Step into the golden age of Hollywood with Young and Beautiful (1934), a charming romantic comedy filled with ambition, laughter, and heartfelt moments. Follow the journey of a young woman chasing her dreams of fame while navigating romance, friendship, and the challenges of show business. This delightful classic captures the glamour and optimism of 1930s cinema, making it a wonderful choice for fans of vintage Hollywood films.
#YoungAndBeautiful #ClassicMovies #RomanticComedy #1934Films #VintageCinema #OldHollywood #ClassicFilm #GoldenAgeHollywood #BlackAndWhiteMovies #PublicDomain #RetroMovies #MovieNight #FilmLovers #HollywoodClassics #ClassicCinema
#YoungAndBeautiful #ClassicMovies #RomanticComedy #1934Films #VintageCinema #OldHollywood #ClassicFilm #GoldenAgeHollywood #BlackAndWhiteMovies #PublicDomain #RetroMovies #MovieNight #FilmLovers #HollywoodClassics #ClassicCinema
Category
🎥
Short filmTranscript
00:00:00THE END
00:03:48Hey, see if all the girls are in the dressing room.
00:03:51Hey, come here.
00:03:54I want to see you.
00:03:55Hi, boss.
00:03:58Hello, Miss Klein.
00:03:59Did you call me, boss?
00:04:00Sure, boss.
00:04:02And as I understand it, you're still working for me, ain't it?
00:04:04Why, certainly just because I've been a little busy with the wampus, I don't see why you're
00:04:07busy with the wampus.
00:04:08You know your desk is already covered over with cobwebs?
00:04:11Now, what harm can a few cobwebs?
00:04:13Do you let me worry about that, Mr. Klein?
00:04:15Tomorrow at the crack of dawn, I'll be back at the studio giving my all for Superba.
00:04:18You know I got a good mind to fire you, this time permanently.
00:04:22Suppose we talk about you for a change, Mrs. Klein.
00:04:25If I may say so, you're looking exceedingly well, and the bloom of youth still lingers
00:04:29in your cheek.
00:04:29Say, Preston, I pay you to soft-soap the public, not my wife.
00:04:33Harmon, don't aggravate yourself.
00:04:36Remember your acidosis.
00:04:37A true old word was never spoken, Mrs. Klein.
00:04:40There's nothing like aggravation to encourage acidosis.
00:04:47Tickets, please.
00:04:49When you get an eyeful of these wampus baby scars, I'll guarantee your mind won't be on
00:04:54your stomach.
00:04:55I must join the gentlemen of the press.
00:04:57I want to make sure they give Superba Films a plug into Morris paper.
00:05:00Good.
00:05:02Remember, Mr. Klein, the interests of Superba pictures are always closest to my heart.
00:05:07I go to sleep figuring out new ideas to glorify our product.
00:05:10I wake up in the morning figuring out new ways to spread the name of Superba over the
00:05:15world.
00:05:16Morning, noon, and night at Superba.
00:05:18Pictures with soap.
00:05:23I'm getting sick of these banquets.
00:05:25Ah, gentlemen.
00:05:27Hello, loudspeaker.
00:05:28Well, what's new at that Mecca of the Arts?
00:05:29Suburba Pictures, D.
00:05:30Oh, why bother me about that, Tintai Banquet?
00:05:33But there's the girl here tonight that's the biggest thing since Garbo.
00:05:36Get a lot of her.
00:05:36The name is June Dale.
00:05:37And take a tip from the Uncle Abner.
00:05:39Keep your eyes on June Dale tonight.
00:05:41Never heard of her.
00:05:42Ah, but you will.
00:05:44Boss!
00:05:46Boss, one of the girls hasn't shown up yet.
00:05:48We think something's happened to her.
00:05:49Which one is it?
00:05:52I forgot to ask.
00:05:53Don't forget to remind me to punch you in the nose.
00:05:56All right.
00:06:00Two to one, the Dizzy Dame went to the wrong hotel.
00:06:16All right, save it.
00:06:18Who hasn't shown up?
00:06:19June Dale.
00:06:20June?
00:06:20Where's Catherine?
00:06:21Catherine?
00:06:21Here I am.
00:06:22Did you call her house?
00:06:23No, she left before I did, right after she got her note.
00:06:25My note?
00:06:26I didn't think so.
00:06:26I didn't send any note.
00:06:27Maybe something's happened to her.
00:06:28Maybe she's been kidnapped.
00:06:29Kidnapped?
00:06:30Let me get out of here.
00:06:32Did you see the note?
00:06:33No, but she said it was from Bob.
00:06:36What's her address?
00:06:38138.
00:06:39June Dale's disappeared.
00:06:40No.
00:06:43June Dale's disappeared.
00:06:45Get the police.
00:06:46June Dale's been kidnapped.
00:06:48Who's been kidnapped?
00:06:49June Dale.
00:06:50Yes.
00:06:51Disappeared.
00:06:58White satin gowns.
00:06:59Ladies and gentlemen.
00:07:00Sorry to interrupt, but Miss June Dale, popular Walpuss baby star, has disappeared.
00:07:04If there's any hint you can give her the police in her citywide search, it would be greatly appreciated.
00:07:08Look.
00:07:09June.
00:07:10June, darling.
00:07:11Where have you been?
00:07:12Oh, Miss Rachel.
00:07:14Two men jumped into my car.
00:07:16I screamed and I bought them, but they, they hear me.
00:07:20What do they look like?
00:07:21Oh, Miss Rachel.
00:07:21Oh, I don't remember.
00:07:23It was so dark.
00:07:24And I was so confused.
00:07:27I...
00:07:27Oh, leave her alone.
00:07:28Can't you see she's upset?
00:07:29Oh.
00:07:31June.
00:07:31June.
00:07:32And Miss Dale has faded.
00:07:34And no wonder.
00:07:34There's a way.
00:07:35There's a way, folks.
00:07:37There's a way.
00:07:38There's a way.
00:07:38Come on.
00:07:39There's a way.
00:07:39I'm sorry, but you'll have to get out of the blind there.
00:07:42Boy, what a story.
00:07:43This is horrible.
00:07:44The whole thing is broken.
00:07:45Remember what they look like?
00:07:45Is she going to be all right?
00:07:46Do you have any idea who they were?
00:07:47Haven't you?
00:07:48Andy Hart, give her a chance.
00:07:49Get everybody out of here.
00:07:50Yeah, get out of here.
00:07:52Go on.
00:07:52Get out of here.
00:07:53Get out of here.
00:07:54Get out of here.
00:07:55Get out of here.
00:07:59You too.
00:08:00Me?
00:08:00Yes, you.
00:08:04How was I?
00:08:05You were terrific.
00:08:09This is front stage stuff, June.
00:08:11You'll have your pretty face in every paper.
00:08:12You'll be in the newsreel with the President, Max Baer and Amy.
00:08:15Oh, I was scared stiff all through.
00:08:17You gave a marvelous performance.
00:08:19Bernhardt couldn't have done better.
00:08:22Bob, do I have to keep on with these crazy publicities done?
00:08:26Of course.
00:08:27It's part of the movie merry-go-round.
00:08:29Stars aren't born.
00:08:30They're made.
00:08:31And it's headlines that make them.
00:08:32You can do anything with the headlines.
00:08:34Oh, I'm not underrating you, June.
00:08:37You're a great little trooper.
00:08:38All you need is a break, and your name will be on every marquee from Maine to California.
00:08:44You make it sound so easy, but I'm kind of worried.
00:08:48You let me do the worrying, will you?
00:08:50Now, how about turning on a little of that sunshine personality?
