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  • 11 hours ago
This video is all autosubs. I'm going to make it to 600 episodes and maybe call it a day. What they are doing to these characters.....I only want to spent 6 minutes of my day watching their scenes not wasting 2 hours of my day doing these videos.

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00:03I was just thinking about you. I think we could go downtown for a drink.
00:06Why didn't you tell me you had spoken to Bianca?
00:11She told me that the woman who answered the phone didn't know my address or my phone number.
00:16phone.
00:17Why do you assume that I attended to her?
00:20Because they have been neither Digna nor Manuela.
00:22And one more woman in that house experiences it.
00:32You have deceived me.
00:35And you?
00:37Hadn't you already ended your relationship with that woman?
00:40And that's settled, Marta.
00:42And I'll tell you more.
00:44I broke up with her for one reason only.
00:46And it's because I had chosen you.
00:49But I haven't done things right and I've been unfair to her.
00:52And I needed to close it in a less abrupt, insensitive way.
00:55Well, that's how he realized you're not keeping track.
00:57But would you want that for yourself?
00:59What's happening to you?
01:00You simply can't put yourself in their shoes for even a minute.
01:02Forgive me for not feeling compassion for the woman who has been enjoying you while I suffered.
01:08What's wrong? Why not?
01:10Is that too much to ask?
01:12Seriously, tell me.
01:14What do you need?
01:15Because I have chosen you.
01:16I'm here with you.
01:18And it's true that I've been wrong about many things.
01:20Yes it's true.
01:21But I think I've shown you that you can trust me.
01:23Or not?
01:26I've already told you I'm sorry.
01:29No, you didn't say that.
01:32She's too proud to do it.
01:35Wait.
01:41I'm sorry.
01:45What's happening to you?
01:49I fell in love with a woman who wouldn't have hidden this call from me for days.
01:55I think you're giving it more importance than it deserves.
01:59No, Marta, no.
02:00No.
02:01I'm giving exactly what it has.
02:04Just two days ago you accused me of lying to you.
02:08And that didn't fit into our relationship.
02:09Or not?
02:10And now you do it?
02:11Because?
02:12Because now I'm the one who's afraid.
02:14But afraid of what?
02:15Afraid of what, Marta?
02:16What more do you need to believe me?
02:17Fear that he knows where you are, that he has your phone number and will call you.
02:21And I'll call you every night and you'll talk.
02:23Talk to each other.
02:25And remember everything you felt for her.
02:28Fear that you'll miss her.
02:30And?
02:32And leave you?
02:34Is that what you're afraid of?
02:37Is that what you think of me?
02:38About our relationship?
02:39From us, really?
02:42Because if you think that, you're blind.
02:44I'm not blind.
02:49Only...
02:51I'm...
02:55Insecure.
02:58It's absurd.
03:00Forgive me.
03:07I don't even know what to say right now.
03:09Tell me what...
03:10What can I do to fix it?
03:13Let's go out for a drink later and...
03:15I want to be able to explain to you.
03:17No.
03:18This can't be fixed by going out for a drink.
03:22So what do I do?
03:28I know.
03:31I don't even know what to do with all this myself.
04:00Perfumery belongs to the queen...
04:02to Carmen.
04:04Oh my God, how are you?
04:06No, woman.
04:08Yes, yes, I'm listening.
04:13Yes, Paula.
04:14Paula is working with us.
04:17No, you listen to me now.
04:19The girl was living on the street.
04:21No, I know, I know, but...
04:23Well, the decision...
04:24If you don't mind, I have a visitor right now.
04:27I have to leave him.
04:28Marta, is that Carmen?
04:29Yeah.
04:29Is it Carmen or not, please?
04:30Hello?
04:30Carmen?
04:31Carmen, please listen to me for a moment.
04:36She hung up on me.
04:38I had her phone number and she hasn't told me anything.
04:39She called me.
04:40I don't have his phone number.
04:42Sister, they're lying to me.
04:43Please, I need to speak to my wife.
04:45I'm not lying to you.
04:46I'm not lying to you.
04:48What did he want?
