El grano de mostaza 1962 - HD 1080 - Completa - Dir: José Luis Sáenz de Heredia - Vídeo Dailymotion

Retroscreen Movies Revival - Español - Spanish

Reparto: Manolo Gómez Bur, Rafael Alonso, Amparo Soler Leal, Gracita Morales, José Bódalo, Eulália del Pino, Antonio Garisa, Adrián Ortega, Francisco Piquer, Paco Morán, Salvador Soler Marí, Rafael López Somoza, Mariano Azaña  Dirección: José Luis Sáenz de Heredia  Sinopsis: Durante una partida de dominó en el casino, Evelio Galindo, propietario de una tienda de porcelanas, mantiene con Horcajo, un compañero de juego, una agria discusión que podría desembocar en tragedia, ya que ha retado a su adversario en un desafío para el día siguiente. Cuando se da cuenta del error que ha cometido, Evelio intenta escurrir el bulto por todos los medios posibles con la ayuda de Leoncio, un conocido muy ingenioso "que tiene soluciones para todo".

Transcript

00:00:06What you are seeing with the help of this thick magnifying glass

00:00:09It is, despite its tiny size

00:00:11a seed that has had the honor of being mentioned in the gospels

00:00:16This, my friends, is the insignificant mustard seed of the divine parable

00:00:20which, despite being the smallest of the seeds

00:00:22When it has grown, it is the largest of all vegetables.

00:00:25and it grows into a tree

00:00:26so that the birds of the sky nest in its branches

00:00:29Allow me to introduce you to this bushy mustard tree

00:00:34which is what that little bit has led to

00:00:36From that breeze, this mass

00:00:38From that almost nothing, this robust reality

00:00:42You can make a world out of the smallest thing.

00:00:44It all depends on the circumstances

00:00:46And circumstances sometimes dictate that for the most insignificant reasons

00:00:50although it is assimilated

00:00:51fortunes, discoveries, tragedies may arise

00:00:55and cold wars, hot wars, and time wars

00:00:59The story I want to present to you demonstrates this very effectively on a smaller scale.

00:01:04And it happened to this character

00:01:07Don Ebelio Galindo

00:01:09a well-to-do merchant from our capital

00:01:11timid and pusillanimous

00:01:12because they didn't have the courage to face it head-on

00:01:15a very minor incident he had with another partner at the casino

00:01:17an even smaller incident

00:01:19that grain of seed that you just saw

00:01:22This resulted in a tree growing in exactly 24 hours.

00:01:25as big as this

00:01:26but with a much worse shadow

00:01:28Much worse

00:01:29How did it happen, Mr. Galindo?

00:01:33Well, if I decide to tell my story

00:01:35It's because I sincerely believe

00:01:37that can yield useful consequences

00:01:40if they know how to see

00:01:42Something similar has happened to all of us in our lives

00:01:45and on a larger scale

00:01:46The same applies to world politics.

00:01:49and among the nations

00:01:51All of humanity lives in anguish.

00:01:53for a quarter of a century

00:01:54because a poorly handled incident led to

00:01:58to the grain of Yalta

00:02:00to bear fruit in the dreadful mustard of the atomic bomb

00:02:05My story is silly

00:02:06and even embarrassing for me

00:02:08I don't come out looking good at all.

00:02:11And I would be very careful not to tell it publicly.

00:02:14if it weren't for the fact that I'm convinced

00:02:16that it can do good for someone

00:02:18spreading it

00:02:19And although I don't intend to remedy

00:02:21what has been formed

00:02:22between East and West

00:02:25if I aspire to be useful

00:02:26to some of those who are listening to me

00:02:28in possible incidents of this type

00:02:31that may arise

00:02:32in his private life

00:02:35My advice is this

00:02:37Nonsense

00:02:39They have to be paid in cash

00:02:41because a silly thing paid for in installments

00:02:44Nobody knows how many megatons it might cost.

00:02:58a clergyman

00:03:00fell seriously ill

00:03:01after having eaten

00:03:02too much pudding

00:03:02another minister

00:03:04called on him

00:03:05and asked him whether

00:03:06He was afraid to die.

00:03:07No

00:03:07he replied

00:03:08Subscribe now!

00:03:09No!

00:03:10No!

00:03:38Subscribe to the channel!

00:03:41No, he replied.

00:03:55Curiously ill after having eaten too much pudding.

00:03:58Another minister called on him and asked him whether he was afraid to die.

00:04:02No, he replied.

00:04:06Four, three, two, one, solve.

00:04:12Four, three, two, one, solve.

00:04:41Four, three, two, one, solve.

00:04:48Four, three, two, one, solve.

00:04:51Good afternoon, Mr. Emelio.

00:04:52Hello, Jesus.

00:04:56The usual?

00:04:57Yes, the usual.

00:05:00Hey!

00:05:02Greetings, gentlemen!

00:05:03Good afternoon.

00:05:04Because I'm already getting the picture and I say to her, "And how much would you manage with, girl?"

00:05:09And she, swallowing hard, goes and tells me, the real estate agency is asking me for 25,000 as a down payment.

00:05:16It's not much, I say, just thinking about it, right?

00:05:18And then she hugs me and says, "Are you going to give me the ticket, darling?"

00:05:23And then I go and say to her, right off the bat, sweetheart.

00:05:27What I'm going to give you right now is the way out.

00:05:29Andes for your town and the chapatazo.

00:05:32That's how you have to do it with this kind of cake.

00:05:35Well, be careful, okay?

00:05:36And it's not that I don't mind giving out whatever money is needed.

00:05:38Wait, what do you mean, no? We already know.

00:05:40It's just ugly.

00:05:40No no!

00:05:41Look, duck, you have to have class, he's going to die.

00:05:43Man!

00:05:45Okay, what's up? Shall we get on with the game?

00:05:47Let's go.

00:05:47Already like yesterday?

00:05:49That's fine by me.

00:05:49Now they've really got it all figured out, huh?

00:05:51Yes, it's almost a championship.

00:05:52If you want, I'll give you my position.

00:05:54Well, yes.

00:05:55I'm going to see how these grill masters handle me.

00:06:01What? To the chamelo, right?

00:06:03Yeah.

00:06:03What is the rate?

00:06:04A little bitch.

00:06:06Can I play at home for such a high price?

00:06:07We don't handle as much gold as you do, since you're a jeweler.

00:06:11I'm just kidding, man.

00:06:12Go on, rub them!

00:06:21The six doubles come out.

00:06:22Here is the twelfth gubazo.

00:06:24Go.

00:06:25Me too?

00:06:26I'll sleep then.

00:06:30You're carrying it in your beak, buddy.

00:06:32We'll see, we'll see. These guys know a lot.

00:06:34I double down on that three.

00:06:35More playable.

00:06:36Do you think so?

00:06:36How and what, I think?

00:06:38Now you go there.

00:06:38Please, orcajo.

00:06:39That's your business.

00:06:40Which five?

00:06:41I bend over.

00:06:42Well, the other night something similar happened to me with another woman...

00:06:46She is a skinny girl they call the little owl.

00:06:50Well, skinny girls mean less to me than a telegram of condolence.

00:06:53I really mean if there's no movement, no.

00:06:57There's no shaking, as I say.

00:06:59Well, the little owl arrives at my national team and sits me down.

00:07:04I was discussing with a colleague a diamond bracelet with six chickpeas of this size.

00:07:11With the permission of the little owl, I dominated.

00:07:13What do you think?

00:07:15There are worse ones.

00:07:16Now it's my turn.

00:07:17I pay forty.

00:07:19I am eighty-five.

00:07:20One forty over there and eighty-five over here.

00:07:23The little shop is being built.

00:07:24Here you go, Don Evelio.

00:07:26Thank you, Jesus.

00:07:27It'll be the other way around, won't it?

00:07:28As?

00:07:29Jesus, thank you.

00:07:31I had fallen.

00:07:33Can I get you something, sir?

00:07:34Bring me a double gin.

00:07:36You rub it.

00:07:37There it is.

00:07:38Do you carry this just for cigars?

00:07:41And to get my nails done.

00:07:42What are you going out for?

00:07:44The four doubles.

00:07:46I'm coming.

00:07:47Me too?

00:07:47Without seeing them?

00:07:48So that?

00:07:49Oh ok.

00:07:49And what ever happened to the little owl?

00:07:51Oh, well, nothing.

00:07:53His eyes kept following the bracelet and it was making me faint.

00:07:57At a dose.

00:07:59Fasten your belt.

00:08:00What do you have to do to get something like that?

00:08:02He asked me.

00:08:03And I told her...

00:08:04Well, to have something like that, the first thing is to have several things like that.

00:08:08Very good.

00:08:09Very good.

00:08:10Hey, how did you get so worked up that you're going to...

00:08:14Oh, my mother.

00:08:15As if he had called her a mangy bitch.

00:08:17Whether he was ordinary, whether he was a movie star, whether the trend was to wear little, but

00:08:23well done.

00:08:23Well.

00:08:24Who put the doses?

00:08:26This way?

00:08:28Well, six five.

00:08:30If it doesn't matter to you, put it on the other side.

00:08:32Because?

00:08:33Because you previously went to six six.

00:08:35I?

00:08:35No.

00:08:36I put the six three.

00:08:38No no.

00:08:38I put that one there.

00:08:39She put that here.

00:08:41You passed.

00:08:42Well, I would swear...

00:08:44Don't do it, it's wrong.

00:08:45He won't believe I did it on purpose.

00:08:48No.

00:08:49With the one about giving me the double six, nothing more.

00:08:51I think, orcajo, that you are giving in.

00:08:53I played badly, but in good faith.

00:08:54Yes, yes, in good faith.

00:08:56You're a fine bird now.

00:08:58Listen, I won't allow you to call me a bird.

00:09:00Then play like a gentleman.

00:09:01You are not the one from whom I can learn what a gentleman is.

00:09:04Find out!

00:09:06I bet I'll slap you.

00:09:09Give it a try!

00:09:11Do you really want to see it?

00:09:13Come on, Mr. Serene, sir.

00:09:15We're not in a table.

00:09:16That's what I say.

00:09:17That I...

00:09:18I've been coming here for ten years without an incident.

00:09:20What has this guy done for a living?

00:09:21What is this?

00:09:21This one, this one?

00:09:22Come on, sweetheart, calm down.

00:09:23No, man, no, no.

00:09:25What's happening?

00:09:26Nothing.

00:09:26That mule from Orcajo.

00:09:28And in the cockfights you frequent with the owls.

00:09:31Give me a few minutes, I'm going to give that doll a piece of my mind.

00:09:33Please, don't be children.

00:09:34What are you going to give me, what?

00:09:36That?

00:09:37Half a tocha, plus cachapas.

00:09:39You don't have enough for anything else.

00:09:40Please, orcajo.

00:09:41Look, if you're so brave, why don't you come to the gym tomorrow at four o'clock?

00:09:45Why did he say that, for God's sake?

00:09:46Of course I'll come.

00:09:48We'll see if it's you who doesn't come.

00:09:49At four o'clock.

00:09:51Because?

00:09:53Because?

00:09:54Because?

00:10:15Because?

00:10:18And in any case, bird, said like that, it's serious, Cartier, it's serious.

00:10:22I'm bringing her things because I imagine we'll be in touch again.

00:10:25Thank you, Fernández.

00:10:26You have been very good.

00:10:27Someone had to put a stop to that savage.

00:10:30Thank you, Fernández.

00:10:31Yes, absolutely.

00:11:01Outside the hall.

00:11:02And at the gym.

