- 2 days ago
(1969) follows a young convent girl who sneaks out to explore Montreal's bohemian scene, works as a topless dancer, becomes a high-class prost and ultimately seeks redemption after falling in love with a single-father artist who knows nothing of her past.
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Short filmTranscript
00:00:27MFP subtitles.
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00:01:16My dear Valérie, this isn't the first time Sister of Providence has had cause to complain about
00:01:21YOU.
00:01:22You seem to take pleasure in going against every single one of our institution's regulations.
00:01:28Two months ago, you were smoking in secret.
00:01:32We simply gave you a warning.
00:01:35You remember that, I hope.
00:01:37We were well rewarded.
00:01:39You think, now you're jumping over the wall.
00:01:44Well done for the recognition.
00:01:46You have probably forgotten that we took you in when there was no one left to care for you.
00:01:52of you.
00:01:53That we raised you.
00:01:55That we have prepared you to pursue the noble profession of schoolteacher.
00:01:59You're just a crazy person.
00:02:02All you think about is running around with all the little thugs in the neighborhood.
00:02:07Since you refuse to change your behavior, we will manage to save you in spite of yourself.
00:02:12You can return to your room tonight.
00:02:16We will see each other again tomorrow.
00:02:19You know there are institutions that take care of taming the strong personalities in your
00:02:24species.
00:02:27You can go.
00:02:28I will pray for you.
00:02:52I will pray for you.
00:03:11La la la la la la la la la la la la la la la la la la la
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00:24:05So, listen, I've already spoken with Miss Kim, meaning we've made the initial approaches.
00:24:11So, could I ask you as well, what do you do for a living?
00:24:15Officially, I mean?
00:24:17I'm a dancer. Me too.
00:24:19Okay, so, I apologize for jumping so abruptly to the topic that interests me,
00:24:23But you often have the opportunity in life, right, to, well, yes, to live life, right, as you
00:24:30tell me.
00:24:30Oh my God, opportunities are certainly not lacking.
00:24:33First of all, let's be clear, men think about nothing else.
00:24:35You must have had the opportunity to realize this personally.
00:24:39Oh!
00:24:40Finally, do you know a little bit about how a man is made, all that?
00:24:42How quickly is it satisfied?
00:24:44Okay, so I can tell you this.
00:24:46With all the opportunities I have, I could spend a month in bed, day and night, without the
00:24:51The same type appears twice.
00:24:52Ah!
00:24:52I don't point it out because it doesn't interest me.
00:24:55Oh, no?
00:24:56No, I'm a lesbian.
00:24:59Ah, yes! How interesting!
00:25:02Have you been like this for a long time?
00:25:05Ah, always.
00:25:06I like women, you see?
00:25:08Pretty women, you understand?
00:25:11Yes, yes, I understand perfectly.
00:25:13And you, miss?
00:25:15Ah, me, I like men, real men, big men, strong men.
00:25:19Like the one who raped me when I was 10 years old.
00:25:21Were you 10 years old?
00:25:2210 years, yes.
00:25:24But I was better in character; I had already had two lovers.
00:25:30Then, that summer, I went to a farm at an uncle's house.
00:25:34And one afternoon, as I slept in the hay, having childhood dreams,
00:25:39This big guy lunged at me.
00:25:42He was big, immense.
00:25:45From everywhere.
00:25:47That left a mark on me.
00:25:49It hurt a little, I must say.
00:25:52But now, these are the kinds of men I like.
00:25:55The real ones, the big ones, the violent ones.
00:25:59It's passionate!
00:26:00I was raped when I was 7 years old.
00:26:03At 7 years old?
00:26:04But I consider this to be an exceptional occurrence.
00:26:08Born very young, into a very poor family,
00:26:11I was the youngest of a family of 18 children.
00:26:14My mother, on the other hand, was always sick.
00:26:16And it wasn't with my father's small salary that we could get her medical treatment.
00:26:20He was an alcoholic.
00:26:21He was always at the pub and...
