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  • 4 days ago
A man finds himself trapped in a dangerous web of crime, deception, and mystery after becoming involved with powerful criminals. As the chase intensifies, every decision could mean the difference between freedom and death. The Dangerous Chase (1946) delivers suspense, unforgettable film noir atmosphere, and gripping performances that define the golden age of classic crime cinema.

If you enjoy classic film noir, vintage crime thrillers, detective mysteries, and timeless Hollywood classics, this restored 1946 masterpiece is a must-watch.
Transcript
00:05:26What have you got?
00:05:29You're not Mr. Roman.
00:05:32How do you know?
00:05:34Well, you just don't fit.
00:05:39Is it all right, Mr. Gino?
00:05:41I guess it's all right.
00:05:43I'll take him in myself.
00:05:44Come on.
00:05:45It's all right, I'll do it, I'll do it, I'll do it, I'll do it.
00:06:00I'll do it, I'll do it.
00:06:28I'll do it, I'll do it, I'll do it, I'll do it, I'll do it, I'll do it, I'll do
00:06:44it, I'll do it, I'll do it, I'll do it, I'll do it, I'll do it.
00:06:52How does it feel being a barber?
00:06:55Cutting men's hair.
00:06:59It feels good, huh?
00:07:02Look at her. She's blushing.
00:07:05Oh, I'm sorry, Mr. Roman. You moved.
00:07:08But you didn't. Quick enough.
00:07:13Get her out of here.
00:07:16Stupid dame.
00:07:19The beast. The filthy beast.
00:07:22I'm sorry.
00:07:39Hey, you.
00:08:00I'm sorry.
00:08:00Catch him.
00:08:09What can I do for you, Jack?
00:08:12Are you Mr. Roman?
00:08:13That's right.
00:08:22What you'd like to have this back?
00:08:27Is it mine?
00:08:29It's got your name in it.
00:08:32Where'd you find it?
00:08:35I don't remember the name of the street.
00:08:37It was in front of a restaurant, though.
00:08:41How much was in it?
00:08:43$81.
00:08:45I spent a dollar and a half for breakfast.
00:08:47There's $79.50 there now.
00:08:52How do you like there for an honest guy?
00:08:54I don't.
00:08:58Silly law-batting jerk.
00:09:02How do you like that?
00:09:04He comes all the way out here just because he found it.
00:09:08You know, you ought to get a medal.
00:09:10Gino, go buy him a medal.
00:09:12Thanks. I got a medal.
00:09:16Oh.
00:09:18Next GI, huh?
00:09:20Yes, I was in the Navy.
00:09:26I like him.
00:09:28I want to do something for him.
00:09:29Give him a saw buck.
00:09:32That's the trouble with you, Gino.
00:09:33You have no appreciation for honesty.
00:09:42Tell me something.
00:09:45What made you bring the wallet back?
00:09:48Well, I don't know.
00:09:50Now that I'm here, I wonder myself.
00:09:53I guess I'm just a sucker.
00:09:59I like that, too.
00:10:02Can you drive a car?
00:10:03Yes, sir.
00:10:05You got a job.
00:10:06What do you need two chauffeurs for?
00:10:07Fire Claiborne.
00:10:08Fire Claiborne.
00:10:09All right.
00:10:10No, wait a minute.
00:10:11I don't want to take another fellow's job.
00:10:13Take it easy, Chad.
00:10:15The name's Scott.
00:10:16Chuck Scott.
00:10:21Okay, Scotty.
00:10:24Hello, Fats.
00:10:26Fats, what do you do besides talking the telephone all the time?
00:10:29And trying to reach you for 45 minutes?
00:10:32Oh, never mind that.
00:10:34How about Johnson?
00:10:35Did you contact him yet?
00:10:36What's he doing this time?
00:10:42I'll have him at my house for dinner Wednesday night.
00:10:46No Fats.
00:10:47Not Thursday.
00:10:48Wednesday.
00:11:06Yes?
00:11:08Right.
00:11:08Be right there.
00:11:10Nice job.
00:11:11Oh, Job.
00:11:13Like in the Bible?
00:11:15Kings, Chronicles, Ezra, Nehemiah, Ezra, Job.
00:11:17Fine, I won't forget it.