00:08:55A little bit tired, aren't you, Sweet?
00:08:56No, I'll be all right, dear.
00:08:58You need a little stimulus?
00:09:06Mmm, mmm.
00:09:07I was about a little chaser.
00:09:09No time to get tanked up.
00:09:10You have work to do.
00:09:12Come on.
00:09:13You girls go on a few minutes, and remember, you don't know what happened.
00:09:16Oh, but June, I don't see how you can go ahead with all this now.
00:09:20Aren't you too upset?
00:09:22No, I feel all right.
00:09:22You know I feel all right, Catherine.
00:09:25I wish I did.
00:09:27Well, darling, don't do that.
00:09:29You'll spoil your makeup.
00:09:30I can't help it.
00:09:32It's like...
00:09:33Like I'd live my whole life through this one night.
00:09:37There's nothing to be afraid of.
00:09:40Oh, what if I didn't make good?
00:09:43Oh, don't be silly.
00:09:45Thirty-three.
00:09:46Back Cape Town?
00:09:47Certainly not.
00:09:48I was Miss Portland, Oregon.
00:09:51Oh, Portland...
00:09:52Keep away from donuts, Fanny.
00:09:54How far is Warpuses?
00:09:55Ready to go?
00:09:56Yes!
00:09:57Well, gather around, Papa.
00:09:58He has some business to tell you.
00:09:59Come on.
00:09:59Hurry up.
00:10:00Get around.
00:10:01Here.
00:10:02Now listen, girls.
00:10:03Pace this in your turban.
00:10:04You're starting up that rickety ladder to success.
00:10:07As Warpuses stars, you're halfway there already.
00:10:10But how far you'll get is up to nobody but your own sweet self.
00:10:14Now go down there tonight and start those producers thinking about contracts.
00:10:17You're on your way.
00:10:18In just a minute, you'll be hearing Ted Fiorito say...
00:10:22This is Ted Fiorito speaking from the banquet given in honor of the Warpuses Baby Stars.
00:10:37Hello, Laurie.
00:10:39Ah, old man moneybagged himself.
00:10:41Why'd you park the polo for me?
00:10:42Glad to see you go.
00:10:43How are you, Bob?
00:10:44Uh, Miss Clayton, Miss, uh...
00:10:46Yes?
00:10:46Mr. Preston.
00:10:48Irrepressible Douglas.
00:10:49Surrounded by beauty.
00:10:50Well, what do you think of this year's swamp of selection?
00:10:52Well...
00:10:53I'll make it simple.
00:10:54Well, conservatively speaking, these 12 girls' hand-picked compounds are the loveliest,
00:10:59the most gorgeous bunch of kids you've ever seen.
00:11:01Mr. Preston is a publicity man and he never makes an understatement.
00:11:05Why 12 girls?
00:11:06I thought there were 13.
00:11:06Ah, the 13th.
00:11:08Super extra special colossal.
00:11:11That's one of Bob's mild recommendations.
00:11:13The name?
00:11:14June Dale.
00:11:14Goodbye.
00:11:15Goodbye.
00:11:16Shall I make a note of that, Gordon?
00:11:18It won't be necessary.
00:11:19I'll remember it.
00:11:20June Dale.
00:11:24Sit down, Sammy.
00:11:26No.
00:11:27Yes.
00:11:29Well, Bob, how are you enjoying your little affair?
00:11:33I know that came straight from the heart.
00:11:40Ladies and gentlemen, I'm here in the guise of a fortune teller.
00:11:44I see 13 girls.
00:11:47I predict a marvelous, glorious future for them all.
00:11:51And after Don Raymond sings your song, especially written for this occasion,
00:11:55I shall interrupt from time to time.
00:11:57Take it, maestro.
00:11:58Let's go.
00:11:58Let's go.
00:12:00Let's go.
00:12:04Let's go.
00:12:05Let's go.
00:12:05Let's go.
00:12:07Let's go.
00:12:07Let's go.
00:12:07Let's go.
00:12:08Let's go.
00:12:08Let's go.
00:12:09In my memory, I see a garden, a moonless garden, and the one I love.
00:12:22How I love to paint this pretty picture, for you're the one, dear, that I'm dreaming of.
00:12:37A pretty girl, a lovely evening, two dreamy eyes like stars above, to loving arms beyond conceiving,
00:12:59To unwillingly live, the crave for love.
00:13:06Just try to picture the pretty picture, a world of romance, so full of bliss.
00:13:20A pretty girl, a lovely evening, what could be sweeter and sweeter than day.
00:13:35Miss Jean Carman, Argon's answer to the beauty problem.
00:13:38Wait until you see June Dale, boss.
00:13:40The way I feel, I ought to see a doctor.
00:13:47Miss Judith Arlen, the homemade star from Hollywood.
00:13:50Miss Dorothy Drake, some more California sunshine.
00:13:57Miss June Dale, as fresh and fair as a day in June.
00:14:10That was a mild recommendation.
00:14:16Miss Lucille Lund, as radiant as a flower from the hills of Washington.
00:14:23Miss Leoma Judge, society's contribution to the art.
00:14:29Miss Betty Bryson, another California flower.
00:14:37Miss Anne Hubby, of the Indiana Hubby.
00:14:46Miss Jean Gale, San Francisco glories in the Golden Gate and Jean.
00:14:50Miss Hazel Hayes, golden voice beauty from Paris.
00:14:58Miss Leona R. Keith, fresh breeze from Indianapolis.
00:15:03Miss Catherine Williams, a budding star from Seattle.
00:15:10Miss Lou Anne Meredith, the southern peach from Dallas, Texas.
00:15:13Missisms weise the
00:15:25Miss Valentin.
00:15:26Miss Jane Gale.
00:15:26Miss Frank Zillow.
00:15:27Miss Frank Zillow.
00:15:27Miss Fredy.
00:15:27Misslear Mark Zillow.
00:15:28Miss Frank Zillow.
00:15:29Miss Frank Zillow.
00:15:30Miss Frank Zillow.
00:15:31Miss Frank Zillow.
00:15:44THE END
00:16:10One of them looks like our Hilda
00:16:13Where?
00:16:41Oh, when do you think you'll leave for New York?
00:16:46I may not go until after June
00:16:57If you sign them all, they'd call it a stroke of genius
00:17:00Ah, you mean a stroke of abplectics
00:17:03Ah, you mean a stroke of abplectics
00:17:18Every paper in the country's giving her a break
00:17:21Millions of people already know her name
00:17:23And in addition to that, she's a natural performer.
00:17:28Beauty, poise, intelligence, everything.
00:17:37I tell you, boss, she can't miss.
00:17:40Say, what's the matter that all at once you've got such an interestedness in this girl?
00:17:43Are you in love with her?
00:17:45Mr. Klein, the only reason I'm talking about her is because I have superbo films closest to my heart.
00:17:50I don't care what you've got next to your heart.
00:17:52She ain't got no box of her.
00:17:53That's what you said about Mickey Mouse when I want you to tie up Walt Disney.
00:17:56Now listen, I forbid that you never to mention that to me again.
00:18:01Anyway, I had a good reason.
00:18:04My wife don't like Mike.
00:18:05All right, we'll forget Mike.
00:18:07You know how important publicity is, Mr. Klein.
00:18:10There's nothing you can't do with a headline.
00:18:12And this girl is on her way because of headlines.
00:18:15Uh-huh.
00:18:17There you are.
00:18:19Go ahead.
00:18:20Have one with me. That's good for your stomach.
00:18:21Well, here's mud in your eye.
00:18:24Yours too.
00:18:25Both of them.
