- 2 days ago
La trama se centra en una pareja veneciana en crisis que intenta reavivar su relación mediante un viaje en el famoso tren. En el trayecto que pasa por Zúrich, París y Madrid, el esposo anima a su esposa a vivir una serie de aventuras amorosas y tórridos encuentros
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Short filmTranscript
00:00:27Thanks for watching the video
00:00:57Thanks for watching the video
00:01:00Thanks for watching the video
00:01:32Thanks for watching the video
00:01:47A lot? How long ago?
00:01:49Come on, vent.
00:01:50Almost two months ago
00:01:52Poor Gloria
00:01:53So what are you going to do?
00:01:55I?
00:01:56Well, it's given me
00:02:25I should have realized
00:02:26From our first meeting
00:02:27In Barcelona
00:02:29You are my friend
00:02:29And I can tell you that
00:02:31John is very insecure
00:02:32Morbid
00:02:34Even a little masochistic
00:02:35And I'm going to go
00:02:36One morning I let myself
00:02:37The bathroom door is open
00:02:38He realized
00:02:39But even though I could
00:02:39It was not taken advantage of
00:02:40And he spied on me through the window
00:02:41The story of that day
00:02:43It ended there
00:02:43And then, as usually happens
00:02:44You got married, right?
00:02:45Yeah
00:02:46John is an interesting man.
00:02:47And I fell in love with him
00:02:48We had a wonderful year
00:02:50And now you want to help him?
00:02:51Because you know he loves you
00:02:52Isn't that right?
00:02:53You understood me perfectly.
00:02:54We arrived
00:02:55You're staying here, right?
00:02:56Yeah
00:02:56I wanted to talk to you
00:02:58I'm sorry you're leaving.
00:03:00I feel it too.
00:03:02But you know they're waiting for me.
00:03:03Oh, and don't forget
00:03:05Call me as soon as you can
00:03:06We'll spend the whole day together
00:03:09Be careful
00:03:15Bye
00:03:17See you soon
00:03:23Drop me off near the station
00:03:25Railway
00:03:25Good
00:03:39Ma'am, I hope the trip
00:03:40On the Orin Express
00:03:41May it be to your complete satisfaction
00:03:43Thank you
00:04:10Lady
00:04:12Excuse me, are you traveling alone?
00:04:15No
00:04:15I'm waiting for my husband
00:04:17Her husband?
00:04:17As usual
00:04:18He arrives late
00:04:19Although that doesn't worry me.
00:04:20Please come in and have a seat.
00:04:27I would never make anyone wait.
00:04:28To a woman as beautiful as you
00:04:30Especially with legs
00:04:31Like yours
00:04:32I'm glad you like my legs
00:04:35If I said otherwise
00:04:36It would be absurd
00:04:37And a true sin
00:04:38Wearing panties
00:04:39It hides the heart of life
00:04:40Well, that's an inconvenience.
00:04:42That can be fixed in an instant
00:04:53He did very well.
00:04:54She did the right thing by putting them on.
00:04:55Because it has taken on its fragrance
00:04:59A fragrance that seems to be coming
00:05:01From a flower bathed in dew
00:05:05John, you're crazy!
00:05:09I have to forgive you for everything.
00:05:11The delay
00:05:12My longing
00:05:13I want to caress you
00:05:15Do you know that your flower drives me crazy?
00:05:17I like to lift it up like a bee
00:05:19It has a warmth and a very sweet perfume
00:05:22And it gives me an intoxicating vertigo
00:06:04Do you know that your flower drives me crazy?
00:06:08Do you know that your flower drives me crazy?
00:06:13Do you know that your flower drives me crazy?
00:06:46Thank you!
00:06:53The train has already left.
00:06:55Perhaps this will be a special trip that changes things.
00:07:01Everything will change.
00:07:03It's possible.
00:07:04I will look at you carefully and with great intensity.
00:07:07You are so beautiful.
00:07:09I feel like smoking a cigarette now.
00:07:12Okay, give me another one.
00:07:20Let me see her, give me the comb.
00:07:24Thank you.
00:07:26And now the mirror.
00:07:28The mirror.
00:07:33Good, good, good.
00:07:35So.
00:07:36Turn it more, more.
00:07:39Good.
00:07:41Take it away, take it away.
00:07:43And now the rinse.
00:07:45Yes, that's right.
00:07:46Woman, woman.
00:07:50Take.
00:07:56Yes, yes, yes.
00:07:58Clear.
00:08:01Come on, dry me off.
00:08:03Go.
00:08:05That's it.
00:08:06Great.
00:08:07Take it with you.
00:08:09Take it away!
00:08:10Take it away!
00:08:11Take it away!
00:08:12Take it away!
00:08:12Take it away!
00:08:13Take it away!
00:08:21Take it away!
00:08:37How can I resist it?
00:08:42And now, let's go to bed.
00:08:45Yes of course.
00:08:47Oh, my dear.
00:08:48But what are you doing?
00:08:49Take your hands away.
00:08:50No, I'm your husband.
00:08:51But right now, we are both alone.
00:08:53Ah, yes, of course.
00:08:54Well, I'll just have to put up with it.
00:08:57Hey.
00:09:02What's happening?
00:09:03Not in bed.
00:09:04But it's mine too.
00:09:05You will sleep on the floor.
00:09:06On the ground?
00:09:06Yes, you heard me.
00:09:07Me sleeping on the floor?
00:09:08Yes, that's it.
00:09:08You in bed and me on the floor?
00:09:10Yes, you on the ground.
00:09:11Okay, you, mother.