00:11:19Bye.
00:11:39Come on, Tony.
00:11:42Come on, Tony.
00:11:45Come on, Tony.
00:11:48Come on, Tony.
00:12:17Don't forget to go off for dinner.
00:12:17Just as you said.
00:12:17Yeah, absolutely.
00:12:18Good times.
00:12:25I don't think he's in a room.
00:12:25Not at all.
00:12:35No, he didn't know who you are.
00:12:54Mr. Roman, there's something wrong. I can't slow the car down.
00:12:58Relax, Scotty. I take care of all that back here.
00:13:00You just handle the wheel.
00:13:02You mean you...
00:13:03That's right.
00:13:04Yes, sir.
00:13:24He's right on time.
00:13:26Eddie, you don't know how he drives.
00:13:28We'll find out.
00:13:31Maybe not.
00:13:34Well, he's right.
00:13:38Let's go.
00:13:50You're right.
00:14:01Anyway, he's initially driving along the train trip.
00:14:02No, no, no, no.
00:14:02Let's go.
00:14:36How do you feel, Scotty?
00:14:38Fine.
00:14:39But I don't get it.
00:14:41Who does?
00:14:43He's all right.
00:14:45He's a good chauffeur.
00:14:47You're all right, Scotty.
00:14:49Thanks.
00:14:50What do we do now?
00:14:52You take over.
00:14:57She's all yours.
00:15:02Well, Mr. Johnson, how do you like our little house?
00:15:05Oh, it's charming.
00:15:07However, I never thought I'd enjoy the pleasure of having dinner here.
00:15:12You know, Mr. Johnson had the idea I didn't like him.
00:15:15Just because he took away some of my business.
00:15:18I guess he doesn't know you too well.
00:15:20I must say there aren't many men would have taken it the way your husband has, Mrs. Roman.
00:15:27Live and let live.
00:15:30That's my motto.
00:15:34Isn't that so, Gino?
00:15:36Oh, the world is big enough for all of us.
00:15:38You too, Mr. Johnson.
00:15:43Well, thank you, Gino.
00:15:46I have a very interesting house too, in Havana.
00:15:49I'd be very pleased if you'd all come and visit me sometime.
00:15:52You've been in Havana, haven't you, Mrs. Roman?
00:15:54No, I've never been there.
00:15:55No, Mrs. Roman doesn't travel very much.
00:15:58Oh, I'm sorry.
00:15:59Doctor's orders?
00:16:00No, mine.
00:16:08Well, if you'll excuse me,
00:16:12I'll, um, I'll let you go on with your business.
00:16:17Oh, um, good night, Mr. Johnson.
00:16:20Good night, Mrs. Roman.
00:16:21It was nice meeting you.
00:16:32She's lovely, isn't she?
00:16:34Oh, she's beautiful.
00:16:37How about a little brandy?
00:16:38Well, I don't mind if I do.
00:16:41Where's Tommy?
00:16:43Oh, he behaved badly.
00:16:44I put him in a cellar.
00:16:46Oh, Tommy's a dog.
00:16:48It's a big dog.
00:16:49Oh, yes.
00:16:51I'm not drinking alone, am I?
00:16:52No.
00:16:53Yeah.
00:16:54Mr. Roman,
00:16:55could I ask you a very personal question?
00:16:58Yes, of course.
00:17:00What is your business, really?
00:17:04Gino,
00:17:05what business would you say we were in, really?
00:17:09No, I'd say the amusement business.
00:17:12The amusement business?
00:17:15Yes.
00:17:16Strictly for laughs.
00:17:23All kidding, Mr. Johnson.
00:17:25I still want to buy those two ships of yours.
00:17:26But I don't want to sell.
00:17:28Oh, maybe we can talk you into it.
00:17:30What do you say, Mr. Johnson?
00:17:33Well, I'll think it over.
00:17:34Oh, no, that'll be too long.
00:17:39I can let you know tomorrow.
00:17:41No, tonight.
00:17:43Now.
00:17:50Well, how much would you give me for them?
00:17:52Nothing.
00:18:05Oh, you're joking, huh?
00:18:07Oh, well.
00:18:10I've had a lovely evening,
00:18:11but I've got to run along.
00:18:12We can go into it further tomorrow.
