- 22 hours ago
Igra sudbine, Epizoda 1865, Igra sudbine 1866, Igra sudbine 1865, Igra sudbine Epizoda 1865, Igra sudbine Epizoda 1866, Epizoda 1865 Igra sudbine, Epizoda 1866 Igra sudbine
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TVTranscript
00:04Transcription by CastingWords
00:13What is it? What is it?
00:15I'm interested in one thing.
00:19Where do you think you're lying?
00:21Who do you work?
00:24We've told you that it's a tough intelligence.
00:26It's a tough intelligence.
00:29Where is it?
00:31Where is it?
00:34What is it?
00:37What is it?
00:38You're sure you don't work for me.
00:40If you don't work for me, who do you work for me?
00:46You know what I'm doing for you.
00:48I don't know exactly what you're doing.
00:51You don't know what you're doing?
00:52No.
00:53Why did you tell me that Alex Ožegović paid a lengthy note?
00:58I have to tell you something.
01:03You can. I just pray for some criticism.
01:06You don't have any more knowledge.
01:08And this isn't a criticism. It's a compliment.
01:14Compliment, I'm sorry.
01:15I'm sorry.
01:16Listen.
01:17I have a lot of work.
01:20It's like you're doing something.
01:23You're looking for a little bit.
01:25You're looking for a little bit.
01:26You're looking for a little bit.
01:28I understand you.
01:29Let's do it.
01:29Let's do it.
01:32What are you doing?
01:34What about you?
01:35What about you?
01:35What about you talking about here, my mother?
01:37We're talking about Natasha and Ožošević.
01:40What are you doing with Ožošević?
01:41And that's right, you don't know.
01:44You're a wonderful mother.
01:46Alexa is Lenkin's great love from the past.
01:53When Lenkin would know that Alexa would pay her money,
01:57she would return her.
01:59And no one would have been able to divide her.
02:03Sorry, I don't know what that is.
02:05I think if we need to call him Alex,
02:10we can be able to solve it.
02:11No problem.
02:12You don't care about anything?
02:13We can't solve it,
02:15because Lenkin would have been able to call him only in the house.
02:19You know, everyone loves it.
02:21Everyone is happy.
02:22Everyone is happy.
02:22And that's it.
02:23And that's it.
02:23And then we can't do anything.
02:26We can't do anything.
02:27We can't do anything.
02:27I can't do anything.
02:28I can only do one of the things I need to do
02:32from one of the unexpected people.
02:34The unexpected people?
02:36Yes.
02:37Well, okay.
02:40This time you'll be able to get to,
02:41And that time and get to know that
02:45You come here,
02:49coffee,
02:52you can make people,
02:54and you can take it.
02:58And that you can take it.
02:59And that he lives to the club,
03:00and you can take it out.
03:03And then you'll see the club.
03:08What's with her?
03:10I thought she would say that she would say that she would come here.
03:15Meaning that she would say that she would say that she would come here.
03:18You understand?
03:20I've told you that he wasn't my brother.
03:25Okay.
03:27In this case, if you had a better son, I'd say a little bit.
03:32It's easier.
03:34What do we not want to do?
03:36We'll be happy with that.
03:38In my life.
03:42This road starts to turn.
03:45Turn, turn, turn.
03:47What do you think you need to do?
03:49You need to know that when we leave the road,
03:51we need to turn off the road.
03:53Okay.
03:54And we need to do it,
03:57you and I, our story.
04:02To myself.
04:17To me.
04:28In next, it's amazing.
04:32Wait a minute.
04:38As love in the war, there is no rules, you have one life, only one chance to become the one
04:55who is the star.
04:57All is love, there is no rules, you have one life, only one who is the star.
05:44All is love, there is no rules, you have one life, only one who is the star.
05:53All is love, there is no rules, you have one life, only one who is the star.
05:53All is love, there is no rules, you have one life, only one who is the star.
06:13Hey.
06:15Eh?
06:16Budi se.
06:23Legle su pare od blakoja.
06:28Good.
06:29Good is not been on the test.
