- 11 hours ago
This video is all autosubs. I'm going to make it to 600 episodes and maybe call it a day. What they are doing to these characters.....I only want to spent 6 minutes of my day watching their scenes not wasting 2 hours of my day doing these videos.
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00:03I was just thinking about you. I think we could go downtown for a drink.
00:06Why didn't you tell me you had spoken to Bianca?
00:11She told me that the woman who answered the phone didn't know my address or my phone number.
00:16phone.
00:17Why do you assume that I attended to her?
00:20Because they have been neither Digna nor Manuela.
00:22And one more woman in that house experiences it.
00:32You have deceived me.
00:35And you?
00:37Hadn't you already ended your relationship with that woman?
00:40And that's settled, Marta.
00:42And I'll tell you more.
00:44I broke up with her for one reason only.
00:46And it's because I had chosen you.
00:49But I haven't done things right and I've been unfair to her.
00:52And I needed to close it in a less abrupt, insensitive way.
00:55Well, that's how he realized you're not keeping track.
00:57But would you want that for yourself?
00:59What's happening to you?
01:00You simply can't put yourself in their shoes for even a minute.
01:02Forgive me for not feeling compassion for the woman who has been enjoying you while I suffered.
01:08What's wrong? Why not?
01:10Is that too much to ask?
01:12Seriously, tell me.
01:14What do you need?
01:15Because I have chosen you.
01:16I'm here with you.
01:18And it's true that I've been wrong about many things.
01:20Yes it's true.
01:21But I think I've shown you that you can trust me.
01:23Or not?
01:26I've already told you I'm sorry.
01:29No, you didn't say that.
01:32She's too proud to do it.
01:35Wait.
01:41I'm sorry.
01:45What's happening to you?
01:49I fell in love with a woman who wouldn't have hidden this call from me for days.
01:55I think you're giving it more importance than it deserves.
01:59No, Marta, no.
02:00No.
02:01I'm giving exactly what it has.
02:04Just two days ago you accused me of lying to you.
02:08And that didn't fit into our relationship.
02:09Or not?
02:10And now you do it?
02:11Because?
02:12Because now I'm the one who's afraid.
02:14But afraid of what?
02:15Afraid of what, Marta?
02:16What more do you need to believe me?
02:17Fear that he knows where you are, that he has your phone number and will call you.
02:21And I'll call you every night and you'll talk.
02:23Talk to each other.
02:25And remember everything you felt for her.
02:28Fear that you'll miss her.
02:30And?
02:32And leave you?
02:34Is that what you're afraid of?
02:37Is that what you think of me?
02:38About our relationship?
02:39From us, really?
02:42Because if you think that, you're blind.
02:44I'm not blind.
02:49Only...
02:51I'm...
02:55Insecure.
02:58It's absurd.
03:00Forgive me.
03:07I don't even know what to say right now.
03:09Tell me what...
03:10What can I do to fix it?
03:13Let's go out for a drink later and...
03:15I want to be able to explain to you.
03:17No.
03:18This can't be fixed by going out for a drink.
03:22So what do I do?
03:28I know.
03:31I don't even know what to do with all this myself.
04:00Perfumery belongs to the queen...
04:02to Carmen.
04:04Oh my God, how are you?
04:06No, woman.
04:08Yes, yes, I'm listening.
04:13Yes, Paula.
04:14Paula is working with us.
04:17No, you listen to me now.
04:19The girl was living on the street.
04:21No, I know, I know, but...
04:23Well, the decision...
04:24If you don't mind, I have a visitor right now.
04:27I have to leave him.
04:28Marta, is that Carmen?
04:29Yeah.
04:29Is it Carmen or not, please?
04:30Hello?
04:30Carmen?
04:31Carmen, please listen to me for a moment.
04:36She hung up on me.
04:38I had her phone number and she hasn't told me anything.
04:39She called me.
04:40I don't have his phone number.
04:42Sister, they're lying to me.
04:43Please, I need to speak to my wife.
04:45I'm not lying to you.
04:46I'm not lying to you.
04:48What did he want?
04:50I wanted you to confirm that Paula works with us.
04:58And what did you say to him?
05:02If I already knew, what was I going to say?
05:05The truth.
05:07But, Marta, why are you doing that?
05:08Why did you hire her?
05:09If I already knew, I wasn't going to lie to him.
05:12This is to prevent the sale of the industry, isn't it?
05:14What are you saying?
05:15Marta, I'm convinced that's why you want to make me suffer for what hurts me most.
05:19it hurts me.
05:19No, Tassio, stop.
05:20You know me.
05:22I don't make decisions based on resentment.
05:24As much as you've disappointed me, no.
05:26I'm convinced you called her to tell her everything; you want to end my marriage, right?
05:30No, you'll be on your own for that.
05:31You don't need my help.
05:33You've been deceiving me all this time.
05:35But I'm starting to realize what kind of person you are, huh?
05:37What are you saying, brother?
05:39Okay, I'm going to stop listening to your nonsense.
05:42What nonsense?
05:43I just lost my wife, for God's sake.
05:45Well, you should have kept your fly closed!
05:50And now, please, I have many things to take care of.