00:09:15On the ground?
00:09:15Yes, on the ground.
00:09:20Is this okay?
00:09:21Clear.
00:09:25Are you sure?
00:09:25I told you on the ground.
00:09:30On the ground?
00:09:31That is.
00:09:33Be careful, Karim.
00:09:42And I don't want to hear you breathe.
00:09:44I'm not moving.
00:09:45Be good and go to sleep.
00:09:46Good night.
00:09:48Good evening, Teresa.
00:10:12Good evening, sir.
00:10:13Thank you.
00:10:20Excuse me, can I have a light?
00:10:22Clear.
00:10:27Thank you.
00:10:31Excuse me, would you mind if I stayed?
00:10:33No, it's no trouble at all.
00:10:36On the contrary, its presence acts as a natural obstacle.
00:10:39If I didn't have certain obstacles, I would always win.
00:10:44Oh, good shot.
00:10:47Congratulations.
00:10:48It's normal.
00:11:01Be careful.
00:11:03Oh, excuse me.
00:11:09No.
00:11:17No.
00:11:21No.
00:11:32Come on!
00:11:56Excuse me.
00:12:27Excuse me.
00:12:29John, wake up.
00:12:31It's terrible.
00:12:33I'm even ashamed to talk to you.
00:12:35Come on, what's wrong? What happened?
00:12:38I've almost made love with another man.
00:12:40You went into the hallway while you were sleeping.
00:12:42Wait, calm down. I don't think I understand correctly.
00:12:46You were going to make love with another man.
00:12:48What are you saying? Are you dreaming?
00:12:50No, I wasn't dreaming. I don't know how it happened.
00:12:56That man approached and...
00:12:57Have you been in the hallway yet? It seems incredible.
00:13:00Yeah.
00:13:01Tell me everything.
00:13:02I can't do it.
00:13:04Yes, you can. Come on, love, tell me everything.
00:13:07From the beginning.
00:13:10While I was in the hallway, a young man approached me.
00:13:13And he paid me a compliment.
00:13:15And what did he do after that?
00:13:16Then, then he... he took my hand and said nice things to me.
00:13:21But what did he say to you? Tell him.
00:13:22The usual. You're beautiful. I like you.
00:13:25But that's not the most important thing.
00:13:27Yes, you're right. Sorry, you're right. Please continue.
00:13:34He put his hand on my chest.
00:13:54He put his hand on my chest.
00:13:56The hand.
00:13:58And with a very slow movement.
00:14:00Very slow.
00:14:01He brought it to me.
00:14:02He brought it to me.
00:14:05I wanted to cut it off, but he was stronger.
00:14:09Then he kissed me furiously.
00:14:12He has... he has raped you.
00:14:16No. I managed to break away and return to the compartment.
00:14:20My love, maybe it was just a nightmare. Try to calm down. You shouldn't be afraid.
00:14:26You're with me now, my love. You need to relax. Don't think about it anymore. It's been a nightmare.
00:14:32You don't believe me.
00:14:33My love, what are you saying? I love you. I love you, my love.
00:14:39Oh, John.
00:14:57Very good!
00:14:58Ya.ega.
00:15:27Thank you!
00:15:52John, do you remember that night in that place?
00:15:58We had only known each other for a very short time.
00:16:00Yes, of course I remember
00:16:01Because?
00:16:03Because every now and then I remember that flamenco dancer and that dance with him
00:16:08You know I think about it often
00:16:10She was very excited that day
00:16:28La, la, la, la, la, la, la, la, la
00:17:25Music
00:17:54Music
00:18:24Music
00:18:49Music
00:18:59Bravo, let's go!
00:19:04Sarga, miss!
00:19:05Not me, please, I don't know how to dance
00:19:06Cheer up, get up, Karen
00:19:08Alright
00:19:12Music
00:19:19Music
00:19:29Music
00:19:31Music
00:19:39Music
00:19:41Music
00:19:49Music
00:19:51Music
00:20:02Music
00:20:03Music
00:20:14Music
00:20:16Music
00:20:25Music
00:20:26Music
00:20:31Music
00:20:32Music
00:20:44Music
00:20:45Music
00:20:54Music
00:21:05Music
00:21:06Music
00:21:08Music
00:21:08Music
00:21:12Music
00:21:14Music
00:21:19Music
00:21:22Music
00:21:23Music
00:21:24Music
00:21:28Music
00:21:29Music
00:21:30Music
00:21:33Music
00:21:39Music
00:21:43Music
00:21:44Music
00:21:45Music
00:21:54Music
00:21:55Music
00:21:56Music
00:21:57Music
00:21:58Music
00:22:01Music
00:22:02Music
00:22:03Music
00:22:05Music
00:22:07Music
00:22:07Music
00:22:08Glory.
00:22:09So.
00:22:18When I think about it, I always wonder
00:22:21Why did you ask me
00:22:23that I marry you?
00:22:28Come to sleep, Gloria.
00:22:34Yes love.
00:22:43I think the best thing is for us to follow him to Zurich.
00:22:47That way we'll see where they go.
00:22:49Although I'm afraid the police will come after us.
00:22:52What are you saying?
00:22:55The police?
00:22:56Don't worry, I eat even less.
00:22:59Ah, yes, you are very brave.
00:23:13Is everything alright, ma'am?
00:23:14Yes, thank you, very good.
00:23:21Gloria, come on, eat something.
00:23:25Grab a croissant, it's freshly made.
00:23:27Thank you.
00:23:29I suppose yours is a pleasure trip.