06:30What was it?
06:32What was it?
06:32It was very uncomfortable, incredibly uncomfortable.
06:36You don't want to tell me more about it.
06:39You know what?
06:40It's better than anything.
06:42Okay, understand, but you're right.
06:44You're right, you're right.
06:47I'm sure you're right.
06:48You're right, you're right.
06:49You're right, you're right.
06:50I've been looking for one of the best trials.
06:54And now I'm really going to the right path.
06:57Thank you very much.
06:59I don't know what you're doing with you.
07:00Come on, I'm sorry.
07:03Tell me, what's your fault?
07:19What do you want to do with your pipel?
07:21What do you want to do with this gentleman?
07:23What's your fault to his wife?
07:23He sits around that his wife doesn't meet him.
07:25He tells me something about me.
07:26What do you want to do with this man?
07:27What do you want to do with this gentleman?
07:27What is it?
07:28Uruš i remember you made a loan of a Bu.
07:30Alexi or Žegoviću foriynka.
07:33Okay.
07:34Okay. And what's with that?
07:36What's with that?
07:37I want to return the money.
07:40What do I want to return the money?
07:41Well, I've done those money.
07:43I've done it. You've done it.
07:46I've done it.
07:46I've done it.
07:49You know what I think when I say it.
07:52I know what you think when I say it,
07:54but I don't know if you're listening to me
07:55or what I think when I say it.
07:57The circumstances have changed.
07:59I want to go back.
08:02Wait, wait, wait, wait.
08:04He got a girl
08:05and now he wants to get rid of these money.
08:08That's my idea.
08:09I don't understand anything.
08:11He will not get rid of it.
08:12He wants to return the money.
08:15Who will return the money?
08:16Alexi Kožegovic.
08:30It's a moral dilemma.
08:32What do you do?
08:34I asked Alexi to tell Lenke that he paid the money for her.
08:38And?
08:39He's strong as usual.
08:42Did he get rid of it?
08:43Absolutely.
08:43He doesn't want to know it ever.
08:46Okay.
08:46You know what?
08:47He has his own reasons.
08:49I don't know who the reasons.
08:50He's got to know.
08:51I don't want to see him.
08:52I don't want to know what the money is going to be.
08:54I don't know.
08:55I think he's going to be worried.
08:57Did he get rid of it?
09:12He's going to be worried about it.
09:14I don't want to know who He is.
09:19Great.
09:20There is a point on it.
09:22Okay, but do you think that the girl needs to know who saved her?
09:27When I think about it, I think it would be necessary.
09:32It's kind of cosmic.
09:33I'm talking about that. I feel that I have to do something.
09:38Let's go.
09:49Let's go back to Alexi Ožegovic.
09:51Are you aware that it is impossible?
09:53Do you understand that you are entering the open room with the Uroš?
09:57And?
09:58What is it? Do you hear what I'm saying?
10:00I hear you perfectly. I understand what you're saying,
10:03but I don't care what the Uroš will do.
10:05Okay, that's not the most important thing.
10:07It's not the most important thing that you want to sit on two floors.
10:10I sit on two floors?
10:12No, I'm trying not to die the brother's blood.
10:15What's the brother's blood?
10:16I've told you that he's not a brother and don't call him.
10:19Okay, okay.
10:22Let's not deal with the Uroš.
10:25Let's deal with your beloved father, Velibor.
10:29Why are you a little, but even a little,
10:32you don't look at him.
10:34What?
10:34He looks at him.
10:36And that's why I'll be the main head in this city.
10:39Okay.
10:40Do you know why he's been your so-called main head?
10:44Huh?
10:45I don't know.
10:46He didn't go around,
10:47he took a gun,
10:48he took a gun,
10:48he made some nonsense.
10:50But even though he said,
10:55he didn't have to drop him into the boat
10:56and then he ran into that boat.
10:59Never!
10:59Hey, don't touch me more with that.
11:01It's not close to the boat.
11:03Don't touch me more with those stories.
11:04I've been listening to him whole life.