05:53The same things I have to deal with, you know.
05:55Well then, you stay.
05:57Don't worry, I'll leave now.
06:13I fell in love with a woman who wouldn't have hidden this call from me for days.
06:18I think you're giving it more importance than it deserves.
06:22No, Marta, no.
06:23No.
06:24I'm giving her exactly what she needs.
06:27Just two days ago you accused me of lying to you.
06:30And that there was no room for that in our relationship.
06:32Or not?
06:33And now you do it?
06:34Because?
06:35Because now I'm the one who's afraid.
06:42Good morning, daughter.
06:43Have you seen Manuela?
06:44I'm looking for it, I've looked in the kitchen, but it's not there.
06:46I think he's gone upstairs to do the bedrooms.
06:48Was he looking for her for a specific reason?
06:49Well...
06:50Good morning, Dina.
06:51Good morning, Tassio.
06:52I'm finished.
06:53What do you mean, am I?
06:54Wait, wait, wait, wait.
06:57Wait for it too.
06:59Let's see.
07:00This war that you two have been waging for days now has to end.
07:06Tell him.
07:07Do you really want to upset your father again?
07:10With all the problems we have, you as brothers should be united and rowing in favor of the work.
07:16Tassio should stop thinking only of his own interests.
07:19Oh.
07:20She spoke, the one who doesn't want to lose her little house in the country.
07:22In fact, why don't you move there?
07:23Okay, that's enough.
07:26You need to move on from the industrial issue.
07:28It's not even up to us to decide whether it has to be sold or not.
07:33This is not just a business disagreement.
07:37The real problem is that Tassio thinks I want to hurt him.
07:40And nothing could be further from my interest.
07:44She thinks that if Carmen has left or if she's angry because she knows Paula works with us, it's because
07:48my fault.
07:49And he's making some very nasty accusations that aren't true.
07:52That's true, Tassi.
07:55If he doesn't apologize for those accusations, I have nothing to say.
08:01Wait, wait, please.
08:03Be reasonable, daughter.
08:05Don't leave here until you sort this out, please.
08:08Marta, I know it wasn't you who told Carmen that.
08:12Ah.
08:13And he already knows it.
08:15Okay, so how did you find out?
08:16Because Claudia explained it to me.
08:18She told me that she was the one who told her everything about Paula.
08:20So please excuse me.
08:21As?
08:24Excuse me.
08:27Apology accepted.
08:30Tassio, even if Carmen hadn't known that Paula worked with us, I would have told her.
08:36Because it's acceptable and because Carmen is my friend.
08:40I would also have made sure to tell him that, strangely enough, it was a noble gesture on your part.
08:46So that the girl wouldn't have to pay the price and would have to stop living on the streets.
08:51Although the idea of ​​putting the factory in there seemed stupid to me.
08:54I know, Marta.
08:56And lately I've been feeling rushed, confused, and easily frustrated, okay?
09:01I'm sorry.
09:01The important thing is that you realize that in this family nobody is against you.
09:05Nobody.
09:07And that wasn't the feeling I had when you all decided that I should sell my business.
09:11We already explained the reasons why...
09:14Tassio, don't get so stubborn about the industry thing.
09:15Okay, Marta.
09:17He just apologized for the meat incident.
09:20Please.
09:22Can you do enough to bring peace back to this house?
09:32Not yet for me.
09:40Forward.
09:44Sorry, I thought Marta would be here.
09:46Do you know where it is?
09:47No, I haven't seen him yet.
09:49It may not have reached the colony.
09:50Yes, if it is indeed early.
09:53But it doesn't matter, I just wanted to return the book.
09:56Ah, I'll leave it here for you, if you like.
09:57Yes, you'll be safe here.
09:59You'll get it when I see it.
10:01Perfect.
10:01Hey, I won't keep you any longer.
10:02See you later.
10:04Oh, I'm really silly.
10:06Don't worry, it will help you.
10:10I just can't handle everything, sorry.
10:11Nothing.
10:14These photographs are beautiful, they're yours.
10:18Yes, yes, yes, I made them myself.
10:20Do you mind if...?
10:21No, no, no, look at them, of course.
10:24Are...
10:25Wow.
10:26They are sensational.
10:27Yes, they are the calling card for magazines and agencies.
10:31Let's see if I can find a job.
10:34I'm sure you'll find it very soon.
10:35No, no, I don't know.
10:37I was looking for something more than a traditional studio here in Toledo.
10:41But I think I'm going to have to go further.
10:43At least, Madrid or who knows.
10:46These photographs certainly deserve better.
10:48Not only because of the very personal artistic approach,
10:51but rather for the quality of the development and the technical aspects.
10:53The truth is that it is exceptional.
10:56You like photography, don't you?
10:58Yeah.
10:59In Paris, I never missed any exhibitions by Dorosé Alange and Cagdié Guagasón.
11:04My goodness, you really do have good taste.
11:06Well, I also curate exhibitions for amateur friends, don't get me wrong.
11:09But I like it a lot.
11:11A lot, actually.
11:13Anyway, I hope you find a job soon.
11:16Thank you so much.
11:20Fina, I'm sorry.