00:11:03When was the last time you set foot in a gym?

00:11:06Never.

00:11:06That was a stupid thing to do.

00:11:08Now there is no other option but to come and face that barbarian's knife.

00:11:12Do you think he's going to pull out his knife?

00:11:13The safest thing.

00:11:14He looks exactly like a butcher.

00:11:17Holy God.

00:11:18So what do I do?

00:11:19Not coming?

00:11:20How will you be able to do it after ten years without missing a single day?

00:11:24No, of course, it's impossible.

00:11:26If he didn't come...

00:11:27Why isn't he coming?

00:11:28Do you think you scared him?

00:11:29He's coming tomorrow to show off at your expense.

00:11:32He's going to beat you up in front of everyone.

00:11:33And if you happen to hit him, he still has the option of using a knife.

00:11:38Do you want to stop talking to me about the knife?

00:11:40May I speak to you, Don Evelio?

00:11:46What do you want?

00:11:47He calls his manager.

00:11:56What's up, Matilla?

00:11:58Nothing important.

00:11:59But in case you wanted to tell Mr. Quino beforehand,

00:12:03I wanted to tell you that I have found the two barriers you asked me to take to the bullfights.

00:12:08Ah, yes.

00:12:09And is that tomorrow?

00:12:10Yes sir.

00:12:11At four o'clock.

00:12:12I'm bullfighting at that time.

00:12:14What did I say?

00:12:15No, nothing.

00:12:16That I won't be able to.

00:12:18Wait, wait.

00:12:20Mr. Quino knows the drawer, right?

00:12:22Whom?

00:12:23Of course he knows him.

00:12:24I know he bought her some jewelry.

00:12:27If he wanted to intervene.

00:12:29Excuse me, Don Evelio, but I don't understand a word you're saying.

00:12:32Listen to me.

00:12:33Mr. Quino's hotel is the Phoenix.

00:12:35Yes sir.

00:12:36The Phoenix.

00:12:37Well, right now I'm going for those two barriers.

00:12:42How wonderful.

00:12:44This must have cost him a fortune.

00:12:45I'm glad you like it.

00:12:47Do you want to keep it?

00:12:49If he gives it to me.

00:12:50I'll give it to you very cheaply.

00:12:52How much?

00:12:53Have dinner with me tonight.

00:12:56Hey, so this is air conditioning.

00:13:01Right, air conditioning.

00:13:03You are formidable.

00:13:06I think this gentleman wants to talk to you.

00:13:10Hello, Mr. Galindo.

00:13:13Brother, what uncontrollable joy.

00:13:16I don't know if I'm interrupting.

00:13:17Nothing of the sort.

00:13:18That beautiful young lady is named Dolores and she is a friend of mine.

00:13:22And that gentleman's name is Galindo, and he's also very handsome.

00:13:26Sit down with us.

00:13:27No, but all I wanted was...

00:13:29Yes, he's my best customer.

00:13:31I sell him all the junk I make in England and he pays for it without resistance.

00:13:36And I can also find him tickets for the bullfights.

00:13:38He's found them, brother.

00:13:41Here they are.

00:13:42Two barriers.

00:13:43Two barriers.

00:13:44There isn't a single entrance in all of Madrid.

00:13:46It's the extraordinary bullfight of the year.

00:13:49How lucky, right?

00:13:50There are very few of them for sale here.

00:13:52It seems like almost all the tickets are sold in New York.

00:13:55We'll eat together, right?

00:13:57Well, you see, that's the bad part.

00:13:58That I won't be able to accompany you.

00:14:00What do you mean, no?

00:14:01That's it.

00:14:02I recently had an incident in the circle with another partner.

00:14:05And I have to sort it out tomorrow at four o'clock, precisely.

00:14:08But, man, why didn't you make an appointment after the bullfight?

00:14:11In those situations, there are never any nerves, there are never any.

00:14:15Too bad.

00:14:16Oh, or with Orcajo, that jeweler you know.

00:14:19Ah, yes.

00:14:21Bad enemy.

00:14:22In a boxing ring, I wouldn't give a guinea for you.

00:14:28Since I know both of them, I could mediate.

00:14:32Very kind.

00:14:33If I were in another country, I would do it.

00:14:35But here, where all of you have in your veins the proud, Andalusian blood of Don Juan Tenorio,

00:14:42I know I shouldn't do it.

00:14:43Well, you see, I'm from Burgos.

00:14:45All the worse?

00:14:46Oh, oh!

00:14:47Blood of the Cid!

00:14:48No, brother.

00:14:50I know the Spanish perfectly well, so I would offend him.

00:14:53And I wouldn't offend you for anything in the world.

00:14:58Stay calm.

00:14:59I won't lift a finger.

00:15:01What can you do?

00:15:03I'll go with Dolorcita, if she wants to come with me.

00:15:06I mean, we have to use the fan for the first time.

00:15:09And if he wants to come and have dinner with us afterwards, we'll tell each other how the two bullfights went.

00:15:16Have dinner with your father!

00:15:19Brother!

00:15:23Yes, yes, he definitely gave it to us.

00:15:26Mr. Argüelles told us.

00:15:29Just a little something extra, which Don Evelio will give tomorrow.

00:15:34Loveliness!

00:15:35And how much of that is left, Matilla?

00:15:38Almost a million.

00:15:39How wonderful!

00:15:41Almost three bison!

00:15:51Hi love!

00:15:52How are you?

00:15:53What have you come here for?

00:15:55What do you mean, what?

00:15:56I'm coming to find you, huh?

00:15:57Don't you remember that we arranged to meet the Toledanos at a picnic?

00:16:01But, man, for God's sake, of all days today...

00:16:03Oh, of course!

00:16:04I asked you about it on the phone and you said yes, and they're waiting for us.

00:16:08Where?

00:16:09At the York Club.

00:16:13You still haven't told me anything.

00:16:15How am I doing?

00:16:34Hello, Matilde!

00:16:36Hello!

00:16:37Look at them, there they are!

00:16:38Okay, okay, pull, pull!

00:16:39Hello!

00:16:40Hello!

00:16:45Oh!

00:16:46What are you going to have?

00:16:47I'd have a full cup of tea.

00:16:48And the gentleman?

00:16:49I like chamomile tea.

00:16:50Oh, son!

00:16:51Don't be a bear, cheer up.

00:16:52Alright.

00:16:54Linden without chance.

00:16:55What's wrong with you?

00:16:56Matilde told me that you're buying me three bison tomorrow.

00:17:00There will be three bison.

00:17:07Okay, but don't just sit around.

00:17:09This cha-cha-cha is great.

00:17:11What a green little bicycle!

00:17:13Shall we dance?

00:17:14I don't want cha-cha-cha.

00:17:15Do you understand?

00:17:16Oh, well, you're pinching me.

00:17:19Cha-cha-cha.

00:17:21Cha-cha-cha.

00:17:25Oh, what a husband you have, daughter!

00:17:28It's made me a runner.

00:17:31TRUE?

00:17:31Oh, he makes them up, huh?

00:17:34He has a brilliant mind.

00:17:36Yeah, I do have some ideas, you know?

00:17:38Well, it makes sense after all, I live off my ideas.

00:17:40I am not lucky enough to have a business with you that runs itself.

00:17:44Yes, of course, theirs is more difficult.

00:17:46Go on, go on, tell her that one about the rich spinster.

00:17:48Oh, mother!

00:17:49Well, this one, this one is a bit softer, isn't it?

00:17:51She's a spinster, she'll help you out.

00:17:54He is talking to the architect who is building him a small hotel on the beach.

00:17:58It's very good.

00:17:59And the architect says to him, "So you want to see it in your bedroom window."

00:18:04Yes, yes, yes, of course, since it's on the ground floor, right?

00:18:06And how do you want it?

00:18:07So that one thief can't fit, but another can get through.

00:18:15Damn, it's awesome!

00:18:17Very French.

00:18:18Well, it's like that all day long, it doesn't stop.

00:18:21How lucky, daughter!

00:18:23And not just this nonsense, you know?

00:18:24Serious things, announcements, inventions...

00:18:27He now has one that's going to be a revolution.

00:18:30The bullfighting underpants.

00:18:32Oh, yes! How so?

00:18:34Well, it's a pair of underpants, which has the part of the...

00:18:37Well, it's a seat, made of double-layered fabric.

00:18:41You arrive at your town, you blow through a rubber band that comes out of your waist,

00:18:45Simple things, tapas...

00:18:47And like on a sofa.

00:18:48Oh yes!

00:18:49Well, you'll get away with a lot there.

00:18:52No, you remove the cap and it deflates.

00:18:55And if desired, it can be used to boo the bullfighter.

00:18:57Oh!

00:18:58Yes, yes, yes!

00:19:00Oh, wonderful!

00:19:01I have no other profession than to savor wit, don't you think?

00:19:04That's true, every...

00:19:06If you'll excuse me, I have an important message to deliver.

00:19:13Well, your husband is very nice too.

00:19:16And what is it? But today I don't know what I notice about him.

00:19:18Business always brings worries.

00:19:19Shall we dance?

00:19:20That's all!

00:19:42What can I get you, sir?

00:19:44A double cognac.

00:19:46Do you have a light, please?

00:19:55Thanks, nice guy.

00:19:57My name is Maripili.

00:19:59Thank you. Very good.

00:20:34You dance very well for me.

00:20:36What? You're the one who stretches and shrinks me just in time.

00:20:39But you make it easy.

00:20:41I'd like to work for your husband, you know. I'm sure I could double your sales in six months.

00:20:46Do you also know how to sell on a weekly basis?

00:20:48I am capable of selling and ruining that bottle.

00:20:51What is he going to do?

00:20:52What's happening?

00:20:53What's happening?

00:20:54Who is it?

00:20:56I am Maripili.

00:20:57Don't you remember me?

00:20:59Maripili?

00:21:01Ah, yes.

00:21:02I think so.

00:21:03Don't lie, I offer.

00:21:05You haven't remembered the saint of my name again.

00:21:07Oh, yes, I remember.

00:21:09What do they put on you and you have black eyes?

00:21:11Yes indeed.

00:21:11But I bet you don't remember where I have a very round mole.

00:21:15Well, I think I know the entire colunary quite well.

00:21:18Want to bet?

00:21:19For that, we would have to count them together.

00:21:22Okay, where and when?

00:21:24It could be tomorrow at four o'clock.

00:21:26Very well, agreed.

00:21:28Where should we meet?

00:21:30Dilly?

00:21:31Yes, yes, yes.

00:21:34Where should we meet?

00:21:36I live in El Escorial.

00:21:38In El Escorial?

00:21:39Hey, girl, are you tuberculosis?

00:21:41No, my dear child, nothing.

00:21:43But I am engaged.

00:21:44I'll be waiting for you at four o'clock at the Felipe II.

00:21:47Hey, you'll thank me for the ride.

00:21:50You'll see, no one can beat me when it comes to gratitude.

00:21:54Hey, hey, hey, wait a moment, no, no.

00:21:57I can't at four o'clock, man, I forgot.

00:21:59Could it be at seven?

00:22:00No.

00:22:01And in the morning?

00:22:03Penis!

00:22:04Girl, at four o'clock it's impossible for me.

00:22:06I have something to do and I can't leave it, I assure you.

00:22:20I'd put all of them to work breaking gravel in Pancorvo.

00:22:25Although I don't know if there will be enough gravel for that.

00:22:28What do I owe him?

00:22:3050 pesetas, sir.

00:22:38Our women send me to find him.

00:22:40Yes, I was going there.

00:22:45Wait.