11:05This is what's going on, this is what's going on.
11:09He's currently working on the other one.
11:17Okay.
11:18And what about Uroša?
11:20He will never get what he did.
11:23Okay.
11:43I don't know.
11:44And what do you think?
11:47I don't know.
11:49But I would be afraid to let Alex save him.
11:53But how?
11:55It's a good question.
11:56Because we haven't seen a long time.
11:58I don't know who would be the reason for our view.
12:01It's a good question.
12:02It's a good question.
12:04It's all about you.
12:07I know.
12:07But I feel like I'm going to bite if I don't say anything.
12:11Olga, I ask you, don't do that.
12:16You're not against it.
12:18I'm not.
12:19I'm not.
12:19I'm not.
12:20I'm not.
12:21I'm not.
12:28I'm not.
12:29I'm not.
12:30I'm not.
12:31I'm not.
12:34I'm not.
12:39I'm not.
12:41I'm not.
12:43I'm not.
12:46I'm not.
13:07I'm not.
13:22I'm not.
13:25I'm not.
13:27I'm not.
13:29I'm not.
13:36I'm not.
13:39I'm not.
13:39I'm not.
13:41I'm not.
14:00I'm not.
14:08Until you say this piece.
14:09If there is no one who has lost it, there is nothing from it.
14:14There is nothing from it.
14:16What would you do if it wasn't for you? I really don't know.
14:21Thank you, Panchi.
14:24I pray, my dear, in your head.
14:28Where are you, your sun?
14:31Where are you, my dear, when you left me,
14:35when you hurt me, when you hurt me,
14:36you hurt me.
14:40You admit me, how are you?
14:43And you?
14:45I'm not satisfied, I'm not satisfied.
14:47And the money is lost.
14:50And then?
14:51And they hurt us, they hurt us, they hurt us.
14:54And then?
14:58And sorry.
15:02And sorry for a thousand times.
15:04I'm sorry.
15:05I'm sorry.
15:07Melema, you have to hold yourself up.
15:11A spectacularly, you have to hold yourself up.
15:17I'm ready.
15:19I'm ready.
15:20I'm ready and there's no room.
15:29I like it, Trio Fantastico, again on the open.
15:33Wait, wait, we are Trio or Fantastico? I don't know.
15:37What's wrong with us, sorry.
15:39Okay, listen, there's some music, some cocktail.
15:42We are great.
15:44Is there something new?
15:45Is there something new?
15:47A collection?
15:49Yes, I think we need to talk a little bit about it.
15:52I have a few ideas.
15:55Let's see.
15:57I thought I was going to put some lighter material,
16:01some more fun colors.
16:04You see, there's something like that.
16:06I like it.
16:07I like it.
16:09It's good.
16:09Okay.
16:10Yes, yes.
16:11I mean, I think it's a part of it.
16:14It's a good review.
16:15Let me tell you something.
16:16This deserves a good review.
16:21Review?
16:21Yes, yes.
16:23What to see?
16:24You deserve it.
16:25You hear it, brother.
16:27Okay, okay.
16:28You deserve it.
16:29It's amazing work,
16:30but I'll say it right now.
16:32What?
16:33What do you think?
16:34Ah, yes.
16:35Oh look, nobody.
16:45How can you do this?
16:48It's not for this, brother.
16:51Is it enough?
16:52You can do this, dear.
16:52As you know and you know.
16:54And you can't go through your own life.
16:56You can't stand it without your heart.
16:56I am sovereign, I am a calm, calm, calm soul, you know, I don't have any strength for these
17:05splurges, for these emotions, I don't have a heart.
17:09My name is, that you are calm, it doesn't mean that you should be the one who will be
17:14the one who will give you.
17:17What does it mean now?
17:19It means that you have to open.
17:21I am open.
17:23You are open.
17:24I am open, but sometimes I don't know if I am able to open, but I am open.
17:29You have to be able to open as you know.
17:32Who asks you?
17:34You don't have to go through your life like a cup.
17:37I do not think so.
17:39I do not think so.
