- 2 days ago
Last Of The Summer Wines S02 Ep2 Who's That Dancing With Nora Batty Then
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00:01Music
00:24Morning, Mrs Batty. Morning, Gloria, love.
00:27One thing, I shan't have to scour me step in Australia.
00:31Why, have we not?
00:32You're not going to let yourself drift into mucky habits when you get there, are you?
00:36No. They don't do it down there.
00:40I'll scour the steps.
00:48Hey-oh!
00:50That face looks familiar.
00:51You silly devil.
00:53Well, if it's me own true love, nor a buddy.
00:56Oh, get back inside, you weird.
00:59I only miss this in the night.
01:00Hey-oh!
01:01Norie, hello.
01:02I just need time to have a word with passion flower here.
01:04It's got so as I don't rattle me bucket.
01:07Every time me ears, it is out pestering, talking filth.
01:11It's true.
01:12At the sound of the bucket, me knees go weak, could be where they start to palpitate.
01:17There he goes. Listen.
01:18Filth.
01:19He's all right.
01:20He's personal.
01:21Ah, I'm full of passion.
01:24I'll call you off with this bucket.
01:25Come fly with me daughter.
01:27You and me, we could make magic together, and I'd lay me ferrets at your feet.
01:31You're not right.
01:33And don't you encourage him?
01:35My only complaint is the legs.
01:37Here, I won't have any talk from men about me legs.
01:39Er, they're the one flaw in me vision of paradise.
01:43What's wrong with me legs?
01:44You've old wrinkled stockings.
01:46You're like untidy bandages.
01:48I must cost you a fortune to buy me creases in like that.
01:51Get off him before I call me husband.
01:53Ah, well, what you call him, an old poor old lad.
01:55Just let him out of him.
01:57It's crow keeping things like him caged up inside.
02:00Yeah.
02:04Yeah.
02:08Hey, all.
02:09Oh, sister.
02:11Oh, sister.
02:15Why'd they sent us here, Jones, to this outlandish place?
02:18It's exile.
02:20We've been banished.
02:21They have given you your own library, Miss Probert.
02:23Yes, full of tatty old men.
02:29Oh, damn this date stamp.
02:31Steady, Jones.
02:32You don't want people to think you're at a certain age or something.
02:36Now, listen.
02:37I'll tell you what we'll do.
02:38We'll have a nice cup of tea,
02:40and then you can help me delete all these four-letter words in the new novels.
02:44But that'll take forever.
02:47Jones, somebody's got to do it.
02:50I want to go back to the children's library.
02:54We're needed here, Jones.
02:56I want to go back where Puss in Boots means just that.
03:00And not that awful magazine.
03:03I know, dear.
03:04I got a bit of a shaker, too,
03:05when I flipped through that thing about fairies.
03:09What are we going to do?
03:10We're going to stump it out.
03:12We'll use a bit of psychology.
03:16We'll have one entire section labelled Four Degenerates,
03:20and see who's got the nerve to browse through that.
03:23And as for these special orders,
03:26we'll fill in the postcard so it reads,
03:28The filthy book you ordered is now ready for collection.
03:36Gloria's going to Australia.
03:38Her next door.
03:41She's a nice lass.
03:43She's having a farewell party.
03:46We're invited.
03:55What does he do?
03:57He's a lorry driver.
03:58Are they going for good?
04:00Aye, they're emigrate.
04:01Understandable,
04:02when you take into consideration
04:04who they've got for a neighbour.
04:07It'll be anybody's first reaction.
04:09Australia.
04:11It's a big step,
04:12leaving home.
04:13It's a big place.
04:14Only chew up and chew down.
04:15Australia.
04:16I wouldn't fancy summer at Christmas time.
04:20Although,
04:20if we're going to have power cuts every year,
04:23I wouldn't mind it starting on Boxing Day.
04:25The, uh,
04:27the capital, of course,
04:28is Canberra.
04:30Well, it's, uh,
04:31not that everybody knows.
04:32I mean,
04:33some people do think it's Sydney.
04:34Ah,
04:35and there's a lot of people
04:36who think that's a Sydney and all.
04:38With a tendency to be a bit fulsome
04:41in the gob department.
04:42I have made some enemies,
04:44that is true.
04:45But one always does
04:46in the process of bettering oneself.
