- 2 days ago
, a tough Honolulu policewoman named Silk is tasked with recovering priceless Japanese scrolls. She uncovers a massive art theft and insurance fraud scheme orchestrated by a ruthless museum owner, and stops at nothing—even blowing up buildings—to track down the smugglers
Category
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Short filmTranscript
00:00:15Ten masked men who claim they belong to the dreaded left-wing PFLP, our popular front for the liberation of
00:00:22Palestine, have taken full control of the Israeli embassy here on Macaoni Point.
00:00:27In a spectacular 30-minute raid, the terrorists blasted their way into the office of the Consul General, sustaining only
00:00:35one casualty, while killing six and seriously wounding eight of the 30-man security force.
00:00:42Unfortunately, they've kept a tight lid on their operations.
00:00:45I came as soon as I heard.
00:00:46This is out of our hands. The FBI has his hamstrung.
00:00:52Alright, so what's the best way?
00:00:57Helicopter, now!
00:01:00We execute one hostage every 15 minutes until you comply.
00:01:09The counting starts now!
00:01:18What the hell are you doing?
00:01:19What has to be done.
00:01:22We'll go after her, for Christ's sake, before she gets herself killed.
00:01:28Spin the gun!
00:01:31Move!
00:01:35Move!
00:01:40Move!
00:02:01I don't know.
00:02:18I don't know.
00:02:56I don't know.
00:03:19I don't know.
00:03:36I don't know.
00:03:48You almost got me killed back there.
00:03:51Sure hope that made your day.
00:03:53I'm going to throw the goddamn book at you, smartass.
00:03:56The fuck are you trying to prove?
00:03:58Crime doesn't pay.
00:04:20It used to be a man's world.
00:04:24Now it's changing.
00:04:28She's made her do.
00:04:31She's come to take a share.
00:04:36The only gonna do does someone let her rise in.
00:04:44Things have gone wrong, but no one seems to care.
00:04:53Who's going to see through all the pain?
00:05:01She's got a chance she'll take you there.
00:05:09And then she's soft, smart, gentle brain.
00:05:17She can tear you through when no one's there.
00:05:30All right, what the hell's going on here?
00:05:33You know, party on your own time, not the taxpayers.
00:05:47Come on, Chris.
00:05:49Come on, Chris.
00:05:49No, take it.
00:05:50It's yours.
00:05:50It's a token of my appreciation for keeping me alive.
00:05:56I don't remember doing that.
00:05:57Oh, yeah, you're right.
00:05:59No, no, no, no.
00:06:09Oh, Chris, it's beautiful.
00:06:12Must have cost a fortune.
00:06:14You hawk your gun?
00:06:16So I splurred, so what?
00:06:19Look, three diamonds.
00:06:21It's one for each year we wrote together.
00:06:25Thanks, Chris.
00:06:27I'm going to miss you.
00:06:29I'm not going to die.
00:06:31I intend to be around a long time yet.
00:06:35I'll hold you to that.
00:06:40Flight 35, I'm not working.
00:06:44Will all passengers please proceed to get fired?
00:06:53Welcome to Honolulu, Yokio-san.
00:07:03Kempe.
00:07:07Let's go.
00:07:09No.
00:07:09No.
00:07:10Give me the case.
00:07:11Let's go.
00:07:13I don't know.
00:08:04I don't know.
00:08:13I don't know.
00:08:35I don't know.
00:08:50I don't know.
00:09:10I don't know.
00:09:39I don't know.
00:10:01I don't know.
00:10:10Here's the token of my esteem.
00:10:14It is an honor to do business with you, Mr. Gish.
00:10:16The privilege is mine, Yukif-san.
00:10:21I am only sorry that your journey was marred by that outrageous attack at the hangar.
00:10:28I don't know, Mr. Gish.
00:10:29Please, uh, assure Dr. Fujima that I will take every possible measure to protect those sacred
00:10:34scrolls against the fanatic campaign.
00:10:38I shall do so, Mr. Gish.
00:10:41Well, I'd like to wish you a very safe and pleasant flight back to Japan.
00:10:48Sayonara, Mr. Gish.
00:10:59Make sure these fakes go up on the wall tomorrow for the exhibit.
00:11:04Make sure these fakes go up on the wall tomorrow for the exhibit.
00:11:04Oh, and as planned, the originals go to the warehouse for safekeeping.
00:11:07Yes, sir.
00:11:10Yes, sir.
00:11:11Yes, sir.
00:11:13Yes, sir.
00:11:36Yes, sir.
00:12:00Meadows, yeah, Japan, who is this, Kashi?
00:12:07Is it really you, you old bandit?