17:40I do not think so exactly as I said.
17:43And stop going to go against your fate.
17:47You have happiness, man.
17:48What happiness?
17:50What happiness?
17:51What happiness?
17:52You have happiness, happiness as well.
17:53You are lucky for me, such as a summer, a cuckoo, like a trampoline.
17:58How do you make it happen?
17:59What would it happen to you like if you had to go like a mimo?
18:03I would not believe that I had no choice of all.
18:06But you are not like a mimo?
18:08I didn't.
18:10I am.
18:10He is a kid, he is a kid.
18:12He is a kid.
18:14And so,
18:16get up and shut up.
18:20But, Mila,
18:22I have a prayer for you.
18:36He is a kid.
18:38He is a kid, he is a kid.
18:40But, it's not a kid.
18:43I'm a kid.
18:44Well, people, let me think.
18:46One would think of you.
18:48You would recommend that you use a whole situation
18:51for promotion.
18:52that you want to do something like yourself.
18:55What do you care when I know that it's not true?
18:57Okay, but when people are interested in the truth?
19:00Everyone has their own perception and that's it.
19:03Well, it's not important what we think.
19:05What else will others say?
19:07Oh, I'm sorry. When the job is in the question,
19:09it's important what people say and what people think.
19:13Now, when it happens to be a review,
19:15there will be at least one,
19:17one, like, one-way,
19:18one-way, one-way, one-way, one-way, you know,
19:21one-way, one-way, one-way, one-way, one-way,
19:23one-way, one-way, one-way, one-way,
19:26you know, a person who is not your mind,
19:28you know what you call that you have to use,
19:31who that's not your heart for a thing.
19:34You know how many people do them?
19:37Being able to love to see it.
19:37The reason is that you are asking you a person
19:38to take care of things and to love other mistakes.
19:43I understand the things you see,
19:45marketing is not that you.
19:47Okay. That's why I'm here. I understand myself, I know what I'm talking about.
19:52Okay.
19:54Okay, whatever. I'm with you. Revija, Revija, no Revija, no Revija, no Revija,
19:59whatever you decide, I'm here.
20:02Okay.
20:03I'm here. How many hours are you? I'm going to go.
20:07I'm going to go.
20:08I love you a lot.
20:10I love you.
20:12Bye.
20:12Bye.
20:22I'm here.
20:23Do you have any problem with him?
20:35Ask, Panci, pray, look and say.
20:40The question is Goran.
20:43On opet nešto muti sa Senko.
20:46Pa niste rešili to više?
20:50To je rešeno.
20:52Maš, ko spominje još onda Senko?
20:55Pa ko spominje Senko?
20:57Ti ispomenul o Senko.
20:58Ama čoveče, urazumi si, slušaj mi što hoću ti kažem.
21:01Koncentracija.
21:02Ne radi se uopšte o Senki.
21:05No.
21:06Radi se o Goranu i o njegovoj novoj devojici.
21:10Tako.
21:11Tako.
21:12Tako.
21:14Suna se zove.
21:15Suna.
21:16Radi kod Aleksa u firmi.
21:18Aha.
21:20Ja sam sigurna da si se ti kod Aleksa u toj bundi već blamirao.
21:24Blamirao?
21:31Blamirao.
21:32Izvinite ako prekidamo.
21:33Ne, ne, ne, ne.
21:34Izvolite.
21:35Dobar dan.
21:36Dobar dan.
21:37Dobar dan.
21:37Izvolite.
21:38Ja sam Lea.
21:39A ja sam Suna i došli smo na razgovor za posao.
21:42Lipno.
21:43A da li ste možda za jedan gutlja i rasola?
21:47Rasola?
21:48Ne.
21:49Ne mora, ne.
21:50Ne morate da mažete.
21:51Možete i oralno.
21:52Ne, ne.
21:53Jedan moj bivši dečko je popio taj rasol pa je onda celu noć probao na WC šoli.
21:57Nećemo sad o tom, Suna.
21:59Dobra.
21:59Mile je upravo krenuo kući.