00:18:13Oh, no, you can't go now, Mr. Johnson,
00:18:15without seeing the rest of the house.
00:18:16Well, you haven't even seen the upstairs.
00:18:17Or the wine cellar.
00:18:18Oh, we have a nice wine cellar.
00:18:20Well, I would like to see the wine cellar.
00:18:27Napoleon brandy.
00:18:301815?
00:18:31Oh, Gino, I don't believe it.
00:18:33Why, I didn't think there was a bottle
00:18:35of real Napoleon brandy left in existence.
00:18:38Why, Gino, do you realize that...
00:18:42Gino.
00:18:48Gino, Gino, Gino, Gino, Gino, Gino, Gino.
00:19:10Oh, Gino.
00:19:11Hey, Gino.
00:19:17Gino.
00:19:21Gino.
00:19:29Oh, no.
00:19:32Gino.
00:19:34G...
00:19:35Oh, no.
00:19:36No, no.
00:19:38No.
00:19:39No.
00:19:41No, no, no.
00:19:43No!
00:19:45No, nobody!
00:19:47No, no!
00:19:49No!
00:19:53No!
00:20:11No, no!
00:20:36No, no, no!
00:20:50No, no!
00:20:51Turn off here, please.
00:21:06No, no...
00:21:15no!
00:21:26Classhing
00:21:27Secondary
00:21:28End
00:21:28No!
00:21:28All
00:21:48Let's go.
00:21:49Standing off the clothes, Miss.
00:21:51Think you'd better step back.
00:21:54What happened to Claiborne?
00:21:59He's gone, Miss.
00:22:02It's Mrs. Wilman.
00:22:06I beg your pardon.
00:22:08I didn't know.
00:22:10Oh, that's all right.
00:22:12I think I like it better the other way.
00:22:24Is there anything I can do?
00:22:26Yes, Mick, it's three years ago.
00:22:29If you can't do that, call me Miss.
00:22:32And if you can't do that,
00:22:35just look the other way.
00:22:40You can go back to the car.
00:23:23What's out there?
00:23:24Straight ahead.
00:23:30Havana, I think.
00:23:33Have you ever been there?
00:23:36Yes, I was a long time ago.
00:23:41What was it like?
00:23:43Oh, for me, it was...
00:23:47cheap hotels,
00:23:48cheap restaurants,
00:23:49cheap friends.
00:23:53All places are like me.
00:23:55You broke.
00:23:58$1,000.
00:23:59It would be worth $1,000 to me,
00:24:01to get to Havana.
00:24:04$1,000?
00:24:06Yes.
00:24:07Steamship tickets only...
00:24:09about $30.
00:24:10somebody.
00:24:12I could never make it alone.
00:24:14Why not?
00:24:17Have you ever been afraid?
00:24:19Really afraid.
00:24:23What do you want me to do?
00:24:25I want you to take me to Havana.
00:24:28But why me?
00:24:32I think I can trust you.
00:24:37You mean you think I look like I...
00:24:40need $1,000, huh?
00:24:42Have it your way.
00:24:44But I still think I can trust you.
00:24:49When can we go?
00:24:51How soon can you leave?
00:24:53Now, right this minute.
00:24:57That's a pretty long swim.
00:25:01I'll check the sailings tomorrow.
00:25:05Think I'd better take you home now?
00:25:08All right.
00:25:17That'll be 4220.
00:25:18All right.
00:25:18Sign there, please.
00:25:21Two tickets for Havana tonight, please.
00:25:23I'm sorry.
00:25:24There's no space available.
00:25:25We're completely sold out.
00:25:27Are you sure?
00:25:29Just a moment.
00:25:30There may be a cancellation.
00:25:34Yes, here's one.
00:25:36But it's a single cabin.
00:25:38Will that do you?
00:25:39Yes, it'll have to.
00:25:41How many tickets?
00:25:42Two.
00:25:43How much is that?
00:25:46That'll be 5760.
00:25:50Sign there, please.
00:25:55The SS Cuba.
00:25:56Leave spare 26 at 11 o'clock tonight.
00:25:59Thank you, sir.
00:26:00Keep the chairs.
00:26:25I'll take it, Joe.
00:26:26Yes, ma'am.