04:48But one always does
04:49in the process of bettering oneself.
04:52Have you noticed
04:53how he always points his lips
04:54when he talks?
04:55Oh, I had all this at school.
04:57Him and his cronies
04:58scoffing at my Fair Isle socks.
05:00You were always a credit
05:01to your mum, Cyril.
05:02For us and our boots and jerseys,
05:04you and your little sandals
05:05helped us to understand
05:06that there were worse things
05:07even than the Depression.
05:08Yeah,
05:09he was a creeper.
05:10Ah,
05:10but a very polished creeper.
05:12Clean round the ear rolls.
05:13Whereas you were rather more
05:14your lovable urchin
05:16of popular fiction,
05:17smiling through your grime
05:19as you went through his pockets
05:20for his milk money.
05:22Oh,
05:22life was carefree for him.
05:24He never gave a thought to us
05:25who were burdened down
05:26with the responsibility
05:27of collecting all the pencils in.
05:29All he had to worry about
05:30was would Sheila Miller
05:31tell her dad?
05:32And did she?
05:34No.
05:35We drifted apart anyway.
05:38Oh,
05:38sad.
05:39Nothing lasted in them days.
05:41Especially my milk money.
05:43I swapped her
05:44to Albert Mulgrove
05:46for a grass snake
05:46and two fags.
05:48Oh,
05:49my God.
05:50And they say
05:51there's no romance left.
05:52I wonder if they've
05:53willow trees in Australia.
05:55I like a willow tree.
05:56They've got gum trees.
05:58Hey,
05:58he's not mine
05:59of information,
06:00this kid.
06:01You'll excuse us
06:02being surprised.
06:03Oh,
06:03that's all right.
06:04It's just that we were
06:05taught that you were thick.
06:06I know.
06:07Well,
06:07it must be just a mask
06:08you wear.
06:09Oh,
06:09it is.
06:10Like hell it is.
06:12Of course he's thick.
06:13That's the real him.
06:14But he knows about gum trees.
06:16And why shouldn't he?
06:17He's been up one
06:17all his life.
06:20I wonder,
06:22I wonder if I should
06:23go to Australia,
06:24you know,
06:24to try and get over
06:25Nora Batty.
06:26Well,
06:26you needn't feel lonely
06:27out there.
06:27If you want a bit of company,
06:28I expect her husband
06:29will come with you.
06:30Why is he obsessed
06:31with Nora Batty?
06:33Because she's there.
06:35Ah,
06:36I'll admit she's not pretty,
06:37but,
06:38well,
06:38it's her,
06:39you know,
06:39her personality.
06:40Oh,
06:40yes,
06:41that is very appealing.
06:42Like jagged tin.
06:43Ah,
06:44she's very hard,
06:45is Nora.
06:46But she turns
06:48my knees to jelly.
06:49Oh,
06:51what a Nazi
06:52she would have made,
06:53eh?
06:53But just consider
06:54a Russian front.
06:55A man could freeze
06:56before he found
06:57any shelter there.
06:59Ah,
06:59well,
06:59maybe she'll throw
07:00one day.
07:02Any case,
07:02I can honestly
07:02go to Australia.
07:03Foreign Legion,
07:04that's what you want?
07:05A what?
07:06French Foreign Legion,
07:07that is the classical
07:08place to go
07:08when you're disappointed
07:09in a woman.
07:10I'm not joining up
07:11with any froggy,
07:12Bob.
07:12Now,
07:12don't dismiss the idea
07:14without giving it a chance.
07:15We are trying to help you,
07:16aren't we?
07:16That's what friends are for,
07:17isn't it?
07:18Hey,
07:18oh,
07:18look at him backing away.
07:19He's going white,
07:21Luke.
07:21He's just like that
07:22down at the Labour
07:23when they're offering him a job.
07:24I'm not joining up
07:25with the froggy's.
07:26Typical.
07:27You'd have every opportunity
07:28of dying gloriously
07:29and you won't even consider it.
07:30I prefer Australia.
07:32Ridiculous.
07:33How you got to get killed
07:34out there, eh?
07:35I don't want to get killed.
07:37Oh,
07:37well,
07:38if I'm not going to talk to you
07:39and I'm not going to consider it
07:40with an open mind,
07:41it was just like this
07:43that time ago
07:44when we were spending hours
07:45trying to offer him to America
07:46for an astronaut.