22:02Jeste.
22:03A vas, gospodin Žegović, čekam. Možete ući.
22:06Hvala.
22:07Hvala.
22:09Od mog rasola nije sigurno.
22:19Devojčice moje, šta se slavi?
22:21Pojale smo izveštaj za doručan.
22:23A izvestile smo ga na maks.
22:26Mhm.
22:28Pojale ste izveštaj?
22:29Da.
22:31Lako.
22:32Umjesto da ručkate rendanog mileta za doručak, vi jedete papir.
22:37Šta pričaš ti? Kako da jedem kiseli kupus za doručak?
22:41To kiseli kupus je pun minerala i vitamina, šta pričate?
22:44Di jedete papir, olovo, drvo, šta radite?
22:46Ja, mile molim.
22:48Ej, dobro, di je Aleks?
22:51Tu je.
22:52Tu je, odlično. Probajte laptop, ukusan je.
22:56Hoćemo.
22:57Ne, nego ćemo rasol, pa da idemo na WC šolju ponovo kona.
23:00Dobro, dobro, nećemo.
23:03E, oću da mi se sve raspitaš.
23:07Ko je, šta je, kakva je, gde izlazi, koso je roditeljist, kakva je porodice,
23:15kakva je kad je niko ne gleda, kako se ponaša kad je svi gleda.
23:18Eke, moram da zapišem sve to.
23:19Vidi, šta ima da zapisuješ? Pam, ti malo vezboj taj memorijalni centar.
23:26Sve zrno ispod nokta ima da je nađeš i da analiziraš.
23:32Tako je.
23:34Pa je odotle došlo?
23:36Došlo je i do previše od toga.
23:40Ja, više ništa neću da prepusti slučaj.
23:44Ajme, razoneš?
23:46Da treba krvna grupa.
23:47Samo.
23:55Kako ti je to pitanje?
23:57Mislim, kakve ja probleme mogu sa tobom onda imam?
24:00Pa ne znam.
24:00Pa šta je onda u pitanju?
24:02Pa, okej, ja mislim da samo realno sgledavam situaciju.
24:06Jesmo li smislili veliku laž?
24:08Jesmo.
24:09I sad to treba nekako održavati u životu.
24:12Čitava ta priča o tvojoj otmici, onestanku pa tvojom povratku.
24:17Evo, jesmo li plasirali priču da si bila pod stresom,
24:20da ti je bilo potrebno da pobjegneš od svega, da radiš na svojom mentalnom zdravlju.
24:24Jel' tako bilo?
24:26Eto.
24:26Sad samo zamisli kako bi to izgledalo da ti sad napraviš reviju,
24:32odjednom si kao dobro, sve je okej, prosto loše je to za marketing.
24:38Znači ti stvarno misliš da je to loša ideja?
24:40U ovom trenutku to bi bilo vrlo neinteligentno, jde tako da kažem.
24:45Nije dobro za brend, brate mili.
24:48Znači samo to je u pitoj.
24:52Što bi drugo bilo?
24:53Pa otkud znam, Kala, ne znam.
24:56Čudno se ponašaš nekako drugačije, kako mogu ja da znam šta je u pitoj?
25:00Ajde, ne lupeta, ja sam razda čudna.
25:04Nije, nego samo sam umorna, imam puno posla i to ti je to.
25:08Nije ništa.
25:10Dobra.
25:10Nije ništa.
25:11I kad smo kod posla, najbolje je da idem kući i da nadoknadim sve to što treba.
25:17Neko može.
25:20Pa ćemo se čupiti.
25:21Ajde.
25:23Ljubac, čao.
25:24Čao.
25:45Dobro, Vanja, hoćeš da mi kažeš šta je sa tobom?
25:49Ništa.
25:50Nije ništa.
25:53Češ da porazgovaraš sa nekim stručnjakom.
25:55Ja mislim da ti treba terapeut.
25:57Iskreno, muka mi je da te gledam takvu.
26:01A potrebna si mi.
26:03Dobro, upravo si...