11:21I might be, well, meddling where I'm not wanted, but...
11:26Everything is fine with Marta.
11:30Yeah.
11:32Why do you ask?
11:34I wasn't surprised that you didn't give him the human book.
11:37Already.
11:39Look, I don't know Marta as well as you do,
11:42But for all its fascinating aspects, it also has peculiar ones.
11:46to put it a certain way.
11:48Well then, you really do know her well.
11:50Excuse me, I didn't mean to interfere where I'm not wanted, please forgive me.
11:53No, no, no, calm down.
11:55Relax, really.
11:59The truth is, you're right.
12:03Marta and I are angry.
12:08The thing is, he's done something that...
12:10which I didn't expect.
12:12And right now I feel disappointed.
12:16When there is so much love, disagreements arise at the slightest spark.
12:20We want everything to be perfect and maybe we become too sensitive.
12:25Yes, I know, but...
12:26What he's done to me...
12:29I don't know if I'll be able to forget it so easily.
12:34But forgive me, Chloe, because I shouldn't be telling you this.
12:37No, don't worry.
12:39Don't worry if I think something similar has happened to me.
12:41Come on, I can relate to you.
12:44In other words, you can understand me.
12:46I don't know what happened between you two,
12:48But Marta always comes out on top.
12:52She's a woman with a strong character, and that's something that...
12:55Well, it's captivating, but it also takes its toll.
12:58Yeah.
12:59The thing is, I used to be more docile and more compliant.
13:04But I went to Argentina and came back a different person.
13:07And right now, if I feel I'm right, I'm going to defend it.
13:12And if he gets angry, well, I'm sorry.
13:15I am no longer...
13:16You are no longer his shadow.
13:18Yes, it's happened to me.
13:20It's happened to me.
13:21You too.
13:23Well, that surprises me a lot coming from a woman as confident and independent as you.
13:28Marta was...
13:29It was my weakness.
13:31Well, it seems we had something very intense,
13:33But you've always been in the middle.
13:36Thanks for telling me, Chloe.
13:38It's the truth.
13:39So you can see that strong women, well,
13:41Well, we have our insecurities too.
13:44Like all of them.
13:46Like Martha.
13:48Because of what Marta has done,
13:50The reason for our anger cannot be understood except as insecurity.
13:54It surprises insecure Marta.
13:56Yes, yes, yes.
13:57She herself has admitted it to me.
14:00The knight's armor fell off.
14:04Beneath that armor
14:06a fragile heart beats.
14:08Like yours.
14:10And like mine.
14:13In the end.
14:14I have to let you work.
14:17I'm going to let you go here.
14:18It's better if you give it to him.
14:21AND...
14:21Nothing.
14:22That's it.
14:24Thank you.
14:26No, thank you, really.
14:28It's been a real pleasure talking to you.
14:31I'm wondering the same.
14:49And if you'll allow me to give you some advice,
14:52Hey...
14:52The best way to honor his father would be
14:56that...
14:56Broussard's surname
14:57Follow to the top.
14:58Successful.
15:01Hey...
15:02Yeah.
15:02And you know it too, just like I do.
15:03that the transfer to Morocco
15:04It's not the best way.
15:05That?
15:06Because?
15:07Well,
15:07You can read it in the newspapers.
15:10Spain is currently in a process
15:12economic expansion
15:13which is much larger
15:14to any European country.
15:16And that's not even mentioning it.
15:17of the infrastructure
15:18which is still working
15:19in our factory
15:21for about 30 years now.
15:23And we know too
15:25Spanish clientele
15:26better than anybody.
15:29Yes, we know.
15:29What do they want?
15:31and we give them the perfumes
15:32that they need.
15:33Yes, well,
15:34They know us
15:35and they appreciate us.
15:40Well, then...
15:42Thank you and...
15:43And goodbye.
15:45Bye bye.
15:49What a smooth talker, brother.
15:52Not a single senator from the Cortes.
15:54Well, thank goodness.
15:55who spoke Spanish
15:55like his father.
15:58But I don't know,
15:59I hope this conversation
16:00play in our favor.
16:02What impression did it give you?
16:04Well, I don't know that, Marta.
16:06Now that his father has died
16:07he is forced
16:08to follow their rulings.
16:09I imagine that has influenced it
16:11by some member
16:11of the Board
16:12and also by Félix Cifuentes.
16:14They must be complicated.
16:15the feelings
16:16of a son who...
16:18who is in debt
16:19with the memory
16:20from his father.
16:21Yes, and it's understandable.
16:23Definitely
16:23will influence their decision.
16:25That's why
16:25I don't see it that clearly.
16:28Do you know what I think?
16:30That?
16:32You tried it
16:33conscientiously.
16:37I was excited
16:38listening to you speak.
16:41And of course
16:41if Hugo Broussard
16:42decides to redirect
16:43this whole situation
16:44It will be thanks
16:45to your words.
16:47Thank you for your dreams.
16:50But I prefer
16:51do not throw
16:51the bells
16:52on the fly.
16:52Thank you!
16:54Thank you!
16:55Thank you!
16:55Thank you!
16:56Thank you!
16:56Thank you!
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