00:26:23But that's wonderful!
00:26:25It's like a fairy tale!
00:26:27In any case, I can tell you something.
00:26:30You know that today, I'm a prostitute.
00:26:33I am not ashamed.
00:26:34Life broke me when I was very young.
00:26:40Viola, 7 years old, aren't you strong?
00:26:42I almost said 4.
00:26:43She liked it, anyway.
00:26:45I'm not saying the opposite.
00:26:46But what do you want her to do with that?
00:26:48One of two things.
00:26:49She either writes a book, or she goes into the business.
00:26:51She's going to write a book.
00:26:53Do you want to leave me here?
00:26:55All right.
00:26:55Okay, hello.
00:26:56Good morning.
00:26:57I hope we'll meet again.
00:26:59Of course, that would be my pleasure.
00:27:02Of course, that pleases me.
00:27:35I'm tired.
00:27:38Do you know what you should do?
00:27:39Take a nice bath and go to bed.
00:27:41Yes, that's a good idea.
00:28:11Subtitling by Radio-Canada
00:28:29What was I saying?
00:28:30I'm fine.
00:28:32What?
00:28:32That you...
00:28:34What?
00:28:36That you are prostituting yourself.
00:28:38Oh my God, well yes, it's no mystery.
00:28:45How exactly does it work?
00:28:47Are you interested?
00:28:50Oh, do you want me to explain?
00:28:52Well, it depends.
00:28:54Depends on what?
00:28:55It depends on what level you're working at, first of all.
00:28:58At your level.
00:29:00Good.
00:29:01Good.
00:29:02I receive a phone call.
00:29:05Are you a pimp?
00:29:06No, not really.
00:29:08It's more like an association.
00:29:11To get customers, you need to advertise.
00:29:14It's like the corner grocer
00:29:16who decides to join a chain of stores.
00:29:19We work a bit like that, you see.
00:29:21And what are you calling?
00:29:23The client?
00:29:24Yes.
00:29:26And then what?
00:29:28Then you arrange a date with him.
00:29:30At your place?
00:29:32At your place or somewhere else?
00:29:34It depends on what he offers you.
00:29:36And then what?
00:29:38And after my poor fall, do you want me to draw you a picture?
00:29:41No, but what are these guys like?
00:29:44Fat, ugly, mean.
00:29:46What are you looking for there?
00:29:48I don't know, I'm asking.
00:29:50Listen.
00:29:51If you're really interested.
00:29:56Hmm, my feet hurt.
00:29:58They are swollen.
00:30:00Listen, if you want to go back home,
00:30:03Can I arrange this with the boss?
00:30:05No, no, no.
00:30:06I was just saying that.
00:30:08I can continue.
00:30:09But what if it hurts too much?
00:30:11If it hurts too much,
00:30:13Too bad for me.
00:30:15I would have chosen a different profession.
00:30:17Do you really want to continue?
00:30:19Yes, indeed.
00:30:20Okay, shall we go?
00:30:27When I undertook something,
00:30:29I don't give up halfway through.
00:30:58Hold.
00:30:59What do you want me to do with that?
00:31:01What do you want me to do with that?
00:31:01I'm going for a swim.
00:31:03I thought that...
00:31:05Yes, it will come.
00:31:06You're in a real hurry.
00:31:26Hey, hello, Kim.
00:31:27How are you doing?
00:31:29Hello, Jean.
00:31:30Very well, thank you.
00:31:30Do you have a friend?
00:31:31Yes, let me introduce you to Valérie.
00:31:33Hello Sir.
00:31:36André.
00:31:38Hello, miss.
00:31:39Good.
00:31:40Well, you're going to have something, aren't you?
00:31:42Well, I imagine.
00:31:43You're not going swimming?
00:31:44We just had dinner
00:31:45and we had a big meal.
00:31:46We're still waiting two hours
00:31:47after eating,
00:31:48But if you want to go,
00:31:50I don't have anything for us.
00:31:51Do you want to go?
00:31:52I don't know.