04:50I wanted you to confirm that Paula works with us.
04:58And what did you say to him?
05:02If I already knew, what was I going to say?
05:05The truth.
05:07But, Marta, why are you doing that?
05:08Why did you hire her?
05:09If I already knew, I wasn't going to lie to him.
05:12This is to prevent the sale of the industry, isn't it?
05:14What are you saying?
05:15Marta, I'm convinced that's why you want to make me suffer for what hurts me most.
05:19it hurts me.
05:19No, Tassio, stop.
05:20You know me.
05:22I don't make decisions based on resentment.
05:24As much as you've disappointed me, no.
05:26I'm convinced you called her to tell her everything; you want to end my marriage, right?
05:30No, you'll be on your own for that.
05:31You don't need my help.
05:33You've been deceiving me all this time.
05:35But I'm starting to realize what kind of person you are, huh?
05:37What are you saying, brother?
05:39Okay, I'm going to stop listening to your nonsense.
05:42What nonsense?
05:43I just lost my wife, for God's sake.
05:45Well, you should have kept your fly closed!
05:50And now, please, I have many things to take care of.
05:53The same things I have to deal with, you know.
05:55Well then, you stay.
05:57Don't worry, I'll leave now.
06:13I fell in love with a woman who wouldn't have hidden this call from me for days.
06:18I think you're giving it more importance than it deserves.
06:22No, Marta, no.
06:23No.
06:24I'm giving her exactly what she needs.
06:27Just two days ago you accused me of lying to you.
06:30And that there was no room for that in our relationship.
06:32Or not?
06:33And now you do it?
06:34Because?
06:35Because now I'm the one who's afraid.
06:42Good morning, daughter.
06:43Have you seen Manuela?
06:44I'm looking for it, I've looked in the kitchen, but it's not there.
06:46I think he's gone upstairs to do the bedrooms.
06:48Was he looking for her for a specific reason?
06:49Well...
06:50Good morning, Dina.
06:51Good morning, Tassio.
06:52I'm finished.
06:53What do you mean, am I?
06:54Wait, wait, wait, wait.
06:57Wait for it too.
06:59Let's see.
07:00This war that you two have been waging for days now has to end.
07:06Tell him.
07:07Do you really want to upset your father again?
07:10With all the problems we have, you as brothers should be united and rowing in favor of the work.
07:16Tassio should stop thinking only of his own interests.
07:19Oh.
07:20She spoke, the one who doesn't want to lose her little house in the country.
07:22In fact, why don't you move there?
07:23Okay, that's enough.
07:26You need to move on from the industrial issue.
07:28It's not even up to us to decide whether it has to be sold or not.
07:33This is not just a business disagreement.
07:37The real problem is that Tassio thinks I want to hurt him.
07:40And nothing could be further from my interest.
07:44She thinks that if Carmen has left or if she's angry because she knows Paula works with us, it's because
07:48my fault.
07:49And he's making some very nasty accusations that aren't true.
07:52That's true, Tassi.
07:55If he doesn't apologize for those accusations, I have nothing to say.
08:01Wait, wait, please.
08:03Be reasonable, daughter.
08:05Don't leave here until you sort this out, please.
08:08Marta, I know it wasn't you who told Carmen that.
08:12Ah.
08:13And he already knows it.
08:15Okay, so how did you find out?
08:16Because Claudia explained it to me.
08:18She told me that she was the one who told her everything about Paula.
08:20So please excuse me.
08:21As?
08:24Excuse me.
08:27Apology accepted.
08:30Tassio, even if Carmen hadn't known that Paula worked with us, I would have told her.
08:36Because it's acceptable and because Carmen is my friend.
08:40I would also have made sure to tell him that, strangely enough, it was a noble gesture on your part.
08:46So that the girl wouldn't have to pay the price and would have to stop living on the streets.
08:51Although the idea of ​​putting the factory in there seemed stupid to me.
08:54I know, Marta.
08:56And lately I've been feeling rushed, confused, and easily frustrated, okay?
09:01I'm sorry.
09:01The important thing is that you realize that in this family nobody is against you.
