Un nuevo amanecer - Capítulo 8: Yo tengo dignidad - video Dailymotion

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Un nuevo amanecer - Capítulo 8: Yo tengo dignidad

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00:00Candela's Center

00:00The Center

00:02The Center

00:03The Center

00:19Well,

00:21although it is something that we do,

00:23we have gathered here to inform you

00:27that Candela will leave the center this afternoon.

00:30How?

00:31What has happened?

00:33What has happened?

00:35What has happened?

00:37Listen, listen, listen, listen, listen.

00:42That doesn't mean that they leave the therapy

00:45or the treatment.

00:46They will continue in a more open regime,

00:48with daily supervision,

00:50because now they will have more support

00:53of their family.

00:54Thanks, Patricius.

00:58Well, I wanted to tell you

00:59that, first of all, I'm very excited.

01:02When I came here,

01:03no I'm going to take you a bad thing,

01:05what I'm going to say,

01:05I thought, well,

01:07you gave me a little bit of a grudge,

01:09I don't know how I would say it well,

01:10but I saw more shit, you know?

01:13You know what I mean?

01:14But with the weeks that have been passed,

01:17I realized,

01:18because you have taught me

01:20that there is no range in life.

01:26You know what I mean?

01:47You know what I mean?

01:49You know what I mean?

01:52But, and I'm going to say,

01:54thank you, thank you, thank you.

01:57I'm going to put your mother.

02:02I understand.

02:03I'm going to say,

02:04you think it was a frog?

02:05You know what I mean?

02:07I don't know.

02:08I understand you were a lion,

02:09I don't know.

02:12I don't know.

02:13I don't know.

02:24I don't know.

02:26I don't know.

02:27I don't know.

02:32I'm going to say,

02:32I don't know.

02:33I don't know.

02:34How are you going to take a Candela?

02:36She told me that she was in taxi.

02:37No, I'm not looking for her.

02:39I've come to talk to you.

02:41Dime.

02:41I'm going to ask you something that I think will interest you very much.

02:45Well, you, but above all, at the center.

02:50We're preparing the last program of the season.

02:53We always like to bring a special action,

02:56something that leaves a good taste.

02:59We've been doing turns

03:00and we thought it would be good to bring a guy here,

03:05a guy who is very good at Rafael.

03:08It's like...

03:09Well, it's a little bit of color...

03:11Negro.

03:13Treasure.

03:13Treasure, yes, yes.

03:15I don't know if you're talking about it.

03:17A ver, it's an opportunity

03:18to talk about these types of centers.

03:20It's to make the great public

03:23that there is also hope

03:25for the people who are here and do things well.

03:28It's to give us visibility

03:30to the...

03:32to the...

03:32to the social interaction

03:33or as it is called,

03:35when people who are here

03:36come back to life

03:37and come back to life.

03:39No.

03:40Precisely, it's not to come back to life.

03:42Well, that's what I wanted to say.

03:44That's what I wanted to say, yes.

03:44Apart from that,

03:45I don't know,

03:45in the case of this guy,

03:47poor guy,

03:47he's very good,

03:48because he also serves

03:49to see...

03:49Well,

03:51that's not all the immigrants

03:52come back to success.

03:54No?

03:55Poor guy.

04:03No, no.

04:04Ay...

04:05¿Por qué lloras, cariño?

04:07Es igual.

04:08Ay, he metido la pata.

04:09Te lo tendría que haber contado primero a ti.

04:11No pasa nada.

04:12Si fiar...

04:13Si esté bien.

04:14Sí.

04:15Y también yo pronto pues voy a salir y...

04:17¿Sabes?

04:18Hombre, ¿qué lo dudas, esto?

04:20Hombre, claro que vas a salir.

04:21Y una mierda, tía.

04:23¿Eh?

04:24Que una mierda, Candela, que no.

04:27Que si salgo es para volver a entrar.

04:29¿A quién quiero engañar?

04:30Sí, sí.

04:30Yo no tengo lo que tú tienes.

04:32Ay, pa.

04:33Es verdad.

04:33Tú tienes una familia que te quiere.

04:35Tiene un curro guay.

04:37En cambio, los que estamos aquí...

04:39Es que no tenemos nada.

04:42Y...

04:43Y por eso tenemos miedo a salir, ¿sabes?

04:46Ya lo sé, ya.

04:46No, es que es verdad porque...

04:49Estamos acojonados de miedo, de...

04:51Porque salimos fuera y la gente nos mira fatal.

04:55En cambio a ti, Candela Nieto, cuando salgas fuera a la calle,

04:58la gente te va a querer más cuando sepa de dónde vienes.

05:00¿Me explico?

05:00Como la modelo esa.

05:02Hubo una que se metió de todo y luego le salió en contratos y...

05:05Pues igual, déjate de modelos y de historias.

05:07Yo...

05:08Voy a esperarte en la calle, ¿eh?

05:10Y cuando tú te hayas trabajado y por fin te cures...

05:13De acuerdo.

05:14Vas a salir, te voy a esperar, ¿eh?

05:17Y te voy a dar, esto te lo juro, un laburo.

05:20¿Eso qué?

05:22Trabajo en italiano.

05:23¿Ah, sí?

05:23Sí, te voy a dar un laburo.

05:25Quiero que seas mi asistenta.

05:27Quiero decir, todas las grandes tenemos que llevar al lado una persona,

05:32pues, que sea nuestra mano derecha.

05:34Esto viene de Cuba, sí.

05:36Las primeras vedettes, las personalidades más grandes,

05:40siempre llevaban un asistente al lado.

05:42¿Ah, sí?