00:12:10It is me, old friend.
00:12:13I quarrel because of a serious matter.
00:12:16Sure.
00:12:17Last night, a very precious shipment arrived from Hokkaido.
00:12:23The Four Scrolls of the Temple of Immortality,
00:12:28which was in transit to the Gish Museum of Oriental Arts in Kona.
00:12:34I am told.
00:12:37That the Four of the Scrolls could be transferred to a private place.
00:12:41Some youths tried to steal them.
00:12:44I am blamed for the attempted robbery.
00:12:48But you have nothing to do with it?
00:12:49Nothing at all.
00:12:50My informant tells me,
00:12:53the Scrolls being this prey on the Gish Museum are fixed.
00:12:58Well, I'll look into the case, Domodachi.
00:13:00You can count on that.
00:13:02I knew I could depend on you.
00:13:05I owe you, Kashi.
00:13:06I owe you.
00:13:07I am leaving for Kona to get closer to look at the fake scrolls.
00:13:12I will call again to give you my number there.
00:13:16So we will sign a good friend.
00:13:21Has the yacht arrived yet?
00:13:22No sign of it.
00:13:25Trent checked in yet?
00:13:26No.
00:13:27Must be waiting for things to cool down.
00:13:30What about the explosives?
00:13:32Have you picked them up?
00:13:33As you ordered.
00:13:35All right.
00:13:35Carry on.
00:13:37Shit.
00:13:38I didn't realize how much time I've spent with Colby.
00:13:41Oh, no problem.
00:13:42This is a juicy book.
00:13:44Sorry to have kept you waiting.
00:13:46So what's up with you and Colby?
00:13:49No, nothing.
00:13:50Come on, let's go.
00:13:54Drop me off at the next corner.
00:13:57Don't wait for me.
00:13:58I'll get off on my own.
00:14:19Oh, baby.
00:14:21Mark up.
00:14:24I'm clean, Sarge.
00:14:26I swear on my mother's grave.
00:14:28I haven't moved a single piece this whole month.
00:14:30No, I'm not here to bust it, please.
00:14:32I want something to move.
00:14:34Oh, man.
00:14:35You're barking up the wrong tree.
00:14:39Kanaka Peak never squealed on his associate.
00:14:42No, sir.
00:14:43Never have.
00:14:44Never will.
00:14:46Maybe Kanaka Peak would like me to drag his butt downtown to answer some interesting question.
00:14:51That's so loud, man.
00:14:53You don't want to bring down my market values, Neil.
00:14:56The department has nothing to do with it.
00:14:58It's between you and me.
00:15:01Cross me, and I'll break every bone of your body.
00:15:09Ladies and gentlemen, welcome to Honolulu.
00:15:13Please have your wallets, purses, and watches ready.
00:15:16This is a stick-up.
00:15:21Okay, get back.
00:15:23All right, don't shoot.
00:15:25You, over there.
00:15:26Open up that drawer.
00:15:31Come on.
00:15:33Get back up against there.
00:15:422-11 in progress at 1245 Kalakaua Avenue.
00:15:45Please respond.
00:15:46It's only a block away.
00:15:48Tell them we'll take it.
00:15:50This is car 12 responding to that.
00:15:56Over there.
00:16:00Give me that.
00:16:03Come on, let's hurry up.
00:16:04Let's go.
00:16:09Oh, shit.
00:16:10There's the cops.
00:16:10Come on, let's get out of here.
00:16:12Get in.
00:16:14Drive.
00:16:18Police.
00:16:25Let's go.
00:16:26Come on, run.
00:16:26Quick.
00:16:44Breathe.
00:16:50Get a gun.
00:16:51Get a gun.
00:16:57Get a gun.
00:16:59Get a gun.
00:17:00Get a gun.
00:17:00Get a gun.
00:17:02Get a gun.
00:17:02Get a gun.
00:17:03Get a gun.
00:17:03Get a gun.
00:17:04Get a gun.
00:17:05Get a gun.
00:17:05Get a gun.
00:17:05Get a gun.
00:17:06Get a gun.
00:17:07Get a gun.
00:17:07Get a gun.
00:17:08Get a gun.
00:17:42I don't know.
00:17:43Ah!
00:17:49Ah!
00:17:53Ah!
00:18:07Ah!
00:18:08Ah!
00:18:08Ah!
00:18:09Ah!
00:18:09Ah!
00:18:11Ah!
00:18:11Ah!
00:18:12Ah!
00:18:12Ah!
00:18:13You've been asking a lot of questions, KP.
00:18:15We don't like to...
00:18:17Who are you?
00:18:18No!
00:18:18You don't wanna know.