00:26:27There'll be a thing.
00:26:37Hello?
00:26:41Hello?
00:26:43Hello?
00:26:45Uh...
00:26:46I got the tickets for Havana.
00:26:48It's on a ship called the, uh...
00:26:49Cuba.
00:26:50Leaves 11 o'clock tonight.
00:26:52Now listen carefully.
00:26:53Have dinner with him as usual.
00:26:55At 9.30, say you want to take a drive.
00:26:57I'll be waiting in my room. Now, don't you call. Have Job call as usual.
00:27:00I'll bring the car around.
00:27:01No, don't worry. They don't know where I am.
00:27:03Yes, I'm picking him up at the Union Bank now.
00:27:07Good. See you later. Bye.
00:27:23Let's go.
00:27:43The flowers, did you take care of?
00:27:46Yeah. Red and white roses, big anchor.
00:27:49A hundred and fifty bucks.
00:27:52You know, eighty-fifteen years ago in Cicero?
00:27:55Same roses, the same anchor.
00:27:57Could have picked it up for a double saw bug.
00:27:59Maybe two bits.
00:28:04A hundred and fifty bucks.
00:28:06Brother, I don't care what they say. That's inflation.
00:28:15Scotty.
00:28:16Yes, sir?
00:28:18Mrs. Roman goes for a drive almost every day.
00:28:20Doesn't she?
00:28:22Yes, sir.
00:28:24Where did she go?
00:28:26Nowhere in particular.
00:28:28What do you mean, nowhere?
00:28:30Well, just along the beach.
00:28:34Always the same place.
00:28:36Yes, sir. Yes, same place.
00:28:38Oh, you know that.
00:28:40I didn't.
00:28:42I want to go there, Scotty.
00:28:44Uh, now?
00:28:47Now.
00:28:51Yes, sir.
00:28:52Darn it.
00:29:03Good luck.
00:29:05I got a heavy lead.
00:29:08I'm a roommate.
00:29:10Post divisions.
00:29:12Chapter two.
00:29:15The sky.
00:29:17The sky...
00:29:17The sky.
00:29:22It must have a special meaning for her.
00:29:25What does it mean to you?
00:29:28I don't know. I'm not a psychiatrist.
00:29:33You don't have to be to figure this out.
00:29:38Is that right, Gino?
00:29:40Art says she was contemplating a voyage.
00:29:50Has she ever said anything to you about it?
00:29:55Why would she tell me?
00:29:59You've got the kind of face women like to talk to.
00:30:26The Patricia, you said to her.
00:30:27How good are we?
00:30:31I can't find you.
00:30:36I don't have to worry about the ring.
00:30:37I don't know.
00:30:39I think she is so that she will.
00:30:39She is still working.
00:30:46Look at her.
00:30:47Did you know that she had a surprise?
00:30:47I think she had a surprise.
00:30:47Let's go.
00:31:32Are you deaf, Watson?
00:32:10Let's go.
00:32:13Let's go.
00:32:15Let's go.
00:32:16Let's go, Gino.
00:32:17I don't have to think I know.
00:32:19To Havana on Cuba.
00:32:22I found it in a wastebasket.
00:32:32What do you want me to do?
00:32:37Play the other side.
00:32:42Let's go.
00:32:42Let's go.
00:32:43Let's go.
00:32:45Let's go.
00:32:50Let's go.
00:32:55Let's go.
00:33:00Let's go.
00:33:19Let's go.
00:33:52I didn't know you were a musician.
00:33:55I haven't played in a long time.
00:34:02Still scared?
00:34:04I'm getting over it.
00:34:07But you don't get over three years of terror in one night.
00:34:12He couldn't follow us here.
00:34:21What's our first stop?
00:34:23Havana.
00:34:26It looks like all roads lead to Havana.
00:34:31That's what you wanted, wasn't it?
00:34:35I owe you a thousand dollars.
00:34:37I owe you a thousand dollars.
00:34:47Who did it belong to before?
00:34:52They don't ask you that when you spend it.
00:34:58I owe you a thousand dollars.
00:35:00I owe you...
00:35:08Don't lose.
00:35:08I owe you a thousand dollars.
00:35:17I owe you a thousand dollars.
00:35:48Good job.