00:18:37As I was saying, Mr. Klein, I hate to see you, Mr. Beck.
00:18:40Say, did you get out the press books on the murdering shadows for a ring?
00:18:44Everything's out, Mr. Klein.
00:18:45Everything's out.
00:18:46Why don't you give this girl a contract?
00:18:48How do I know she can act?
00:18:49What's she done?
00:18:50Where's she from?
00:18:51Never mind.
00:18:52Don't tell me.
00:18:53I ain't interested.
00:18:56Hello?
00:18:58What?
00:18:59Who?
00:19:01Wait a minute.
00:19:01That's for you.
00:19:03On my private telephone, too.
00:19:05Mr. Preston speaking.
00:19:06Oh, put him on.
00:19:09Why, hello, Mr. Hofstengel.
00:19:11Hofstengel.
00:19:12My worst oppositionist.
00:19:14Say, what does he want with you?
00:19:16Why, yes, I represent Miss Dale.
00:19:18Well, that's very interesting.
00:19:20Well, let's say for lunch.
00:19:22Thank you, Mr. Hofstengel.
00:19:25It's all right, Mr. Klein.
00:19:26Let's forget it.
00:19:27Sir, just wait a minute.
00:19:28Why does Hofstengel want with Miss Dale?
00:19:30I don't know, but Hofstengel's an amortization.
00:19:33He's developed some big stars,
00:19:34made millions out of personalities.
00:19:36Yeah, personalities.
00:19:37Fido, the dog wonder.
00:19:40Trixie, the queen of wild horses.
00:19:42That fellow is a creature of hyponoceros.
00:19:44A rhinoceros.
00:19:45A hippopotamus.
00:19:46Well, anyway, last year I made four times as much money as he did.
00:19:49All right, as you say.
00:19:52Say, wait a minute.
00:19:54How much is he offering?
00:19:55I thought you said you weren't interested.
00:19:57Now, don't change the subject.
00:19:59You can't take her over to that loaf of Hofstengel.
00:20:01Where's your dignity?
00:20:03Didn't you tell me you had suburban films next to your heart?
00:20:06Yes.
00:20:07Now, listen.
00:20:08Maybe we can get together on a little deal.
00:20:13That's five bucks I owe you, Margie.
00:20:15And believe me, you made a great Mr. Hofstengel.
00:20:18Okay, Bob.
00:20:20Let's try the picture.
00:20:33Hold it.
00:20:34That's got it.
00:20:50Well, if I have to pose for any more pictures, I'm going to scream.
00:20:56I wonder what magazine will print this one.
00:20:58It'll probably wind up in Whiz-Bang, dearie.
00:21:01Well, you ought to be thrilled by all this, Catherine.
00:21:03I suppose so.
00:21:05I don't fancy myself much as being a bathing beauty.
00:21:09I've dreamed of such different things, like Juliet, Heather Gabler, Roxanne.
00:21:21Oh, all this is so different.
00:21:24Oh, have patience, darling.
00:21:25I've spent most of my life preparing for Grand Opera.
00:21:28Here I am in a bathing suit, too.
00:21:30Hazel, after they see you act, maybe they'll let you sing.
00:21:34Don't you think a highball would help take off the chill?
00:21:36No, thank you.
00:21:37I think we've taken too much advantage of your hospitality already.
00:21:41Oh, not nearly, though.
00:21:43I'll tell you something if you promise not to betray my confidence.
00:21:47The only reason I permitted Bob to use my fool was to see you.
00:21:52Oh, that's funny.
00:21:53Why, though?
00:21:54Well, Bob and I happen to be engaged.
00:21:57Oh, I'm sorry.
00:21:59I'm not.
00:22:05Hi there, girl.
00:22:06How are you?
00:22:07Hello, Jean.
00:22:08I'm looking for a gal named June.
00:22:09Won't I do?
00:22:11Jean sounds something like June.
00:22:13Not to me.
00:22:14Why's June?
00:22:15Behold.
00:22:16Ah.
00:22:19Hi, Bob.
00:22:22Got heaps, big news.
00:22:24Big cheap client-signed contract with Warp was to have boots.
00:22:27Fail-faced breast in one smart guy.
00:22:29Pretty soon catch him wig-boggling, lots of Warp was.
00:22:33Fail-faced breast in heaps crazy.
00:22:36What is it, Bob?
00:22:43Oh, Bob, you're marvelous.
00:22:45How did you do it?
00:22:46Believe it, another glass of bite of it, eh?
00:22:49This is just for one picture, June, but when the producers see you on the screen, they'll
00:22:52all be fighting for you.
00:22:54Isn't that great?
00:22:55June got a contract.
00:22:56Is that so?
00:22:57Uh-huh.
00:22:58Well, I just heard the good news.
00:22:59Congratulations.
00:23:00I know you'll make good.
00:23:03Were you able to do anything for any of the other girls?
00:23:06Catherine?
00:23:07Leave it to Dynamite Preston.
00:23:08I'll get them something if I have to go on a diet of my job.
00:23:13Oh, that's wonderful, June.
00:23:14I know you'll be a big hit.
00:23:16Thanks.
00:23:16I want you to know, June, I'm terribly happy for you.
00:23:20Thank you, Catherine.
00:23:22I know you mean it.
00:23:23June, I'll be congratulating you.
00:23:26Okay, girls, okay.
00:23:27Now get dressed.
00:23:28We have to hop over to the Brown Irby and take some publicity still.
00:23:30Well, Carlos, we wind up there as waitresses.
00:23:32There might be more money in it.
00:23:33Good boy.
00:23:36Well, Bob, I want to congratulate you, too.
00:23:38Not much of a trick selling a girl like June to anybody.
00:23:41Oh, I know that.
00:23:41I'm congratulating you on being engaged to a girl like June.
00:23:45Oh, that, huh?
00:23:47You shouldn't tell anybody about us, June.
00:23:49About us?
00:23:50Our engagement.
00:23:51It's bad dope letting the public in on the know.
00:23:54Why?
00:23:55Well, we have to make it look as though you're still doing a solo act.
00:23:58It's better publicity.
00:24:00Can't you ever get publicity off your mind?
00:24:03After all, this doesn't mean anything to me unless you and I...
00:24:06There's no rush, sweet.
00:24:07I don't mean anything to anybody.
00:24:10And after all, you've got to get around to dances and parties
00:24:13and go up with big shots like Gordon Douglas.
00:24:15Oh, it's a swell copy for the columnist.
00:24:18And there's no harm in it.
00:24:20There might be a fact, Bob.
00:24:22Are you trying to arouse the green-eyed monster in me?
00:24:26Fear not, fair gal.
00:24:27Nothing shall kill daredevil Preston's love for thee.
00:24:31Oh, Bob, why don't you be yourself?
00:24:34Forget that you're a press agent and that I'm an asterisk.
00:24:37Ah, do I know how to forget?
00:24:40This is much better.
00:24:42Okay, honey.
00:24:43Tonight we go for a nice little ride.
00:24:45No publicity, no pictures, and I might even talk a bit of baby talk.
00:24:52Mr. Preston, sometimes you're almost human.
00:24:55That's the Don wanting me.
00:24:59And that's not for publication.
00:25:02Oh, look out!
00:25:04You hurt?
00:25:05No, just scared.
00:25:08Boy, what a story!
00:25:29I'm sick of being poor and wearing rags on a time that I...
00:25:35I'm sick of being poor and wearing...
00:25:37Oh, no, I'm sick of being poor, poor, wearing rags all the time.
00:25:43I don't find something...
00:25:45Oh, I'm so frightened I can't even sink the line!