00:23:31That's how it is.
00:23:31The Lorient Express is the great accomplice of couples.
00:23:34It's like a grand palace on wheels.
00:23:37And you?
00:23:38Well, I travel for work.
00:23:40I am a Turkish dancer specializing in belly dancing.
00:23:43Ah, a dance that excites men.
00:23:45We do everything for our men.
00:23:48Us too.
00:23:51You see, he doesn't quite understand
00:23:52How a young man travels alone on a train like the Lorient Express.
00:23:56Sorry.
00:23:56Perhaps they've given him an academic award.
00:24:00Thank you.
00:24:06Thank you.
00:24:07We are not curious,
00:24:09But can you tell us how a young man like you travels alone?
00:24:13Yes, as her friend said.
00:24:14I am here because I passed my studies
00:24:16And my father has given me a trip on the Lorient Express.
00:24:19See? I told you so.
00:24:21Have you seen the couple at the entrance?
00:24:22Not only have I seen her, I've been going to her all night.
00:24:25He seems very much in love with her.
00:24:27Does sex have a little bit of a slurp for him?
00:24:28Yes, but he's definitely the one with the money.
00:24:31They may not be married.
00:24:33Be careful.
00:24:35Don't take any spoons from the restaurant car
00:24:37because it's going to be noticeable right away.
00:24:39Calm down, calm down. I'm not taking her, darling.
00:24:41I hope you know how to behave.
00:24:44Is that clear?
00:24:46Highly requested.
00:24:46Highly requested.
00:24:49Highly requested.
00:25:07Highly requested.
00:25:22This way or that way?
00:25:23Over there.
00:25:25Good morning.
00:25:26Good morning.
00:25:33Good morning.
00:25:34Good morning.
00:25:42Tell me your hand.
00:25:43Thank you.
00:25:44Do you have time to take a walk around the city?
00:25:45Oh, great. We'll walk for a couple of hours.
00:25:47He's having fun.
00:25:50Above all, I ask for your punctuality. The train will depart at 6:00 PM sharp.
00:25:54Come on, hurry up.
00:25:55I'm coming, sweetheart.
00:25:57Be careful.
00:25:59What happened to you?
00:26:00I tripped. I didn't do it on purpose.
00:26:02But how did you get dressed like that?
00:26:04Don't you like the outfit?
00:26:06My God, you look like a gaster. Come on.
00:26:08But hey, you don't like anything I do.
00:26:10What can I do?
00:26:12You'll see how much you like it.
00:26:13I'm sure.
00:26:14He's delighted.
00:26:19Can't you see them? Where are they?
00:26:25I think they're going that way.
00:26:26Yeah.
00:26:27Come on, let's not lose them.
00:26:28What do you think? Do you like it?
00:26:30Yeah.
00:26:30The view from here is magnificent.
00:26:32It's a spectacle.
00:26:33I told you so.
00:26:34Come on.
00:26:35Come on.
00:26:40Come on.
00:26:43Come on.
00:26:46Come on.
00:26:48Come on.
00:26:51Come on.
00:26:54Come on.
00:26:55Come on.
00:26:56Come on.
00:26:58Come on.
00:26:58Come on.
00:26:59Come on.
00:27:00Come on.
00:27:01Come on.
00:27:01Come on.
00:27:02Come on.
00:27:03Come on.
00:27:03Come on.
00:27:05Come on.
00:27:05Come on.
00:27:06Come on.
00:27:23Can you see where they are?
00:27:26What do you see?
00:27:27Two who are practicing the in-and-out.
00:27:31I want you to kiss me.
00:27:33Oh, really? Well, let's go.
00:27:37Aren't you in love?
00:27:39Smile.
00:27:44We're right in the city center, aren't we?
00:27:46There you can see the church spires.
00:27:48And there's another bridge over there.
00:27:51What is that?
00:27:52It is an embankment that was fortified in its time.
00:27:55It's beautiful.
00:27:56Today it is a beautiful place.
00:27:58Look, even the seagulls seem happy to live here.
00:28:03Look at these beautiful buildings.
00:28:04Yes, yes, I see them now. Beautiful.
00:28:12Let's stop here.
00:28:14If we get close, they might recognize us.
00:28:18We synchronized the clocks.
00:28:20Because?
00:28:21That's what you do, isn't it?
00:28:22Come on.
00:28:35Oh, they're beautiful.
00:28:39Ah, nothing attracts a woman like fur.
00:28:42But I hope that's not the only thing.
00:28:44Oh, look at these jewels.
00:28:47Look at that diamond.
00:28:48Oh, look.
00:28:49Let's go in.
00:28:49I want to give you a gift.
00:28:51Oh, you're a treasure.
00:28:52A gift that will be a memento of our trip.
00:28:55Oh, a sweet memory.
00:28:59Have you seen where they've gone in?
00:29:01A simple watch in that store costs a fortune.
00:29:04I already told you they had a lot of money.
00:29:05Okay, let's go.
00:29:10Thanks love.
00:29:11It's beautiful.
00:29:12Do you really like it?
00:29:13Of course.
00:29:14I like it a lot.
00:29:16It was lucky to put it on right away.
00:29:18Oh, really?
00:29:19I didn't know.
00:29:43I didn't know.
00:29:48Let us toast in the beautiful chalices that beauty bestows.
00:29:58Let's toast, let's toast to the magic.
00:30:00Oh, yes, sorry.
00:30:02Let us toast in the beautiful chalices that the...
00:30:26Good night.
00:30:27Good night.
00:30:34Your champagne, sir.
00:30:35Thank you.