00:18:29What's wrong, Chris?
00:18:31Ah, this retirement thing.
00:18:33Oh, I'm just menopausing, I guess.
00:18:38Look, drop me off at Koala Basin, okay?
00:18:42Hey, I'm your partner.
00:18:45I wanna help.
00:18:46I don't need your help.
00:18:52I'm sorry.
00:18:55Just...
00:18:55Just let me go solo this time, okay?
00:18:57I'm sorry.
00:19:10Chris?
00:19:14Take care.
00:19:15Can I go solo here?
00:19:17Yeah.
00:19:35Can I go solo this morning?
00:19:35Okay.
00:19:36Go solo, take care.
00:19:39What are you doing?
00:19:42Yeah, no.
00:19:44Okay.
00:19:56Uh-uh! I wouldn't do that. Dodge here's got a very itchy trigger finger.
00:20:02Who are you? What do you want?
00:20:05It's not important who we are, but you best know what we want.
00:20:10We want you to stop being so damn nosy.
00:20:15Oh, you're gonna wind up like your friend here.
00:20:19Speechless. You won't get away with this.
00:20:21Oh, yes, we will.
00:20:30Oh, no.
00:21:04Headquarters, this is Silk.
00:21:05Come in, Silk.
00:21:06I want to make on Alpha Yankee Yankee 929 Gray Mustang.
00:21:13Roger.
00:21:14Roger.
00:21:18Roger.
00:21:23Roger.
00:21:25Roger.
00:21:28Roger.
00:21:47Chris?
00:22:01Oh, God, Chris.
00:22:03I know. I should never have gone solo.
00:22:05Who did this to you?
00:22:06I don't know.
00:22:08What are you doing getting mixed up with scum like that?
00:22:10Paying an old debt.
00:22:12What old debt?
00:22:13I was in Japan investigating an opium run.
00:22:19Turned out to be a coup's operation.
00:22:22They caught up with me and tried to run me out.
00:22:25This friend of mine stepped in.
00:22:29I owe him my life.
00:22:32Now he wants my help.
00:22:34What was the objective?
00:22:37He said some sacred scrolls were stolen, replaced with fakes.
00:22:43He wanted me to find out who was behind the path.
00:22:46I guess we better do that.
00:22:50Headquarters, is it Silk?
00:22:51Go ahead, Silk.
00:22:52Do we have a make?
00:22:53It's a rented car.
00:22:55A guy named Trent Aker signed for it.
00:22:57Records are clean, though.
00:22:58Not even a traffic ticket.
00:22:59Well, put an APB out on him.
00:23:01Gray Mustang tag number Alpha Yankee Yankee 929.
00:23:06Suspects are armed and dangerous.
00:23:08Radio in location of vehicle immediately.
00:23:10This is 401 at Moanacalla Bridge.
00:23:12We've spotted suspects.
00:23:13Gray Mustang tag number Alpha Yankee Yankee 929.
00:23:16Heading east of Marina Road.
00:23:17Over.
00:23:18We're on our way.
00:23:26Shut the door.
00:23:31What's up?
00:23:48Okay.
00:23:54the case tell the captain we're shoving off
00:24:13make sure all four scrolls are there
00:24:43let's go
00:25:13let's go
00:25:33let's go
00:25:36give me a gun now give me the scroll sure
00:25:43sure
00:25:48open it fast
00:25:50fast
00:26:05i'll move back i'll get in there
00:26:22you trying to get yourself killed
00:26:23crow
00:26:27get out of here
00:26:28get the hell out of here
00:26:44i want you to take every outlet from that marina
00:26:47hello yeah frank
00:26:47look just keep me informed all right
00:26:51sir we dragged the marina there was no sign of meadows nothing
00:26:53don't check the logs all y'all's enough a past week i want it by tonight
00:26:57where are you going my partner's missing i can call you to identify until then stay out
00:27:02of it captain that's an order call me
00:27:18bitch
00:27:26oh
00:27:29oh
00:27:38oh
00:27:42oh
00:27:46oh
00:27:47oh
00:27:50oh
00:27:51oh
00:27:51oh
00:27:51oh
00:27:54oh
00:27:54oh
00:27:54oh
00:27:55oh
00:27:56oh
00:27:57oh
00:27:57oh
00:28:00oh
00:28:00oh
00:28:01oh
00:28:01oh
00:28:01oh
00:28:01oh
00:28:01oh
00:28:03oh
00:28:04oh
00:28:14you can thank your lucky stars that all you got out of this was a scratch
00:28:18young lady i told you not to pursue this case
00:28:20i was attacked i didn't go looking this
00:28:22it's a closed case
00:28:24what about just chris is being taken is that a closed case too
00:28:28look you know damn well we're doing everything we can to find him
00:28:31You, you're compounding the problem by getting underfoot.
