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02:44Milena?
02:45Hello, Kajo.
02:47Are you here?
02:50Can you talk?
02:52You won't be worried about what happened.
02:57So, I went to the store and everything is over and over.
03:07I don't know what to do.
03:08This is total chaos, Milena.
03:09But you don't know who is doing that?
03:11It's not Mila, it's not over.
03:14I wouldn't know what Mila is.
03:16It's certainly the real ones and the ones.
03:18You came here to break everything.
03:21Mother, Mila, what will you do now?
03:23I don't know what to do.
03:24I'm very sorry to ask you if we can go somewhere and talk.
03:28Let's go to the business club.
03:30It's time for now.
03:31It's time for now, okay?
03:32Okay.
03:33I'm going to go a little bit and get back.
03:36Okay.
03:36Okay.
03:37We were talking about it.
03:38We were talking about it.
03:41Ciao.
03:53We were talking about it.
04:09We were talking about it.
04:10We were talking about it.
04:13We were talking about it.
04:15We were talking about it.
04:16A little bit.
04:20We were talking about it.
04:26And a lot of things were happening.
04:35Okay.
04:36We were talking about it.
04:37I don't understand what happened.
04:42I read that text, I see that nothing is alive, because he is here.
04:47And I understand that everything is written by the intellectual intelligence, you understand?
04:50AI!
04:51The G.P.T. has written a song, and he has sold it!
04:54Good, Gorane, I think I will find someone else who will write a song, but he is not AI.
05:00You hear me that I was paid for this song, he already gave money.
05:03Gorane, it's important that a person is alive, let the song go.
05:06How much he gave money?
05:08Five thousand dollars.
05:10Five thousand dollars.
05:11Five thousand dollars.
05:12EUR!
05:14Wait a second, wait a minute.
05:16Do you want me to tell you that Mido has given a person who holds the food,
05:20five thousand dollars to write this song?
05:24Yes.
05:25Unfortunately, I understand everything well.
05:28Mido is a pure soul.
05:30He is a stupid fool.
05:32And now you go to the phone and tell him, Mido, I will write a song on Euro song,
05:35and he will think that you will write a song on Euro song.
05:39That's crazy.
05:39But again, he will not help the man to go and find money.
05:43Oh, it's a lot.
05:44The money is already known, he has money, he lost the money.
05:47Who knows what he did with them?
05:49You can go there and go there and go there and go there.
05:51You understand?
05:52What do I do and go there?
05:53I'll explain everything well.
06:06Brother, what is it with Lukashin? What is it with this man?
06:14I don't know, you can see that it's only Jurishevrat.
06:19He's like my heart, my dear.
06:21I don't know who you are and who I am.
06:25He feels like we're the b-bop and rockstar.
06:29No, my brother from Alton, how do you call it?
06:31Yes, we're like the pictures of Jurishevrat.
06:34That's right.
06:38You think today, Lera?
06:42For immunity?
06:43Yes, I'm afraid that there's no chance for immunity even if the Greek falls.
06:52Look, I know that you don't have to believe in the Greek.
06:55You don't have to believe in the Greek.
06:57When you see the Greek, nothing, nothing, nothing.
07:00I don't think we're talking about the Greek,
07:02because it's not an interest to us.
07:04You don't have to believe in the Greek.
07:05I know, but I heard Lukashin,
07:06if I don't give anything to the Greek,
07:08he will destroy us two.
07:12Yes, that's right.
07:14Well, what do you say to me?
07:17What do you say to me?
07:17What do you say to me?
07:19I think I know what we need to do.
07:31Look, this is a serious story.
07:33We don't have to do all that like that.
07:35We must have to be 씻ons
07:36and have to be counted kindly,
07:39instantly.
07:39You understand what he is doing? He is an imbecile.
07:42But he will try it. If we go and I, we go and talk to him and talk to him,
07:45he will try it all.
07:47And on the other hand, listen,
07:49if he is going to be a famous woman,
07:53a woman who is in front of the time.
07:58You are a woman of the 22th century.
08:00Goren, please, please, and tell me what I need to do specifically.
08:05You need to go and introduce yourself as a director of an eminent musical festival.
08:12What festival?
08:14I think we will understand it like a Balkan song.
08:17You tell him that we have a Balkan song.
08:20You will be all the best actors from the Balkan.
08:23And you will ask him to participate.
08:25Okay, but I am not clear how will Midu get the money from that.