00:30:40May I offer you a glass of champagne?
00:30:46Thank you.
00:30:47I gladly accept.
00:30:49Do you want to come in?
00:30:52Please.
00:30:57Excuse me.
00:30:58How would I tell him/her?
00:30:59Forgive my boldness, but we are fellow travelers.
00:31:02My name is Farrell.
00:31:04Steve Farrell.
00:31:05Nice to meet you.
00:31:05I'm going back to London after the holidays.
00:31:07And you?
00:31:09He doesn't answer.
00:31:10Excuse me.
00:31:11Indiscreet questions are never asked of a lady.
00:31:14However, if I have been indiscreet, I apologize.
00:31:17Nameless lady.
00:31:25And if it's fair not to pry into a woman's little secrets, tell me.
00:31:29What should I do?
00:31:32Is there anything I can do to please you?
00:31:35First of all, why doesn't he serve champagne in the glasses?
00:32:01What should I do?
00:32:31What should I do?
00:32:48What should I do?
00:33:19What should I do?
00:33:23John, wake up.
00:33:26This time I didn't dream it.
00:33:28I've done it again.
00:33:30Really?
00:33:32Tell me everything.
00:33:33From the beginning.
00:33:35His name is Steve.
00:33:37He's a pilot.
00:33:38It's in the compartment next door.
00:33:40He is handsome and muscular.
00:33:42Did it excite you?
00:33:43Yes, that's what a woman needs.
00:33:46He is a kind and charming man.
00:33:48And then, come on, tell us.
00:33:52First, he stroked my face.
00:33:56Yeah.
00:33:57Then, little by little, he brought a finger close to my lips.
00:34:00So.
00:34:01Yes, continue.
00:34:02Then I started kissing him.
00:34:08The finger.
00:34:10Go on.
00:34:13His eyes were closed.
00:34:16And he.
00:34:17He really liked what I did to him.
00:34:20And he.
00:34:21He was dressed.
00:34:25Yes, but shortly afterwards, he took off his shirt.
00:34:30Then, I stroked her chest.
00:34:33Continue.
00:34:34Yeah.
00:34:36Then I started to approach him.
00:34:40Yeah.
00:34:41With the tongue.
00:34:42What did you do to him?
00:34:44I started licking his chest.
00:34:47A long time.
00:34:48I don't know how much.
00:34:50Awhile.
00:34:51He liked it.
00:34:54I could tell from her breathing that it was becoming increasingly excited.
00:34:59And he didn't say anything to you?
00:35:01No no.
00:35:02He stroked my shoulders.
00:35:04He stroked my hair with one hand.
00:35:07But he didn't ask me for anything.
00:35:08She let me do it.
00:35:10I was the one running the game.
00:35:13I stroked myself with my tongue.
00:35:15Yeah.
00:35:16Its flavor gave me great pleasure.
00:35:18Moreover, the sweat from her skin intoxicated me sweetly.
00:35:22And then what?
00:35:22Then I knelt down.
00:35:26And?
00:35:27What did you do?
00:35:28I sucked him with ecstasy.
00:35:31But I soon broke away and fled here.
00:35:41John.
00:35:42Tell me.
00:35:43I can't understand what's happening to me.
00:35:45Honey, try to reflect.
00:35:46You'll see, we'll find a solution.
00:35:49It's like...
00:35:50If I had two personalizations, I would never have behaved like this.
00:35:54Calm down, love.
00:35:59Of course, that's right.
00:36:01Debut in London with Rico Leto.
00:36:04Please, could you sign an autograph for me?
00:36:06Of course, dear Adel.
00:36:08Give me a photograph.
00:36:09Yeah.
00:36:12Oh, I didn't bring them.
00:36:13In that case, give me a free ticket for this young man.
00:36:17At least he'll be able to hear me.
00:36:19I don't have that either.
00:36:20Well, and you don't even have a poster with my face on it?
00:36:23It seems impossible.
00:36:26No.
00:36:28Nothing.
00:36:29Do you have a pen?
00:36:32Sorry, I don't have one either.
00:36:34Oh, come on, you have nothing.
00:36:36How is that possible?
00:36:37Okay, I won't sign autographs.
00:36:39From now on, I will not sign autographs, and that's it.
00:36:42Calm down, darling, calm down.
00:36:43You know what, darling?
00:36:44I'm starting to like this trip.
00:36:47Yes, me too.
00:36:49And it's not over yet.
00:36:52Yes darling.
00:36:54Sure?
00:36:54Clear.
00:36:55Good.
00:37:24Have you seen the way they're looking at this?
00:37:25What scared them?
00:37:26Yes, it seems they are spying.
00:37:29I'm sure it's intriguing.
00:37:30I agree, you're right.
00:37:32It's as you say.
00:37:34Yeah.
00:37:37What a world.
00:37:39Furthermore, she is shameless in front of her husband.
00:37:42You said it.
00:37:52Good morning.
00:37:53Good morning.
00:37:53Good morning, ma'am.
00:37:54Will you have breakfast with us?
00:37:54Thank you, it will be a pleasure.
00:37:59Please sit down, ma'am.
00:38:02John told me he saw her in his Wind Farm show.
00:38:05Oh, really?
00:38:06TRUE.
00:38:07Furthermore, he told me that it is a difficult technique and, above all, very spectacular.
00:38:13Tell me, what's your name?
00:38:14Aida, I think this is the right time.
00:38:17Say it correctly and let me know.
00:38:19I don't see.
00:38:25Let's go out now.
00:38:27I would only eat sweets for breakfast.