07:48They want to bag me.
07:49They send monkeys up.
07:51I get me a train.
07:53Are you admitting
07:54that you are past training then?
07:55No,
07:56but there's a limit
07:56to how far I'll go
07:57for a bloody banana.
08:00Hey,
08:00talking to the froggy,
08:01that reminds me,
08:02have you got a clean,
08:03white,
08:05untouched cigarette?
08:07It must be straight,
08:08not crumpled.
08:09What for?
08:10I will give you
08:11a demonstration
08:11how a left-handed Frenchman
08:12smokes a fag.
08:14Come on, then.
08:14Let us see
08:15how a left-handed Frenchman
08:16smokes a cigarette.
08:23Oh, come on.
08:25How does a left-handed Frenchman
08:27smoke a cigarette?
08:28As same as anybody else,
08:29you duck till it's...
08:35What do you think you're doing,
08:37horrid little men?
08:38Where do you think you are?
08:39Is this the way
08:40to behave in a library?
08:42Shhh!
08:43You are not supposed
08:43to raise your voice in here.
09:04Excuse me.
09:05No.
09:07How'd you do?
09:12Is everything all right,
09:13Miss Probert?
09:15There's quite a few letters
09:17for you to sign,
09:18three overdues,
09:20and that Mr. Charlesworth
09:21had sex among the Eskimos
09:22for eight weeks now.
09:25Don't you feel like paperwork,
09:27Miss Probert?
09:29If you feel like something
09:30more mechanical to do,
09:32there's a screw
09:33needs tightening
09:33on the date stamp.
09:47You're unhappy,
09:48Miss Probert.
09:49Well, of course
09:50I'm unhappy, Jones.
09:52This place is inundated
09:53with men.
09:54That's all we ever get in here
09:56on a semi-permanent basis,
09:57men.
09:58The women come in
09:59and scurry straight out again.
10:01But then,
10:02who's got time for loafing
10:03about half the day,
10:04men?
10:05That's another market
10:06they've cornered.
10:07When did you last
10:08see a female layabout?
10:10I don't know
10:11what you've got against men.
10:13Ten thousand years
10:14of tyranny.
10:17And that weird way
10:18they look
10:19when they're undressed.
10:23I wouldn't be seen dead
10:24with a profile like that.
10:27Suppose you get used to it,
10:29if you're lucky.
10:31Well, what have they ever done
10:33for humanity
10:34except run off
10:35and make war
10:35on dubious women
10:37in foreign parts?
10:38And we all know
10:39which parts.
10:41They can't be all,
10:42but...
10:43Every single one of them.
10:44Have you ever known
10:45one who hadn't got
10:46that terrible compulsion
10:48to peer up ladies' garments?
10:50Well, why do you think
10:51spectacles were invented?
10:53Not to mention
10:54the telescope.
10:56Do you really imagine
10:58that Galileo
10:59was sent to prison
11:00because his theory
11:00is about the sun?
11:02Rubbish.
11:04Bet it was his new view
11:05of somebody's missus
11:06that got him
11:07popped in the choking.
11:09They discovered penicillin.
11:12Yes.
11:14But only recently
11:15that I found it
11:16a million years ago
11:17I've been up
11:18some female's jumper.
11:25Filth.
11:26You can take that back.
11:28Get yourself something
11:29from that shelf over there
11:30that'll do you more good.
11:44Them aboos are great trackers.
11:47They could go for days
11:48without water.
11:49Oh, can you?
11:51Ah, but they've not
11:53been swilling pale ale.
11:55What are names
11:56they have in Australia?
11:58Frank Eifield.
12:00Oh, no, I'm not.
12:02Frank Eifield?
12:04Wallaroo?
12:05Wajina?
12:06It's no worse
12:07than Heckman Dwight.
12:08At least in Heckman Dwight
12:10the Matildas
12:11aren't forever waltzing.
12:12Ah, well,
12:13they've not got a jam
12:14book up their bill of all.
12:16I wonder if
12:17while the bears
12:18are smooth to touch.
12:20They've got many noses.
12:22Yours isn't exactly
12:24noble Roman,
12:25is it?
12:26The man bent it.
12:28Here he is.
12:29Here he is.
12:31It's the Pied Piper.