00:28:34You get what I'm saying?
00:28:36I didn't send this guy an invitation.
00:28:39All right, let's put it to rest.
00:28:41I'm going to assign a couple of boys to look after you for a while.
00:28:44Captain, that really isn't necessary.
00:28:46You're on two weeks' leave, starting today.
00:28:49Colby?
00:29:00I want you to give me round-o'-clock security on Silk, but keep it discreet.
00:29:04I don't want her to know we're looking after her.
00:29:11You thought I told you to stay home, young lady.
00:29:14I can't help it. I'm worried sick about Chris.
00:29:17Well, so are we.
00:29:18But it's going to complicate matters further if we have to worry about you as well.
00:29:23Just be a good girl. Go home. Relax.
00:29:26Chris is our first priority.
00:29:31Jenny, call for you.
00:29:37Hey.
00:29:39What do you hear?
00:29:40You've got something that belongs to us.
00:29:44Maybe.
00:29:45We've got meadows.
00:29:46How do I know that?
00:29:47Talk to him.
00:29:50Jenny.
00:29:51Chris, you all right?
00:29:53You never told me retirement is going to be like this.
00:29:56Where are you?
00:29:58I don't know. It doesn't matter.
00:30:00Whatever happens, don't give him the scroll.
00:30:05Chris?
00:30:06Look, if you want your nosey friend back, meet us at the Cowanola Botanical Gardens, 8 p.m. tonight, alone.
00:30:16You give us our scroll back, we give you meadows.
00:30:21I'll be there.
00:30:22We see one cop out there. He's dead. Is that clear?
00:30:27on out there?
00:30:27No.
00:30:45On the left.
00:30:53Come on inside.
00:30:55We'll take our GoPro.
00:30:55Give me an inner choppyBOe.
00:30:55You're good.
00:30:55It's all good.
00:30:56You're pretty sweet.
00:30:56I'm pretty scope echoes.
00:31:35The scrolls.
00:31:38Where's Chris?
00:32:08Freeze!
00:32:10No!
00:32:10No!
00:32:12No!
00:32:19No!
00:32:26No!
00:32:33No!
00:32:34No!
00:32:36No!
00:32:37No!
00:32:40No!
00:32:44No!
00:32:50No!
00:32:54No!
00:32:55No!
00:33:01Jenny...
00:33:05Bring...
00:33:07Bring Skrull...
00:33:12Gashi...
00:33:13Big Island...
00:33:15...
00:33:21Promise.
00:33:23I promise, Chris.
00:33:27I knew...
00:33:31I could count...
00:33:33...on you.
00:33:37Chris!
00:33:39Chris!
00:33:39Don't die on me!
00:33:41Chris!
00:33:56What the hell did you think you were doing?
00:33:58Get a hold of yourself, Jenny.
00:34:00You guys killed Chris.
00:34:02Ah, Jenny, look.
00:34:03We just wanted to make sure you had all the help.
00:34:05I didn't need any help.
00:34:07Look, Jenny, we didn't want things to turn out the way they did.
00:34:11You...
00:34:11You damn well know that.
00:34:13We felt the best way to neutralize a situation was a show of force.
00:34:17You figured?
00:34:18You have no idea who you're dealing with here.
00:34:21These guys are trained mercenaries.
00:34:23They're ruthless.
00:34:24You should have let me handle it my way.
00:34:27Alright.
00:34:28Clearly, this is not the best time to discuss the case.
00:34:31But, there's more to it than you've told us.
00:34:33Let's cooperate.
00:34:35Don't go alone.
00:34:36That's all I'm asking.
00:34:37It seems you've forgotten, Captain.
00:34:39You put me on force sleeve.
00:34:42That means I am on my own.
00:34:51The Lord is my shepherd.
00:34:53I shall lack nothing.
00:34:54He makes me lie down in green pastures.
00:34:57He leads me beside quiet waters.
00:35:00He restores my soul.
00:35:02He guides me in paths of righteousness, for his name's sake.
00:35:05Even though I walk through the valley of the shadow of death,
00:35:09I will fear no evil, for you are with me.
00:35:12Your rod and your staff, they comfort me.
00:35:15You prepare a table before me in the presence of my enemies.
00:35:18You anoint my head with oil.
00:35:20My cup overflows.
00:35:22Surely, goodness and love will follow me all the days of my life.
00:35:26And I will dwell in the house of the Lord.
00:35:28Forever.
00:35:43I need a ticket to Kona.
00:35:52Ninety bottles of beer upon the wall.