00:38:29It's my greatest weakness.
00:38:31To tell the truth, there are many of us who like sweets.
00:38:35So, you have a sweet tooth.
00:38:37Are the sweets from your country good?
00:38:39He has never tried the ones made in my country.
00:38:41Too bad.
00:38:42I can offer you some very good Turkish sweets, but you have to try them in my compartment.
00:38:46It will be a pleasure to accompany you.
00:38:50You'll see how he won't regret it.
00:38:51They are handcrafted products.
00:38:52Oh, really?
00:38:53I think a trip like this is a great reward.
00:38:55No, you go.
00:38:56I want to read the newspaper and have another coffee.
00:38:58Very good.
00:38:59I had one too.
00:38:59See you later.
00:39:00I'll toast with orange juice.
00:39:02Come on.
00:39:04I'll give you some from my glass.
00:39:08Ah, thank you.
00:39:18Are you feeling better?
00:39:22Get that cigarette out!
00:39:24Out, out!
00:39:26I have to take care of my voice!
00:39:42You feel.
00:39:43Thank you.
00:39:44They are ordinary chocolates.
00:39:48Where did I put them?
00:39:50Let's see.
00:39:50Ah, here they are.
00:39:52Please serve.
00:39:55Returning to the subject of belly dancing, I have always thought that it is a very special dance.
00:40:00And he's not wrong.
00:40:01In fact, it is a very special dance.
00:40:03Furthermore, it is very old.
00:40:05It reemerged with Muhammad as a fertility rite.
00:40:08An invitation to love.
00:40:09It's very interesting.
00:40:10Do you want to see it?
00:40:11I would like to.
00:40:13It would be a gift and I would like to learn it.
00:40:15You are too thin and body image is very important.
00:40:19Now, look at me closely.
00:40:22First and foremost, the position.
00:40:24Ah, now I'm beginning to understand why that expression of their folklore has so many difficulties.
00:40:29You see, the bust must remain completely still.
00:40:34Only the belly sways.
00:40:36This way.
00:40:46Oh, excuse me.
00:40:53We're at the border and soon we'll be at customs.
00:40:56I'd better get ready.
00:40:58He does it very well.
00:40:59Thank you.
00:41:00Thanks for everything.
00:41:01Thank you.
00:41:03I need to go to the restaurant car to get a fruit juice.
00:41:07Good morning, Scotsman.
00:41:08Good morning.
00:41:08Come on, come on.
00:41:12Passports, please.
00:41:17Okay, have a good trip.
00:41:21Ma'am, your passport.
00:41:24Excuse me.
00:41:25Oh, yes, the passport.
00:41:27I need to have it inside me.
00:41:29Please come in.
00:41:30I'll look for it.
00:41:31Ma'am, I can't.
00:41:33I'm on duty.
00:41:33Yes please.
00:41:34Come in and I'll look for it while you wait.
00:41:38Look, I think I have it around here somewhere.
00:41:40It's right there.
00:41:44Here.
00:41:47Oh, good.
00:41:49Here.
00:41:50Hey.
00:41:52Oh, come on, look it up.
00:41:54Inspect where it is.
00:41:56Oh, good.
00:41:58Oh, good.
00:42:00Here.
00:42:03Oh, here.
00:42:06Oh, here.
00:42:08Oh no, it's not there.
00:42:10Oh, now I remember that my little nose has it.
00:42:12So go and find him.
00:42:12Velo, madam.
00:42:15Do you want to see the passport?
00:42:16No, no, no, no.
00:42:17I don't look at passports.
00:42:19Enough with passports already.
00:42:20I'm fed up.
00:42:21Enough!
00:42:33We've been lucky.
00:42:34Because?
00:42:35He refused to look at the passports.
00:42:36Oh, really?
00:42:36He let me through without any problems.
00:42:38But the passports are correct.
00:42:39Passports, yes, but the rest...
00:42:43You should have seen it.
00:42:44I was extremely nervous.
00:42:46You are divinely pagan.
00:42:48Oh, you know-it-all.
00:42:48You remind me of a book I brought with me.
00:42:50Which is it?
00:42:51No, it's not a normal reading book.
00:42:54But a series of wonderful illustrations.
00:42:56At least that one less.
00:42:57Illustrations of the pagan world.
00:42:58Painting, sculpture...
00:43:01Have you been checking your suitcase?
00:43:03I don't.
00:43:04Because?
00:43:05Because the suitcase is messy.
00:43:07There's a lack of money and...
00:43:09The fact that?
00:43:10Your new Cartier watch.
00:43:13Oh, no.
00:43:17It was a memory.
00:43:19I liked it so much.
00:43:21Patience.
00:43:21I'll buy you another one in Paris.
00:43:23At least he had the diamond on his finger.
00:43:25Thank goodness.
00:43:27I'll have to file a complaint.
00:43:28The thief is probably still on the train.
00:44:09Excuse me, where is the restroom?
00:44:11Over there, ma'am.
00:44:13Hurry, I beg you.
00:44:14We'll leave right away.
00:44:43I'll have to file a complaint.
00:45:04No, no, no.
00:45:30No, no, no.
00:45:45No, no, no.
00:46:04No no.
00:46:04We'll be right out, ma'am.
00:46:05Thank you.
00:46:17Tell me everything from the beginning.
00:46:24He was very young, almost a child.
00:46:28She was there with another man.
00:46:30Where did you do it?
00:46:33We went to a toilet.
00:46:35As?
00:46:35I did it again.
00:46:39With the mouth.
00:46:42Did you like it?