00:25:49Oh, I've waited months for this opportunity.
00:25:53Now that's really come, I don't see how I can go through with it.
00:25:56Catherine, darling, you've got to get hold of yourself.
00:25:59I'm trying so hard to.
00:26:00Listen here, when you're a big star and you see your name in life, you're going to look back and
00:26:06love with this silly nervousness.
00:26:08Well, I can't help it now.
00:26:10And this means everything I ever worked for.
00:26:13Why, June, if anything would go wrong, it would mean I'd have to go home.
00:26:19A failure!
00:26:20Oh, please, darling.
00:26:22Well, I couldn't stand going back like that.
00:26:25I couldn't.
00:26:26They'd all be laughing at me.
00:26:29Thank you, darling.
00:26:30Salutations.
00:26:30Well, baby starlets, today's a great day.
00:26:32Starting your first picture.
00:26:33How are you feeling, honey?
00:26:34All right.
00:26:37Brace up, Catherine.
00:26:38Your big moment has arrived.
00:26:39Why, Klein himself is coming down to get a good look at you two.
00:26:41Mr. Klein?
00:26:42Why, sure.
00:26:42Give plenty.
00:26:43This is it.
00:26:44Hey, you want on the set, girls?
00:26:46Oh, all right.
00:26:47We'll be right down.
00:26:56Couldn't you see the poor girl was nervous enough without you making it any worse by calling
00:27:00her attention to it?
00:27:02Oh, she'll be all right.
00:27:03Now, don't let the camera frighten you, because after this initiation, you'll have it late.
00:27:07I hope so.
00:27:10But after it's all over, couldn't we go to some quiet place?
00:27:14Just the two of us?
00:27:15Not tonight, honey.
00:27:16I've dated you up.
00:27:17You're supposed to go to the Grove.
00:27:18Douglas is costing a big party for the gang.
00:27:21Well, aren't you going?
00:27:22No.
00:27:23There's plenty of time for me, honey.
00:27:25Come on.
00:27:25Come on.
00:27:25Get the moves on.
00:27:26What is this?
00:27:27A picture studio or a coffee clock?
00:27:28Stop the delay.
00:27:29Let's have some action.
00:27:30Come on, you lugs.
00:27:31Give us some light.
00:27:32Come on.
00:27:32Hit him.
00:27:33Put a cell on that 18.
00:27:35Flood that spot.
00:27:36Well, what are we waiting for?
00:27:38Come on.
00:27:40Everybody's standing around.
00:27:41Here you are, boss.
00:27:45Have a cigarette.
00:27:53Strike this table.
00:27:55I'll take it.
00:27:56Miss Dale?
00:27:57Miss Williams?
00:27:58Set, please.
00:27:59Darling.
00:28:03You got your lines set?
00:28:04Yes, sir.
00:28:05Captain.
00:28:06Okay.
00:28:07It's a simple scene.
00:28:08We'll take it.
00:28:14Place it.
00:28:20All right.
00:28:21Turn him over.
00:28:31All right.
00:28:32Mark it.
00:28:34Follow six.
00:28:35Take one.
00:28:37All right.
00:28:37All right.
00:28:38Start your action.
00:28:41If I don't find a job soon, I'm not going to have any shoes left.
00:28:45You imagine me looking for work and at bare feet, and I...
00:28:49I can't stand living here any longer.
00:28:54Cut.
00:28:56Not quite so much tragedy, Miss Williams.
00:28:59We're not doing East Lynn.
00:29:00I'm sorry.
00:29:01That's a great help.
00:29:02Let's try it again.
00:29:05You have to take it easy.
00:29:07Mark it.
00:29:10106.
00:29:11Take two.
00:29:15106.
00:29:15Take four.
00:29:17106.
00:29:18Take seven.
00:29:20106.
00:29:21Take nine.
00:29:23106.
00:29:24Take ten.
00:29:26If I don't find a job soon, I'm not going to have any shoes left.
00:29:30Can you imagine me looking for work and my bare feet?
00:29:33I can't stand being poor, wearing rags all the time.
00:29:38If I don't find something soon, I'll...
00:29:42I'll...
00:29:43I'll...
00:29:44I'll...
00:29:44I'll...
00:29:45I'll...
00:29:45Hey, wait a minute now.
00:29:47Stop it.
00:29:48We've fooled around enough with these girls.
00:29:49Oh, please, Mr. Klein.
00:29:51Give her another chance.
00:29:53Everyone's unnerving her.
00:29:5510 takes is enough chances.
00:29:57This ain't an act in school.
00:29:58Get out.
00:29:59Outside.
00:30:03Oh, please, Mr. Klein.
00:30:05And you're fired.
00:30:06You're both fired.
00:30:08You heartless fools.
00:30:11You don't give anyone a chance.
00:30:13Standing there, criticizing and ridiculing.
00:30:16All of you looking on and just daring someone to make good.
00:30:20Nearly.
00:30:22Laughing behind our back.
00:30:24There's nothing human and seasoned about any of you.
00:30:27That's enough.
00:30:27Put her out of the studio here.
00:30:29I'd like to see any one of you put her out.
00:30:31And as for you, Klein, you old windbag.
00:30:33You keep your mouth shut out.
00:30:34I'll take out your false teeth and bite you in the back.
00:30:36Preston, you were through.
00:30:38You understand?
00:30:39Flight.
00:30:40For good.
00:30:41Why, you old esthetic.
00:30:42I wouldn't work for you if I had to starve.
00:30:44You've double-crossed everybody, including your own stomach.
00:30:54Oh, Captain.
00:31:06Local girl gets break in Hollywood.
00:31:09There it is.
00:31:10Hollywood.
00:31:13We've got to get out of here, Bob.
00:31:15Away from all this.
00:31:17Okay, honey.
00:31:19Tomorrow we'll drive to Yuma and get married.
00:31:21Then it's just Mr. and Mrs. Preston against the whole cockeyed world.
00:31:26I won't be afraid.
00:31:28As long as we're together, I don't care what happens.
00:31:31Beginning right now, it's just us.
00:31:34The army with banners.
00:31:37Don't forget that.
00:31:39I won't.
00:31:40In the morning, we'll clear our stuff out of that cheap studio,
00:31:43and then it's just you and me.
00:31:47And the open road.
00:31:58Come in.
00:31:59Oh, hello, Dick.
00:32:07Is this on the level?
00:32:09As level as a ruler.
00:32:10But you've been fired before, and you never left.
00:32:12I worked plenty hard for that, Simon Le Green.
00:32:15All I ever got was abuse.
00:32:16What you could use is a good stiff drink.
00:32:19Why, if it wasn't for me, his junk would still be playing in the sticks.
00:32:21I'd build up all the talent he's got.
00:32:24I'll come back Wednesday when you give this to a slide.
00:32:27You'll never get this act again at these prices.
00:32:30Talk about an act!
00:32:31You want to get a load of yourself reading the riot act to his nibs.
00:32:34What do you mean?
00:32:35Well, when the fireworks broke loose yesterday, they kept the cameras running.
00:32:39And your payoff to climb came through like a second act climax.
00:32:43Well, let me get a look at that, Horace, you.
00:32:48I want to hear myself telling that old hyena where he gets off.
00:32:51Come on.
00:32:52Yeah.
00:32:56How do you feel now, huh?
00:32:58I feel high.
00:32:59Oh, boy, is that something.
00:33:02Listen, Dick, has Clane seen those rushes yet?
00:33:05If he ever takes a squid at that, all our heads will drop in the basket.
00:33:09Hennessey, where are you taking that film?
00:33:11Sure, and I'm burning it up.