08:28There is a fraud.
08:29There is a fraud.
08:30You will tell him that you will receive an income,
08:35and you will pay the money from the festival.
08:36And some ten thousand euros.
08:40And you think that you will give him to him?
08:42What?
08:43You know what?
08:43What is it?
08:43It is a value for money, for fame.
08:47Certainly, you will be sure to be the truth.
08:48You are really big money.
08:51You see, are you a great player.
08:52When you call him, with your authority, your voice, your voice, there's no one.
08:58Who wouldn't fall on that, especially the gudoni and the devil.
09:01You'll kill him again.
09:03How did you call him?
09:05Gudoni.
09:06Gudoni.
09:10Well, since I'm willing to do it, I'll do it.
09:16Doktore, carice, legend.
09:18I don't know how to do it.
09:20I don't know how to do it.
09:21I don't know how to do it.
09:22I'll just call you, I'm on the other side.
09:25Okay.
09:26I love you.
09:28I love you.
09:29I love you.
09:32Give me a number of him.
09:33I'll do it.
09:38Thank you, Paša.
09:49And?
09:50What do you think?
09:51Who is the next step?
09:53I think that's the end of the time.
09:56Let's go for that.
09:57What's going on?
09:59What's going on?
10:01What's going on?
10:03What's going on?
10:05I mean for Gabriel, Bojoševića, Natasha...
10:09I don't know.
10:10It's really a woman.
10:13It's not just a woman.
10:14It's a lot of nonsense, nonsense and everything.
10:17I forgot it.
10:18That's why it's your time.
10:21It's time for time.
10:23We'll take it,
10:25we'll give it to Gabriel,
10:27we'll finish what we need,
10:28and then we'll buy a good kintu
10:29and we're safe.
10:31We're safe?
10:32No, we're safe for some time.
10:34We can go to Paraguay, Uruguay,
10:37where are you from?
10:39Paraguay, brothers!
10:40I've never been in Paraguay.
10:42I've never been in a small house.
10:45And then we're talking about this.
10:47And for Uruguay.
10:51Yes, I'm going to ask you,
10:52I'm going to ask you.
10:53What?
11:10What if you say,
11:13you are not a case for us,
11:16there is no one of that.
11:17I'm going to ask you,
11:19I'm going to ask you,
11:20what if you say?
11:21What did you say?
11:23What did you say earlier?
11:25Maybe I'm going to ask you,
11:26but...
11:26You were given you a wrong diagnosis,
11:29now we're going to have treatment.
11:31What?
11:32For me, there's no treatment.
11:36You nên to swear?
11:37I'm not scared.
11:40Not bad at all.
11:41No, no.
11:41We don't have no reason,
11:41you're going to be afraid.
11:42There's no reason for you to scare me off.
11:42Wait a minute,
11:43Zh aika.
11:45Nothing wrong.
11:48What is your guess,
11:49I'm just saying no one more doubtful there are doing another.
11:51Why are you plans for guidance?
11:53I'm strong enough.
12:00No,
12:00It's not a false hope. That's why we're going. If it's like this, we wouldn't go anywhere.
12:04Olga, I wouldn't be lying if I would say I wouldn't.
12:12Excuse me, what? You wouldn't?
12:14I wouldn't go and want to get away from everything.
12:21I wouldn't. It's a false hope, a true hope.
12:24I can't hold it. Let's go and let's go and let's go and let's go and let's go and let's
12:31go and talk to you.
12:33What are you talking about? What are you talking about?
12:37What are you talking about? What are you talking about?
12:40What is happening now? How much time is it?
12:42I'm here with you, I'm telling you, everything else.
12:45I know you as a brave man.
12:47What will you say about you as a devolet?
12:50Thank you, thank you. You're my brave.
12:54Of course, I'm your wife or what?
13:11What are you talking about?
13:17I'm sorry, Milana. I please tell you, everything is erased, you understand?
13:21The whole magazine is broken, everything, everything. I tried to take something, to see how I could, to see things,
13:29but you know exactly what the magazine is broken.
13:31Everything is broken, you know?
13:33It's crazy.
13:35The terrible thing is that Mila digs the ruck from everything.
13:38Mila, from what?
13:40From everything, from us, just from everything.
13:44How is that?
13:46That's so beautiful.
13:47She went to live with a panchete and she was buried there.
13:51Why are you not with him?
13:54I don't want to live there.
13:56Okay, I understand, but I'm ready to live.