00:31:53Go ahead.
00:31:54I'll be waiting for you here.
00:31:59Okay, I was going to see your friend.
00:32:01But she looks a little...
00:32:02She seems a little shy.
00:32:04You'll need to be very nice to her.
00:32:06It's starting, you know.
00:32:07We're always very nice, aren't we?
00:32:09Tell me, André.
00:32:11You did some unkind things.
00:32:12No, but Jean,
00:32:13You know very well,
00:32:14That's not what I meant.
00:32:16Ha, ha, ha, ha.
00:32:18Ha, ha, ha.
00:32:19Ha, ha, ha, ha, ha, ha, ha.
00:32:34Do you think
00:32:36That your friend will be able to get out of this situation?
00:32:39But I'm sure of it.
00:32:42Why are you holding on?
00:32:42Why is it so complicated?
00:32:44We are friends,
00:32:45we meet,
00:32:46we chat,
00:32:47We're having fun.
00:32:49I don't see
00:32:49where there might be a problem.
00:32:50But I'm not talking about myself, Jean.
00:32:53I know.
00:32:55But if she's your friend
00:32:56that's bothering you,
00:32:58Look at her.
00:32:59Yes, the best I've seen,
00:33:00It was in Rome.
00:33:01Here, of course.
00:33:03we have comfort,
00:33:05Modernism, all that.
00:33:07But over there,
00:33:07They possess greatness.
00:33:09majesty.
00:33:12Do you travel a lot?
00:33:14Ha, ha, ha.
00:33:14Finally, enough, yes.
00:33:17Business forces me
00:33:18to move around quite a bit.
00:33:20And then,
00:33:21I also enjoy travelling
00:33:23For my own pleasure.
00:33:25Ah, we weren't always going
00:33:26in the big hotels
00:33:27like today.
00:33:31We are now at your home.
00:33:35The room is nice.
00:33:37Do you like it?
00:33:39A lot.
00:33:40That's very good.
00:33:41I think that's it
00:33:42their best here.
00:33:44Obviously.
00:33:45We don't have the sight
00:33:46on Rio Bay,
00:33:47but we must not
00:33:48to be too demanding.
00:33:50Oh!
00:33:50Oh, it's not a big deal.
00:33:52But what are you going to do?
00:33:54You will damage
00:33:55your pretty hands.
00:33:56I'm going to call the boy.
00:34:01But where have they put themselves?
00:34:02The doorbell?
00:34:03That's stupid.
00:34:05Wait.
00:34:06There's no rush.
00:34:08You are quite right.
00:34:25You don't like it
00:34:26May I kiss you?
00:34:27Yes yes.
00:34:28Why do you say that?
00:34:30You are nervous.
00:34:32I don't know.
00:34:33There's something
00:34:33that's bothering you.
00:34:35But no.
00:34:36It must be said,
00:34:37You know.
00:34:38Yes.
00:34:40Yes.
00:34:43Yes.
00:34:49Yes.
00:34:57You look very unhappy.
00:35:08You're ruining something for me.
00:35:10Isn't that right?
00:35:14Here.
00:35:14Here.
00:35:15I'm spoiling the fact that you're involved.
00:35:15to your first weapons.
00:35:17Why didn't you say so?
00:35:18right away?
00:35:23You know, you're not the first to go through this.
00:35:27I imagine so.
00:35:31I believe
00:35:32that you will do better
00:35:34than all the others.
00:35:38It's a competition.
00:35:42It's good.
00:35:43The bill is paid.
00:35:45and you can have the room
00:35:47up to two hours.
00:35:47It's good.
00:36:20What's wrong?
00:36:21You seem to be in a hurry?
00:36:25I gather my things.
00:36:27I'm leaving.
00:36:29Listen, André.
00:36:31You know, like that,
00:36:32Tired of dancing.
00:36:33You know that.
00:36:34I arrived home exhausted every night.
00:36:37I couldn't take it anymore.
00:36:39I can't continue like this my whole life.