00:33:12I have a wife and six kids.
00:33:14I'll get you a job for life if you run that the next time the Clane comes in the projection
00:33:17room.
00:33:18I can get you set tomorrow with Hofstangle for twice the dough.
00:33:22Well, I don't know.
00:33:23Here's a cash bonus.
00:33:30My lad, I'm beginning to think there's something stirring in that dynamic brain of yours.
00:33:33That's the Philo Vance in you, son, my lad.
00:33:37Hello, Mr. Clane.
00:33:38Sure, this is Hennessey speaking from projection room number eight.
00:33:41Mike, why do you bother me in the middle of the day?
00:33:44The director didn't show up, Mr. Clane, so I'll be wanting an okay on the scenes we took yesterday.
00:33:49I also does a blackface act, my honey child.
00:33:53Sure, right away, Mr. Clane, thank you.
00:33:56Come on, Dick, let's go.
00:33:57I won't get a peek at that old button while the show goes on.
00:34:00If I don't get a job soon, I won't have any shoes left.
00:34:04Can you imagine me looking for work in my bare feet?
00:34:08You're bare feet again.
00:34:10I went to a world this yesterday.
00:34:12Well, I guess there's some stuff following that you ought to see.
00:34:16Ten takes is enough chances.
00:34:18This ain't an act in school.
00:34:20Get out.
00:34:21Outside, go on, outside.
00:34:25You're both partners.
00:34:27You partners.
00:34:29You don't give anyone a chance.
00:34:31Standing there criticizing and ridiculing.
00:34:33All of you looking around and daring someone to make good.
00:34:38Mearing, laughing behind our backs.
00:34:40There's nothing decent or human about any of you.
00:34:43Stop it.
00:34:45Stop it.
00:34:46It's wonderful.
00:34:48It's magnificent.
00:34:49She's terrific.
00:34:51By chimney, I've discovered another Hepburn.
00:34:53He couldn't discover a hole in his pants.
00:34:56She's got everything.
00:34:57Voice, fire.
00:34:59I've never seen such an acting.
00:35:00Get me Bob Preston, quick.
00:35:02He's been fired.
00:35:03Fired?
00:35:04Who fired him?
00:35:05Well, never mind.
00:35:07Where is he now?
00:35:07He's in his office, packing.
00:35:09Packing?
00:35:09Please.
00:35:20Oh, Bob.
00:35:22Are you going for a little weekend trip somewhere?
00:35:24I have my pride.
00:35:25You fired me for the last time, Mr. Klein.
00:35:30I fired you before for the last time.
00:35:33Oh, Bob, you take everything so serious.
00:35:36You've got to remember, you know, sometimes I'm a little, what do you call it, eccentric.
00:35:40There's another name for being eccentric and to put people like that in a bug house.
00:35:45You, you, you will have your little joke.
00:35:48You can always make me laugh.
00:35:52You know, yesterday, I guess I was a little angry.
00:35:56You know, all day my stomach ain't so good, but that's, uh, dyslexic, but it made me cross.
00:36:01Well, I want to apologize to you because I want to make it up to you.
00:36:07Tell you what I do.
00:36:08You send for that, what's that girl friend of yours name?
00:36:11Who are you talking about?
00:36:13June Dale.
00:36:14You send for June Dale.
00:36:17And to show you my heart's in the right place, I sign it up for a long contract at $150
00:36:22a week.
00:36:27I say at $175 a week.
00:36:34Didn't you hear me say something?
00:36:36I heard you say something, but it wasn't enough.
00:36:39$200.
00:36:40There's no use wasting time.
00:36:42Hofstangl's no fiker.
00:36:43He'll pay real money.
00:36:44Hofstangl?
00:36:45You spent gratitude.
00:36:47You're selling me out to my worst competition.
00:36:49Of all the producers in town, you've got to pick Hofstangl.
00:36:54Bob, I didn't start to do something like that to me.
00:36:58Listen.
00:37:00Bob.
00:37:01Now, let's be reasonable.
00:37:03How do you spell reasonable?
00:37:05Hmm?
00:37:05How do you spell reasonable?
00:37:08Oh, nice.
00:37:09T-H-R-E-E-E-H-U-N-B-R-E-D.
00:37:13The wrong spelling.
00:37:20Now, now, listen, Bob.
00:37:23We're old friends.
00:37:25Let's sit down and talk it over.
00:37:28Here you are, Bob.
00:37:32Have a perfecto.
00:37:40Now.
00:37:45Dry them tears, gal.
00:37:47The old homestead saved.
00:37:48I got the papers.
00:37:49You're now a contract player with feature buildings for suburban pictures at 500 masses per week.
00:37:55Bob.
00:37:55Here it is in black and white, sealed with the emperor's crest.
00:37:58Now, watch our smoke, baby.
00:38:00A new star flashes across the heavens.
00:38:02June Dale.
00:38:05Bob.
00:38:06Now, all this is very wonderful, but...
00:38:08What's that dark cloud on your unfair brow?
00:38:12Well, how about you, Bob?
00:38:14You and me.
00:38:16And the open room.
00:38:18That'll have to wait a little while, my sweet.
00:38:22Now, relax, darling.
00:38:23And close those bright eyes of yours.
00:38:26Come on.
00:38:27Close them.
00:38:29Now, open your eyes and say...
00:38:32Oh, Bob!
00:38:35Is it pretty?
00:38:36Oh, lovely.
00:38:39That's to show you I really mean business.
00:38:50We'll have to work hard.
00:38:53I won't mind.
00:38:55As long as we're together.
00:38:57But I'll turn on that fertile Preston imagination,
00:38:59and before I'm finished,
00:39:00they'll be naming streets after you.
00:39:02Lipsticks, powder,
00:39:03and even a good buy-scent cigar.
00:39:06Let's get going, baby.
00:39:07I want to crack that night edition.
00:39:33Let's get going, baby.
00:39:58Hold it, Miss Dale.
00:40:00Thanks.
00:40:01This is heavy-holy from the housewives, honey.
00:40:03Now we've got just one more.
00:40:05Dropping you on...
00:40:06Oh, Bob, I'm so tired.
00:40:09All right, buddy.
00:40:10Wrap it up.
00:40:10Okay, Bob.
00:40:13You tire out awfully fast lately whenever I want to put over a publicity stunt.
00:40:18Well, it's not just that, Bob.
00:40:19But if you'd look in your memo book, you'd see that we had a date this afternoon to go to
00:40:24the beach.
00:40:24Sure, I know, but...
00:40:26Oh, darling, we'll have such fun.
00:40:28We'll buy some weenies and find a quiet spot, light a fire and...
00:40:32Bob!
00:40:33Bob!
00:40:34Say, what's the matter that you're here yet?
00:40:36You've got to be at the airport at 2 o'clock.
00:40:38We were just about to barge out.
00:40:40Mr. Klein, what was that you said about an airport?
00:40:44Didn't he tell you?
00:40:46Why, Henri Briand arrives, the new French star, bigger than Chevalier.
00:40:50Relax, Mr. Klein.
00:40:51We'll be there on time.
00:40:52Well, never mind the poetry.
00:40:54You get down to the airport.
00:40:55You had no intentions of taking me to the beach this afternoon, and you'll know it.
00:40:59But this is big, June.
00:41:00Every foreign paper will have it.
00:41:02Come on, honey, now.
00:41:02Come on, go get me.
00:41:04All right, Mr. President.
00:41:06Let's go, June.
00:41:10Let's go, June.
00:41:20Don't move.
00:41:20Hold it right where you are.
00:41:22All right, June.