13:59What am I ready to live there?
14:01I don't want to live there, I'm ready to live there.
14:04You don't know how it is when you live with a panchete under the crown.
14:07It's just a joke about everything.
14:09What exactly is it?
14:11About everything?
14:12Everything, non-stop, non-stop.
14:15I'm sorry.
14:16That's it.
14:16It's about all this, all the way I should live, my life and so on.
14:21You don't know how it is, it's crazy.
14:23You know what Kajo...
14:25There is something...
14:26What?
14:28I'd like to say something that I would like.
14:30Ah, I believe that all would have something to say.
14:33So here Mila, tell me and I'll listen.
14:35I would like to give one advice.
14:37Mother is you.
14:38Only you don't give me the advice.
14:50You're talking about Uroš.
14:53Okay, and?
14:55Isn't it strange that Lukashin is asking about Uroš?
15:00I'm trying to say that it is, but it is not.
15:04What?
15:08What?
15:10What?
15:10I was thinking about Gretchena.
15:13We thought about Velibor Topic.
15:16Okay, and?
15:18We don't have anything to do, brate.
15:20What is that Uroš, that Siva Eminencia?
15:22I was thinking about Gretchena and so on.
15:24I don't know that Lukashin is asking about it.
15:27Maxime, I'm a lot of watching film movies.
15:30What?
15:31You think it's not possible?
15:32No, I don't think.
15:34I'm 100% sure that it's not.
15:37What?
15:39What Uroš, mother?
15:41Uroš, man.
15:41Uroš, man.
15:42Man.
15:43Man.
15:45Man.
15:46Yeah, that's even all, brate.
15:47There's no stress like my, brate.
15:49It's not màyish black, boy.
15:51And guess what else, to that Juliet character shape the hand?
15:54Let me live, please.
15:55So are you you asking yourself to Lukashin?
15:57And what about Lukashin?
15:58How about that Lukashin?
15:59Lukashin is dangerous.
16:01All people all see.
16:04Everyone who is talking about Uroš with Gretchena,
16:07and how much the Tacomaма isoda,
16:08he will ask for him.
16:10And he says that face yesterday she was on the table.
16:12Believe me, man. He was a professor.
16:16He loves to investigate, to know about people.
16:21I don't know you.
16:22That's why I tell you that I know.
16:25The theory is more than to throw us into our job.
16:30Yes. For Gabriel.
16:34For Gabriel.
16:36And to stop the theory of the theory.
16:39And one more thing.
16:41I pray for you.
16:43Don't forget it.
16:45Go to Natasha.
16:47End of course.
17:00Listen to what story is.
17:03I met with Dijana Merski.
17:04We talked about different strategies for my new job.
17:09And at that point, I received a wedding gift.
17:16Okay.
17:17And what's the relationship that wedding gift is with me?
17:20Okay, listen. Let's go.
17:22We'll get to that one by one.
17:23What wedding gift?
17:25What are you talking about?
17:27Did Dijana didn't find some shaker?
17:28No.
17:29He found Godonina.
17:32No.
17:33No.
17:33No.
17:34No.
17:34No.
17:35No.
17:35No.
17:36No.
17:36No.
17:40No.
17:42No.
17:54No.
17:56No.
17:57No.
17:58No.
18:02No.
18:15No.
18:16No.
18:17No.
18:17No.
18:18No.
18:18No.
18:18No.
18:22No.
18:26No.
18:27No.
18:27No.
18:27No.
18:27No.
18:28No.
18:28No.
18:31No.
18:32It's another sort.
18:34Another sort?
18:37You're a stupid woman, I'll tell you.
18:39It's better to stay at the panchette,
18:41and to listen to someone who will be able to play me,
18:43even older than to listen to you,
18:45who lupes stupidity.
18:47I don't lupes stupidity, you know.
18:49It's a stupid truth, Kaja.
18:53Let's go.
19:05I don't want to make a melodrama in our lives,
19:08but I don't know if you can understand it.
19:10The most important thing would be to go there
19:13and tell me that there is nothing to do with it.
19:17Okay, I can't understand it.
19:19I can't understand it.
19:21I can't understand it.
19:23I can't understand it.
19:26I can't understand it.
19:28Thank you, thank you.
19:30You have to believe in it.
19:31I can't understand it.
19:32I know it.
19:33I have to find strength in myself and patience.
19:37I can't understand it.
19:39I don't know.
19:40I know you will do it once in your life.