26:06Nisam dobro, Gabriela.
26:09Zašto?
26:10Mislim, šta ti je?
26:13Pa vidi, ja ne znam, stvarno kako da ti to objasnim.
26:16Ja sam uključena u toliko stvari.
26:19Mislim, ja sam zaista ne znam pravi razlog za to.
26:23Ja meni imam, ne znam, imam osjećaj kao da tapkam u mesto. Eto.
26:28Pa to je život tvoj.
26:29Samo što sam je mislila da ti znaš nešto više o tom.
26:33Pa znam, ali nekako šta god da uradim ja ili neko drugi, ja imam osjećaj da sam ja kriva za
26:41to.
26:41O, pa je to ona osjećaj krivice.
26:43Nije to osjećaj krivice.
26:45Vidi, ti ako hoćeš da ja budem efikasna i dobra, ti moraš da mi kažeš tačno o čemu se radi.
26:52Eto.
26:56Ajde, slobodno me pitaj konkretno što hoćeš da znaš.
27:02Zašto ste ti i Aleksa uzeli toliki novaca?
27:06I zašto misliš da su Topići umešani u sve to?
27:24Imamo problem.
27:27Ne bih bio ovde da nemam.
27:29Uf, policija je počela previše danjuška okolo.
27:35Ne olim, manure.
27:36Nikad nisi načisto sa njima.
27:39Negadi približili su se i više nego što mi se sviđa.
27:43Bili su čak u Lenke.
27:45Ovaj, neki vukašin, inspektor ili šta li je već u policiji, ne znam.
27:50A u vezi čega su ispitivali?
27:54U vezi Relje.
27:55Taj mali i dalje svima pravi probleme u životu.
28:00Otvoreno ću te pitati.
28:02Da li želiš da ga se rešemo?
28:06Ne tako brzo.
28:09Ne možemo zbog Grkljana, ali svakako situacija ide ka tome.
28:13A brzina zavisi samo od Relje.
28:17A da li si razgovarao sa Suno?
28:20Ne, kakva je ona vese ima, zdi?
28:22Upremo tome se rati.
28:25O čemu ne razume?
28:26Ona i te kako ima vese s ovim.
28:30Relje je pre svega njim brat.
28:32Kako misliš da bi reagovala da ostane bez brata?
28:49BANJA
28:49Banja.
28:52Postoje neke stvari koje zaposleni moraju da znaju.
28:55To je činjenica, ali isto tako postoje one druge.
28:58Koje zaposleni ne moraju da znaju.
29:01I ti ne moraš baš sve o svemu da znaš, znaš?
29:03Znam, ali nisam ja, ali tako običan zaposleni.
29:07Pa nisi.
29:09Koliko je meni poznato, ti si na jednoj vrlo visokoj poziciji u ovoj firmi.
29:13Da, ali ja tu poziciju vrlo dobro odrađujem.
29:18A kaži mi, kada ideš na piće s ovim tvojim drugaricama, šminkerkama, šta ti one kažu, a?
29:23Da li ti zavide malo kad pričate o tome?
29:27Sigurno je tako.
29:29A sigurno i ti uživaš dok im se hvališ.
29:32Moliš da zadiviš tu masu.
29:35Vidi, Gabriela, ja nemam zamerku na moj inicijalni posao, kao ni na platu.
29:43Drago mi je.
29:46Slušaj, Vanja.
29:48Sad, ozbiljno.
29:51Kad se sve ovo završi i kad se raščisti ovo prosto,
29:55ja ti obećavam jednu ozbiljnu povišicu.
29:59Ok?
30:00Mislim, onda ćeš verovatno imati malo manje problema sa svojim savešću
30:05i možda ćeš konačno početi da uživaš luksuznom životu kakav je zaslužuješ.
30:19Sad, ozbiljno.
30:36Eh, eh.
30:39Okay, Olga is all over. Let's go to the doctor.
30:43That's all.
30:45Maybe there is hope.
30:46Yes, you have to.
30:48Sinko, thank you for taking the lead for me.