00:41:24I extend to you the greeting of the Superba Pictures.
00:41:27We want you to feel that you'll come to France.
00:41:28We'll do everything to make your stay with us both enjoyable and memorable.
00:41:32Welcome to Hollywood.
00:41:34Praise!
00:41:36Praise!
00:41:37Praise!
00:41:39My dear, thank you.
00:41:41You are my first impression of Hollywood, and I like it very much.
00:41:49Praise!
00:41:51Praise!
00:41:53Praise!
00:41:55And then you go to the Friday morning breakfast club.
00:41:58That's at 8 o'clock in the morning.
00:41:598 o'clock, Maudieu.
00:42:00I do not know such an hour.
00:42:02You get to know it very well.
00:42:05Okay, let's take it.
00:42:06All right.
00:42:07Bill, now on Tuesday, you go to the Pacific Golf Championship Tournament.
00:42:12But I do not play golf.
00:42:13Doesn't matter.
00:42:14You can wear knickers.
00:42:15No one will ever know the difference.
00:42:16At what time does these golfs start?
00:42:19At 7 a.m.
00:42:20Mason and Papa Siebel.
00:42:22When do you find time to leave in this mad place?
00:42:25You don't.
00:42:26Unless you can find a few minutes between work and publicity gag.
00:42:30People who can't take it shouldn't be in this game.
00:42:32And someone told me it was an art.
00:42:35Just one more, Harry.
00:42:36Make it snappy.
00:42:37I have to make a publicity reel with Miss Dale and the heavyweight champ back at the studio.
00:42:46Mark, the champ.
00:42:47Hiya, champ.
00:42:48It is the champ.
00:42:49What a man.
00:42:50Hi, kid.
00:42:50You're pretty lucky to work in a picture with me.
00:42:52You know that, don't you?
00:42:53Champ, this is Mr.
00:42:54Oh, never mind.
00:42:54Everybody knows me.
00:42:57What was that?
00:42:58Just the Indian love call.
00:43:00Oh, I thought it was something else.
00:43:03Come on.
00:43:03Come on.
00:43:04Let's go.
00:43:04I ain't good old, Jay.
00:43:06I got to write a story about all the dames that are nuts about me.
00:43:08Oh, so you're a cousin over.
00:43:12Oh, that guy.
00:43:13He's a pushover.
00:43:14I knocked him out and left him around last week.
00:43:17We're ready any time you are, champ.
00:43:20I want that back.
00:43:21Come on.
00:43:22Let's go, baby.
00:43:22And don't pull your punches.
00:43:26That's the stuff, June.
00:43:27This is our honey.
00:43:29The public will eat this up.
00:43:30Movie star takes boxing lessons from champ.
00:43:33Can you hear me?
00:43:35Now watch out.
00:43:35Watch your stuff.
00:43:36Whoa.
00:43:38What is this, Paderewski?
00:43:39Where are you going?
00:43:40Well, you see, we were told to deliver this piano to this studio.
00:43:44Now, where do you want it?
00:43:45Oh, I don't want it.
00:43:46Suppose you ask over at the...
00:43:47Oh, get out of here, will you?
00:43:50Come on, Atlas, and pick up your feet.
00:43:53Hey, wait a minute.
00:43:55Hey, what's the matter of you?
00:43:56Can't you see where you're going?
00:43:57Can we get on with this, please?
00:43:59Don't be in a rush, babe.
00:44:01I like your comfort.
00:44:02Okay, let's have the action.
00:44:04Camera.
00:44:06Cut.
00:44:07Now in the next one, champ.
00:44:08You put your arm around the waist like that.
00:44:11Hey, I'm beginning to like this an awful lot.
00:44:13I got a good one.
00:44:14And how about one of those clenches
00:44:15where I'm giving you that clock table business?
00:44:18Hey, that's no way to treat a champ.
00:44:21No.
00:44:24There you go.
00:44:25By the bell.
00:44:29Well, Laudale is certainly letting her hair down these days.
00:44:33Maybe she'd like to play Tarzan.
00:44:44You're coming along, June.
00:44:46That was a great display of temperament.
00:44:48This has worked for me, too, you know.
00:44:50I can't figure out why you have any score coming.
00:44:52Don't talk to me like that, Bob.
00:44:54You've been mooning around for the last two weeks,
00:44:56giving me a bunch of dirty looks and acting like I was poisoned for you.
00:44:59What if I have?
00:45:00We can't go anyplace without someone yelling at me for pictures.
00:45:03I'm sick and tired of being mauled over,
00:45:06of being Queen of the May and Finkel's Diamond Girl.
00:45:10Well, if it wasn't for all that, you'd be still playing bits.
00:45:13Every stunt I pull, I've met more people who went into the movies to see you.
00:45:16That's just it.
00:45:17I'm not June Day of your sweetheart anymore.
00:45:20I'm just a bunch of headlines.
00:45:22Nothing more than a Bob Preston creation.
00:45:25Anything you've done for me has been a great big buildup
00:45:28for your own great talents as press agents.
00:45:31That's a cute way of putting it.
00:45:34That's all you've had in your mind.
00:45:36And you know it.
00:45:38It's no sense trying to kid ourselves.
00:45:40We've lost something.
00:45:42Something that was really important to me.
00:45:46We'll never get it back.
00:45:47Maybe I have the little ruffle.
00:45:50Oh, let's forget all this and go somewhere tonight.
00:45:52Just you and me.
00:45:59I've heard that one before, Bob.
00:46:02I'm through.
00:46:13Come in.
00:46:16Oh, hello, Gordon.
00:46:17If you're busy, I'll turn right around and walk out.
00:46:19No, don't be silly.
00:46:20Come here.
00:46:25The arena's back at the Grove.
00:46:27How am I going tonight?
00:46:28And that, if my memory serves me, is the 21st time I've asked you.
00:46:33All right, Gordon.
00:46:34But I warn you, I won't be the life of the party.
00:46:37There's not going to be a party.
00:46:38Just you and me.
00:46:41I'd like this.
00:46:43Call for me at nine.
00:46:44All right.
00:46:45I'm sorry, but I have to get ready now.
00:46:48Of course.
00:46:48Nine o'clock.
00:47:10There's not a place to put this.
00:47:11I could think of a good place.
00:47:14Say, Stooges.
00:47:15Where does this thing belong?
00:47:17Stooges?
00:47:18Say, who do you...
00:47:18Why...
00:47:19Why...
00:47:20Who are you Stooges?
00:47:21Stop drizzling, will you?
00:47:23Where does this thing go?
00:47:24Get out of here.
00:47:25Go on.
00:47:26Get out of here.
00:47:26Get out, you loafers.
00:47:28What are you arguing with the guy for?
00:47:29Come on.
00:47:31Now, listen.
00:47:32You better step on it, because I got lots of work to do.
00:47:36Come on, now.
00:47:37Take it easy.
00:47:38Get a lift.
00:47:39Attaboy, Atlas.
00:47:41Attaboy.
00:47:41Attaboy.
00:47:42Hey, what are you trying to do?
00:47:44Break the piano?
00:47:45It pushed me.
00:47:46It pushed you.
00:47:48It pushed you.
00:47:50I never saw the likes of it in my life.
00:47:54You know, you're getting away with murder.
00:47:57The only reason you got the job is because you're my wife's first husband.
00:48:01You.
00:48:01Well, I...
00:48:05But you didn't have to divorce her, did you?
00:48:08Oh, Mr. Klein.
00:48:10Well, well, well, what do you want?
00:48:12A hundred dollars on account.
00:48:13On account of what?
00:48:14On account of the fact I'm going to sell you a song.