19:41You have to do it to yourself.
19:42I know it.
19:44I can't do it because of you.
19:46Not because of me, but because of us?
19:48Because of us.
19:50Because of us.
19:50I have the best family on the world
19:53and anything else.
19:54I have to do it because of me.
19:56Because of me, Luleta, Alex,
19:58all of us who love you.
19:59who are behind you. There is no need for you to be so little.
20:04Listen, that's why you are a duty to fight wherever you can.
20:09I want to.
20:10Wait, I'll buy your papers. This is for you.
20:15Let's go.
20:36Let's go.
20:39Let's go.
20:40Let's go.
20:41Let's go.
20:41Let's go.
20:42Who knows where she is and who knows where she is.
20:46I don't understand.
20:47Ksenija, what are you talking about?
20:49Ivona, maybe our new girl.
20:51Okay, who knows why it's better?
20:53What better?
20:55What better, Ivona?
20:57If he's going to find a new girl, I'll get him to the first bridge,
21:01where I'm going to get there to be a place and get out of there.
21:05You're normal.
21:07You talk about a man who has been�it for money.
21:10A man who has been�it for every car and says to me that he would get out of the bridge
21:14because of him.
21:15You're a girl buddala.
21:17Ivona.
21:18You're not normal.
21:22Ivona, you don't understand anything.
21:24You're not a bitch.
21:26I'm fighting for my own man.
21:28What kind of man?
21:31Okay, what are you talking about now?
21:33What are you talking about now?
21:33What am I talking about?
21:34I can't believe that you have any sense of knowledge.
21:38I can't believe that you have any faith in yourself.
21:40I can't believe that you have any confidence in yourself.
21:45You're a man who is better than Relja.
21:48I don't understand.
21:50I see?
21:51I see that you don't understand anything.
21:53Because you, dear friend, you didn't have been with us from the beginning.
21:57You understand?
21:58You understand?
21:58Because Relja was in the beginning with me.
22:00He was nice, good, nice, full respect, full understanding, full understanding.
22:05He filled all my wishes.
22:08All.
22:09Ksenija, that's how I asked myself.
22:11You know what I'm afraid of?
22:12That you were only one new player.
22:15Then he played a little bit and when you stopped to be interested,
22:19he showed his right face.
22:20That's not true.
22:21Many times, Ksenija.
22:22Many times.
22:24Good.
22:27But I can't do that.
22:30What is that?
22:33Well, that.
22:34What is that?
22:37Well, that's what I was looking for.
22:43What did you look for?
22:58You look for him.
23:10The beginning is pretty good.
23:11He looks pretty good.
23:15God, he's a good one.
23:18What's that?
23:19He's a good one.
23:19You look for him.
23:22I talked to Senko.
23:24With Senko? Let's go.
23:26And help.
23:28She? How will she help me?
23:31I was convinced her to play the director of an art festival.
23:35Let's go. What kind of festival now, Gorane?
23:38The European festival, the European festival, you understand?
23:41Art, art, culture, poetry...
23:43It's now in mode.
23:44In mode, right?
23:46Let's go. Let's hear it.
23:47And the point is that he needs to call Gudonija.
23:51What?
23:51To call him to the festival as to make him happy to come to the festival.
23:56He needs to make him happy.
23:57Yes, I understand.
23:58Stay, little boy.
23:59Gorane, what does it make me feel like there's something bad?
24:02That it's something bad?
24:04Let's go.
24:05Let's go.
24:05What?
24:06He calls him to participate in the festival,
24:09and he needs to give him a cup.
24:11A cup?
24:11How much?
24:1210,000 euros.
24:14Who?
24:1510,000?
24:16Yeah, yeah.
24:17Well, you can see how it's going to play with him.
24:20How they play with him.
24:21How they play with him.
24:22We'll return to him a little bit.
24:23Okay, good, Gorane.
24:24Keep it up.
24:25Keep it up.
24:26Everything is fine.
24:27But it seems like there's a little problem.
24:29What?
24:30Except for that, of course,
24:31what you thought of that plan?
24:43How did it get it to be when you don't know?
24:46How can you tell us?
24:48How can you tell us?
24:58How can you tell us?
25:00I don't want to tell anyone, you can tell me that you can't say anything.
25:05But you have to tell yourself.
25:06You can't tell yourself.
25:08In life?
25:08In life.
25:10Okay.
25:13Tambura asked me to lie to Relju.