00:36:01Chuck.
00:36:34Good job.
00:36:37Good job.
00:36:39Come here! Come here!
00:36:45Let's take a drink!
00:36:48Let's take a drink!
00:37:16Let's take a drink!
00:37:16I love you, Charles.
00:37:19I love you, Lord.
00:37:30That's not our book.
00:37:32How much time do we have?
00:37:34Forget time.
00:37:37You think we'll make it?
00:37:41We've got to.
00:37:42Señor, el caballo no puede estar aquí toda la noche.
00:37:50What are we stopping here for?
00:37:52El caballo no puede estar aquí toda la noche.
00:37:54What was that?
00:37:55The horse is tired.
00:37:58Take us back to the boat.
00:38:02Did you hear me? Take us back to the boat.
00:38:04I already told you the horse is tired.
00:38:07Chuck, let's get out.
00:38:18Say, uh...
00:38:21Our boat leaves in an hour for South America.
00:38:24How much of a walk is from near the docks?
00:38:27I don't understand English.
00:38:28Let's go, Pancho!
00:38:34What did he say?
00:38:36Something about not understanding English.
00:38:41Must not understand money, either.
00:38:44Didn't take his fare.
00:38:48Chuck, what do we do now?
00:38:50I don't know.
00:38:51What do we do now?
00:38:56Uh...
00:38:57Let's get a drink.
00:39:01All right.
00:39:03Wait a minute.
00:39:06We should go back to the boat.
00:39:08Who's afraid now?
00:39:30Here, just drive.
00:39:35Still scared?
00:39:51Pardon, senor.
00:40:34What are you doing?
00:41:54Don't eat any steam meat here.
00:42:01It's a steam meat.
00:42:03It's a steam meat.
00:42:22Tell me again.
00:42:24I love you, darling.
00:42:27I love you.
00:42:30Darling, I don't care what happens now.
00:42:34I just don't care.
00:42:35Laura, don't keep saying that.
00:42:37Please don't keep saying it.
00:42:40I won't.
00:42:41I won't say it anymore.
00:42:44Because I do care.
00:42:51But tomorrow
00:42:54Timeless fashion to sorrow
00:42:59Break your promise of love
00:43:03Lola.
00:43:05What's the matter?
00:43:06Lola!
00:43:11Lola?
00:43:26Lola!
00:43:27Lola!
00:43:30Lola!
00:43:32Lola!
00:43:35Lola!
00:43:36Lola!
00:43:38Lola!
00:43:43Lola!
00:43:44Lola!
00:43:45Lola!
00:43:46Lola!
00:43:47Lola!
00:43:48Lola!
00:43:48Lola!
00:43:49Lola!
00:43:50Lola!
00:43:50Lola!
00:43:51Mark on a scar?
00:43:53Knife wound. No other marks.
00:44:01We're waiting, Mr. Scott.
00:44:06Oh, can I make you understand? You've got the wrong man.
00:44:12I loved her.
00:44:14You loved her so you killed her.
00:44:17That's understandable.
00:44:19She was all I had.
00:44:21So you made sure no one could take her from you.
00:44:24Oh, you're blind.
00:44:26Why would we come all this way together?
00:44:28I let you tell me why.
00:44:31Just answer three questions.
00:44:34How long had this woman been in Havana?
00:44:39Oh, we got off the boat...
00:44:43around six o'clock this evening.
00:44:44Eight hours ago.
00:44:47Had she ever been here before?
00:44:48No.
00:44:49Did she know anyone here? Anyone at all?
00:44:51No.
00:44:53There is your answer.
00:44:55Do you still insist somebody else did it?
00:44:57In a place where she had just arrived?
00:44:59In a place where she had never been in her life before?
00:45:02And above all, with your own knife?
00:45:04It wasn't my knife.
00:45:05But you just admitted a moment ago it was your knife.
00:45:07I didn't admit it was my knife.
00:45:08I merely said it looked like my knife, but it wasn't.
00:45:10Oh, yes.
00:45:11Now I remember.
00:45:13The knife you bought.
00:45:15You did buy a knife.
00:45:16Yes, I bought a knife!
00:45:17Save your strength, my friend.
00:45:19You may need it.
00:45:25Your knife.