00:46:45Yes, I think so.
00:46:49Although it was very different.
00:46:52Because he was more or less a child.
00:46:55Besides, the atmosphere was so different.
00:46:59The smell was nauseating.
00:47:02I assure you that I felt like a prostitute.
00:47:04Come on, continue.
00:47:07Inside, I was ashamed.
00:47:10Because?
00:47:12It was a burning shame.
00:47:14So I was laughing, but at the same time...
00:47:20I assure you that I felt total pleasure.
00:47:24I had never felt like this before.
00:47:27You're ashamed now too.
00:47:32No, I assure you.
00:47:56Please, gentlemen.
00:47:58Thank you.
00:48:02Excuse me, may I?
00:48:04Sure, please.
00:48:05Good.
00:48:08Sit here, darling.
00:48:16Welcome, gentlemen.
00:48:17Do you want to order?
00:48:18I will read them the letter.
00:48:20As starters, the Orient Express offers...
00:48:22Cabbage with ham and truffle, clams in aspic...
00:48:26and trout canapés, all prepared...
00:48:29according to French tradition.
00:48:31Then, vol-au-vent with pumpkin cream...
00:48:34and buckwheat pancakes.
00:48:37We then propose the following choice.
00:48:39Stuffed mussel soup,
00:48:41onion soup or milk soup,
00:48:44or spring soup.
00:48:45Cabbage soup, broth with toast or fox frerón.
00:48:49And for cakes, cheesecake, oyster cake,
00:48:53little cornstarch cookies,
00:48:55Brittany toast
00:48:56and for dessert.
00:48:58We suggest profiteroles with chocolate,
00:49:01marron glacé,
00:49:03Charlotte,
00:49:04tarte tatin,
00:49:05forest strawberries
00:49:06and a variety of tropical fruits.
00:49:09Apart from that, of course,
00:49:10coffee and liqueurs.
00:49:15I want sausages.
00:49:17Did he say sausages?
00:49:19Sausages for the lady.
00:49:22I'll serve you right away.
00:49:29Have you seen that?
00:49:41It's unbelievable in front of her husband.
00:49:44What a shame!
00:49:50Xavier,
00:49:52Please serve here.
00:49:53Sorry.
00:49:55Sausages for the lady.
00:49:57Sorry.
00:50:01Everything alright, gentlemen?
00:50:02Yes, thanks.
00:50:02And you, ma'am?
00:50:03Perfect.
00:50:04Thank you and enjoy your meal.
00:50:05Mechanic, please!
00:50:08I want salted cod.
00:50:10But how?
00:50:11After the crema catalana
00:50:12Do you want salted cod?
00:50:13It's good for the voice.
00:50:14But they are in the desserts.
00:50:43How do you
00:50:43so young
00:50:45has taken a train
00:50:46like the Orient Express
00:50:50I am passionate
00:50:51of the trains
00:50:52I wanted to see
00:50:57the environment
00:50:58of the Orient Express
00:51:01I have a model
00:51:03at my place
00:51:07I understand
00:51:08It's obvious that you
00:51:09He likes it a lot
00:51:10the railway
00:51:11Yes, yes, a lot.
00:51:13I like them a lot
00:51:14The fascination of the sleeper car
00:51:15of the adventures of the journey
00:51:18Then next time
00:51:20will take
00:51:21the Trans-Siberian Railway
00:51:23The Trans-Siberian Railway
00:51:24Yeah
00:51:25Yeah
00:51:30Or perhaps
00:51:32the other train
00:51:34the blubert
00:51:36the bird
00:51:38blue
00:51:39Yes, yes
00:51:41the bird
00:51:42blue
00:51:43Yeah
00:51:49Forgive me
00:51:49I prefer to walk a little
00:51:51I'm not hungry
00:51:53Does it matter to you?
00:51:54No no
00:51:55We'll see each other later
00:51:56I'll go when I finish my coffee
00:52:08Sit here
00:52:09Sit here
00:52:10May Mr. [Name] sit down
00:52:11on your table?
00:52:12Oh, sure.
00:52:12Please
00:52:13How are you?
00:52:15Very kind
00:52:15Let me introduce you to my wife
00:52:17Teresa
00:52:19Nice to meet you
00:52:20McGill
00:52:21Look, they're bringing you a chair
00:52:22Please
00:52:25Thank you
00:52:25Are you comfortable?
00:52:26Xavier
00:52:27They are invited to have him
00:52:28at our table
00:52:28Mr. McGill
00:52:29Oh, thank you.
00:52:30Put the service
00:52:32Can you tell my accent?
00:52:33Where am I from?
00:52:37Excuse me
00:52:39I remember that I have to do one thing
00:52:40With permission
00:52:41Clear
00:52:41Did you see?
00:52:43She follows her
00:52:43He goes to his cabin
00:52:44But he's a boy.
00:52:45My husband is old
00:52:46Do you sell whiskey?
00:52:48No, I make whiskey
00:52:49So he's on a business trip
00:52:52Yes, I managed to buy it
00:52:53a new factory
00:52:55Then he will travel with a lot of money
00:52:57Aren't you afraid?
00:52:58Oh, no
00:52:59Never
00:53:00I'm not afraid of anything
00:53:02I have everything here
00:53:03Safe and sound
00:53:05From what we see
00:53:06You are a forward-thinking man.
00:53:07Exactly
00:53:07Yeah
00:53:08Too much
00:53:54Oh, no
00:53:57Yeah
00:53:57I'm sorry
00:53:57Yeah
00:53:59Ah
00:54:02Oh
00:54:24I love you.