00:36:42Since we're making changes anyway,
00:36:43Might as well change now.
00:36:45Don't you think so?
00:36:46But what are you going to do?
00:36:47Ah, don't worry about me.
00:36:50I'll find something
00:36:51Furthermore, it costs money.
00:36:53less tiring,
00:36:54more fun.
00:36:56You'll see.
00:36:58I know how to manage.
00:37:00But you don't want to stay here?
00:37:02But no.
00:37:03I need my own room.
00:37:05Could we sort things out here?
00:37:07Listen, André.
00:37:08I'm telling you it's impossible.
00:37:10It can't work.
00:37:11No, everything is arranged with Kim.
00:37:14I have an apartment.
00:37:15You should check this out.
00:37:16I'll fix it.
00:37:18Okay, I have to get out of here.
00:37:21Come on,
00:37:22Don't do it at that time.
00:37:24We'll meet again.
00:37:25Ciao.
00:37:46Ciao.
00:37:48Hello?
00:37:49Ah, it's you, Kim.
00:37:51How are you?
00:37:54Alright.
00:37:55That's perfect.
00:37:57I love it.
00:37:59I put the armchair
00:38:00in the other corner.
00:38:02On?
00:38:03You seem to be in a hurry.
00:38:06No, listen,
00:38:07I don't want to hold you back.
00:38:10Go ahead.
00:38:13Yeah.
00:38:14Yeah.
00:38:17Is this a client you know?
00:38:22It's nice at your place.
00:38:24How do you like it?
00:38:25A lot.
00:38:27It's not yet
00:38:28completely finished.
00:38:30I'm going to put in an armchair
00:38:31in that corner.
00:38:33And there's still more to come
00:38:33something above the bed.
00:38:35Did you decorate it yourself?
00:38:36Of course.
00:38:38I'm going to feel good at home.
00:38:54I will feel comfortable at your place.
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00:47:09...
00:47:23Hello ?
00:47:25Yes ?
00:47:26Hello, how are you?
00:47:30It's okay. Thank you.
00:47:35Excuse me, I'm in a bit of a hurry.
00:47:39Yes.
00:47:42Half a point?
00:47:43It's not bad.
00:47:47And what about nickel, any news?
00:47:54Okay, okay, that works out well.
00:47:59Hmm, buy it, buy it.
00:48:02Okay, I'll leave you now.
00:48:05Remember?
00:48:06OK.
00:48:07Bye.
00:48:10Bye.
00:48:32Good evening, how are you? Come in.
00:48:34Okay. You?
00:48:35It's going well, very well.
00:48:37François isn't here?
00:48:38He has been lying down for ten minutes.
00:48:40You're all good, right?
00:48:41A little, yes.
00:48:43Good evening.
00:48:43Good evening, I'm waiting for you.
00:49:11Good evening, I'm waiting for you.
00:49:14Good evening.
00:49:14What did you do today?
00:49:15Not much.
00:49:17I stayed home.
00:49:19Did you have any trouble going out tonight?
00:49:21No, no.
00:49:24It went well.
00:49:25Dad has gone on a trip.
00:49:27Ah, the old party.
00:49:29Patrice.
00:49:30Pardon.
00:49:31You're not going to ask me what I did today?
00:49:36What did you do today?
00:49:39Come and see.
00:49:57Is it over?
00:49:58It's over.
00:50:00Do you like it?
00:50:01It's wonderful.
00:50:53Well, well.
00:51:23MFP subtitles.
00:51:29...
00:52:00François! François, it's dinner time!
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00:57:06What did you do? Did you sell them?
00:57:08No, you idiot. You're crazy.
00:57:11So what then?
00:57:13I had an exhibition.
00:57:16You? Is that true?
00:57:18Why not me? Do you think I don't deserve it?
00:57:20No, that's not what I meant.
00:57:22You know that very well.
00:57:24You're an idiot.
00:57:27When?
00:57:27Tomorrow.
00:57:28Tomorrow? You're crazy.
00:57:30Why didn't you tell me about this before?