00:35:55Ninety bottles of beer upon the wall.
00:35:57Ninety bottles of beer upon the wall.
00:36:00Ninety bottles of beer.
00:36:01Ninety bottles of beer upon the wall.
00:36:04Ninety bottles of beer upon the wall.
00:36:05Ninety bottles of beer upon the wall.
00:36:05Ninety bottles of beer upon the wall.
00:36:06Ninety bottles of beer upon the wall.
00:36:06Ninety bottles of beer upon the wall.
00:36:07Ninety bottles of beer upon the wall.
00:36:08Ninety bottles of beer upon the wall.
00:36:09Ninety bottles of beer upon the wall.
00:36:09Ninety bottles of beer upon the wall.
00:36:09Ninety bottles of beer upon the wall.
00:36:11Ninety bottles of beer upon the wall.
00:36:14Ninety bottles of beer upon the wall.
00:36:19Ninety bottles of beer upon the wall.
00:36:25for your sake. Vacation. Club nights a vacation. This is Gerritol Howe. My name's Holly.
00:36:33Jenny. I like your hair. Thanks. So, I come all the way from Texas to see my dad and what
00:36:43does he do? He sends me on this stupid tour. Somewhere I won't get in trouble, he says.
00:36:49You in school? First year at Texas Tech. Is your work exciting? It has its moments. What
00:36:56do you do? I'm in pest control. Oh. I just came from Silk's house. She's gone. Shit.
00:37:19Kashi.
00:37:42Kashi.
00:37:45The assault upon your heritage continues. Yes. But we must exercise patience. If we
00:37:54wait too long, it may be too late. The time has come where we cannot continue to allow a criminal
00:37:59like Gish to paint the Kempe in the image of himself. You tread heavily. Your intention
00:38:07is good. But your methods are not our way. That is true. But we cannot defeat our enemy
00:38:16if we ourselves are destroyed. We must give Gish a taste of his own medicine. Why else is
00:38:26a bitter pill to swallow?
00:38:40Oh, hi. Fancy meeting you here. Oh, hi, Holly. Well, I didn't know you were into Oriental
00:38:44art. It's sort of a sideline. Do you want to go to the museum? They're featuring the complete
00:38:49works of Yamaguchi, including the four sacred scrolls of the Temple of Immortality. Here.
00:38:57What time is the exhibit? We have just enough time to make it. Come on.
00:39:02Ladies and gentlemen, please welcome Mr. Hancock Gish.
00:39:16Oh, hi, Ogasmasu. Legend has it that the great sun god wanted man to revere the four seasons.
00:39:27He promised immortality as a prize for the best expression of man's reverence for the spirits
00:39:34of summer, winter, fall, and spring. Hideyoshi Yamaguchi, a warrior monk, took up the challenge
00:39:43and painted a scroll for each season. The Hokei Zakuri are the sacred scrolls of the Temple
00:39:52of Immortality. Fortunately, in 1981, the Tokahachi Gallery of Treasures came upon the scrolls,
00:40:01then guarded by a fanatic sect of monks called Kempei. Presented by an order of the emperor
00:40:09for the release of the scrolls, the Kempei could do nothing but turn them over. The rest, of course,
00:40:16is history. Beautiful, isn't it? The sound of bullshit in a museum. Bullshit in the air. Bullshit on the walls.
00:40:33I beg your pardon. You heard me. You are bullshit. Those are not the authentic Hokei Zakuri. Go ahead, Gish.
00:41:01Show them the fake watermark. Those are fake watermarks on those scrolls because no one,
00:41:08and I mean no one, can copy those characters put there by Yamaguchi as a security seal.
00:41:14You are fake. If bullshit was art, you'd be priceless.
00:41:20Please, uh, excuse this unseemly outburst.
00:41:25Excuse me. Hey, you troublemaker.
00:41:31You addressing me?
00:41:33Yeah, I want to talk to you.
00:41:35About what?
00:41:35With fake scrolls.
00:41:36Well, one out of six, do you believe me? That's not a bad average.
00:41:41I have a reason to believe you. I have one of the genuine scrolls.
00:41:49You what?
00:41:50I have one of the scrolls.
00:41:53Oh. Another copy, I bet.
00:42:01I don't think it's a copy, but I'm not an expert. Maybe you could tell.
00:42:05What's the catch?
00:42:06Okay, I want you to do something for me.
00:42:09I knew there was a catch.
00:42:11I want you to arrange a meeting with a Japanese art collector called Kashi.
00:42:17Who's he?
00:42:18My friend Chris Meadows asked me to give him the scroll.
00:42:22When can I see the scroll?