00:48:17Say, are your songs as good as your jokes?
00:48:20Oh, I just pulled this one out of the fire.
00:48:23Boy, this is hot.
00:48:24I call it, uh, Hush Your Fuss.
00:48:26Oh, get this.
00:48:28Hush your fuss.
00:48:29Hush your fuss.
00:48:31Love and kisses were made for us.
00:48:33Say, wait a minute.
00:48:33Wait a minute.
00:48:34Did you pull that out of the fire?
00:48:36Yes, sir.
00:48:36Put it right back again.
00:48:40Look.
00:48:40Hush your fuss.
00:48:42Hush your fuss.
00:48:43Go on.
00:48:43Hush your own fuss and get it.
00:48:44Go ahead.
00:48:45Pull out.
00:48:46Mr. Klein, please hear it all the way through.
00:48:48Say, girls, you want to hear my new song?
00:48:50I just sold it to Mr. Klein.
00:48:52He's crazy about it.
00:48:53No, thanks.
00:48:55Hey, boy, just a minute.
00:48:57Put that piano down here.
00:48:58I want to run through a number.
00:48:59Put her down, Atlas.
00:49:01Now, take it easy.
00:49:03Hold it a little to the left.
00:49:05Atta boy.
00:49:05Now, look out now.
00:49:06Take it easy.
00:49:08Fine.
00:49:08Now, let her down slow.
00:49:10Atta boy.
00:49:12Atta boy.
00:49:12Now, you're getting there.
00:49:14Well, take it easy.
00:49:15A little to the left.
00:49:17That's fine.
00:49:19Now, you did it, Atlas.
00:49:28Open it up.
00:49:33Where is the key?
00:49:34Huh?
00:49:35Where is the key?
00:49:37Oh, the key.
00:49:39I have to do that.
00:49:45What am I looking for?
00:49:47The key.
00:49:48The key.
00:49:49Yeah, the key.
00:49:49I had a key when I...
00:49:51The key.
00:49:51I have to find out a key when I...
00:49:53I can't always...
00:49:54I have to...
00:49:58Yeah, I've got to find this.
00:50:00If you let go of my hand, I want to find the key.
00:50:03You know anything about my hand?
00:50:17What's going on here?
00:50:19What's going on here?
00:50:27Oh!
00:50:40Oh!
00:50:47Oh!
00:50:56Oh, my God.
00:51:24Oh, I guess that's why I was limping.
00:51:26Open her up.
00:51:29Open her up.
00:51:30I gotta find out where...
00:51:48This will kill you.
00:51:52I gotta find out where...
00:51:53Johnny worked on a system, gave each sweetie a tell.
00:51:57And whenever he kissed them, if they hollered, he'd yell.
00:52:02You've got to listen to reason.
00:52:04The moon is shining above.
00:52:07That's the reason, it's just a thing for love.
00:52:11So hush your fuzz, hush your fuzz.
00:52:15Love and kisses are made for us.
00:52:17Love and kisses are true.
00:52:19We need for you and me.
00:52:21What a thrill, what a thrill.
00:52:24So you're thrilling against your will.
00:52:26You'll be saying it's great.
00:52:28Maybe you'll wait and see.
00:52:30Now it's not so tough when this love stuff gets in for our heart.
00:52:35Not the worst to just rehearse the principle part.
00:52:40Let's hush your fuzz, hush your fuzz.
00:52:43Love and kisses are made for us.
00:52:45Love and kisses are true.
00:52:47We need for you and me.
00:52:50Not bad, huh?
00:52:51That's hot, Steve.
00:52:52Hit it again.
00:52:53Wait a second.
00:52:54Hey, boy, put that table down.
00:52:56Come on, Gene.
00:53:00Let's do that new routine.
00:53:02Okay, Stevie.
00:53:03Rattle all his bones.
00:53:04Rattle all his bones.
00:53:35Rattle all his bones.
00:53:38Rattle all his bones.
00:53:40Rattle all his bones.
00:53:44Rattle all his bones.
00:53:51Rattle all his bones.
00:53:53Rattle all his bones.
00:53:54Rattle all his bones.
00:53:54Rattle all his bones.
00:53:54Rattle all his bones.
00:53:55Rattle all his bones.
00:53:57Rattle all his bones.
00:55:34A beautiful lady gave you the ozone.
00:55:36Right you are, Mr. Bones.
00:55:38Right she was.
00:55:40I ruined her whole life.
00:55:42I forgot she was just a kid that wanted to have some fun.
00:55:45I broke her heart.
00:55:47I had it coming all right.
00:55:49Who's the other guy?
00:55:51Don't say that, you hear?
00:55:52There's no other guy there couldn't be.
00:55:54I'm the only menace.
00:55:55Don't you say anything about her.
00:55:57June Dale's on the level, you understand?
00:55:59Let's have another.
00:56:13And a villain still pursued it.
00:56:16And a very nice villain, too.
00:56:19June, I feel I ought to tell you why I've been so persistent the past few weeks.
00:56:24I've noticed that you haven't been as happy as a happily engaged girl ought to be.
00:56:29Is there anything wrong between you and Bob?
00:56:32We've quarreled.
00:56:42Is there anything other than a three on these dice?
00:56:46No, there he is.
00:56:48Let's have a drink.
00:56:49Oh, hello, big boy.
00:56:51Look at him here.
00:56:52Oh, have you been drinking?
00:56:54Very happy to see all of you.
00:56:56They're the new generation of the motion picture great.
00:56:58Ah, congratulate every single one of you.
00:57:03I don't like this place.
00:57:05Oh, yes, tell you.
00:57:07Come on, Pop.
00:57:08Let's go someplace where we can dance.
00:57:09Oh, I don't want to dance.
00:57:10I want to sit down.
00:57:12Would you like to sit down, Pop?
00:57:14Yes, if you don't mind.
00:57:15Enjoy yourself.
00:57:17Come on, everybody.
00:57:18We're off.
00:57:18I'm so lost, Bob.
00:57:19It's been my life's ambition to dance with you.
00:57:22If you do, it's only because I'm acting the part of a gentleman.
00:57:25Come on.
00:57:25Let's have some fun.
00:57:27Fish travel, old pal.
00:57:29On the end again.
00:57:31I'll take the responsibility, and if I fail to make you happy, it won't be for lack of effort on
00:57:37my part.
00:57:38I know that.
00:57:40Well, it's merely a question of you making up your mind.
00:57:43Gordon, I'd like to think about it.
00:57:45I, I'm not quite sure.
00:57:49Oh, please understand.
00:57:50I don't want to hurt you.
00:57:53But you see, well, right now, even the way I feel about Bob, if he were to come back and
00:58:01tell me he's sorry and promise that things would be different, well, I don't know just what I'd do.
00:58:10Well, let's leave it this way for the time being.
00:58:13Of course, I'm not going to stop loving you or asking you to marry me.
00:58:17Did you see the pitch of Harvard for today's three?
00:58:19Game or something.
00:58:20Play a follow-up later.
00:58:21Oh, boy, am I going to have a good time.
00:58:24I'll fight, are you?
00:58:25Can't we have a better table?
00:58:27I don't like this place.
00:58:28It ain't noisy enough.
00:58:29I think it's swell.
00:58:30Well, let's have to be great.
00:58:31Monsieur.
00:58:32Tell me, Bob, is it true?
00:58:34Is what true?
00:58:35A little bird in the studio restaurant this afternoon.
00:58:39Happened to see a rising young star, Jill.
00:58:50Oh, it's publicity you want, huh?
00:58:53Well, I can give you plenty.