00:22:46I'm a man too, and I understand our situation.

00:22:48For whatever reason, you're not in the mood to party today, are you?

00:22:52Well, the truth is, no.

00:22:54But I don't want...

00:22:55Stop with the compliments.

00:22:56We'll make up an excuse and leave right now.

00:22:58No, for God's sake, no, not that.

00:22:59And if, even though we don't have a long-standing friendship, I can be of service or help you in some way,

00:23:04I am at your disposal.

00:23:06Thank you, Toledano.

00:23:07My problem is moral, and perhaps I need a friend.

00:23:10Ah, well, I'm not one of those who goes all the way.

00:23:12And I also have ideas.

00:23:14We'll leave the women at home and you can explain your problem to me if you want.

00:23:18But what excuse will he give them?

00:23:20That, to me, is sinning on this minute, come on.

00:23:23In two words.

00:23:24What worries me is that tomorrow at four o'clock I will have to kill that individual.

00:23:28If it's as you say.

00:23:29If that's the case.

00:23:31That guy doesn't face the situation like a gentleman.

00:23:33Do you carry a knife?

00:23:34I don't.

00:23:35Ah, well, he did.

00:23:37And so great, goatherd, and lombroso, that he was a very important sage,

00:23:42He states that whoever carries a knife either uses it or will use it.

00:23:45So tell me, what do I do now?

00:23:47Let him poke me like I'm an olive?

00:23:50Of course not.

00:23:51Start running around the circle like a rabbit?

00:23:53Not that either.

00:23:54Well, there it is.

00:23:55And since I have to go, I'll have no choice but to take a gun.

00:23:59And as soon as he pulls out the knife, shoot him.

00:24:03Okay, let's see.

00:24:05Can't you stop going?

00:24:08No.

00:24:08You cannot let yourself be pricked.

00:24:11Out of humanity, you don't want to kill that man.

00:24:14This is the crux of the matter, isn't it?

00:24:43Exact.

00:24:45I'm sure you and Lombroso.

00:24:47Will you let go of my hand?

00:24:48OK.

00:24:49But I, I don't...

00:24:50Trust me.

00:24:52She has been lucky to have on her side a man who has solutions for everything.

00:24:56American technique.

00:24:57Never fail.

00:24:59Do you know where we can find him tonight?

00:25:00Is there a coffee shop?

00:25:02Yes, to the national one.

00:25:03He has a regular gathering there with other jewelers.

00:25:05Well then, that's it.

00:25:08If that forked stick goes to the circle tomorrow, I'll let them cut this one.

00:25:16Do you think so?

00:25:17Let's go get my car.

00:25:18Go ahead.

00:25:19But hey, Toledano, wait a little while.

00:25:28I understand perfectly.

00:25:29And if we work things out, there's no problem or difficulty.

00:25:33The first thing is the time.

00:25:35We can't go to that cafe until half past twelve.

00:25:38I think Valél usually goes after one o'clock.

00:25:40Okay then.

00:25:41What else is there?

00:25:41The price.

00:25:42How much do they want to charge?

00:25:44It depends.

00:25:44We're not going to give them the same thing if they just want to give us a couple of slaps and they want something more elaborate.

00:25:50We want something impressive.

00:25:51Just punches or kicks too?

00:25:53Of everything.

00:25:54Punches, kicks, somersaults.

00:25:55And if possible, bottles?

00:25:57Of course it's possible.

00:25:58We actually have an issue where we hit each other with bottles.

00:26:06I'm going to give the third one.

00:26:07You go.

00:26:10Very funny, man.

00:26:12They're made of candy, but they have a very good effect.

00:26:14Can we bring one and exchange it for the coffee one?

00:26:16Great.

00:26:17All of that will look great.

00:26:18But only after having already given him a good beating.

00:26:21Yes, yes, okay.

00:26:22It will turn out as you imagine because we can also bleed wherever you want.

00:26:26Yes, yes.

00:26:28It is fundamental.

00:26:29One through the mouth and the other through the ears.

00:26:31Nothing is as impressive as blood.

00:26:34And do we have it here?

00:26:37Colossal.

00:26:37And with all that, how much?

00:26:38Does two thousand pesetas seem okay to you?

00:26:41Man, it's...

00:26:41...it's ice cream, isn't it expensive?

00:26:43No, of course not.

00:26:45It's practically an autopsy.

00:26:46Okay, let's see.

00:26:47So how is it going to start?

00:26:49Very simple.

00:26:50He and I will sit at one of the tables in the hallway.

00:26:53You enter calmly and start walking.

00:26:56When we get to our table, I do this and pour the coffee cup or the glass over him.

00:26:59anise.

00:27:00Something that won't stain, if possible.

00:27:02Street, street.

00:27:02Well, the glass of water.

00:27:04You tell me, I tell you, this one intervenes and you don't shake it off.

00:27:06The rest is up to us.

00:27:08When he feels like it, he grabs the bottle and hits whoever is closest with it.

00:27:12Let's go to the track.

00:27:14Come on, you.

00:27:15Well, here you go.

00:27:17What time will they arrive?

00:27:18We'll be there by 12:30.

00:27:20Perfect.

00:27:21Ade.

00:27:22Step one, sir.

00:27:23Ade, Ade.

00:27:25Well, see you later then at the national champion, huh?

00:27:28You'll see how happy they are.

00:27:30Okay, but...

00:27:30And how am I supposed to know who you are?

00:27:32Aren't they going to go with those faces?

00:27:34Ah, of course.

00:27:35You are right.

00:27:36We can give it a natural photograph.

00:27:38And what do we miss you for?

00:27:39So that you acknowledge that it's more than enough?

00:27:42Naturally.

00:27:42We're just stupid.

00:27:44Come on, there's no orchestra.

00:27:45Goodnight, friends.

00:27:47Bye bye.

00:27:48Well, what do you think?

00:27:49Okay, but I don't know if I'll be able to.

00:27:51What do you mean, no?

00:27:52As soon as he has two drinks.

00:27:54The drinking and the hitting all started.

00:27:56No, please.

00:28:04Come on, you already thought it was a squid.

00:28:15That's it.

00:28:16Which one?

00:28:17The big one, the beast.

00:28:21In these types of people, everything is usually just a facade.

00:28:24It's hard to have a huge success.

00:28:25Do you think so?

00:28:26I never make mistakes.

00:28:27Thank you, thank you.

00:28:32Well, so far everything's going smoothly, huh?

00:28:34Yeah.

00:28:34A little more gasoline.

00:28:35No, but if it's not a joke, it's just that...

00:28:38Drink up, let this build a basilica.

00:28:39I'm not going to find the door.

00:28:41Listen, I'll come in behind you.

00:28:42I will position myself near Orcajo and reinforce the propaganda.

00:28:45And how?

00:28:46By saying so when you've left.

00:28:48That's outrageous!

00:28:48This is the third time I've seen him shake this Galindo tree.

00:28:51And it makes no difference to him whether it's two or seven.

00:28:52It doesn't look like what it is.

00:28:53That's it, that's it.

00:28:54It doesn't look like what it is.

00:28:55And anything else that comes to mind.

00:28:57You'll see, let's go.

00:28:58Listen, the stories have probably arrived by now.

00:29:00They must have been there for more than fifteen minutes.

00:29:01No, so how do I seal the result?

00:29:03In half an hour at that other cafe.

00:29:05To the.

00:29:06Do you want to believe that my legs are failing me?

00:29:09All of that disappears as soon as the show starts.

00:29:11Hit quickly and without hesitation.

00:29:13Don't forget that he does it with impunity.

00:29:15I almost envy him.

00:29:16Oh, mother.

00:29:18And don't forget the bottle incident.

00:29:50Don't forget the bottle incident.

00:29:53Don't forget the bottle incident.

00:29:56I'm the one who's going to shake him up.

00:30:01You are an animal.

00:30:02My money costs me.

00:30:03We need to warn him.

00:30:07Hey, friend, don't fall for those two wretches.

00:30:09And who got you into this?

00:30:11Step aside.

00:30:12You'll see, you'll see.

00:30:18Where is?

00:30:19Let's do it!

00:30:42You'll see, you'll see.

00:31:13What happened here?

00:31:14Uh, no, well, nothing.

00:31:15You'll see that I've missed some.

00:31:18That's a lie, no one has disrespected him.

00:31:19Take it away, it's a quarry.

00:31:20This guy in Romania has gotten into fights with everyone

00:31:23and it ruined half my coffee.

00:31:24I ask that you arrest him.

00:31:25That's a quarry!

00:31:26That's a quarry!

00:31:27Out with him!

00:31:28There is no money for him.

00:31:29Why did you do this?

00:31:31Because I don't like being offended.

00:31:33I don't like this filthy coffee either.

00:31:35that smells like everything but coffee.

00:31:37So, do you like the mirror?

00:31:39Yes, of course, it's magnificent.

00:31:40Come on, Andrés,

00:31:41That's rubbish that you should throw away.

00:31:46What were you, Teri?

00:31:47Careful, that's to prevent you from swallowing the cap.

00:31:50And you too, huh?

00:31:52No, no, no, no!

00:31:54No, no, no!

00:31:58There will be a way.

00:31:59What did he think of that?

00:32:01On TLC!

00:32:02He must be speechless!

00:32:03This is going to take a while.

00:32:05Calm me down, woman,

00:32:06And bring me tobacco.

00:32:09And novels!

00:32:17Haven't you seen everything?

00:32:18That?

00:32:19We are Tini and Tony.

00:32:20Ah, yes,

00:32:20And it's already been amazing.

00:32:22But I thought it was you two,

00:32:23but four.

00:32:24But if there have been any spontaneous protesters,

00:32:25It's really opened one person's mind.

00:32:26And he's left the other one stored away.

00:32:28How awful!

00:32:29But how could you not...?

00:32:30They threw the glass at me two months earlier,

00:32:31when we wanted to go,

00:32:32He had already knocked them both down.

00:32:33We've done what we could.

00:32:34We're exhausted, believe me.

00:32:36Is there anything we can do?

00:32:37I don't know, I don't think so.

00:32:38I'm going to call his wife.

00:32:42It's busy.

00:32:43Does it have a card?

00:32:44No, leave me alone.

00:32:46It won't take long.

00:32:47He's a man who's been here for half an hour.

00:32:48talking with Bilbao.

00:32:50Look, it's coming out now.

00:32:52Oh well,

00:32:52What's going on here?

00:32:53They wouldn't let me hear a word.

00:32:55Well, one who's gone crazy

00:32:56and he has killed two or three.

00:32:57They've already taken it away.

00:32:59I'll turn around eventually.

00:33:00Yes, Mr. Orcajo.

00:33:02Hey, didn't you want to talk?

00:33:04Hey?

00:33:05Ah, yes, I'm coming.

00:33:17Who is it?

00:33:18Look, I'm from Toledo.

00:33:20I'm calling her because her husband...

00:33:21What happened to Belio?

00:33:23No, nothing.

00:33:23Nothing yet,

00:33:24But he is under arrest.

00:33:25Oh my God!

00:33:26But very slow?

00:33:27Enough so that he can't call her,

00:33:29That's why I do it.

00:33:30Oh, Virgin of Carmen!

00:33:31But what has he done?

00:33:32Where is?

00:33:32I suppose at the police station.

00:33:34Oh my God!

00:33:36Did you say I went?

00:33:37No, no, calm down.

00:33:39I said police station.

00:33:40Ah, I see.

00:33:41And who does that depend on?

00:33:42From the Minister of War?

00:33:44From the commissioner, listen to me.