00:57:32That came as a surprise to me.
00:57:36Look at.
00:57:39It's wonderful.
00:58:05Good evening.
00:58:08It's been months since we've seen you.
00:58:11Are you cloistered?
00:58:12What am I working on? I don't think I'll be climbing any routes.
00:58:15Madam.
00:58:16Good evening.
00:58:17Good evening.
00:58:20Good evening.
00:58:21Good evening.
00:58:22Good evening.
00:58:23Good evening.
00:58:35Good evening.
00:58:35This is the one.
00:58:36Pardon.
00:58:37Pardon.
00:58:38Okay, very good.
00:58:39Okay, very good.
00:58:40THANKS.
00:58:48Look over here.
00:58:50Yes, there, like that.
00:58:52Okay, that's better.
00:58:52That's much better.
00:58:55Good evening.
00:59:07Good evening.
00:59:08No, no.
00:59:18Patrick, we don't see you at home anymore.
00:59:20It is fame that also makes you independent.
00:59:23Oh, you know, fame is good for today.
00:59:26Your exhibition is very good.
00:59:28It's wonderful.
00:59:30Your last rooftops, the magnificent sound.
00:59:34This nakedness, this mass.
00:59:39Patrick, the journalists are going crazy and demanding your attention.
00:59:42I'm starting a riot. May I, madam?
00:59:44Oh, come on, come on. A revolution can happen so quickly.
00:59:52Hey, old man, do you have some carefully chosen relationships?
00:59:54Oh, it's some kind of relative trying to get some free friends, just in case.
00:59:57And the beautiful Valérie, is she also your cousin?
01:00:01How do you know her?
01:00:02Ah, they don't hide anything from me.
01:00:05Yeah, excuse me.
01:00:10Ah, Balan. Hello, old man.
01:00:11Hi. So, do you like it?
01:00:14Ah yes, that's not bad at all. I must admit it's quite interesting.
01:00:17So, you'll write me an amazing article on Saturday,
01:00:19And your three readers are coming to attend my exhibition.
01:00:21What, my three readers? You're forgetting that the little niece is ready to read this year.
01:00:24They don't need to read your articles.
01:00:25Hey.
01:00:26You're going to put people off reading forever.
01:00:28You've really put off my beautiful paint remedy, haven't you?
01:00:50It worked well, didn't it?
01:00:54Yes. Well, I don't know.
01:00:57How come you don't know?
01:00:59Finally, I don't know as well as you do.
01:01:01I don't know the environment that well.
01:01:04Yes of course.
01:01:05But I thought it worked very well.
01:01:07Okay, I'll take you out for a drink to celebrate.
01:01:10Oh no. I've had enough to drink already.
01:01:12What's wrong?
01:01:14No. I'm just a little tired.
01:01:18Come on, talk more.
01:01:45I'm just a little tired.
01:02:04I spent three days with him.
01:02:06I was happy.
01:02:07You can't know.
01:02:09Then I laughed so much.
01:02:12Why didn't you stay?
01:02:14I couldn't.
01:02:15For what ?
01:02:17Because...
01:02:18Because he doesn't know who I am, what I do.
01:02:23And then there's François.
01:02:26His son.
01:02:28He thinks I'm going to become his mother, a little bit.
01:02:30You don't want to?
01:02:33Listen, Kim.
01:02:34You don't understand.
01:02:35I love him.
01:02:36But that's precisely the point: it's wonderful if you love it, isn't it?
01:02:39Yes, but...
01:02:41I don't like it.
01:02:43But if he loves you, if you believe he is ready to marry you.
01:02:47But not for who I am; he loves me for who he believes I am.
01:02:49But it's the same thing.
01:02:51No, it's not the same thing.
01:02:53I can't tell him what I'm doing.
01:02:55I am forced to lie to him constantly.
01:02:58To invent excuses not to go see him more often.
01:03:02I've had enough of all these lies.
01:03:08You know, the other day at the opening, there was a guy who knew me.