00:42:23As soon as you get me in touch with Kashi.
00:42:26I'm at the Kailua Kona Hotel, room 105.
00:42:32All right. I'll see what I can do.
00:42:43Jenny, where'd you go? I checked the ladies room, I checked the lobby.
00:42:47I needed some fresh air.
00:42:49Oh.
00:42:54Uh, Holly, I gotta go.
00:42:58Bye!
00:43:06Bye!
00:43:17Tail that Range Rover.
00:43:19Sure.
00:43:21Great.
00:43:22Just like in the movies. Are you a cop lady?
00:43:24Yeah.
00:43:34You get that damn scroll back.
00:43:37I've got the boys looking out for her.
00:43:39That bitch is here in Kona.
00:43:41She won't get away this time.
00:43:43You get that scroll back immediately, Trent.
00:43:46But that's the end for you.
00:43:48Are the remaining three pieces safely in the warehouse?
00:43:52Yes, sir.
00:44:16Wait for me.
00:44:17Hey, if you're not out in five minutes, I'll come in and get you, right?
00:44:22I guess not.
00:44:35Do you have a cold?
00:44:40How did you reach out?
00:44:41Do you have to be in the house?
00:44:46It's a great cold, right?
00:44:48I'm going to leave you in the house.
00:44:50I'm going to be in the house.
00:45:18Oh, it looks like everything's here.
00:45:21Can you sign here?
00:45:22Sure.
00:45:27Okay, thank you.
00:45:28Thanks.
00:46:06We're going to take a block up, will you?
00:46:10See you.
00:46:16I'll be right back.
00:46:45I'll be right back.
00:47:10I'll be right back.
00:47:12Hey, Dallas!
00:47:14Come on, let's get out of here.
00:47:16This is fun!
00:47:37Shit!
00:47:38Am I firing real bullets, goddammit?
00:47:54Shit!
00:47:55We're making Dirty Harry look like shit, aren't we, lady?
00:48:14Come on.
00:48:15What did you do last year?
00:48:17There she is now.
00:48:18Sure, I...
00:48:19Get in!
00:48:20I'm being chased!
00:48:21Chased?
00:48:22Come on, get in!
00:48:36Who did you say those guys are?
00:48:39He's just hired killers.
00:48:41One of them took out my partner.
00:48:42You're a cop!
00:48:44I knew it!
00:48:45You're a cop!
00:48:46I knew it!
00:48:52Near the wall, 95 balls of beer!
00:48:56Stop, stop!
00:48:57We're getting off the stairs!
00:49:01Stop!
00:49:02Stop!
00:49:02What's happening?
00:49:03Hey!
00:49:03Quick, get out of here!
00:49:04Should we get down?
00:49:05If you think you're gonna get a refund from not joining this excursion, you got another
00:49:09thing!
00:49:09Come in!
00:49:10Drive!
00:49:14Hey!
00:49:15Hey!
00:49:16Those guys have been following me all day!
00:49:18Damn!
00:49:27Ha!
00:49:29Ha!
00:49:31Thanks for saving a damsel in distress, guys.
00:49:33Anytime.
00:49:37Uh...
00:49:38Time to the cops get off work around here.
00:49:40As soon as my buddy gets that tire changed.
00:49:43Yeah?
00:49:51So...
00:49:53You have the hockey...
00:49:55Zucari?
00:49:57Yes.
00:49:57I have one of them.
00:50:01My monastic order...
00:50:03Care...
00:50:04For the hockey...
00:50:05Zucari.
00:50:08I know them like the palm of my hand.
00:50:10But the scrolls in the Gish Museum...
00:50:13Are fakes.
00:50:14Good fakes, but not good enough.
00:50:15The watermarks are totally bogus.
00:50:18If you have...
00:50:20What do you say you have?
00:50:23What do you intend to do with it?
00:50:26Depends.
00:50:27What does the name Chris Meadows mean to you?
00:50:32Our very dear friend...
00:50:35Ten years ago...
00:50:37I had the privilege of doing him a favor.
00:50:41You saved his life.
00:50:45He just gave up his...
00:50:47For you.
00:50:49Chris died trying to recover the scrolls for you.
00:50:53I will finish what he set out to do.
00:50:55No!
00:50:59You're against men who are cold-blooded killers.
00:51:02Stay away.
00:51:06Kashi.
00:51:07This man is a criminal.
00:51:09You're not going to recover the scrolls by waiting for the wind to blow them your way.
00:51:13We have to fight fire with fire.
00:51:17I made, Chris, a promise to return the scrolls to you.
00:51:22I won't let him down.
00:51:29Translated, this spells Kempe.
00:51:31What does that mean, Mr. Gish?