25:17To lie to him?
25:18Yes.
25:19Why do you lie to him?
25:21He asked me to tell him that I'm kind of hard,
25:23to get out of here, and then Tambura, with I don't know who, will wait here.
25:31Wait, wait, I don't understand what you tell me.
25:33Just a second.
25:34Why would I get out of here?
25:36I don't understand anything.
25:39It's not easy at all.
25:41On the other hand, Tambura doesn't know who is Relja.
25:44I know who is my Reljica, because he is my Reljica.
25:47But Tambura doesn't know.
25:49But on the other hand, Tambura wants to let me go and sing.
25:56Ksenija, what are you talking about? I don't understand anything.
26:02I don't understand myself.
26:05He says that I will save Relj.
26:08But why do you save him?
26:11From him.
26:12From him.
26:16Oh, I don't understand what is the time ago.
26:27And we have to keep him on the street.
26:30To be careful.
26:32From Arug, we have to keep him on the street.
26:33If I can keep him on the street, we have to leave the street.
26:33It's an hard story.
26:35How are we going to make it happen?
26:37But on the other hand, we have to do it.
26:40We have to go to the same story as the car.
26:41And I do not see how hard it is.
26:42I just want to go to the street.
26:43He will never forgive me, and I thought honestly that we will forgive ourselves.
26:47We will never forgive ourselves.
26:50On the other hand, the tambour, which will let me sing here,
26:54I need an outstanding desk.
26:56Yes.
26:57He put you in a difficult position.
27:00Yes.
27:03The tambour will never help me if...
27:06If you don't do what you need.
27:09Yes.
27:10Yes.
27:15What do you think of yourself?
27:19You have to be more confident in your head.
27:21Yes.
27:25You don't understand, but he is truly a king.
27:29He is so spiritual.
27:31He is interesting.
27:33He is wonderful.
27:35He is really special.
27:38You really loved yourself.
27:39Yes.
27:39Yes.
27:41Yes.
27:43And I am really happy because of that.
27:45Yes.
27:46Yes.
27:46Yes.
27:46That's how it is.
27:58On the other hand.
28:00I can't wait.
28:02That's how it is.
28:04Be quiet. We're working on it. My friends work day and night.
28:08I'm constantly listening to someone who works on it and nothing can happen.
28:11These are things that are just so done over the night. You have to have patience.
28:16I don't go. I'm going to lose. You know?
28:18We're going to finish.
28:20Just don't do that right now.
28:24I'm going to lose.
28:33Is it a bad thing? You're rude.
28:35If the man knows this, he will leave him alive in the top.
28:40He will fall into a circus when people live in the top.
28:44What? He will know the man who lives in the middle.
28:46He will return her money. What do you mean?
29:00You have to go.
29:01How are you?
29:01I'm the coordinator. We're waiting for us.
29:03Okay.
29:04Is everything OK?
29:05Ivana got a little bit.
29:07We waiting for us, everything is good.
29:09We're waiting for us.
29:10Is everything OK?
29:10It's all OK?
29:10Normal, you have a trauma, but it's important to get out.
29:13We're going to be the same.
29:15We're going to be the same.
29:15Nothing.
29:16I'll show you when you're going.
29:17Come on, come on, come on.
29:32What's up, Grishko?
29:39I pray.
29:40Hi, hello, are you going to do it?
29:42Yes, and yes.
29:43Slušaj, imam jednu malu molbu za tebe.
29:57Pogledajte u stranu.
29:59Ovako?
30:00Baš tako.
30:01Mhm.
30:10Sad pogledajte direktno ka svetici, ka menj, molim vas.
30:24Baš mi je dragoz bog mene i Goran. Baš.
30:31I meni isto.
30:33Lea, šta ti je?
30:36Ništa.
30:37Šta ti je, Lea?
30:49Kako ne može?
30:50Tako lepo ne može. Ruke su mi vezane dok se sve ovo ne raščisti.
30:54Znači tako?
30:54Tako.
30:55Dobro. Onda ću se ja obratiti nekome kome ruke nisu vezane.
31:00E, znaš šta, Vanja?
31:02Uradi onako kako misliš da treba.
31:04Eto.
31:05Eto.
31:06Dobro.
31:21Doktor Kajel, je li ima nade?
31:24Je li ima nade da neću slepeti?
31:28Pa što čutite sad?
31:34P&Š JĘ
31:36P&Š JĘ
31:41Hvalaša.
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