01:03:16He pretended not to recognize me.
01:03:19It's always the same thing.
01:03:22People are there when they need me.
01:03:26And then...
01:03:27Psst!
01:03:30I've had enough.
01:03:31I would like it to be different with him, at least.
01:03:36I wish I could tell him everything.
01:03:39To be myself.
01:03:40Finally.
01:03:41But you can tell him.
01:03:42If he loves you, he will forgive you.
01:03:44I don't want to be forgiven.
01:03:46I wish that what I did had never existed.
01:03:50Perhaps he will forgive me.
01:03:52But to forgive is not to forget.
01:03:55With time, we always forget.
01:03:57With goodwill and terribentine.
01:04:01What ?
01:04:02Nothing.
01:04:03I was thinking about something.
01:04:06Would you like a drink?
01:04:15Hello ?
01:04:16Yes ?
01:04:18It's me.
01:04:20It's Saturday.
01:04:21I'm sorry, but...
01:04:24Wait.
01:04:33Yes, okay.
01:04:39At the airport.
01:04:41But it's outside the city, then.
01:04:44Heard.
01:04:45Bye.
01:04:47Bye.
01:05:18La la la la la.
01:05:20La la la la.
01:05:22La la la la.
01:05:53...
01:06:40Dad, Valérie isn't coming today.
01:06:43Ah, it's you, François? No.
01:06:45No, Valérie is not coming today.
01:06:47For what?
01:06:48It's because she went to see an old aunt.
01:06:52Is she better than us?
01:06:53No, no, that's not it. It's because she's very ill.
01:06:56Don't you want to play?
01:06:58Not so much anymore.
01:06:59Okay, come on, let's go home.
01:07:01Elsewhere, the light isn't very good today.
01:07:05There's too much fog.
01:07:14There's too much fog.
01:07:46Please sit down, miss.
01:07:49You do have something to say to me.
01:07:52Shams!
01:07:54Please bring the port.
01:07:57You probably find the way I brought you here a little strange.
01:08:02I'm going to be frank with you, miss.
01:08:05She had only one goal: to allow you to judge the fortune at my disposal.
01:08:10Ah, thank you, James.
01:08:11You may withdraw.
01:08:13I will serve myself.
01:08:18As you see me, I am old, I am ugly, and even a little disgusting.
01:08:23It's not there.
01:08:24I know very well what you're thinking, but it doesn't bother me, because I'm rich and I
01:08:29I believe that everything can be bought.
01:08:31Not only do I believe it, but I have experienced it.
01:08:37No doubt you have some suspicion about what lies behind this preamble.
01:08:43So I'm going to tell you exactly what I expect from you.
01:08:51Every year, I go on a Mediterranean cruise.
01:08:54I also have a yacht that you haven't seen.
01:08:59You probably know that a cruise, his pretty girl, is like a day, his sunshine.
01:09:06Or more precisely, three months, because I intend to leave for three months.
01:09:13So, I'm looking for a young girl and I thought of you.
01:09:18What do you think?
01:09:24Well, that disgusts you.
01:09:29Why aren't you being honest?
01:09:32I'm playing my cards on the table and I'm even going to show you the rest of my hand.
01:09:39You will receive $500 per week, which is very little, I agree.
01:09:44But you have four hours of freedom per day during which you will not be obliged to put up with my presence.
01:09:49And it's wonderful.
01:09:52Agree on that.
01:09:55And you're not saying anything?
01:10:13Hello ?
01:10:14Hello? Is that you, Louise?
01:10:15Ah, Patrick. Are you alright?
01:10:17Yes, hi.
01:10:19Is Pierre here?
01:10:20Yes, he's gone.
01:10:22Has he been gone for a long time?
01:10:23There's one for the day. Can I help you?
01:10:26No, no, it's him I wanted to talk to.
01:10:29Do you know where he went?
01:10:30To the hotelier.
01:10:32Yes.
01:10:34Yes, that's what I wanted to point out.
01:10:35Major.