00:51:33First, let me say that these were once beautiful and, may I add, irreplaceable 12th century scrolls that were completely
00:51:44destroyed.
00:51:46Well, luckily, if I can use such a word under these circumstances, they were insured.
00:51:52And now, to answer your question, Kempe is an ancient nationalistic policing force.
00:51:58Formed to keep the Japanese race pure.
00:52:01Apparently, these fanatics have found their way to our island and plan to use their terroristic tactics against me.
00:52:07So, what do you plan to do now, Mr. Gish?
00:52:10Nothing, beyond stronger security.
00:52:12I will not be intimidated.
00:52:17It's ironic that these Kempe, who are so worried about others destroying their culture,
00:52:23rush to destroy their very same culture themselves.
00:52:29You know something?
00:52:30You and I make a pretty good team.
00:52:33You ever think about becoming a cop?
00:52:36No, I don't think so. I don't think Kashi would approve.
00:52:39How did you get involved with them?
00:52:42I met Kashi while studying Buddhism in Japan.
00:52:47I've been kind of devoted to them ever since.
00:52:52How about you? How did you get to be a cop?
00:52:58Ten years ago, my parents came to Hawaii to escape the growing crime right in LA.
00:53:03They, their drug store was getting robbed all the time.
00:53:08They thought it would be peaceful here.
00:53:14Shortly after we moved here, two men came into their store and shot and killed them.
00:53:31And Chris, you know, he was more than my partner.
00:53:38He was my best friend.
00:53:42And he's gone too.
00:53:43He came into the park, and he's gone too?
00:53:47He's gone too far.
00:53:51They're going to suffer from them, and he's gone too far.
00:53:58And those are the most caught up.
00:53:59He's gone through the night.
00:54:01He's gone too far and he's gone too far.
00:54:04I'll be in trouble.
00:54:04I don't know when you come out.
00:54:04The water is too far.
00:54:08We all know.
00:54:27Hello?
00:54:28Hi, is Jenny there?
00:54:29Holly?
00:54:30Yeah.
00:54:32Hi.
00:54:33Hi, I got your message in the key. What's going on?
00:54:35Look, in my suitcase, there's a brass tube.
00:54:39I need you to bring it to 939 South Lanai Drive.
00:54:43Got it.
00:54:44Thanks.
00:54:51I've got it!
00:54:56Open it up.
00:55:11What?
00:55:18Come on!
00:55:20Somebody!
00:55:21Shut up! I want to put this on your neck!
00:55:23Goddammit!
00:55:25Turn your car!
00:55:28Hold onto her!
00:55:29God!
00:55:37Goddammit!
00:55:51There.
00:55:53Uh...
00:55:54Let's get out of here.
00:56:28Okay.
00:56:38Let's go!
00:56:38Now let's make a bite.
00:56:38You don't have a bite!
00:56:39I can't do a bite.
00:56:40I'm gonna have a bite.
00:56:40I am not going to die.
00:56:40I can't do it.
00:56:43I can't do it.
00:56:44I can take a bite.
00:56:45I can't do it.
00:56:47I can't lay it.
00:56:56Oh, my.
00:56:59At last.
00:57:03Good work, Trent.
00:57:05It's just a matter of time, sir.
00:57:08Now to cover our tracks.
00:57:10No one must know that we've got the scrolls.
00:57:13No one must even suspect us.
00:57:16It must be Hashi who is to blame.
00:57:19You sure about this number?
00:57:20Yes, sir.
00:57:23Hello.
00:57:24I should like to speak to Mr. Kashi Hashimura.
00:57:28Yes.
00:57:30Is this Mr. Hashimura?
00:57:32Yes, it is.
00:57:35This is Hancock Gish.
00:57:37I have reason to believe there's something we'd both like to have.
00:57:42The four sacred scrolls of the Temple of Immortality.
00:57:46What do you want?
00:57:47Merely to share their magnificence with someone who can appreciate them.
00:57:51Is this some sort of bad joke?
00:57:54Not at all.
00:57:55I think I have the original scrolls.
00:57:58The very same scrolls that you want so much to return to Fujiyama.
00:58:03So, you call just to gloat.
00:58:09On the contrary.
00:58:10I call you in utter humility.
00:58:13I'm seeking your expert opinion
00:58:16to ascertain whether or not these pieces are actually genuine.
00:58:24Well, uh...
00:58:25May I have the honor of your company at my private museum this evening?
00:58:30That's where the scrolls are kept.
00:58:32I would like to see the Hockey Sugar Hill.
00:58:38And I can expect you.
00:58:40I will be there.
00:58:44Splendid.