09:05Nobody.
09:07And that wasn't the feeling I had when you all decided that I should sell my business.
09:11We already explained the reasons why...
09:14Tassio, don't get so stubborn about the industry thing.
09:15Okay, Marta.
09:17He just apologized for the meat incident.
09:20Please.
09:22Can you do enough to bring peace back to this house?
09:32Not yet for me.
09:40Forward.
09:44Sorry, I thought Marta would be here.
09:46Do you know where it is?
09:47No, I haven't seen him yet.
09:49It may not have reached the colony.
09:50Yes, if it is indeed early.
09:53But it doesn't matter, I just wanted to return the book.
09:56Ah, I'll leave it here for you, if you like.
09:57Yes, you'll be safe here.
09:59You'll get it when I see it.
10:01Perfect.
10:01Hey, I won't keep you any longer.
10:02See you later.
10:04Oh, I'm really silly.
10:06Don't worry, it will help you.
10:10I just can't handle everything, sorry.
10:11Nothing.
10:14These photographs are beautiful, they're yours.
10:18Yes, yes, yes, I made them myself.
10:20Do you mind if...?
10:21No, no, no, look at them, of course.
10:24Are...
10:25Wow.
10:26They are sensational.
10:27Yes, they are the calling card for magazines and agencies.
10:31Let's see if I can find a job.
10:34I'm sure you'll find it very soon.
10:35No, no, I don't know.
10:37I was looking for something more than a traditional studio here in Toledo.
10:41But I think I'm going to have to go further.
10:43At least, Madrid or who knows.
10:46These photographs certainly deserve better.
10:48Not only because of the very personal artistic approach,
10:51but rather for the quality of the development and the technical aspects.
10:53The truth is that it is exceptional.
10:56You like photography, don't you?
10:58Yeah.
10:59In Paris, I never missed any exhibitions by Dorosé Alange and Cagdié Guagasón.
11:04My goodness, you really do have good taste.
11:06Well, I also curate exhibitions for amateur friends, don't get me wrong.
11:09But I like it a lot.
11:11A lot, actually.
11:13Anyway, I hope you find a job soon.
11:16Thank you so much.
11:20Fina, I'm sorry.
11:21I might be, well, meddling where I'm not wanted, but...
11:26Everything is fine with Marta.
11:30Yeah.
11:32Why do you ask?
11:34I wasn't surprised that you didn't give him the human book.
11:37Already.
11:39Look, I don't know Marta as well as you do,
11:42But for all its fascinating aspects, it also has peculiar ones.
11:46to put it a certain way.
11:48Well then, you really do know her well.
11:50Excuse me, I didn't mean to interfere where I'm not wanted, please forgive me.
11:53No, no, no, calm down.
11:55Relax, really.
11:59The truth is, you're right.
12:03Marta and I are angry.
12:08The thing is, he's done something that...
12:10which I didn't expect.
12:12And right now I feel disappointed.
12:16When there is so much love, disagreements arise at the slightest spark.
12:20We want everything to be perfect and maybe we become too sensitive.
12:25Yes, I know, but...
12:26What he's done to me...
12:29I don't know if I'll be able to forget it so easily.
12:34But forgive me, Chloe, because I shouldn't be telling you this.
12:37No, don't worry.
12:39Don't worry if I think something similar has happened to me.
12:41Come on, I can relate to you.
12:44In other words, you can understand me.
12:46I don't know what happened between you two,
12:48But Marta always comes out on top.
12:52She's a woman with a strong character, and that's something that...
12:55Well, it's captivating, but it also takes its toll.
12:58Yeah.
12:59The thing is, I used to be more docile and more compliant.
13:04But I went to Argentina and came back a different person.
13:07And right now, if I feel I'm right, I'm going to defend it.
13:12And if he gets angry, well, I'm sorry.
13:15I am no longer...
13:16You are no longer his shadow.
13:18Yes, it's happened to me.
13:20It's happened to me.
13:21You too.
13:23Well, that surprises me a lot coming from a woman as confident and independent as you.
13:28Marta was...
13:29It was my weakness.