00:33:46That I don't know

00:33:46to the Minister of War?

00:33:48Listen to me,

00:33:49nothing matters

00:33:50that he is detained.

00:33:51What do you mean, no?

00:33:52May my father rest in peace.

00:33:53He said that being detained

00:33:54It was a disgrace.

00:33:55Things have changed a lot

00:33:57since his father

00:33:58He is in Glory.

00:33:59Believe me,

00:33:59It's the best thing that could happen to him.

00:34:01Sleep peacefully

00:34:01And if you need anything,

00:34:03Call me at home.

00:34:04But not by any means.

00:34:05which can ruin everything.

00:34:07Good night.

00:34:10Good evening, gentlemen.

00:34:12Good night.

00:34:16Can I sit here?

00:34:18It was about time.

00:34:18that he entered here

00:34:19someone with good manners.

00:34:21A cigarette?

00:34:25Doesn't he smoke?

00:34:32I'll give you more later.

00:34:33if he does nothing.

00:34:38Can I do it

00:34:39a technical question?

00:34:40What do you want to know?

00:34:42See if you don't take it out

00:34:43nor shavings.

00:34:45Thank you so much.

00:34:50Do you smoke?

00:34:52Man,

00:34:52if they give it to me cheap.

00:35:05Flaminaire, right?

00:35:06Yes, Flaminaire.

00:35:07I am working on this article.

00:35:08One thousand five hundred cucas.

00:35:10I bet I won't get a hair out of place.

00:35:11I don't know.

00:35:11It was a gift from my wife.

00:35:13Tell me,

00:35:14This is my first time

00:35:15that I am under arrest.

00:35:16How long

00:35:16Can you keep me here?

00:35:19I don't know you

00:35:20what he has done,

00:35:21but very little.

00:35:21Do you think I'm going to move?

00:35:22influences?

00:35:23Well, he's wrong.

00:35:24I don't plan to move.

00:35:25not a finger.

00:35:26You leave me

00:35:26I'll move it.

00:35:28I swear.

00:35:29But let's get to the point.

00:35:31How many days

00:35:31detention

00:35:32they would give you

00:35:33for having kicked

00:35:34to four individuals

00:35:35and to have destroyed

00:35:36a coffee?

00:35:36I don't do stupid things.

00:35:39Well,

00:35:40but will you be able to give me

00:35:40a ruling, right?

00:35:41If there is no fee,

00:35:42Do you understand me?

00:35:43If I do it,

00:35:44or that,

00:35:45or that,

00:35:46half

00:35:46about what you say

00:35:47they cradle us

00:35:47for one semester.

00:35:48But you

00:35:49by paying the bail...

00:35:50I don't intend to pay anything.

00:35:52Well, you'll come out

00:35:52on credit,

00:35:53but you

00:35:53This bank doesn't heat up.

00:35:55Do you think I am

00:35:55An English parrot?

00:35:57I am a citizen

00:35:58just like you

00:35:58and I hope I will be treated.

00:36:00as such.

00:36:01Grant me

00:36:01at least

00:36:02three days

00:36:02No one can take them away from me.

00:36:05I don't think so.

00:36:06Excuse me for a coffee,

00:36:07devil!

00:36:07The last traditional café

00:36:09that was in Madrid.

00:36:13Ebelio Valindo,

00:36:15Is that you?

00:36:15Yeah,

00:36:16What's happening?

00:36:16The commissioner calls him.

00:36:18What did I tell him?

00:36:20It'll be to make a statement, right?

00:36:21Or to play knucklebones.

00:36:23Come on, get out!

00:36:26And what does he want from me?

00:36:27The commissioner?

00:36:28I don't know.

00:36:28Does he call you?

00:36:29Yeah, right?

00:36:30Well, he's going to hear from me.

00:36:32I've got it now.

00:36:36Home delivery service.

00:36:43Who is it?

00:36:44I am Valindo.

00:36:45No, please open it.

00:36:50And how?

00:36:51Have they released him yet?

00:36:52Yeah.

00:36:52And I have to tell him

00:36:53Thanks to you.

00:36:54Why have you gotten involved in this?

00:36:55to my wife?

00:36:56For chille.

00:36:57Come on,

00:36:57I warned her

00:36:58because you caught me.

00:36:59But I already told him

00:37:00that he should do nothing

00:37:01until he called her again.

00:37:02You see, you were thinking

00:37:04force the arrest.

00:37:05Well, he gave it

00:37:06and they've thrown me out on the street.

00:37:07But what has he done?

00:37:08He offered her 20 pesetas.

00:37:09to Saint Nicholas

00:37:10and it has turned out

00:37:11who was my colleague

00:37:12from school.

00:37:13Saint Nicholas?

00:37:14The commissioner.

00:37:16Oh, my goodness.

00:37:17No, not when things

00:37:18They start going wrong

00:37:19one goes to rinse off

00:37:21and drowns.

00:37:23We haven't gotten a single one right, have we?

00:37:25Please sit down.

00:37:26Would you like something to drink?

00:37:27No, thanks.

00:37:28Yeah.

00:37:29Yeah.

00:37:30I'm going to give him a drink

00:37:31because he's going to need it.

00:37:33Hey, hey,

00:37:33Why does he say

00:37:34that we haven't gotten a single one right?

00:37:35At least the coffee thing

00:37:36It turned out much better

00:37:37than I expected.

00:37:38No, no, disastrous.

00:37:40It begins with

00:37:41those you hit first

00:37:42They were two fools, yes,

00:37:44but not those hired.

00:37:45What does it say?

00:37:46What he hears.

00:37:47The real ones

00:37:48They were two tables further back

00:37:49And they arrived late.

00:37:53Holy God.

00:37:54We didn't realize it

00:37:55that in cafes

00:37:56There's always someone

00:37:57who throws a glass

00:37:58on top of someone.

00:38:02That's going to cost him

00:38:03a good kiss for you.

00:38:04Take it.

00:38:06So

00:38:06The bottle?

00:38:07So real

00:38:08like Humberto

00:38:09of Savoy.

00:38:10But that

00:38:10It hasn't been the worst.

00:38:12Oh, no?

00:38:13All of that,

00:38:13Consequences aside,

00:38:15would have been good

00:38:16if I had seen it

00:38:17Orcajo.

00:38:18But the thing is

00:38:19He didn't see it.

00:38:20No, sir.

00:38:21He was talking

00:38:22by phone

00:38:23with Bilbao

00:38:23fairly

00:38:24throughout the entire argument.

00:38:28No,

00:38:29Don't be overwhelmed.

00:38:30My number one plan

00:38:31has failed

00:38:31But I still have some left.

00:38:32the two

00:38:32and the three

00:38:33and all those who

00:38:33are needed.

00:38:34I've already told him

00:38:35that I am

00:38:35man of ideas

00:38:36and also

00:38:37I am a friend

00:38:37of those who stay until the very end.

00:38:40You think

00:38:41bury me,

00:38:42TRUE?

00:38:42Quite the opposite.

00:38:44I want to be of service to you.

00:39:00These are my powers.

00:39:01Thirty-seven trophies

00:39:03that certify

00:39:04that here

00:39:04There is something.

00:39:06See what it says

00:39:07This barometer

00:39:07that they granted me

00:39:08in Tortosa

00:39:09to the Spanish Machiavelli.

00:39:11Precious.

00:39:12So what can we do?

00:39:13Well, a thousand things.

00:39:16For example,

00:39:19But do me a favor

00:39:19to drink that

00:39:20in one gulp.

00:39:21Okay.

00:39:25I suppose

00:39:26I have found out

00:39:26that for four days

00:39:28the police

00:39:29try to identify

00:39:30the corpse

00:39:31of a man

00:39:31that appeared

00:39:32headless

00:39:32near a station.

00:39:34Yeah,

00:39:34I read something.

00:39:37Here it is.

00:39:42The mystery

00:39:43from the level crossing.

00:39:45It is unknown

00:39:46who is the dead man

00:39:46nor who the murderer is.

00:39:48And do you know that?

00:39:50The dead man no.

00:39:51But the killer

00:39:53we can do

00:39:54let it be

00:39:55forked.

00:39:57Listen,

00:39:58really

00:39:59do you live

00:39:59of his ideas?

00:40:00And not bad at all

00:40:01as can be seen.

00:40:02I can get

00:40:04a head

00:40:05dead

00:40:06really

00:40:06and make it appear

00:40:08wherever we want

00:40:09with a little piece of paper

00:40:10that says

00:40:11my conscience

00:40:13It doesn't allow me

00:40:14continue to be silent.

00:40:16This is the head

00:40:17that they are looking for

00:40:18and the killer

00:40:19is

00:40:20forked.

00:40:22Horcajo?

00:40:25Nothing will happen.

00:40:26We'll know soon

00:40:27that everything has been

00:40:28a bad joke

00:40:29but in the meantime

00:40:30a straddle

00:40:31They arrest him

00:40:31a day or two.

00:40:34But

00:40:35And you have

00:40:36dead heads

00:40:37to give to friends?

00:40:39Yes sir.

00:40:41I have a man

00:40:42at the medical school

00:40:43who owes me a lot

00:40:44And it gives me that headache

00:40:46and his

00:40:46if I ask her.

00:40:49American technique.

00:40:50Come with me.

00:40:52Listen,

00:40:53And that barometer?

00:40:54They gave it to you

00:40:55in Tortosa

00:40:55For something like this?

00:40:56No.

00:40:57They gave me that.

00:40:58for making them fall

00:40:59there the ten series

00:41:00the fat one.

00:41:07But listen,

00:41:07wait.

00:41:08I think we are

00:41:09making a mountain

00:41:10about something that...

00:41:11The aim is to avoid

00:41:11that you have

00:41:12than to kill a man,

00:41:13Isn't that right?

00:41:13Yes, well,

00:41:14but...

00:41:14Well then

00:41:15Let me do it.

00:41:16You are stunned

00:41:18And I have a brain.

00:41:19ample

00:41:19to give it

00:41:19the ones you eat.

00:41:21Is it underdeveloped?

00:41:23Is it Saturnino?

00:41:24Who is calling?

00:41:25I am Don Leoncio Toledano.

00:41:27Ah, tell me,

00:41:27Don Leoncio,

00:41:28tell me.

00:41:28I'll call him

00:41:29to talk to him

00:41:29of something important.

00:41:30I'm going now

00:41:31to see him with a friend.

00:41:32Alright,

00:41:33What is it about?

00:41:34I'll give it to him to win.

00:41:35a few pesetas.

00:41:37I'm going there now.

00:41:39He said

00:41:40a few pesetas.

00:41:41Ah, of course.

00:41:43Out of money

00:41:43Nobody does anything.

00:41:44But don't worry

00:41:45which won't be much.

00:41:46No?

00:41:47How much could it be worth?

00:41:48a loose head?

00:41:49I don't know.

00:41:50Please note

00:41:50that this one is used.

00:41:51Okay,

00:41:52while I change my clothes

00:41:53go ahead and write

00:41:54the complaint to the police

00:41:55on any piece of paper.

00:41:57Ah,

00:41:59Don't do it on one of mine,

00:42:00Of course.

00:42:01And write in block letters.

00:42:02There's the pen.

00:42:05Why would I say

00:42:07What about the gym?

00:42:13Who was he?

00:42:14It's Galindo,

00:42:15who has a difficult matter.

00:42:18Money, right?

00:42:19No,

00:42:20Nothing of the sort.

00:42:21No?

00:42:22So

00:42:22Why is it difficult?

00:42:23Because it is.