12:32I do.
12:33Hey, Shep, the pool.
12:40He don't look well, does he?
12:42He don't look well.
12:44Sheriff.
12:47How's the job going, Shep?
12:49I don't wish to talk about it.
12:51Very necessary work,
12:52escorting little children
12:53across today's road.
12:55Little swine!
12:58Look at him.
12:59You wouldn't think
12:59he was once known
13:00as Dream Boat
13:01at the Mecca Locarno.
13:04Sheriff!
13:04Ah!
13:05I remember
13:06them little
13:07pointy-toe shoes
13:08and his hair
13:08all blasted down.
13:10Hey, Shep,
13:11what about that sewage?
13:13And what about these?
13:15My hair might have been
13:16plastered,
13:16but that was
13:17plastered right through.
13:18Ah, yeah.
13:19But I hadn't learnt
13:20how to drink properly then.
13:21Well, now that is accomplished,
13:22perhaps you will learn
13:23how to pay for them.
13:24Well, I'm flushed
13:25drinks all round,
13:26but I'm not.
13:27I expect me mates
13:28to show a bit of generosity.
13:30Showing generosity
13:30is one thing,
13:31but showing what you're
13:32showing is quite another.
13:37Get yourself fastened on.
13:40More holes
13:41than a dothouse blanket.
13:42Cheer up, Shep.
13:43You never know,
13:44they might bring back
13:45the Foxtrot.
13:47Went all through
13:48last war.
13:49Five and a half years on it
13:51and I can't say
13:51as I ever hated Jerry's,
13:53but I've been six months
13:54a lollipop man
13:55and I could cheerfully
13:57strangle
13:58every little brat
13:59of the 18.
14:00Yeah?
14:01You must be mad
14:02wanting to strangle
14:03poor little innocent kids.
14:07You, Shepol,
14:08what do you think
14:08he's for?
14:11Oh, the young
14:12are a great comfort
14:13as you grow older.
14:14Makes you realise
14:15that at least
14:16you're going
14:16in the right direction.
14:17Hey, you!
14:18Ha-ha!
14:19Look at this,
14:201932, I carved that.
14:22W.S.
14:23Willy Simmonite
14:26equals
14:27A.D.
14:29Who'd yell
14:29were A.D.?
14:30Must have been
14:31a love affair
14:31of classic proportions.
14:33Can't even remember
14:34her name.
14:35No.
14:36Must have been
14:36a new penknife.
14:38Yours had a tendency
14:39to rush in
14:40and start carving
14:40in them days.
14:42A.D.
14:43Albert Drury.
14:45Watch it.
14:47It'll be
14:48Aggie Duckett.
14:50A.D.
14:51Aggie Duckett!
14:52What'd she tell us like?
14:53A.D.
14:54Big, big,
14:55duck,
14:56Aggie!
14:57Right,
14:57play me,
14:58moonbeam!
14:59I never
15:00wake up
15:00with Aggie Duckett.
15:01Oh, come on,
15:02Willy,
15:02you can tell us.
15:03Oh, sure.
15:04I'm just trying
15:05to think,
15:06who say teach.
15:07Don't give us that.
15:08Your secret is out.
15:09We know who it was.
15:10It was
15:10Aggie Duckett!
15:12I don't know
15:12what you're laughing
15:13at, you fair
15:14and nits.
15:14I never
15:15went out
15:15with Aggie Duckett.
15:16She made
15:17my nosebleed.
15:19They were
15:20always thumping me
15:22just because
15:22I laughed
15:23at her dad's boots.
15:25I mean,
15:25how the hell
15:25was I to know
15:26she were wearing them?
15:29What a lovely
15:29couple they were.
15:30It could have been
15:31a musical,
15:32Fred Astaire
15:32and Ginger Rogers.
15:33She always had
15:34scabby knees.
15:35Can't keep
15:36his mind
15:36off her legs
15:37thus is.
15:38I was tripping
15:39over them
15:39bloody boots.
15:41She were a
15:42fanatic of marbles.
15:43Oh, hello.
15:44So that's how
15:45it started, eh?
15:46In a frenzy
15:47of emotion
15:47she snatched
15:48his marbles.
15:49Shut up!
15:51He doesn't
15:52look well,
15:53does he?
15:53He doesn't
15:53look well.