00:58:50Splendid.
00:58:53Holly?
00:58:54Yeah!
00:58:55Jenny?
00:58:56Some guys grabbed me at the hotel.
00:58:58They tried to take me with them, but I got away.
00:59:00They put some...
00:59:01some spike thing to my neck.
00:59:03Gishes, ma'am.
00:59:04Well, where's the scroll?
00:59:05They took that metal tube you asked me to bring here.
00:59:07Oh, crap.
00:59:08Oh, shit!
00:59:10Anybody follow you here?
00:59:11No.
00:59:11Good.
00:59:13I'm all right if anybody cares.
00:59:15What do we do now?
00:59:17We move.
00:59:18Right now, in the middle of the night?
00:59:20When they least expect us.
00:59:21Yeah, but...
00:59:23I haven't even tied my shoes.
00:59:31You are a thief.
00:59:33And a fraud.
00:59:36Well, yes.
00:59:37Yes, but nobody else knows that.
00:59:40And you're not going to tell anyone.
00:59:43Because you are going to become the victim of a Kempe terrorist attack.
00:59:50See, under the vicious control of that zealot Kashi,
00:59:56the Kempe will lose all semblance of sanity
01:00:01and decide to destroy all of my co-opted works of Japanese art.
01:00:17Something's wrong.
01:00:18Kashi's car is here.
01:00:20I better go in first.
01:00:24Call the police.
01:00:38Give me a hand with this here, Joe.
01:00:44All right.
01:00:47All right.
01:01:07Okay, slow now, slow, slow. Don't go so fast, Harry.
01:01:10Go these stairs, man.
01:01:14Come on, wait, wait.
01:01:20I'd like to see Mr. Gish.
01:01:37Put one over there.
01:01:52I'd like to see Mr. Gish.
01:01:52I'd like to see Mr. Gish.
01:01:55I'd like to see Mr. Gish.
01:02:18I'd like to see Mr. Gish.
01:02:18I'd like to see Mr. Gish.
01:02:37I found this guy sneaking around downstairs.
01:02:39Well, well.
01:02:41A foul-mouthed buffo nigger.
01:02:43Is there something we can do for you?
01:02:46I'm here to see Mr. Hashimoto.
01:02:48Why?
01:02:49Is there a problem?
01:02:50I'm looking for an explanation.
01:02:54Well, perhaps I ought to explain a few things to you.
01:03:00The interesting thing about art is that it's worth more dead than alive.
01:03:07A priceless work of art.
01:03:10What can you do with it?
01:03:13Can you look at it?
01:03:18But a priceless Ming vase insured for five million dollars.
01:03:25That's worth something.
01:03:27Destroy the fakes, collect the insurance, and sell the originals on the black market.
01:03:33I assume that's your plan for the scrolls.
01:03:35Ah, yes.
01:03:36Our precious scrolls.
01:03:39Naturally, I had a business arrangement about those.
01:03:45One hundred million dollars in insurance.
01:03:48Ninety-four million dollars on the black market.
01:03:52Not bad for an evening's work, eh?
01:03:55The explosives are all in place, sir.
01:03:58Good.
01:04:01Set the timer to go in five minutes.
01:04:04Yes, sir.
01:04:05I guess this is sayonara.
01:04:42AWoway.
01:04:44AWoway.
01:04:46AWoway.
01:04:48Oh!
01:04:57Let's go.
01:05:37Harley, stay here.
01:06:13Oh, no!
01:06:14Oh!
01:06:16Harley, this is getting very complicated!
01:06:24I want you to grab the case and get out of here as soon as possible!
01:06:27The building is going to blow!
01:06:53The building is going to blow!
01:07:00The building is going to blow!
01:07:09No!
01:07:15Gah!
01:07:16That doesn't, don't be a damn fool!
01:07:19That must die here!
01:07:20You can have this strong blood money, I want it!
01:07:23REND THE WORLD OF YOUR KIND!
01:07:50Let's go!
01:07:51I don't know.
01:08:21I-
01:08:21Oh.
01:08:25Ah.
01:08:28Ah-ya.
01:08:29Ah! Drop it!
01:08:50Drop it!
01:08:58Okay.
01:08:59Get out of here!
01:09:00Let's go! Hustle! Let's go!
01:09:01Let's go! Let's go! Hustle! Hustle!
01:09:18Kashi!
01:09:20Kashi!
01:09:37Kashi!
01:09:44Kashi!
01:09:52Hustle!
01:09:57Kashi!
01:10:03Kashi!
01:10:09Kashi!
01:10:10Kashi!
01:10:13Kashi!
01:10:22It used to be a man's world
01:10:25Now it's changing
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