00:42:24Not just the money

00:42:25It causes trouble.

00:42:26Ah,

00:42:27skirts, right?

00:42:28Neither.

00:42:29When I return

00:42:30I'll explain it to you.

00:42:31It's in my best interest to help him.

00:42:32You already know that.

00:42:32I want to work with him.

00:42:34But where are you going?

00:42:36To accompany him

00:42:37to some arrangements.

00:42:37I will return

00:42:37soon.

00:42:38Well, if it's not skirts

00:42:39It's money.

00:42:40Be careful,

00:42:41Leoncio,

00:42:41that you are a very close cousin.

00:42:42No,

00:42:43women,

00:42:43Stay calm.

00:42:45It's more like

00:42:46of a political nature,

00:42:47You know?

00:42:48It has to carry out

00:42:49a delicate mission.

00:42:50Very delicate.

00:42:54Well,

00:42:55just in case

00:42:55Leave your wallet here.

00:42:57Oh.

00:42:59Take,

00:42:59women.

00:43:01There are 3,700

00:43:02Let it be known.

00:43:15My wife is very intrigued.

00:43:17I told him

00:43:17that it was

00:43:18of something political.

00:43:19And from where

00:43:19Shall we phone?

00:43:20From a public telephone,

00:43:22Of course.

00:43:22At this time

00:43:23Nothing will be open.

00:43:24What do you mean, no?

00:43:25On the road

00:43:26from Zaragoza

00:43:26There's a flamenco shop

00:43:27which is open

00:43:28all night.

00:43:29We'll leave it.

00:43:30a little further on

00:43:31and upon returning

00:43:32We phoned.

00:43:34Open and turn on

00:43:35the light on the stairs.

00:43:36Next.

00:43:54Hello?

00:43:55I am Matilde.

00:43:56Oh, how wonderful!

00:43:57Why is that good?

00:43:58Well, I was looking forward to it.

00:43:59that someone would call me.

00:44:00Is my husband there?

00:44:02She just came out with mine.

00:44:03Do you know anything?

00:44:04I only know

00:44:05I'm extremely distressed.

00:44:08To Evelio

00:44:08It must happen to him

00:44:09something very serious.

00:44:10Let's see.

00:44:11Your husband

00:44:11Are you short of money?

00:44:12No, no, no.

00:44:13Really?

00:44:13Women's?

00:44:15Matilde.

00:44:16Answer.

00:44:16What's wrong?

00:44:17Your husband?

00:44:17Because men

00:44:18They have no more

00:44:18those two problems.

00:44:19You think?

00:44:20Sure.

00:44:22Well, the one about money

00:44:23It's working perfectly.

00:44:25Oh, what a misfortune!

00:44:27So big!

00:44:28So

00:44:29There's a lizard!

00:44:30He must be around there somewhere.

00:44:31the thing.

00:44:32Because something

00:44:33I have heard them

00:44:33to take it

00:44:34to a flamenco sale

00:44:35of the road.

00:44:37Virgin, virgin.

00:44:38What are you saying?

00:44:39Virgin, virgin.

00:44:40Ah, of course.

00:44:41Listen,

00:44:41Are you dressed?

00:44:42No,

00:44:43I'm wearing a light blue nightgown

00:44:44that I bought.

00:44:45Well, get dressed right away.

00:44:46I'll come pick you up.

00:45:00Come on!

00:45:01Take,

00:45:01And what am I risking?

00:45:03Two thousand to the clowns...

00:45:04No, not now.

00:45:05I want tobacco.

00:45:05Two thousand to the clowns,

00:45:07ten or twelve thousand

00:45:08about the coffee,

00:45:08if I haven't misfortune

00:45:09to the one who was hit with the bottle.

00:45:11And now,

00:45:11five thousand

00:45:12to that Saturnino.

00:45:13How awful!

00:45:14Good God!

00:45:15Well,

00:45:15But keep in mind

00:45:16that has given us a head

00:45:17that it doesn't lack anything else

00:45:18What a lot to talk about, huh?

00:45:19And she did our makeup

00:45:20like in the movies.

00:45:21It's awful.

00:45:22Street, street!

00:45:22Every time I think

00:45:23We've got her right there behind us...

00:45:25What do you think?

00:45:25Are you going to bite him?

00:45:26in one ear?

00:45:27Shut up, man!

00:45:28Don't be silly!

00:45:30How awful!

00:45:32I would prefer to wear

00:45:33a whole dead body.

00:45:35And all over something trivial.

00:45:37Nonsense rules

00:45:38the world since Adam and Eve.

00:45:40Dumber than the apple thing.

00:45:42We're nothing special, my friend.

00:45:44And we know even less.

00:45:45What they fail to achieve

00:45:46wise men and politicians

00:45:47sometimes he decides it

00:45:48the spine of a sea bream.

00:45:50And don't you think that for five thousand pesetas

00:45:51has been able to give it to us

00:45:52the best packaging

00:45:53than a basket

00:45:54And wrapped in a newspaper?

00:45:55But the one that was closest at hand.

00:45:57And now it hits me

00:45:58that the newspaper is a brand.

00:45:59So what?

00:46:00That they might imagine

00:46:01which belongs to a referee.

00:46:02And who knows?

00:46:03if it wasn't.

00:46:04To more than one

00:46:05I would gladly cut it off for her.

00:46:07Were you there?

00:46:07in the last Madrid Atlético?

00:46:09No.

00:46:09Oh, no?

00:46:10Well, that was it.

00:46:12Look, there's the sale.

00:46:15It's open until dawn.

00:46:17And what do you do there?

00:46:18It is sung,

00:46:19They dance and...

00:46:21We do what we can.

00:46:23Were you never there?

00:46:24from typical to Hispanic?

00:46:26No no.

00:46:27Oh, no?

00:46:28Ah, well, on the way back

00:46:29We will enter.

00:46:29Will he/she enjoy it?

00:46:30Yeah, man,

00:46:30and maybe

00:46:31I start off with a fandango.

00:46:41Why stop?

00:46:42Because we're not going

00:46:43to leave her in France.

00:46:44This is fine.

00:46:45The only thing is to make sure

00:46:46so that nobody sees us.

00:46:47Oh, mother.

00:46:48There's quite a bit of moonlight.

00:46:50What are you afraid of? That they'll see us.

00:46:51Doing it carefully

00:46:52we can let her go

00:46:53right here.

00:46:54It won't roll away.

00:46:55Look how she's shaved.

00:46:56If possible.

00:46:58Then the best thing to do is...

00:46:59Has something happened to them?

00:47:00Hey?

00:47:01No, nothing.

00:47:02We were having a cigarette.

00:47:04Well,

00:47:04that is to say,

00:47:05We were going to kick him out.

00:47:07Do you want one?

00:47:08No, thanks.

00:47:09If they're going to be standing still

00:47:10turn on the lights

00:47:11of situation.

00:47:12Alright.

00:47:14Good night.

00:47:20Have you seen the basket?

00:47:21Oh, well!

00:47:22Don't pinch!

00:47:24What a drag, man!

00:47:25Now we have

00:47:26that change packaging.

00:47:27But,

00:47:27They would immediately connect us.

00:47:29We have to go back to Madrid.

00:47:30No,

00:47:31we can get it

00:47:32in that sale.

00:47:33And wouldn't it be better to give up?

00:47:34I'm losing weight,

00:47:36Toledoan.

00:47:36I can feel it in my neck.

00:47:37I'll do whatever you want.

00:47:39But think that

00:47:40within

00:47:43twelve hours

00:47:44and forty minutes

00:47:46for a record-breaking clock

00:47:47world-famous

00:47:49Can you

00:47:50or having killed a man

00:47:52or be in an operating room

00:47:54with their guts hanging out.

00:47:57And that's why

00:47:58There's no penicillin that will help.

00:48:04We're going on sale.

00:48:17Do you have a better place?

00:48:18there in the light?

00:48:19This one is quite different, isn't it?

00:48:20Leave it then

00:48:21tightly closed.

00:48:22Clarify,

00:48:23stone and mud.

00:48:26Can you see the basket?

00:48:28Nothing can be seen.

00:48:29Come on.

00:48:31And try to put on a different face,

00:48:33man.

00:48:33This is their party spot,

00:48:35we are?

00:48:35And what does a party face look like?

00:48:37Well, naturally.

00:48:38But spice it up a little.

00:48:39Look.

00:48:42So?

00:48:43No, man, no.

00:48:44Even worse.

00:48:45I see you

00:48:45walk in with that face

00:48:46And I say on the spot,

00:48:47That man wears

00:48:48a dead man's head

00:48:49in a basket.

00:48:50Is it possible?

00:48:51But if you go

00:48:52proclaiming it.

00:48:53So what do I do?

00:48:55Do you have a handkerchief?

00:48:56Yeah.

00:48:57Well, he started blowing his nose.

00:49:15Oh, sir!

00:49:16No,

00:49:17We are aborigines.

00:49:18Ah.

00:49:19We wanted a private room.

00:49:20Perfectly.

00:49:21Are they coming alone?

00:49:22We're expecting some young ladies.

00:49:24Are they going to want flamenco?

00:49:25Then,

00:49:26when the girls come,

00:49:27No?

00:49:29First we want to have something

00:49:30and calm.

00:49:31Very good.

00:49:34They must be from the estate.

00:49:36I think I only have free ones.

00:49:38the three and the eight.

00:49:40The one who is furthest away,

00:49:41more in-depth.

00:49:43I'll give them the eight.

00:49:58I'll send you a waiter now.

00:49:59Very good.

00:50:01Does the gentleman want

00:50:02Should I send him an aspirin?

00:50:03Then,

00:50:04when the party starts.

00:50:05OK.

00:50:07When the young ladies arrive,

00:50:08I make them go up.

00:50:09Which ladies?

00:50:10The ones you're waiting for.

00:50:11Ah,

00:50:12Yes, that's right.

00:50:12as soon as they arrive.

00:50:26Here.

00:50:28When we get the container,

00:50:29I'll get out as if I'd forgotten something in the car

00:50:31and you'll throw it out that window.

00:50:33Understood?

00:50:34Answer,

00:50:34You can take off your handkerchief now.

00:50:35Now that you've opened the window,

00:50:37TRUE?

00:50:37Well, it's closing.

00:50:38Well, it's closing.

00:50:38It closes,

00:50:39And all night long.

00:50:41Now we need to locate the container.

00:50:44It seems to me that here...

00:50:46Yeah,

00:50:46This is rather sober.

00:50:48Perhaps in this hallway...

00:50:52The Lords of God.

00:50:53We want to have something.

00:50:54Here is the letter.

00:50:57Ham omelet,

00:50:58of potatoes,

00:50:59the iron has been based on,

00:51:00Serrano ham.

00:51:03I would have some cookies.

00:51:06Did he say cookies?

00:51:08Yeah,

00:51:09That's what I said.

00:51:10A small plate.

00:51:11Nothing of the sort.

00:51:12We want a whole can,

00:51:14TRUE?

00:51:15What else could you expect?

00:51:16A can?

00:51:17Yeah,

00:51:18that is.

00:51:19We want to have only cookies for dinner.

00:51:20One of those big cans

00:51:22of those that fit inside

00:51:23a...

00:51:24a huge amount of cookies.

00:51:26I know.

00:51:27The kind with cookies.

00:51:28I guessed it.

00:51:31To drink wine

00:51:32or hot milk?

00:51:33Whiskey,

00:51:34man of God.

00:51:35With the cookies

00:51:36always whisky.

00:51:37Yeah,

00:51:37clear.