01:10:36Hi.
01:10:45You are pathetic, sir.
01:10:48I don't feel sorry for you, since you're standing next to me.
01:10:52It's me !
01:10:52Ah, no, no, no, no, no, no!
01:10:54You can refuse me the trip.
01:10:56But not love.
01:10:58I summoned you.
01:10:59I paid.
01:11:00I'll take it.
01:11:01I like.
01:11:04I like.
01:11:06I like.
01:11:06I fixed the...
01:11:22Do your job.
01:11:54Do your job.
01:12:23Do your job.
01:12:39If she had the same level of intelligence, she would be brilliant.
01:12:43If you want, I can give it to you, you know.
01:12:45No, no, thank you.
01:12:47This suits me just fine.
01:12:49Not so sure.
01:12:51If you come to see me, you probably need something.
01:12:55That's true, you're right.
01:12:58We can't hide anything from you.
01:13:00Okay, what can we do for you?
01:13:04Well, I thought I remembered you mentioning Valérie at the opening.
01:13:09Oh, beautiful Valérie.
01:13:12She's the one who's bothering you.
01:13:14Do you know her?
01:13:16Ah, who doesn't know her, my friend.
01:13:25You look a bit silly.
01:13:27Something that doesn't suit you.
01:13:30You wanted to be the only one to know her, didn't you, you selfish little brat.
01:13:36What's wrong?
01:13:39What did I say?
01:13:41Nothing.
01:13:43What kind of girl are you?
01:13:45What kind of daughter do you have?
01:13:47I don't know.
01:13:49She's a charming girl.
01:13:51She's just doing her job, that's all.
01:13:52We can probably make them close.
01:13:54That's his job.
01:13:56Listen, do you want me to draw you a picture or would you prefer a sculpture?
01:13:59No, no.
01:14:01However, I would like you to explain it to me.
01:14:03Do you know her, Valérie, or not?
01:14:05I know her a little, yes.
01:14:07That's how it is.
01:14:09You would benefit from getting to know her better.
01:14:11She's the prettiest whore in town.
01:14:15Valérie.
01:14:52Hello, this is Valérie.
01:14:54This is a recording.
01:14:55I am away from home at the moment.
01:14:57If you want to leave a message, you have 30 seconds from the beep.
01:15:08Hello, this is Valérie.
01:15:10This is a recording.
01:15:11I am away from home at the moment.
01:15:14If you want to leave a message, you have 30 seconds from the beep.
01:15:21This is Patrick.
01:15:23You've got a beautiful slut.
01:15:25A cheerful bitch.
01:15:27I applaud you, well done.
01:15:28In any case, I wish you a happy and prosperous new year.
01:15:32And then...
01:15:47Excuse me for bothering you, but I absolutely needed to talk to someone today.
01:15:51It doesn't look good.
01:15:52That's not going well.
01:15:53Always the same thing?
01:15:55Yes.
01:15:56What else happened?
01:16:00Patrick, that's all.
01:16:03He learned it.
01:16:06He called me.
01:16:07He called me...
01:16:08Come on, come on.
01:16:16I'm leaving.
01:16:18I'll leave some.
01:16:20I'm leaving everything.
01:16:21I'm going somewhere else, to the countryside, anywhere.
01:16:24Okay, okay, Claire.
01:16:25That feels good.
01:16:27Tomorrow will be better.
01:16:28You'll see.
01:16:34It's the same.
01:16:53Here we go.
01:17:13I'm sorry, but there is no service at the number you dialed.
01:17:18I'm sorry, but you're not.
01:18:00I'm sorry, but you're not.
01:18:29I'm sorry, but you're not.
01:19:00I'm sorry, but you're not.
01:19:13I'm sorry, but you're not.
01:19:43I'm sorry, but you're not.
01:19:54I'm sorry, but you're not.
01:20:20I'm sorry, but you're not.
01:20:52I'm sorry, but you're not.
01:21:20I'm sorry, but you're not.
01:21:22I'm sorry, but you're not.
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