15:54Well,
15:55never mind about me.
15:56Tell him
15:56why we've come.
15:57Oh,
15:57I thought
15:58it were
15:59a pilgrimage.
16:00The place
16:01where you
16:01first plighted
16:02your truth
16:02to Aggie Duckett.
16:07We're coming
16:07by that piano.
16:08Have you
16:09still got
16:09your Eileen's
16:10piano?
16:11Ah,
16:12it hasn't been
16:12judged since
16:13she were
16:13wed.
16:14And with
16:14job I got,
16:15I've gotten
16:15out to sing
16:16about.
16:16Eh,
16:17can we have
16:17a lend of it
16:18Saturday night?
16:18I take it
16:19it's still
16:20there.
16:20We're having
16:20a bit of a
16:21do at
16:21Sid's
16:21cafe.
16:22Aye,
16:22farewell party,
16:23young couple
16:24emigrating.
16:25And Twinklefingers
16:26here gets
16:26moody if he
16:27can't perform.
16:28Oh,
16:28I have no
16:29wish to
16:29intrude.
16:30Just a few
16:31of the old
16:31tunes,
16:31you know.
16:32If I'm
16:33importing on
16:33anybody's
16:33spare time,
16:34well...
16:34Oh,
16:35save it
16:36Earl.
16:36Don't get
16:37your talent
16:37in a twist.
16:38Now,
16:38come along,
16:39Cyril,
16:39come along.
16:39You're under
16:40a moral
16:40obligation to
16:42perform.
16:42Your man
16:43paid for
16:43all them
16:44piano lessons,
16:45and besides,
16:46we all understand
16:46how much
16:47pleasure it
16:47gives you.
16:48And in any
16:49case,
16:49I shall need
16:50you to
16:50accompany me
16:51when I
16:51perform on
16:52the comb
16:53and paper.
16:54Well,
16:55if you
16:55insist.
16:56Oh,
16:56we do,
16:57we do.
16:57That poor
16:58lass needs
16:58some
16:58encouragement
16:59to go
16:59to
16:59Australia.
17:02Honestly,
17:04I'll be
17:04out for
17:04dinner.
17:05That
17:05damn
17:06great
17:06bus
17:06will be
17:06there
17:06in
17:07two
17:07minutes,
17:07and
17:07if
17:07I'm
17:07not
17:08there
17:08they'll
17:08have
17:08it
17:08over.
17:09It's
17:10not that
17:10they don't
17:10like
17:11kids.
17:11I
17:12just
17:12can't
17:13stand
17:13them.
17:14You're
17:15just a
17:15victim,
17:15really,
17:16of the
17:16battered
17:17Barham
17:17syndrome.
17:18What
17:18about
17:19the
17:19tinkle
17:19of
17:20children's
17:20laughter?
17:20Doesn't
17:21that
17:21mean
17:22anything
17:22to
17:22they?
17:23Aye,
17:23it
17:23means
17:24they've
17:24just
17:24brought
17:24them
17:24some
17:24of
17:25it.
17:27Not
17:28enough
17:28discipline,
17:28that's
17:28the
17:28trouble.
17:29Oh,
17:29blimey,
17:30else she's
17:30off again.
17:31For
17:31goodness
17:32sake,
17:32sit
17:32down
17:32and
17:33stop
17:33yawping
17:33about.
17:34You've
17:34got
17:34more
17:34rattle
17:35than
17:35our
17:35grief's
17:35lorry.
17:36Hey,
17:36proper
17:37miserable,
17:37ain't
17:38he?
17:38For
17:38a
17:39pianist.
17:42Hey,
17:43help!
17:43Oh,
17:43for
17:43goodness
17:44sake,
17:44sit
17:44down.
17:45It's
17:45Gloria!
17:48I
17:48hope
17:48she
17:49doesn't
17:49think
17:49he's
17:49with
17:49us.
17:50Sit
17:50down,
17:50great
17:51noisy
17:51laugh.
17:52Gloria!
17:53Come on!
17:55It's
17:55him
17:55they're
17:55talking
17:56about
17:56when
17:56you
17:56see
17:56them
17:56signs
17:57outside
17:57pubs.
17:58No
17:58coaches.
18:00Hey,
18:00Gloria!
18:01Come on!
18:03Come on!
18:05Come on,
18:06come and meet
18:06me dad.