00:45:27Let me see.
00:45:31Describe it again, please.
00:45:36On the handle of the knife I had,
00:45:38the little carved monkey was holding his ears.
00:45:42The knife you've got is covering his eyes.
00:45:44You can see that.
00:45:45He's covering his eyes, but not mine.
00:45:48Don't joke.
00:45:49If you don't believe me, ask the shopkeeper.
00:45:51Find out what kind of a knife I bought.
00:46:01Are you sure this is the place?
00:46:04Yeah, yeah, that's it.
00:46:07I repeat, for a stranger in Havana,
00:46:09you certainly found an out-of-the-way place
00:46:11in a very much of a hurry.
00:46:12We didn't find it.
00:46:14I told you a guide brought us here.
00:46:16I know.
00:46:17The guide who kept pestering you,
00:46:18the one who drove you to the nightclub, huh?
00:46:20You don't believe anything, do you?
00:46:22Well, my clients have a chronic tendency
00:46:24to color the truth.
00:46:29You first, Mr. Scott.
00:46:39Just a moment, please.
00:46:40Not so quick.
00:46:41Not so quick.
00:46:51Where's Chin?
00:46:54I'm Chin.
00:46:57I'm Lieutenant Acosta, Homicide Squad.
00:47:03What can I do for you?
00:47:04Madam, would you please tell the gentleman...
00:47:06We'll ask the questions.
00:47:10Take a look at this man here.
00:47:12Did you ever see him before?
00:47:14Yes.
00:47:16When?
00:47:18The gentleman was here earlier tonight.
00:47:21Alone?
00:47:22No, he was with the lady.
00:47:25Did he buy anything?
00:47:27Silk handkerchief for a lady.
00:47:30That all?
00:47:31The gentleman also bought a knife.
00:47:34What kind of knife?
00:47:36A knife with a jade handle.
00:47:38To cut letters.
00:47:40To cut fruit.
00:47:41To hang on a wall, maybe?
00:47:43Describe the jade handle.
00:47:45A jade handle had a carved monkey.
00:47:47We know that. Describe the monkey.
00:47:50Monkey was holding his eyes.
00:47:52So.
00:47:52No.
00:47:55You're crazy.
00:47:56I...
00:47:56I bought the one that was holding his ears.
00:47:59The gentleman is mistaken.
00:48:02Are you sure the one he bought was holding its eyes?
00:48:05They come three to a set.
00:48:07First one assaulted his gentleman.
00:48:09The others I still have.
00:48:10I can show you.
00:48:12Show me.
00:48:20These are imported from Hong Kong.
00:48:23I only wanted one set.
00:48:25Cost too much.
00:48:27Never sold any except for this gentleman.
00:48:31See?
00:48:37Well, Mr. Scott.
00:48:38What?
00:48:43I don't understand.
00:48:44I...
00:48:46I'm sure I bought this one.
00:48:48The one that's holding its ears.
00:48:50Why did you buy any knife?
00:48:51I didn't buy a knife.
00:48:52I mean, I didn't intend to buy a knife, but...
00:48:55Lorna was looking for jade and she said the only jade she had was on the knife handles.
00:48:59And the one we finally bought was this one.
00:49:02The one that's holding its ears.
00:49:04Perhaps Madame Chin switched to the knives, huh?
00:49:08She must have.
00:49:11Did you ever see Chin before?
00:49:16No.
00:49:17Then why would she change the knives?
00:49:31Answer me!
00:49:36Why would she change the knives?
00:49:41I don't know.
00:49:45Because you are a stranger, and only because you are a stranger,
00:49:48we've given you every chance to clear yourself.
00:49:53You should have been locked up an hour ago.
00:49:56Admit it.
00:49:58You know you killed her.
00:50:03Admit it!
00:50:07All right.
00:50:10Then you did kill her.
00:50:14Yes.
00:50:15Why, Mr. Scott?
00:50:23Because she was afraid.
00:50:25Because she wanted to go back.
00:50:27Back? Where?
00:50:29To her husband.
00:50:30Her husband?
00:50:31Her name wasn't Mrs. Scott.
00:50:34Her name was...
00:50:36Mrs. Eddie Roman.
00:50:37We left Miami together last night on the Cuba.