00:54:26Look, darling, at that damned girl!
00:54:29Oh, please! You're an imbecile! An idiot!
00:54:32You can't do anything right! What a disgrace, you cretin!
00:54:37Next time I'll find myself another husband.
00:54:39Stay still, what are you doing! That's outrageous!
00:54:42You can't do anything right! You're useless! You're returning everything!
00:54:47That's outrageous! You idiot! Take that!
00:54:50What have you done! Stretched all over yourself!
00:54:54Don't call me, Teresita!
00:54:59There you go, here you go.
00:55:02Forgive me, woman, forgive me. I didn't do it on purpose.
00:55:04I got distracted for a moment, but you didn't do it on purpose.
00:55:06Come on, give me another chance. Please, give it to me.
00:55:08We'll see.
00:55:09We'll try again tonight in the dining car.
00:55:12And in the morning we'll be in Paris, okay?
00:55:15Otherwise, the police will arrest us first.
00:55:17The police don't worry me. I can get rid of them.
00:55:19Pumbaa! Pumbaa! Pumbaa! Pumbaa! Pumbaa!
00:55:41Pumbaa! Pumbaa! Pumbaa! Pumbaa! Pumbaa! Pumbaa!
00:55:47That is.
00:55:57Good night
00:55:58Good night
00:55:59This game is nice, can I play?
00:56:03It's interesting.
00:56:04But I'm too good for you.
00:56:08Okay, put me to the test.
00:56:09I repeat, I am too good.
00:56:11I'm also good with the stick and the balls.
00:56:14Okay, let's play then
00:56:16Take my stick
00:56:19Is this your stick?
00:56:20Yes, that's right, but now it's yours and that's mine.
00:56:24Good
00:56:25What's at stake?
00:56:26Money, never, ever
00:56:30How about we play something better?
00:56:33My body
00:56:34Very well, but now let's play
00:56:37Move it away, dear
00:56:43Prize!
00:56:44Bravo, bravo!
00:56:46A toast
00:56:48Cheers!
00:56:49Cheers!
00:56:52It's his turn to play.
00:56:54Ah!
00:56:54Now it's my turn
00:56:55Forward
00:56:57Good luck
00:57:00Oh!
00:57:01I've lost
00:57:02A real shame
00:57:18Another toast?
00:57:19Well, yes
00:57:21Cheers!
00:57:29Can I get you another one?
00:57:30OK that's fine
00:57:32OK that's fine
00:57:37For you
00:57:37Thank you
00:57:42Another shot?
00:57:43Oh, another shot!
00:57:46Good luck
00:57:53I've lost again
00:58:13Good night
00:58:14Good night
00:58:15Good night
00:58:15Do you have a cigarette?
00:58:17Oh, yes, of course.
00:58:18I feel like it
00:58:19Come on
00:58:23It has fire
00:58:24Of course
00:58:43Are you going to London?
00:58:45No, my husband and I
00:58:46We got off in Paris
00:58:47Tomorrow
00:58:49Had they traveled
00:58:50At the Origin Express?
00:58:52It's the first time
00:58:53It's fun
00:58:54Friendships are made
00:58:55Very nice
00:58:56Like you
00:59:06Bye
00:59:06Is she a lady?
00:59:08Yeah
00:59:09The lighter?
00:59:31Above
00:59:32Now it's your turn to work
00:59:34I've done it
00:59:35While you were sleeping
00:59:36Come on
00:59:42Good night
00:59:43Good night
01:00:11With permission
01:00:13Sorry
01:00:18Wait, sir
01:00:19He dropped something
01:00:20I'd say they're jewels.
01:00:22Yeah
01:00:23Thank you
01:00:24Oh
01:00:25How stupid
01:00:27That's it
01:00:31A hole
01:00:33Oh
01:00:34I'm a jeweler, you know?
01:00:36Allow me
01:00:38Delighted
01:00:39I am Bulgari
01:00:40The pleasure is mine
01:00:41Good night
01:00:43Good night
01:00:44Good night
01:00:44Good night
01:01:07Good night
01:01:28Subscribe to the channel!
01:01:57Subscribe to the channel!
01:02:10Do you see what Bulgaria is called?
01:02:13You'll always be the same jerk, Daisy.
01:02:16I'm not convinced by that marriage over there.
01:02:20I don't know why.
01:02:21They don't convince me either.
01:02:23Not at all.
01:02:24Xavier?
01:02:25Are the gentlemen going to have breakfast?
01:02:27Yes of course.
01:02:28But aren't you that gentleman I saw playing golf in the hallway?
01:02:30Yes, it's me.
01:02:32Besides, he's a good player.
01:02:34Handicap 28.
01:02:35Certainly a good player.
01:02:36We're going to London. Are you?
01:02:38Edinburgh.
01:02:39Is it English?
01:02:40Oh, no. Scottish. Pleased to meet you.
01:02:42McGill.
01:02:44But you, Mr. McGill, what do you do besides golf?
01:02:48To alcohol. I'm a whisky maker.
01:02:51Then he will drink a lot.
01:02:53And he doesn't get drunk?
01:02:54Never.
01:03:21He doesn't get drunk.
01:03:27He is very kind.
01:03:29Hurry up.
01:03:29Yes, I'm coming.
01:03:32Come on.
01:03:32See you around.
01:04:03Hurry up.
01:04:04Come on.
01:04:05I am a slave to my goddess.
01:04:06He doesn't get drunk!
01:04:11He doesn't get drunk!
01:04:16He doesn't get drunk!