18:07Now,
18:07watch it.
18:08be
18:08on
18:08him.
18:09You
18:10used
18:10to
18:10loathe
18:10him
18:10at
18:11school
18:11and
18:11you're
18:11still
18:11not
18:12too
18:12keen
18:12on
18:13him.
18:13It's
18:13a
18:13relationship
18:14that's
18:15Oh,
18:16hello
18:16Gloria.
18:17Oh,
18:17sit down
18:17Rex Harrison
18:18we do
18:18when you
18:18bobbing up
18:19and down.
18:20Mr.
18:21Simonite,
18:21Mr.
18:22Blamey,
18:23Mr.
18:23Clegg.
18:24Hello,
18:24Gloria.
18:25I've not
18:25seen you
18:26around much
18:26lately.
18:27Just
18:27having a
18:27last look
18:28round.
18:29Trying
18:29to remember
18:30it all.
18:31You
18:31must be
18:31looking
18:31forward
18:32to it.
18:33My
18:33mam's
18:33upset.
18:34Ah,
18:34mam's
18:35always
18:35are.
18:35Yours
18:36had
18:36need
18:36to
18:36be.
18:42Oh,
18:43ta,
18:44I
18:44thought
18:44I'd
18:44given
18:45it
18:45up.
18:47I've
18:48started
18:49again.
18:53She's
18:54not
18:54sleeping.
18:56Who?
18:57Me
18:58mam.
18:58come.
19:17Oh,
19:19God.
19:20Oh,
19:47Come on.
19:48It's heavy.
19:49It'll be heavier still when we get the piano on.
19:53Here, watch the game.
19:55Come on, you lazy devil.
19:57You pull it then.
19:58Come on.
20:07I told you they'd bring back the Foxtrot.
20:10I think he's working for nothing.
20:12If we were employing him, he'd want six months on the stick
20:14and 400 quid damages for that lot.
20:18Four hundred and fifty.
20:21He doesn't look well, does he?
20:24He doesn't look well.
20:40It's a maggie.
20:42Any eggs?
20:43I can't see.
20:46Hey.
20:47Turn to me head.
20:48Why don't you?
20:48I wonder if they weren't so pointed.
20:51Hey, let's read.
20:52Are they warm?
20:53Well, come on down then.
20:56Leave them alone.
20:57Ow!
20:58I had that.
20:58I never knew he had a scar on his belly.
21:02Speaking personally, it was not the sort of inquiry that I was ever likely to make.
21:06I think you know somebody.
21:08Ow!
21:09Help!
21:10Help!
21:10Hey!
21:11Watch out!
21:11Hey!
21:12Ha-ha!
21:12Ooh!
21:13Ha-ha-ha!
21:14Hey!
21:15Help!
21:16Hey!
21:19Help!
21:20Help!
21:21Help me!
21:23Do you think he's proud to tell us something?
21:26I shouldn't think so.
21:28Look how secretive he's been about that scar.
21:32More fun than one imagines.
21:33I should hope so, if it leaves a scar like that.
21:37Bird nesting.
21:39It's the wrong place for an appendix.
21:42I wonder, could it be an Aggie Duckett love bite, dear dear?
21:47Oh!
21:49Oh!
21:53You great stupid fillers, I've done my shirt, my best shirt.
21:57Well, don't wave the damn thing at me.
21:59It's gone right through.
22:01It's as old as they do.
22:04Until after a minute, I've got to needle all the threads.
22:07I can't go to Gloria's party with a great doll in me.
22:12Just look at it.
22:14We'll fix you up with a shirt.
22:15And a tie.
22:17Fancy thinking you're going like that.
22:20I should look all right playing the piano after you've had a few beers with a wind whistling through that
22:25lot.
22:25Well, me trousers is baggy.
22:27No, your legs is baggy.
22:29Your trousers are more or less...
22:33Unbelievable?
22:41Oh!
22:43Ho-ho-hoo!
22:45Boo-hoo!影片侵入!
22:51Ho-ho-hoo!
22:55Ho-ho! Ho-ho
22:57-hoo! Ho
23:02-ho-ho!
23:02I'm here.
23:27Let yours down. Let yours down.
23:29Not on me foot, you...
23:31Look at me, foot. We're about to get this bottom end round.
