14yeah
06:17so what happened
06:18and my last question
06:19to both of you
06:19well congratulations
06:20being in Dance With Films
06:21they're very
06:22specific about
06:23how they select
06:24and I've known them
06:25for years
06:25I do both coats
06:27usually
06:27I'm sorry
06:27I won't be there
06:28in person this time
06:29it's just a
06:29conflict of schedule
06:30but the
06:31you know
06:31it's interesting
06:32because what you're
06:33talking about
06:34anticipation
06:34looking forward
06:35to how people react
06:36what's interesting
06:37that over my experience
06:39is the memory of it
06:41you know
06:41how you look
06:42like the memory
06:43of shooting this movie
06:44the memories
06:45that you had
06:46when you were
06:47in your early 20s
06:48you know
06:48just going nuts
06:49trying to
06:50get everything done
06:51to where you are now
06:52you know
06:53those kinds of things
06:54you know
06:54can you talk about
06:55the power of memory
06:56and power of expectation
06:58but accepted expectation
07:01of what
07:01you want to accomplish
07:03versus how you'd like
07:04the audience
07:05not necessarily
07:06to react
07:07or to digest
07:08but to see
07:10what you're doing
07:10this is kind of
07:11my first like
07:12lead role
07:13like where I'm like
07:13I'm in every single
07:14scene in this movie
07:15and I
07:16you know
07:16I've been acting
07:18for a long time
07:19and I've done a lot
07:20of stuff
07:20I've done so many
07:21different things
07:21and I
07:22you know
07:22I come from
07:23a theater background
07:23so I've been doing
07:24just a lot of stuff
07:25and the experience
07:27was oh man
07:28I've wanted to be
07:29like a lead actor
07:30or a star
07:31in a thing
07:31for so long
07:32and this comes along
07:34and it's this very
07:35grounded character piece
07:36it's like we said
07:37slice of life
07:37it's very
07:38it kind of hinges
07:40on whether or not
07:41you believe who I am
07:44care about who I am
07:45and kind of like
07:46like the character of Angel
07:48if like
07:48if you know
07:49and there was this moment
07:50before we started shooting
07:51where I was like
07:52oh man
07:53if like
07:54if for whatever reason
07:55people are not picking up
07:56what I'm putting down
07:57they're just gonna be like
07:57this sucks dude
07:59and it was this very scary moment
08:01of
08:02it's like
08:02I want this thing
08:03I want this thing
08:04I want this thing
08:04and then the universe is like
08:05here you go
08:05and you're like
08:06oh man
08:07that's heavy dude
08:08but to me
08:09like
08:10you know
08:10the memory of doing it
08:12it like
08:12it was like a blur
08:13it happened really fast
08:14we shot very quickly
08:16and you know
08:17when I saw it
08:18it was a year and a half
08:19after I think we shot it
08:20maybe
08:21roughly
08:21something along those lines
08:23in a year or so
08:24and I was really disconnected
08:25from when I saw it
08:26but I was like
08:27whoa dude
08:28we like captured something
08:29very special
08:30and at the time
08:31you never know
08:32you never know
08:33sometimes you feel like
08:34it's incredibly special
08:34when you're making it
08:35sometimes you remember
08:36whatever
08:37and sometimes you just
08:39have no idea
08:39and I remember watching it
08:40and being like
08:41oh man
08:42this is
08:42this is real cool
08:43this is real cool
08:44this is something
08:45I think people are
08:45going to connect to
08:46and that to me
08:47the memory part of it
08:48making it
08:49to me was a really
08:49kind of formative experience
08:51being like
08:51oh this is what it is
08:53this is the importance
08:54of like what you said
08:55the non-spoken things
08:56and the character
08:56and kind of knowing
08:58every piece
08:58of where you're supposed
08:59to be at
09:00and what the arc is
09:01and where you're going
09:02you know
09:02and that was a really
09:04it was a really big lesson
09:06to me as an actor
09:07like a huge huge lesson
09:08to me as an actor
09:08big time
09:09so I
09:10yeah
09:10so I'm glad to share it
09:12and kind of what Jay is saying
09:13I'm very proud of it
09:14so I can't wait
09:14for more people to see it
09:19all anyone could ever talk about
09:20was our film
09:21it's really easy to think
09:22this is the city
09:23where dreams come true
09:24without thinking of all
09:25the people that are out there
09:25fighting to keep that dream alive
09:27what about your dream
09:28your dream is here
09:29if you just keep giving
09:30and giving
09:31what are you going to have
09:32back for you
09:48you saw it every day
09:50you saw all the different takes
09:51you saw how it cuts together
09:52how those moments breathe
09:54could you talk about that
09:56because you've been with it
09:57all the way to this point too
09:59so
09:59it's been quite a journey
10:01I mean even from the first day
10:02of shooting you know
10:03I was
10:04I knew what I wanted
10:06you know going in
10:07and I was fortunate enough
10:09to have my actors trust me
10:11because you know
10:11obviously we're super indie
10:13super shoestring
10:14and there's a lot of trust involved
10:16especially when we start
10:17facing challenges right
10:19and we face a lot of challenges
10:21sometimes locations
10:22weren't actually secure
10:23and there's all these
10:24different things
10:24and so for me
10:25I just had to hone in
10:27on what this story
10:28actually means
10:29and you know
10:31once we all kind of figured
10:33what that was
10:34it just started to kind of
10:35keep going and going and going
10:36but to go back on the memory
10:38side of it
10:39like after we filmed
10:40I had to step away
10:41because it was so draining
10:43to be
10:44to do a feature film
10:45it's my first feature film
10:46I didn't realize
10:48how draining it could be
10:50so I actually put it aside
10:51for a few months
10:52and until I finally got
10:54into the edit room
10:55and I think that was
10:56the best thing I could have done
10:57because it allowed me
10:57to separate it from it
10:59from the experience
11:00and now see it as a viewer
11:02and be like
11:02okay what do we have here
11:04and that allowed me
11:05to kind of figure out
11:06the pacing
11:07figure out the scenes
11:08rework the scenes
11:09on like what actually worked
11:11and what didn't work
11:12and you know
11:13as a filmmaker
11:14you feel married
11:15to everything that you shoot
11:16but then not everything
11:17that you shoot
11:18is going to be gold
11:18right
11:19so like I had to have
11:20those conversations
11:21with myself
11:22about like well
11:22is this really needed here
11:24is this here
11:25like do we need this line here
11:27and there was a lot of that
11:28and you know
11:29for better or worse
11:30it was just me
11:31in the editing room
11:32you know
11:34it's all on me
11:35on whether you know
11:35people enjoy it
11:36and I'm fine with that
11:37because I again
11:38I made the movie
11:39that I wanted to make
11:40and I am really proud of it
11:41and I think people
11:42will resonate with it
11:43it's not just an LA story
11:45it's not just a Latino story
11:46it's a universal story
11:47about you know
11:49that it's never
11:50too late to dream
11:57you
12:02you
12:04you
12:06you
12:06you
12:15you

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