00:51:38What am I asking?

00:51:39Hey?

00:51:41We already have it in base.

00:51:43You will have seen

00:51:44my ability to improvise.

00:51:46Now I understand

00:51:47about the barometer.

00:51:48Yeah,

00:51:49I'm worth a lot,

00:51:49the truth.

00:51:50Yeah,

00:51:50Yeah.

00:51:50And what about the young ladies?

00:51:52Another improvisation.

00:51:53It was very suspicious.

00:51:55You lock yourself in a private room

00:51:56two guys alone.

00:51:57Clear,

00:51:57and more to eat cookies.

00:51:59Now what we will do

00:52:01It will be a change of location.

00:52:02I'll leave the can

00:52:03in the deviation

00:52:04from the airport

00:52:05and I will phone

00:52:06thence

00:52:06which is even better.

00:52:07Always cheer up!

00:52:08That now he's going to go

00:52:09everything on wheels.

00:52:11Why did I say that?

00:52:13the gym thing

00:52:14I?

00:52:14Because?

00:52:22March a rat

00:52:23of cookies.

00:52:25With a joke?

00:52:26No joke,

00:52:27or anything.

00:52:28For my mother

00:52:28that they have asked me

00:52:29That's in the eighth.

00:52:30Cookies.

00:52:31And a whole box.

00:52:33But it's in the eighth

00:52:33There is a distribution of prizes.

00:52:35No way?

00:52:35Those who have gotten involved

00:52:36in play

00:52:36Pablito Calvo.

00:52:38Well,

00:52:39Are there any of those or not?

00:52:40I don't know

00:52:41if there will be a whole one.

00:52:42Ah,

00:52:43and whiskey.

00:52:46Have you seen the sled?

00:52:47No.

00:52:49I haven't seen her today.

00:52:51No?

00:52:51No!

00:52:53Are you seeing well?

00:52:55This close

00:52:56I see something strange.

00:53:00Alright.

00:53:02I call it a callus.

00:53:09Take a look

00:53:10if that works for them.

00:53:11It's not whole.

00:53:12Look

00:53:12Who's there?

00:53:17Don't let him go up?

00:53:19I.

00:53:20Why should it jump on me?

00:53:21Come on,

00:53:21Come on.

00:53:22Tell the owner

00:53:22and fix it.

00:53:24Come on,

00:53:24whiskey.

00:53:28I'll pay for this.

00:53:29It gives me

00:53:30very embarrassing.

00:53:38What's wrong with that?

00:53:39child?

00:53:40Did you take a picture?

00:53:42If the sled is there

00:53:43with you,

00:53:43Tell him at the door

00:53:44There's the cabbage.

00:53:46You already asked

00:53:47for her.

00:53:49Oh my God.

00:53:50Now he can

00:53:52that there is a photo.

00:54:02Well,

00:54:04Well, here's dinner.

00:54:05Great.

00:54:08Man,

00:54:09if they are made of coconut.

00:54:10That is precisely it.

00:54:11I always have dinner,

00:54:12I'm excited.

00:54:14For the whiskey,

00:54:15water,

00:54:16soda or siphon?

00:54:17Siphon and ice.

00:54:26Would you like that?

00:54:27Not a trace.

00:54:28Well, let's keep them.

00:54:29in the pockets

00:54:30which is not advisable

00:54:30leave them here.

00:54:31No,

00:54:31sorry.

00:54:54Are you sure?

00:54:54that head

00:54:55Will it fit in there?

00:54:56I think so,

00:54:57But that's easy.

00:54:58to check it.

00:55:02Well,

00:55:02What do you want?

00:55:05Search with a friend.

00:55:07Sorry.

00:55:11Is he a police officer?

00:55:12No,

00:55:12man,

00:55:13the police

00:55:13They wear gray hats.

00:55:15And furthermore,

00:55:15that?

00:55:16Are we doing

00:55:17Anything bad?

00:55:17Man,

00:55:18I'll tell him.

00:55:18I see two

00:55:19saving cookies

00:55:20by the handful

00:55:20And I say on the spot,

00:55:21that's what he carries in his head

00:55:22dead

00:55:23never,

00:55:23Pacho.

00:55:24Goes,

00:55:24Come on.

00:55:25What is he going to do?

00:55:27Try it on,

00:55:27if it works for you,

00:55:28It will be useful for the other one.

00:55:29I tell you that I

00:55:30I'm very deceived,

00:55:30It seems I have little

00:55:31And then what...

00:55:32Do you see it?

00:55:33Do you see it?

00:55:34Well,

00:55:34Yeah,

00:55:35but pushing a little.

00:55:36What if later?

00:55:37No,

00:55:38No.

00:55:38What has he done?

00:55:39What has he done?

00:55:40Make sure.

00:55:41See how it works?

00:55:43Take it off.

00:55:44But take it off for me,

00:55:45man,

00:55:45This isn't working,

00:55:47How funny.

00:55:47Well,

00:55:48There are people

00:55:48that complicate everything

00:55:50And you're one of those,

00:55:50Hey?

00:55:51Come on...

00:55:52Come on...

00:55:53Come on!

00:55:56Oh,

00:55:57Oh,

00:55:58I don't care,

00:55:59man,

00:55:59I don't care.

00:56:00No,

00:56:00go on,

00:56:00that,

00:56:01that...

00:56:01Hold your breath,

00:56:03Open your eyes wide

00:56:03and curl your ears.

00:56:05But I don't have ears anymore.

00:56:06Do as I say!

00:56:07What, what,

00:56:08hey!

00:56:08Oh!

00:56:09No!

00:56:16No doorbells?

00:56:17Yeah,

00:56:17stamps,

00:56:18But it doesn't work.

00:56:19More ham and more wine possible?

00:56:21Yes!

00:56:25Let me,

00:56:26let me.

00:56:27Shut up about the fires, I can't!

00:56:28man!

00:56:29Not for his mother,

00:56:30We tolerate it because of his mother!

00:56:32And there you have it,

00:56:33He likes them so much

00:56:34as soon as she saw them

00:56:35He dove headfirst.

00:56:37TRUE?

00:56:42Haven't you left a minute?

00:56:44Help me,

00:56:45please.

00:56:49We are?

00:56:50Yes!

00:56:51Oh,

00:56:51mother!

00:56:52Son of God!

00:56:53Yes!

00:56:54It wasn't a tune!

00:56:56When he bends down,

00:56:57You pull up.

00:56:58I don't understand him.

00:56:58He doesn't need to.

00:56:59Hold on tight.

00:57:01Oh,

00:57:01Why not?

00:57:02It's best if he doesn't get on the table.

00:57:04Oh,

00:57:05Oh!

00:57:06But why don't they call a tinsmith?

00:57:08You be quiet and help,

00:57:09Gee.

00:57:09Bring me here.

00:57:10Oh!

00:57:13Oh!

00:57:15Oh!

00:57:15We are?

00:57:15Oh!

00:57:16But what is it?

00:57:17Oh!

00:57:18Oh!

00:57:23Perfect!

00:57:24I will never use another system.

00:57:26Thank you so much.

00:57:28What nonsense!

00:57:29My head has gone to my head.

00:57:30Oh,

00:57:30Oh!

00:57:31Oh!

00:57:34Oh!

00:57:35It's all over now! Come on, man! Come on! Oh my God! What a drag!

00:57:42I already told him not to eat like that, that it was going to hurt him.

00:57:45Yes, that'll do for a whisky, please.

00:57:47No, look, honestly, I don't. I can't go on like this. I'd rather just go there...

00:57:50Don't talk nonsense. This will be over soon, but the other thing won't.

00:57:55But if they don't give it a bad spot.

00:57:56No, the sun is at the door.

00:57:58Come on, drink that, it's good for you. Thanks, friend. Here you go.

00:58:03Oh, man, I came here without a penny. Do you have five duros?

00:58:06Why? To reward this friend.

00:58:09And on top of that, Bernabéu rewards him.

00:58:12Come on, let's go! What's the rush?

00:58:13This is the last straw, come on. That... that... that... take...

00:58:19Come on, don't comment on anything.

00:58:20Don't worry, don't worry. Thank you.

00:58:26Come on, drink that, we have to act.

00:58:28If I can't move...

00:58:29Drink and listen!

00:58:31I'll go out now as if I were going to the car and come to that window.

00:58:34You give me the trouble and wait here. I'll do the rest.

00:58:37Listen to me, Toledán...

00:58:38Let's not waste any time!

00:58:39I am a friend of those who stick with you until the end.

00:58:41I've already told him.

00:58:42Please be attentive, it may take a while if there is no clear path.

00:58:45I'll whistle at him!

00:58:47Yes, he... he's going to...

00:58:48Why would I mention the gym?

00:58:51Oh! Oh!

00:58:53Oh!

00:58:57Have you done anything?

00:59:00I'm afraid our friends have had a breakdown.

00:59:03They were coming behind.

00:59:04I'm going to look for them.

00:59:06Very good.

00:59:07Oh! Oh!

00:59:08Oh, my old woman!

00:59:09Oh, my old woman!

00:59:10Oh, my old woman!

00:59:10Oh!

00:59:11What's happening?

00:59:12The cabbage that found Trini with another.

00:59:15He's going to kill her!

00:59:16Don't cause a fuss!

00:59:18Oh, my old woman!

00:59:20Oh, my old woman!

00:59:22Oh, my old woman!

00:59:22Ah, my old lady!

00:59:23Ah, my old lady!

00:59:24Ah, my old lady!

00:59:25Ah, my old lady!

00:59:25Oh, protect me for your mother's sake!

00:59:27What is it that wants to kill me?

00:59:28But what is he saying? Who is he?

00:59:29A killer pimp.

00:59:30Hide me!

00:59:30And why didn't he go somewhere else?

00:59:32Can't.

00:59:32There are two more below it.

00:59:34Killer!

00:59:39There's a taxi downstairs.

00:59:40I don't want to go with you.

00:59:41Go away!

00:59:42Leave me alone!

00:59:43There's a taxi downstairs.

00:59:44No!

00:59:44Come on, woman, the timer must be running.

00:59:48Let her go.

00:59:48But it's her.

00:59:49He doesn't see it.

00:59:49Let me go, please, woman.

00:59:51I won't go with you.

00:59:51You're the coolest and most roguish guy I've ever met.

00:59:54Don't miss it.

00:59:54That's not good either.

00:59:55Do not disrespect the Lord.

00:59:56Don't leave me!

00:59:56Oh, oh, oh!

00:59:58Oh, oh, oh!

01:00:00I want him to laugh at me!

01:00:01That?

01:00:05Leave me everything!

01:00:06I broke my promise!

01:00:08I broke my promise!

01:00:09I broke my promise here!

01:00:10Arm!

01:00:12That woman is mine!

01:00:13Do you understand?

01:00:14Can.

01:00:16But when I give it to you.

01:00:18Or when I kill you.

01:00:27Come on!

01:00:49Come on!

01:01:03Wait, wait.

01:01:42Come on!

01:01:42Come on, what are you doing!

01:01:43Give me that!

01:01:44Yes!

01:01:48Damn it!

01:01:50But that man is an idiot!

01:01:52Excellent, my God!

01:01:55Excellent, my God!

01:02:02Home now, for crying out loud!

01:02:04Why don't you throw that away?

01:02:05There is no can.

01:02:06What does it say?

01:02:07They've destroyed it, but she's not angry.

01:02:09Well, find something, damn it!

01:02:10I'm going to catch pneumonia!

01:02:12But if there's a fight...

01:02:16Wait!

01:02:20There you go!