05:42Sí, hombre.

05:43Se llamaba Pajarito y generalmente era un maricón.

05:46Que no es el caso, ya lo sabemos.

05:48Pero tú serás, como se llama ahora, mi assistant personal.

05:52Assistant personal...

05:53Es que yo no sé inglés.

05:54Bueno, poco a poco.

05:55Ya irás aprendiendo, ya irás aprendiendo.

05:57¿Eh?

05:57Ten confianza en ti misma.

05:59¿Sabes cómo sé que vales?

06:00No.

06:01Sí, porque cuando saliste al escenario,

06:02realmente hiciste el ridículo, metiste la pata,

06:04lo llevaste con honra.

06:06No bajaste la cabeza.

06:08Haciéndote cargo de tu responsabilidad.

06:10¿Es verdad o no?

06:11Sí.

06:11Valiente.

06:12Y por eso quiero esa Vanessa.

06:13Una Vanessa fuerte.

06:19Bueno, eso igual no ha sido muy de asistente personal, ¿no?

06:22¿Qué eres lesbiana?

06:25Un poquito.

06:26¡Ay, qué gracia!

06:28A ver, amor mío, que es lesbiana.

06:31Ay, que me gusta ella, con sus preferencias, claro que sí.

06:35Ahora te toca volver ahí fuera.

06:37¡Uf!

06:38Esta vez no te voy a acompañar, pero no vas a estar sola, ¿vale?

06:41Hay un montón de gente que te queremos y que te vamos a ayudar.

06:43Muchas gracias.

06:45Le das un abrazo.

06:46Y tanto.

06:46Esto.

07:16To find your way home

07:22And come tell me

07:23All that now you know

07:28Where you've been

07:30And where you need to go

07:35And to wait for me

07:38Down the road

07:40And let me

07:43Walk with you

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25:10Patricia, hola.

25:11¿Cómo estás?

25:13Ay, hija mía.

25:15Pues mira, hasta hace un momento fatal, fatal.

25:19Ahora estoy en casa con mi madre y la nena y parece que ya me he calmado, pero ha sido

25:25horrible, horrible, horrible, horrible, Patricia.

25:28Lo siento.

25:29¿Y tú cómo estás, reina?

25:31¿Yo?

25:32Sí.

25:35Es la primera vez que me preguntas a mí.

25:38Pues... no sé, la verdad estoy... estoy bien.

25:43Dale un beso a Javier y a los nenes de mi parte, ¿vale?

25:46Lo haré.

25:47Sí, lo haré, lo haré.

25:48No te preocupes.

25:50Oye...

25:51Gracias.

25:52¿A mí por qué, cariño?

25:54Por lo que has dicho esta noche.

25:56Creo que has ayudado a mucha gente.

26:01Ay...

26:03Guapa.

26:05Cuídate, ¿vale?

26:07Sí, cariño.

26:09Adiós.

26:10Gracias por llamar, Patricia.

26:11Gracias.

26:12Adiós.

26:43wd...

26:54$%$%$%$%%$$%&$%£$%$%&

27:03$%$$$%k

27:05Exquisito...

27:06No加ol, señor, señor.

27:07¿Paraabea u el cotas del arte?

27:08...

27:11Es muy asop Cellular ?

27:12What will happen? What will happen? What will happen?

27:17What will happen? What will happen?

27:20What will happen?

27:21I don't know, frankly.

27:25Nobody knows.

27:26People will ask, this woman, what is inside a nevera?

27:31I've found a small bottle of liquor that bought in an airport.

27:37What will happen?

27:39What will happen?

27:42I don't know. Nobody knows.

27:45The only true thing I know

27:48is that at the end of our lives

27:51we will also end up in a nevera.

27:55I've been a little bit.

27:56I've been a little bit.

27:58I've been a little bit.

27:59I've been a little bit.

28:02I'll do something.

28:03If you leave me, I canto a French.

28:06And if you leave me up,

28:08do you feel good?

28:09I'll do something.

28:10I'll be back on the next page.

28:11I'll do something.

28:13I'll do something.

28:14I'll do something.

28:24And let's go.

28:28the papayon

28:30the

28:32infant

28:32the bohème

28:36the papayon

28:39the

28:39bohème

28:41the papayon

28:43we have

28:44we have

28:44a good

28:50good

28:52good

28:52he's

28:53like

28:53the

28:55the

28:55that has a dog, and the dog is so funny,

28:58so they're all at the scene.

29:00The Papillon...

29:01I'm just going to say it.

29:03I've been in the middle of the song.

29:05Yes. No, it's the story.

29:08The Papillon, and the mansion, and the mansion.

29:13I found the mansion, the poor world,

29:17and the coussins, and the coussins.

29:23The Papillon, the Papillon,

29:26the sinudo, as the morgue,

29:28and the Cadiz in the winter,

29:30the aburrido, the tigoyou.

29:33I would like to go,

29:35to go, to go, to go, to go, to go, to go.

29:37This is my illusion.

29:39Because Spain has left me a village.

29:42Spain is a little for me.

29:44It's like a village.

29:45I know everyone, I know everyone.

29:47I would like to go, to go, to go.

29:51Mexico, for example.

29:53I would like to go, to go, to go.

29:55Mexico.

29:57And the Rarpy.

29:58No, it's not the people I chose, but...

30:03The Papillon, the Papillon, the Papillon, the Papillon.

30:08It's pretty good.

30:11Do You Can't Eden.

30:12Do You Can't twor Onizado

30:23It's not the people I chose, sorry,

30:23That hoff customize

Un nuevo amanecer - Capítulo 8: Yo tengo dignidad

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