01:04:23He doesn't get drunk.
01:04:24High!
01:04:26Police!
01:04:27Orlando!
01:04:28Do something!
01:04:31I am guilty.
01:04:36Look, the Eiffel Tower
01:04:39We're pretending to be tourists.
01:04:57Look, it's full of beautiful things
01:05:05Oh, by the way, my friend Maurice lives on the other side of the river
01:05:10Now we're going to his house
01:05:11I haven't seen him in a long time.
01:05:13Come on, you'll like it
01:05:21We are on Rue de Boussy
01:05:24Oh, look, this is the Montmartre train
01:05:28Do you like it?
01:05:30It's typical, isn't it?
01:05:32Precious
01:05:33I think it's here
01:05:36Yes, yes, he lives here
01:05:38It's the number
01:05:39Let's go in
01:05:46Do you like it?
01:05:48Don't know
01:05:49It seems like a labyrinth with no way out.
01:05:52What do you want to understand?
01:05:53There is nothing to understand.
01:05:54It should not be understood
01:05:56It's better not to understand.
01:06:01You've brought me the typical stupid bourgeois woman.
01:06:04Come on, don't get angry
01:06:06He doesn't understand contemporary painting.
01:06:08She only likes the classics
01:06:12On the other hand, do you like her?
01:06:15Look how beautiful she is
01:06:17Yes, she has a pretty face.
01:06:19However, she doesn't like my paintings
01:06:21It's not true that I don't like them
01:06:23I only said that they are difficult for me to understand
01:06:26Maurice, why don't you draw him a picture?
01:06:28A charcoal portrait
01:06:30A sketch of her body
01:06:32May she remember her naked beauty
01:06:41Go on, naked
01:06:46But Maurice is a painter
01:06:48And perhaps I think differently
01:06:58That's enough, I'm tired of it.
01:07:00What's wrong, Gloria?
01:07:02Let me
01:07:02Don't be like that, Gloria
01:07:04Calm down
01:07:05I'm tired
01:07:06Game over, enough is enough
01:07:07Gloria, please
01:07:16Honey, do you want a cigarette?
01:07:17No, I don't want anything.
01:07:25Forward
01:07:26It's open
01:07:28Hello
01:07:29With permission
01:07:30But you are not the Turkish dancer
01:07:31I have come to bring you this
01:07:33I think it's yours
01:07:36Oh yes, my Cartier
01:07:39You see, belly dancing is just a hobby
01:07:41Actually, I'm a special police agent
01:07:43Intended for control on trains
01:07:45Often on the Orient Express
01:07:47Some truly unsavory people also travel there.
01:07:50As thieves, spies, drug dealers, gamblers
01:07:54I intervene to stop them.
01:07:55As I just did with the fake marriage
01:07:57Congratulations
01:07:58But in belly dancing
01:08:00You are very good
01:08:01Could you give him a demonstration?
01:08:03No, you'll see.
01:08:04The right music is needed.
01:08:07And here it would lose all its charm.
01:08:10See you soon
01:08:11And have a good trip.
01:08:12Thank you so much
01:08:13Thank you
01:08:16I'm so happy!
01:08:25The bust is motionless
01:08:27Only the belly sways.
01:08:29Oh, yes, of course.
01:08:30I'll show you now.
01:08:38She has been inexperienced
01:08:39You're even more exciting
01:08:51Sometimes, John, you act like a child
01:08:55Perhaps if it were, it could make you happier.
01:08:58We're almost at the end of the journey
01:09:00Time has flown by
01:09:01Let's go out into the hallway
01:09:04Was she dressed like that?
01:09:05Yes of course
01:09:06What's so strange about that?
01:09:07Come on, let's go out
01:09:08Okay, if you'd like
01:09:17Like when the journey began
01:09:22I like it, Samo
01:09:33Yeah?
01:09:34Breakfast, sir
01:09:35It's eight o'clock
01:09:36Between
01:09:36It's open
01:09:52Good morning, sir
01:09:53Breakfast is in the lane
01:09:54Very well thank you
01:09:57Glory
01:09:59Love, wake up
01:10:01It's late
01:10:03If we don't want to miss the plane
01:10:04We need to hurry
01:10:05Glory
01:10:06Hurry, wake up
01:10:08But, John, we haven't left yet.
01:10:10We are at the hotel
01:10:11Of course we haven't left
01:10:13You seem strange today.
01:10:14I've been watching you for a while now.
01:10:16You had a very restless sleep
01:10:18You were muttering nonsense words.
01:10:20And then you laughed
01:10:21You moaned as if you were making love
01:10:23Listen, I had an extraordinary dream
01:10:25I dreamt that we were traveling by train
01:10:29On the Orient Express
01:10:36Hey, John
01:10:37Why don't you cancel the plane reservation?
01:10:39And you're getting two tickets for the sleeper car?
01:10:43And why not?
01:10:44I think it's a brilliant idea.
01:10:47How was it on the Orient Express?
01:11:18How was it on the Orient Express?
01:11:40How was it on the Orient Express?
01:11:50How was it on the Orient Express?
01:11:53How was it on the Orient Express?
01:11:56How was it on the Orient Express?
01:11:58How was it on the Orient Express?
01:11:59How was it on the Orient Express?
01:12:00How was it on the Orient Express?
01:12:01How was it on the Orient Express?
01:12:01How was it on the Orient Express?
01:12:01How was it on the Orient Express?
01:12:03How was it on the Orient Express?
01:12:05How was it on the Orient Express?
01:12:19Thanks for watching the video.
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