00:58:55I can do anything with a headline.
00:58:57I can even break your heart.
00:58:59Whatever you did, I wouldn't treat you the way June has.
00:59:03Lay off the incense, Sheba.
00:59:05I know you.
00:59:06June's 100% on whatever she did, she did on the level.
00:59:15Well, I don't blame her.
00:59:18I think I'd throw you over for a couple of million dollars.
00:59:21What are you saying?
00:59:23There's the reason you got your closing notice.
00:59:29Get a picture of that, Bob.
00:59:31It'll make great publicity.
00:59:34Nice headlines, too.
00:59:37Money wins again.
00:59:40Well, maybe it's just because you don't look well in a high hat.
00:59:45Must feel swell to have some other guy beat your time.
00:59:50Where are you going, Bob?
00:59:51Don't leave us.
00:59:57So, Douglas is the reason for the big farewell scene, eh?
01:00:01Please, Bob, you're drunk.
01:00:03Sure, I'm drunk.
01:00:04That's the reason I see everything so clear.
01:00:06You didn't have nerve enough to tell me you wanted to marry a doll, did you?
01:00:09I think you've said enough, Preston.
01:00:11You're an ideal pair, and this is great.
01:00:14Yes, sir, it's a great yawn.
01:00:17Pasadena playboy wins movie star.
01:00:20You're a great little actress, all right.
01:00:22I really believe what you said this afternoon.
01:00:25Sure, and I was tamping up to fall for it.
01:00:27I taught you a lot, didn't I?
01:00:28There's no headlines in just marrying a guy like me, is there?
01:00:32Please, take me out of here.
01:00:34You're always running out on me, aren't you?
01:00:36Preston, that's enough.
01:00:37Wait a second.
01:00:38There's a lot more I want to say to you.
01:00:46Where's the telephone?
01:00:47I'm sober enough to know this is a great story.
01:01:11She's getting ready to leave.
01:01:14She's on stage three.
01:01:38You, we've got to talk.
01:01:40There's nothing to say, Bob.
01:01:43Yes, there's so much.
01:01:44I bet you love your staff, and I'm sorry for it.
01:01:49June, you've got to listen to me.
01:01:52Sweet.
01:01:53We've meant too much to each other.
01:01:54You can't forget that.
01:01:56I'm going to marry Gordon.
01:01:58We're flying to Yuma this afternoon.
01:02:00You're not fooling me for a minute, June.
01:02:02You're not marrying him because you're loving him.
01:02:03It's despite me.
01:02:05I'm marrying him for his money,
01:02:06and for all the publicity I can get out of it.
01:02:09June, darling, please listen to me.
01:02:11I mean, I'm pleading with you to forgive me for anything I've said.
01:02:15You can't marry him.
01:02:16I love you too much.
01:02:19And you love me.
01:02:20There's no sense kidding yourself about that.
01:02:22You can't run away and marry anybody just because we've had a battle.
01:02:26I don't love you anymore, Bob.
01:02:27Oh, June.
01:02:28Now, will you let me go?
01:02:30I won't let you go, do you hear?
01:02:32Please, Bob.
01:02:34June.
01:02:36I just want to ask you one question.
01:02:39And I know you'll answer me on the level.
01:02:41Do you love Gordon?
01:02:52Happy, dear?
01:02:55I want you to be sure you know that.
01:02:57Yes, I know that.
01:02:58And I am sure.
01:03:03Oh, here we are.
01:03:12I guess that's our plate over there.
01:03:14Hey, entry, paper.
01:03:16We are a brother.
01:03:17Hey, studio, I'm going to attempt suicide.
01:03:19Entry, paper.
01:03:20Mail, paper, Bob, press, and jump down window.
01:03:23It's a directory, paper.
01:03:24Oh, boy.
01:03:29Paper!
01:03:33Oh, Gordon.
01:03:34He's in the Hollywood Hospital.
01:03:39All right.
01:03:40Oh, hurry, hurry.
01:03:42Hollywood Hospital.
01:03:42Please, John, hurry.
01:03:47I told you.
01:03:48And you can tell it to your grandchildren.
01:03:50You can do anything with a headline.
01:03:52Here you are, son.
01:03:53Take the rest of those papers and burn them.
01:03:54Come on, let's go.
01:03:55I've got to get to the hospital before she does.
01:04:03I should have known he'd do something, Desperate.
01:04:06He's so stubborn.
01:04:08Here's some pictures up for me.
01:04:09Run a special front page.
01:04:10Cost me 200 bucks, but it's worth a million.
01:04:13Genius, I calls it.
01:04:14Genius.
01:04:16Genius.
01:04:18Genius.
01:04:19Genius.
01:04:20Genius.
01:04:21Genius.
01:04:22Genius.
01:04:32Ditch this coffee grinder.
01:04:33She might recognize it.
01:04:43I'm a sick man, Doctor.
01:04:44Hurry up.
01:04:44Give me a room.
01:04:45Where do I go?
01:04:46Well, what do I do?
01:04:47How do I know?
01:04:48I'm only the painter.
01:04:55Give me a room.
01:04:56Quick.
01:04:57I'm sick.
01:04:57Why?
01:04:58Who's the doctor?
01:04:58What is it?
01:04:59A sudden chase of nervous exhaustion.
01:05:01I've got to have a room.
01:05:02Ow!
01:05:03Oh!
01:05:03Quick.
01:05:04Ow!
01:05:04What room can we give him?
01:05:06Why, a 2-3-1.
01:05:07Right this way.
01:05:09In case anybody calls, my name is Bob Preston, and I'm a very, very sick man.
01:05:27You get into bed.
01:05:28I'll get the doctor.
01:05:31Bob Preston, what room is he?
01:05:332-3-1.
01:05:33Do you all right?
01:05:34How is he?
01:05:35He's a very sick man.
01:05:39No!
01:05:41Bob, darling.
01:05:43I love you, June.
01:05:45Oh, Bob, my sweet.
01:05:47There never was anyone but you.
01:05:49Kiss me, honey.
01:06:04Bob!
01:06:05I love you.
01:06:06I'll admit it was just a soul to get you back.
01:06:08I love you.
01:06:09I didn't want to see you do anything that you'd be sorry for.
01:06:11Please forgive me.
01:06:12I love you.
01:06:12We'll get married right away.
01:06:14We'll...
01:06:14I love you.
01:06:14Please give me a little smile to tell me that you're not angry.
01:06:17I love you.
01:06:18Bob, you're a madman.
01:06:20An absolute raving lunatic.
01:06:23But...
01:06:24I love you.
01:06:25I love you.
01:06:27What about this marriage business?
01:06:29I have it all fixed up, darling.
01:06:31I know just what you want.
01:06:32We're going to an sonata.
01:06:33Moonlight.
01:06:34Soft breezes.
01:06:36Beautiful music.
01:06:37Just you and me.
01:06:38Oh, Bob.
01:06:39I don't want one of these moving marriages.
01:06:42Sweetheart, it's just going to be a quiet little wedding.
01:07:09Bye, Jiminy.
01:07:10You should be a star the first time I ever saw her.
01:07:13The first time you saw her, you fired her.
01:07:16Can I help it if I'm a little bit eccentric?
01:07:27That certainly was a quiet little wedding.
01:07:30But honey, you know we have a lot of friends.
01:07:36What's that?
01:07:37The convoy?
01:07:41Believe it or not, I made a tie-up with the army.
01:07:45Bob, you're slipping.
01:07:47What do you mean?
01:07:48You forgot to let the Navy in on them.
01:07:51You think so?
01:07:53There you go.
01:07:55You don't know.
Comments