23:34Oh, leave it to me. I've moved all sorts through this door.
23:36Not since I'm free down through eating your buns.
23:39They've never done you any harm of the great wastebasket.
23:42Get your back into this. Now, up my end.
23:45My sentiments, exactly.
23:49Look, just get all of it, will you? Just get all of it.
23:52Right? Now, all together.
23:54Right, that's it, that's it.
23:56Come on, that's it.
23:56Come on, that's it, that's it.
23:58There we are, that's it.
24:01When you said could you bring it in, I thought you meant through the door, not the flaming wall.
24:06Afternoon, Ivy. I see the wife's keeping well, Sydney.
24:09Have you ever known her poorly? Even once.
24:11It's over now, it's finished.
24:13I gathered that when I heard you praying it to death.
24:16Don't worry, love, you'll get a surprise when old Twinklefingers here gets going.
24:20Talk about tickling bells.
24:22Well, it goes like the cat was anyway.
24:25Thank you, thank you, thank you, thank you.
24:28I didn't know he could play.
24:30Oh, just for my own amusement, really.
24:32Nobody else thinks it's funny.
24:35Not a thing I talk about a lot.
24:37Ah, like your Aunt Annie with the Rent Man.
24:41When they know you can play, you tend to get monopolised at parties.
24:45Dirty devil.
24:47You shouldn't drink so much.
24:48Hey, hope, Liberati's labourer.
24:50Let's get yourself round back here.
24:52Let's have some music from this tainty-peeler.
24:54Well, if it's out, you won't, lads.
24:55Just give it a shout.
24:56I'll be back, God willing.
25:01Oh.
25:01Let's have some music from this tainty-peeler.
25:02Oh.
25:02Oh.
25:09Oh, oh, oh, oh, oh, oh.
25:13Oh.
25:16Oh.
25:19Oh.
25:20Oh.
25:22Oh.
25:45Hey, it sounded better coming down that hill.
25:49Then they're just bending the road.
25:54Talk about music to make your feet move by.
25:58Made them move quick enough, didn't it?
26:00Black notes, white notes and bomb notes, I see.
26:03Hey, does he often go off like this, you know me?
26:06If he has got an ear for music, I wish he'd use it.
26:08Bloody fingers aren't much good.
26:12What was that about his Auntie Annie and the Red Man?
26:15They were caught giving her a rebate in the front room.
26:19Anyway, times were hard.
26:20You can hear it in his music if you listen.
26:23It's all there.
26:24The struggle to preserve the right note.
26:27Which Red Man was it?
26:29Hello.
26:30Are we in debt again?
26:31I've never been in debt in my life and well, you know it.
26:34And if I was, I wouldn't be getting out of it that way.
26:37You're the only man that's ever been near me.
26:39After all these years, I can understand why.
26:45Hey, hey, we'd better have a couple of teams on those lots of boots left.
26:50What about Twain's little team?
26:52He's just in gear, want to talk?
26:53I would say, yes.
26:54We've got to stop him somehow.
26:56I'm wondering if he started something and he doesn't know how to get off.
27:00But, hell, I'll say this for you, sir.
27:02All your breaks are good.
27:05Oh, there's no doubt about it.
27:07The old song's the best.
27:08What are you doing, Mr. Menor?
27:10Well, we don't expect you to have any musical appreciation.
27:14Just bits of elbow and some frightful glimpses of your tail assembly.
27:18Shoo's your fingers.
27:19Look at that, covered in blood.
27:21How many sugar?
27:22One will be sufficient, thank you.
27:24Stirred Allegro.
27:25You will help yourselves, won't you?
27:28Oh, I wouldn't dream a bit of fearing with you, Ivy.
27:30Would you care to rephrase that?
27:34Oh, I wouldn't dream of interrupting you, Ivy.
27:37That's better.
27:38Not while you're hitting Sid.
27:40Who would be my guest?
27:41I wasn't hitting Sid.
27:42The dozy crow kept ducking.
27:44Surprising how light he is on his feet when he thinks his carcass is in danger.
27:48Thinks?
27:49Yes.
27:49No, I'll show you.
27:51I've got nothing about it.
27:52Hey, I hope you're going to slow that tempo down a bit for the dancing on Saturday night.
27:58And who is going to be dancing?
28:00We are.
28:00Me and Nora, Patty.