01:02:27Why is this?

01:02:28There is no other way, I assure you.

01:02:31It might be worth it.

01:02:33Isn't there an accordion version?

01:02:35That's all there is, and slaps!

01:02:38Wait for me, I'll be right back.

01:02:53This is the wound that bleeds!

01:02:55Yes, bad vibes out!

01:03:04This is what you bring me, bad blood.

01:03:06What do you want? To ruin me?

01:03:09Keep going.

01:03:17Take it away!

01:03:23Ladies and gentlemen!

01:03:25Please return to your private areas and continue having fun!

01:03:30Come on, buddy! You understand me now!

01:03:38I got it in this far!

01:03:40The knives always come in a hurry!

01:03:43And what a profound truth!

01:03:51Everna!

01:03:52What happened to you, Erello?

01:03:54You're hurt, darling!

01:03:56A little drunk!

01:03:57Tell me you're drunk!

01:03:58That's all we need.

01:04:00And what are you doing here?

01:04:01First, explain to her what you do.

01:04:03Are you the ones who started this battle?

01:04:05Where is my husband?

01:04:06Oh, look, it's here too!

01:04:09How are you doing?

01:04:10I ask her where my husband is.

01:04:12Oh, my dear, but you do shake hands!

01:04:14You shut up!

01:04:15Where is Leoncio?

01:04:15Ah, these must be the political reasons!

01:04:18Please don't shout!

01:04:19Hey?

01:04:20Cookies!

01:04:21Oh yeah, they distribute it here!

01:04:23We've already seen it!

01:04:25But she still hasn't told me where my husband is.

01:04:27He calls me here and it sounds like coconut!

01:04:29Yes, you do, darling!

01:04:30Don't you realize what's happening?

01:04:32Didn't you see a dying man coming down from here?

01:04:34And your husband on the floor?

01:04:36They haven't even left a chair.

01:04:38Speak up already!

01:04:39He thinks we've come here to party, doesn't he?

01:04:42Naturally.

01:04:42What are we here for?

01:04:43Some people come here to be serenaded with verdiales songs.

01:04:46and who comes to serve his country and the world.

01:04:49My husband and I have come here for a reason.

01:04:50which cannot be said by pandanillo.

01:04:54And he wants me to believe it.

01:04:56Oh, Matilde, you are so difficult!

01:04:58Okay, which private room is Leoncio in?

01:05:00That's ours.

01:05:02Come in, come in and see what the party was all about.

01:05:05Come in.

01:05:13Here it is.

01:05:15No dancing, no ladies, no nothing.

01:05:18Just him and me with our mission.

01:05:20Was the mission a brunette coming down crying?

01:05:23That's a poor thing.

01:05:25But do you know who that dying man they saw coming down is?

01:05:29Who?

01:05:33But well, if all that is true,

01:05:36Where is my husband?

01:05:54Can I have a token?

01:06:04Police, this is her speaking, tell me.

01:06:07A man's head?

01:06:10Detached and in a guitar case.

01:06:12Where?

01:06:14At the airport turnoff.

01:06:17And who are you?

01:06:18A simple taxi driver who doesn't want any trouble.

01:06:27Sir, you didn't pay my bill.

01:06:29Ah, that's right.

01:06:30How much is it?

01:06:31Two pesetas.

01:06:31Good.

01:06:43What nonsense?

01:06:45It turns out I don't have one.

01:06:46You know, I left my wallet with my wife.

01:06:48But he's in the car.

01:06:49I'll bring it to you right away.

01:06:50Well, you can eat them.

01:07:04Good evening, sir.

01:07:05That's ten pesetas.

01:07:06Good heavens.

01:07:08Well, I have nothing left of that.

01:07:09You can do it in foreign currency.

01:07:10I accept dollars, pounds, French francs, Swiss francs.

01:07:14Oh, really?

01:07:14Yeah.

01:07:15Do you drink Swiss coffee?

01:07:16Yes sir.

01:07:16Then he'll have cookies too.

01:07:18The fact that?

01:07:19Put on your cap.

01:07:22But hey, what's changed?

01:07:23I'll give you three for one peseta each because some are broken.

01:07:26Alright?

01:07:27Uh, what do I know.

01:07:28This is the first time I've had this currency without coffee with milk.

01:07:30Well, you'd better get used to it, son.

01:07:32Get used to it.

01:07:33Leoncio!

01:07:34Oh, there it is!

01:07:35Stop, stop!

01:07:40Are you okay, honey?

01:07:41Yes of course.

01:07:42But what are you doing here?

01:07:43I'm so proud of you, you know?

01:07:46The only thing I can't forgive you for is sending those papers to Paris with someone else.

01:07:50knowing how much I want to visit Paris.

01:07:52But who could you trust more than your little wife?

01:07:55What nonsense are you talking about?

01:07:57It's useless to fix it.

01:07:59Galindo has told me everything.

01:08:00I had no other choice.

01:08:02They showed up at the inn thinking we were out partying.

01:08:05And what did he tell them?

01:08:06The truth is, we were there to serve Spain and Europe.

01:08:11And have you been able to speak?

01:08:13We are your women, Leoncio.

01:08:15The missions have neither husband nor wife.

01:08:17You did very wrong to be honest.

01:08:18They probably thought we were just hanging around there.

01:08:21Well, let them believe it.

01:08:22Such serious things cannot be jeopardized because our wife thinks this or that.

01:08:27Among other reasons, because his life and mine are at stake.

01:08:30Don't forget it.

01:08:30How could I forget it?

01:08:32And now the stories of these two unfortunate women.

01:08:33Ours too.

01:08:34Yes, they made a mistake by coming.

01:08:37Until we get home, we're on a flight...

01:08:45Oh, what a fright!

01:08:47I thought that...

01:08:48Come on, don't waste any time.

01:08:49Get in the car.

01:08:52You'll have to explain the labyrinth to me later.

01:08:54I had to improvise.

01:08:55I'm learning now.

01:08:56And how?

01:08:57A little more and you'll start World War III.

01:08:59And ours.

01:09:01That's it.

01:09:02Have you made a phone call?

01:09:03They should be arriving soon.

01:09:04Did you remember to put the paper in?

01:09:06Naturally.

01:09:07I never fail.

01:09:08You are formidable.

01:09:09Yes sir.

01:09:10I'm going to fill the display case with barometers.

01:09:12I hope to provide you with better service.

01:09:14I'll talk to you.

01:09:15Speaking of paper, I warned him not to write on one of mine.

01:09:19Naturally.

01:09:19I can't reach you, but I'm not that stupid.

01:09:21It's not that I suddenly don't know why...

01:09:23I wrote this deal on a lined page from a calendar that...

01:09:27No.

01:09:27Yes, from a calendar that was in...

01:09:29It was on top of a wardrobe.

01:09:31Yeah.

01:09:32Well, you wrote it on my identity card.

01:09:35Because on each leaf it says gift from Samaral to Don Leoncio Toledano.

01:09:41No.

01:09:42Yeah.

01:09:43She was gorgeous and danced barefoot.

01:09:45She was shot by the French.

01:09:47Poor thing.

01:09:48How rude!

01:09:48He asked an officer for a cigarette and said as he lit it.

01:09:52Don't tremble, man.

01:09:53Look at me.

01:09:55And he died smoking.

01:09:56No, not when you get hooked on the habit...

01:09:59I have the book at home.

01:10:00I'll lend it to you.

01:10:01It's a fascinating life.

01:10:03I think it would be useful for this.

01:10:05Not you?

01:10:06I don't smoke.

01:10:07And?

01:10:07On the other hand, that silly face you make suits you very well.

01:10:10I'm happy that Leoncio got involved in this.

01:10:13Think about it.

01:10:14What do we gain by leaving that head alone?

01:10:15We need to write another paper.

01:10:17In my baptismal certificate, right?

01:10:18We can't waste a single minute.

01:10:20We'll take that head and everything if we get there.

01:10:23But after all that, we're going to stay the same as before.

01:10:25It's your fault.

01:10:26Luck!

01:10:30Come on, get down.

01:10:31You have to wait for us here, on the ground.

01:10:33No, dear.

01:10:34What do you mean, no?

01:10:35You can't come, now there is real danger.

01:10:38Even if it exists.

01:10:39Don't talk nonsense, Matilde.

01:10:41Our time is running out.

01:10:43Come on, get out of the car.

01:10:44I said no.

01:10:45Together until the end.

01:10:46Nobody can beat me when it comes to Europeans.

01:10:50There's nothing in Europe worth anything.

01:10:51He invented all that stuff about Europe and Spain.

01:10:54The truth is that I could go to jail.

01:10:55Do you understand?

01:10:56If what you want is to be alone in the face of danger,

01:11:01You're wasting your time.

01:11:02But what are you writing?

01:11:04Alright.

01:11:05Let's all go for that head.

01:11:07Come on.

01:11:07But if...

01:11:08Come on, let's get started!

01:11:33You'll be in the newspapers, won't you?

01:11:35It's very likely.

01:11:36In the obituaries.

01:11:38Be very quiet, fool!

01:11:39They'll give you a cross, right?

01:11:42They usually give two.

01:11:43One in the parish and another in the sacramental.

01:11:47The idea is already there.

01:11:50So what do we do now?

01:11:51Fortunately, it's still far away.

01:11:53I left it much closer to here.

01:11:55We have to get there before them.

01:11:56But they're going to see us!

01:11:57With the lights off, I don't think so.

01:11:58We have to try.

01:11:59But who are those gentlemen?

01:12:01The Russians?

01:12:02Silence everyone!

01:12:04A car is coming, isn't it?

01:12:07Yeah.

01:12:08I'll turn it off when it happens to us.

01:12:23We remained silent.

01:12:25I think I'll recognize the spot where I left it.

01:12:28As soon as it stops, jump out and pick up the cover.

01:12:30It's in a hole, a couple of meters from the curb.

01:12:32It won't let me change the paper?

01:12:34Have you written it yet?

01:12:35No, how am I going to do it?

01:12:36But as soon as I stop, all I need to do is put it on a hook.

01:12:39Horcajo?

01:12:40Who is Horcajo?

01:12:41Silence!

01:12:45I don't dare to get any closer.

01:12:47Leave quietly and go for her.

01:12:53Calculate 20 or 30 steps.

01:12:54I'm changing the role.

01:12:55I've got it ready.

01:12:56Okay, try it, but you have 10 seconds.

01:12:58Go and bring me the other one!

01:13:00Pull up your collar, there are many busybodies!

01:13:03Will you please shut up already?

01:13:26Let's see, a blur here!

01:13:33Let's see, a blur here!

01:13:49Toledo native!

01:13:51Toledo native!

01:13:52I think he's calling Galindo.

01:13:53That useless guy.

01:13:55Be careful that it doesn't stop.

01:14:00But where have I heard the word "horcajo" before, Martín?

01:14:03Oh, I don't know, daughter.

01:14:04It must be the name of your town.

01:14:11Why does he stumble?

01:14:13Have you locked the door?

01:14:14Don't talk nonsense.

01:14:16Do you think I have it?

01:14:17This won't open.

01:14:17What do we do?

01:14:18Come on!

01:14:18What do we do?

01:14:20No!

01:14:21High!

01:14:22Stop!

01:14:23Come on!

01:14:25They've been discovered!

01:14:27Open that door!

01:14:35It starts soon!

01:14:45High!

01:14:52Have you heard?

01:14:53I think we've had a flat tire!

01:14:59Turn on the lights!

01:15:01We're going to crash!

01:15:04There are the Russians!