13:31Well, it seems we had something very intense,
13:33But you've always been in the middle.
13:36Thanks for telling me, Chloe.
13:38It's the truth.
13:39So you can see that strong women, well,
13:41Well, we have our insecurities too.
13:44Like all of them.
13:46Like Martha.
13:48Because of what Marta has done,
13:50The reason for our anger cannot be understood except as insecurity.
13:54It surprises insecure Marta.
13:56Yes, yes, yes.
13:57She herself has admitted it to me.
14:00The knight's armor fell off.
14:04Beneath that armor
14:06a fragile heart beats.
14:08Like yours.
14:10And like mine.
14:13In the end.
14:14I have to let you work.
14:17I'm going to let you go here.
14:18It's better if you give it to him.
14:21AND...
14:21Nothing.
14:22That's it.
14:24Thank you.
14:26No, thank you, really.
14:28It's been a real pleasure talking to you.
14:31I'm wondering the same.
14:49And if you'll allow me to give you some advice,
14:52Hey...
14:52The best way to honor his father would be
14:56that...
14:56Broussard's surname
14:57Follow to the top.
14:58Successful.
15:01Hey...
15:02Yeah.
15:02And you know it too, just like I do.
15:03that the transfer to Morocco
15:04It's not the best way.
15:05That?
15:06Because?
15:07Well,
15:07You can read it in the newspapers.
15:10Spain is currently in a process
15:12economic expansion
15:13which is much larger
15:14to any European country.
15:16And that's not even mentioning it.
15:17of the infrastructure
15:18which is still working
15:19in our factory
15:21for about 30 years now.
15:23And we know too
15:25Spanish clientele
15:26better than anybody.
15:29Yes, we know.
15:29What do they want?
15:31and we give them the perfumes
15:32that they need.
15:33Yes, well,
15:34They know us
15:35and they appreciate us.
15:40Well, then...
15:42Thank you and...
15:43And goodbye.
15:45Bye bye.
15:49What a smooth talker, brother.
15:52Not a single senator from the Cortes.
15:54Well, thank goodness.
15:55who spoke Spanish
15:55like his father.
15:58But I don't know,
15:59I hope this conversation
16:00play in our favor.
16:02What impression did it give you?
16:04Well, I don't know that, Marta.
16:06Now that his father has died
16:07he is forced
16:08to follow their rulings.
16:09I imagine that has influenced it
16:11by some member
16:11of the Board
16:12and also by Félix Cifuentes.
16:14They must be complicated.
16:15the feelings
16:16of a son who...
16:18who is in debt
16:19with the memory
16:20from his father.
16:21Yes, and it's understandable.
16:23Definitely
16:23will influence their decision.
16:25That's why
16:25I don't see it that clearly.
16:28Do you know what I think?
16:30That?
16:32You tried it
16:33conscientiously.
16:37I was excited
16:38listening to you speak.
16:41And of course
16:41if Hugo Broussard
16:42decides to redirect
16:43this whole situation
16:44It will be thanks
16:45to your words.
16:47Thank you for your dreams.
16:50But I prefer
16:51do not throw
16:51the bells
16:52on the fly.
16:52Thank you!
16:54Thank you!
16:55Thank you!
16:55Thank you!
16:56Thank you!
16:56Thank you!
Comments
3
Danna Manrique2 hours ago
Thank you for everything and for the time you’ve put into the videos. Thanks to you, I was able to discover this story—which I think will work out in the end—and also discover some great Spanish actors. In France, we don't get enough broadcasts of telenovelas like this one. I’ve been following this story for over a year now, thanks to you and your subtitles. A thousand thanks for your work and patience.
denny19726 hours ago
I will miss you very very much! Thank you for your dedication and loyalty for giving us, the Mafin fans the opportunity to be able to watch Marta y Fina with subtitles. I have been watching Mafin since March 2024 and in the beginning it was very difficult to find subtitles on social media. When I discovered Dailymotion and found you it was a gift. From my heart to yours' Muchas gracias.
Violet Violet8 hours ago
We must remember this is a novela, nothing will come without suffering