30:51For example, I think I'm going to take the lead for you.
30:53See, but I have decided to revanchise you and I have done something for you.
31:00What?
31:01What?
31:02I asked Olga to go to the doctor for the steal.
31:10It's all for you.
31:11That would be a lot of trouble.
31:12Yes, yes, yes. I agree with that moment.
31:16Yes, the consequences would not be expected.
31:19And I didn't expect it. That's better.
31:22But in relation to this, I wanted to tell you something.
31:49I didn't expect it.
31:51I'm sure I was forgot where I left my agent.
31:54I don't have a problem.
31:55Is everything okay?
31:57Yes, of course.
31:59I got to go.
32:00It's amazing to hold the house.
32:02Thank you. This woman and I have a lot of trouble.
32:04We have a lot of obligations, but the hygiene is on our first place.
32:08I like it. It's nice when I have guests who think so.
32:12Please, just check this amount.
32:15I don't have to check it out.
32:18What is new in your life?
32:21What is happening? I don't have a job.
32:25There's nothing special.
32:28Especially...
32:29I have known some interesting woman.
32:34That's amazing! What is that?
32:36That's a beautiful, charming, a little becky, but mysterious.
32:42Yes, I'm just ashamed.
32:46My wife doesn't listen to that. She says she's a little old.
32:49She's a little old, but okay.
32:51You're crazy. You're crazy. You're not old.
32:54I don't think that you're old enough for love. Never.
32:59See, that's really nice to hear.
33:01I don't need to say this, believe me.
33:03I can say it to you.
33:06The boys are here when you come here.
33:09No.
33:10No.
33:13No.
33:14No.
33:15No.
33:19No.
33:19Ivan and Olga have to...
33:23What's wrong?
33:25Ivan and Olga?
33:28What is that?
33:38What do you do?
33:44What do you mean?
33:45Who is it?
33:57I think it would be nice that your brother would stay in a nice memory,
34:02and not to destroy his life like mine.
34:06All right, that's your choice and your thoughts.
34:10What, you don't agree with me?
34:13I wouldn't agree with you.
34:26Maša, did you want something to do?
34:29No, no, no.
34:30Listen to me well.
34:33I like you and your daughter,
34:36that you are so straightforward,
34:37that I can make a very easy and nice conversation,
34:41but the slowest and unknown guests,
34:46I won't do that again.
34:48No, of course, there's nothing here.
34:49I didn't finish it.
34:49No, of course.
35:11Maša, haša, haša.
35:15M. Kastnis, M. Kastnis, M. Kastnis.
35:17Do you want me to do something like that?
35:19Let's go. I don't want you to do it.
35:21Yes, you are. You want me to do it.
35:24And now you've come to get me nervous.
35:27Yes. My hobby is to get you nervous
35:30and spend a lot of time.
35:42What happened, Vuki? What do you think of that?
35:45I came to you to help me try to understand some things.
35:51Okay. Who are you?
35:53I went to a circle of information that is in the most obvious way.
36:08Hey.
36:09Hey, Tjera.
36:11Mama, how did you do it?
36:14I was in the process.
36:16I was in the process.
36:16I was in the process before my company.
36:19You know me.
36:21You know me. I'm the most of you.
36:25What did I do, Mama?
36:26I have to tell you what I want.
36:29Tell me.
36:40It's hard, you know how it is.
36:42Yes, it's really nervous for him.
36:44Yes.
36:46And...
36:47There is one problem.
36:51What is the problem now?
36:52No problem.
37:03Come, come, come.
37:04Come, come.
37:06Come.
37:07What is it?
37:07Who came to the village?
37:10Yes.
37:10Who came to the village?
37:10The village?
37:11Yeah.
37:12Who?
37:23It was not a coincidence that this happened right now.
37:28In the cosmos.
37:29We lived here in the village, protected.
37:34You can't imagine that there are some mutlous faces around you.
37:39Yes, yes.
37:40Because Vuki, I really can't move on to them.
37:43Maybe I should.
37:44The story is ready, I said.
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