01:15:06They're going to shoot us!

01:15:07It's best to stop!

01:15:08Stop, Matilde!

01:15:10You only die once!

01:15:11If Europe needs that guitar...

01:15:13No guitar is worth anything inside a dead man's head!

01:15:16It's all the same!

01:15:16If that's the kind of leadership Europe needs...

01:15:18Europe needs a much better head!

01:15:20Man, I'll tell you!

01:15:21It cost five thousand pesetas!

01:15:23I won't ruin this mission for you!

01:15:25I want you to be proud of your wife!

01:15:27Now those scoundrels will see!

01:15:29They're not scoundrels!

01:15:30They're police officers and they're Spanish!

01:15:32We still have time!

01:15:33Scrub, Matilda!

01:15:39It's all over now!

01:15:40Are there any injuries?

01:15:42I'm very well.

01:15:43And you, Evelio?

01:15:44I am dead.

01:15:45The fact that?

01:15:46No, no, it's from the heart.

01:15:48I've been given one.

01:15:49Where?

01:15:50No, nothing, nowhere.

01:15:51Now don't stop.

01:15:53See if they're following us.

01:15:54I think they're turning around.

01:15:56And if they're not giving it, they will.

01:15:57And they'll kill us all!

01:15:59Step into the background!

01:15:59What's wrong, Leoncio?

01:16:01Nothing, now we have to get home.

01:16:02There's a lot of smoke coming out of here.

01:16:05No, and Russians will come out, for real!

01:16:08They've hit us in the tank.

01:16:10Like in the tank?

01:16:11Will it be in the car?

01:16:13Why do you have such idiotic friends?

01:16:15Come on, go to the left.

01:16:17But weren't we going to Madrid?

01:16:18If we go in with a burning passion, we won't get anywhere.

01:16:20They'll catch up with us on the highway.

01:16:22We have to take a branch line.

01:16:24Come on, turn!

01:16:29Oh!

01:16:34But daughter, what are you doing?

01:16:36It is mandated to turn in the roundabouts.

01:16:39I would much rather die in another way.

01:16:41Stop, I'm getting off!

01:16:43If we get out of this, I'll tell you how you're going to die.

01:16:47I started having diarrhea seven minutes ago.

01:16:49And I to you twenty-five.

01:16:51And to you, Leoncio, much more!

01:16:52And he doesn't know to what extent!

01:16:54And you too, witch!

01:16:56Leoncio!

01:16:57Smoke is coming out of the engine.

01:16:59And what could this be?

01:17:01This must be fire.

01:17:03Is it insured?

01:17:05I see less and less, Leoncio.

01:17:07So stop, whatever God wills.

01:17:14The brakes aren't working.

01:17:16Women!

01:17:16Well then, slow down.

01:17:25How much should I put in?

01:17:27Give it 60.

01:17:39What's wrong with him?

01:17:47He's going to jump on us!

01:17:51Careful!

01:18:00Call the operator.

01:18:01Fast!

01:18:02I'm coming, my horror!

01:18:03Fire extinguishers, quick!

01:18:04This is on fire!

01:18:35Yes, that's already been cleared up.

01:18:36That head has nothing to do with the one we're looking for.

01:18:38It appears that it was stolen from the faculty or given to her by a janitor.

01:18:41that this is still not very clear.

01:18:43Yes, tell me.

01:18:43What we need to find out is why they did it.

01:18:45I think I'll clear that up soon.

01:18:48I'll call again.

01:18:51The thing about the head is indeed what you said.

01:18:54Naturally, but it stank, Formaldehyde.

01:18:56Now I want to interrupt myself, if possible.

01:18:57to each of the wounded.

01:18:59Which one?

01:19:00To Leoncio Tolerano.

01:19:02Come with me.

01:19:06And the others, doctor?

01:19:09How are the others?

01:19:10Don't fool me.

01:19:13Has anyone died?

01:19:14I assure you that it is not.

01:19:17And my wife?

01:19:19How is my wife?

01:19:20Which one is yours?

01:19:22Well, of course, I don't know how the poor things turned out.

01:19:26But she was the cutest.

01:19:28Calm down.

01:19:29Both of them required surgery.

01:19:30but none of them are seriously ill.

01:19:32Don't move your leg.

01:19:35Higa lindo.

01:19:37How is my friend?

01:19:38Like you and me.

01:19:43Excuse me, doctor.

01:19:44Like you or like me?

01:19:46Well, that's true.

01:19:47More like me.

01:19:49Just two or three bruises.

01:19:50It has been miraculous.

01:19:51It has been unfair.

01:19:53My car, my wife, me,

01:19:55all because of him.

01:19:57And he...

01:20:00The inspector wants to question the injured man.

01:20:02You can do it.

01:20:03There you have it.

01:20:04Thank you.

01:20:06Although his friend has declared himself the sole and absolute culprit for everything,

01:20:09I would like to ask you a few questions.

01:20:11Has he pleaded guilty to everything, single and absolute?

01:20:15Yeah.

01:20:15He says that he was the one who stole that head,

01:20:18who called from Barajas and who prevented the car from stopping.

01:20:21That you didn't know a word and that you took advantage of your friendship.

01:20:24What time is it?

01:20:26Ten minutes to eleven.

01:20:28Of course, it's not four o'clock yet.

01:20:31What does that mean?

01:20:31Have you arrested that man?

01:20:33In principle, yes.

01:20:34Then don't do it.

01:20:35It would be the greatest injustice in the world, I swear.

01:20:38He said that because he's a piece of...

01:20:41of bread.

01:20:43And he wants to save me.

01:20:44Do people believe that stuff?

01:20:46That wouldn't be fair!

01:20:47They were all half dead and he was so calm and on top of that, he was under arrest.

01:20:50I don't quite understand it.

01:20:51Well, I do.

01:20:52There is no one to blame here but me.

01:20:54Oh!

01:20:55I was the one who took that head.

01:20:57Saturnino the janitor can apologize to him.

01:20:59I am the one who knows him, not the other way around.

01:21:00I was also the one who called from Barajas.

01:21:03The telephone operator will remember it because I paid her the token with cookies.

01:21:07Have they already interrogated anyone?

01:21:09Yeah.

01:21:10Ah!

01:21:11To whom did he confess that about the cookies?

01:21:13No.

01:21:14And it's true.

01:21:15Do you see it?

01:21:16The calendar page that went with the head had my name on it.

01:21:19Believe me, I inspect.

01:21:20Even if I go to the electric chair,

01:21:23You're letting that idiot go free right now.

01:21:25I swear he deserves it!

01:21:27Alright.

01:21:28I'll check all that.

01:21:29I'll come back to you this afternoon.

01:21:35Hang me, my friend!

01:21:43We're leaving now, right?

01:21:45Where to?

01:21:46Well, with you.

01:21:48To jail, right?

01:21:49Tell me, were you the one who called from Barajas?

01:21:51Again?

01:21:52Yes sir.

01:21:53Let's go.

01:21:53Did he pay the fare?

01:21:58Clear.

01:21:59Come on, I think so.

01:22:01In money?

01:22:03Naturally, if I did it, it had to be that way.

01:22:06You are a good friend, Galindo.

01:22:07You can go home.

01:22:09What does it say?

01:22:10For the time being, barring any complications, he is free.

01:22:14It's not possible.

01:22:16But listen, just because I paid the fee, are you going to do this to me?

01:22:20And why has his friend told the whole truth?

01:22:22Go away and rest.

01:22:24But listen, Inspector.

01:22:25He's going to give more credit to an idiot than to me.

01:22:28Come on, to a poor dying man.

01:22:30No, no, he is far from dying.

01:22:32Everything he has said coincides with my information.

01:22:35Even the bit about paying for the Barajas airport ticket with cookies.

01:22:40He paid with cookies, the...

01:22:49Don't think it's a lie, okay?

01:22:52Here they are, two barriers of nine.

01:22:54Yes, yes.

01:22:54And let it be known that with this one, I could have taken a bullfighting horse with me.

01:22:58But first things first.

01:23:00Because a man is a gentleman, after all.

01:23:02Naturally.

01:23:03What's wrong with that shoe?

01:23:05He's got a crafty nail.

01:23:07Hey, here comes Galindo.

01:23:10Do you know how it did come?

01:23:22Here I am.

01:23:23And here I am?

01:23:25We both couldn't have prevented it.

01:23:27If only I had been lucky enough to find him anywhere.

01:23:30The eight or ten times I've tried.

01:23:32Haven't they told you at home and in your shop that I called you?

01:23:35Called?

01:23:36No, I haven't done anything else since yesterday afternoon.

01:23:38The last time I called his house was in the early hours of the morning.

01:23:40But apparently, I'm not the only one who gets them, huh?

01:23:45He assumes I've been out partying.

01:23:47Well, I'm not making any assumptions.

01:23:48But my friend, you're carrying a soybean bag.

01:23:52Why was he looking for me?

01:23:53To invite the bulls.

01:23:56Be serious.

01:23:57Man, here are the tickets.

01:23:59Two barriers of nine.

01:24:00And if he accepts, we still get to the second bull.

01:24:02What happened yesterday was a trivial matter that should not have any consequences.

01:24:06I really messed up and I was wrong, I admit it.

01:24:10I apologize to him in front of everyone.

01:24:12And here peace.

01:24:13And then glory, huh?

01:24:16Peace here.

01:24:18Well, and then bullfights.

01:24:19Or dominoes, if you prefer.

01:24:21Jesus, a bottle.

01:24:23So you didn't attach any importance to it.

01:24:26No, man, of course not.

01:24:30Did you have a good dinner?

01:24:31A little lamb.

01:24:32Well, sort of.

01:24:34Did you sleep well?

01:24:36Just ten hours.

01:24:37And now he wants us to go to the bullfights together.

01:24:40That's it.

01:24:41Well, as soon as you finish this report you're doing on me.

01:24:45Is there much left?

01:24:46Just one question.

01:24:47Do you think you can stop a hurricane with a screen?

01:24:52It's a riddle.

01:24:53Answer!

01:24:54Do you think you can stop a runaway train with a barrier, even a number nine one?

01:25:00Oh well.

01:25:01Where does this lead?

01:25:03Stop?

01:25:04Nobody knows that anymore.

01:25:06I only know where I'm going to shoot.

01:25:11But hey, are you crazy?

01:25:13I think so.

01:25:16Put on that shoe.

01:25:19Put that shoe on.

01:25:22But it has a really big nail.

01:25:24Better.

01:25:25Put it on.

01:25:32Alright.

01:25:40I do it to give him satisfaction and so he sees that I want to apologize.

01:25:46Look.

01:25:48That's it.

01:25:50Now get out of here and don't ever put your shoes back on that table or in this house.

01:25:56I believe, my friend Galinto.

01:25:57Don't believe anything.

01:25:59Get out!

01:26:01And on one leg with the foot of the nail.

01:26:04Listen here.

01:26:05That's already...

01:26:08And I'll shove it in his head next time.

01:26:12Get out!

01:26:14Alright.

01:26:17I'm going now.

01:26:30I said on one leg!

01:26:38I!

01:27:07Thank you!

01:27:17The usual, Don Evelio

01:27:20No, Jesus

01:27:21Bring me more bullets!

01:27:22Yeah

01:27:23At some point, we have to put an end to the same old thing.

01:27:25Say yes

01:28:00Thank you!

01:28:38Thank you!

01:28:45Thank you!

El grano de mostaza 1962 - HD 1080 - Completa - Dir: José Luis Sáenz de Heredia

Categoría

Transcripción

Comentarios

Recomendada