00:50:40We docked here this morning.
00:50:42Didn't leave our cabin until it was dark.
00:50:43We wound up in that...
00:50:45nightclub.
00:50:47We had a drink there.
00:50:54Mr. Scott...
00:50:56You are a gentleman.
00:51:00Only from the viewpoint of the police, of course.
00:51:03You are a man.
00:51:05Let's go.
00:51:09Pablo!
00:51:10There he goes!
00:51:14There he goes!
00:51:15There he goes!
00:51:29He goes!
00:51:30Please come.
00:51:31Go, try, please!
00:51:34From...
00:51:48We're on.
00:51:49Come, go.
00:51:52Please be here.
00:51:53Come, go!
00:51:53We're a lamb.
00:51:53There he is.
00:51:54Come.
00:51:55Come.
00:51:55Come.
00:52:03Let's go!
00:52:03Wait a minute!
00:52:06Have you seen his name?
00:52:07Yes, he went up to the last floor.
00:52:10Arriba!
00:52:11Very good, jefe.
00:52:19The escape of the emergency.
00:52:26Let's go down.
00:52:28That's a good idea.
00:52:58Get up!
00:53:07I'm sorry!
00:53:11Wait a minute!
00:53:14I don't want to attend the next door!
00:53:17The bottom of the door, I'm sorry.
00:53:21How many are you going to do?
00:53:23How many are you?
00:53:25No, no, no.
00:53:42Acosta.
00:53:46Debe de estar en el edificio. No hay saiyas de lavanda.
00:53:48¿Cómo puede haber escapado por la escena de emergencia?
00:53:51Búsquelo en todos los cuartos.
00:53:52¿Y este cuarto qué vamos a hacer con él?
00:53:53Debe estar aquí en este edificio.
00:53:55Vamos a buscarlo. Tiene que estar aquí adentro.
00:54:02¡Abran la puerta! ¡Es la autoridad!
00:54:06¡Abran la puerta!
00:54:10¡Adelante!
00:54:13Fuera de aquí. No tiene ningún negocio aquí en mi casa.
00:54:16Si no se callan, me la llevo a la tarde.
00:54:18No está en este piso. Vámonos para vamos.
00:54:20Si él está en el edificio, lo encontraremos.
00:54:22Seguro. Vamos.
00:54:26¡Abran la puerta!
00:54:34¡Abran la puerta!
00:54:40Say, you, uh, you never saw me before, but you helped me.
00:54:47Why?
00:54:49Cups.
00:54:51I hate cups.
00:54:55Is there, uh, any other way out of here?
00:54:59Only the way you came in.
00:55:02A very kind of?
00:55:05Yeah.
00:55:06Yeah, I'm an American.
00:55:08Miss, I just thought of something.
00:55:10Do you know the man that takes the pictures at the La Habana Club?
00:55:13You know, the little flashlights photographs?
00:55:15It's not that it matters now, but I just thought that maybe he did get something.
00:55:21And if he did, it might...
00:55:51And he's like, what, do you want to do?
00:55:53He's on the roadblocks.
00:55:53I don't know.
00:55:53Oh
00:56:21Happy
00:56:24Happy
00:56:28Happy
00:56:53Happy
00:56:58Happy
00:56:59Happy
00:56:59Happy
00:56:59Happy
00:56:59Happy
00:57:00Happy
00:57:00Happy
00:57:00Happy
00:57:01Happy
00:57:01Happy
00:57:02Happy
00:57:02Happy
00:57:02Happy
00:57:03Happy
00:57:03Happy
00:57:17Happy
00:57:18Happy
00:57:20Happy
00:57:20Happy
00:57:21Happy
00:57:37Happy
00:57:38Happy
00:57:45Happy
00:57:47Happy
00:57:48Happy
00:57:48Happy
00:57:48Happy
00:57:48Happy
00:57:49Happy
00:57:50Happy
00:57:51Happy
00:57:53Happy
00:58:06Happy
00:58:07Happy
00:58:07Happy
00:58:07Happy
00:58:07Happy
00:58:07Happy
00:58:07Happy
00:58:07Happy
00:59:34I'm getting tired of this for the last time.
00:59:37The same stuff, the same place, and the same price.
00:59:41No deal.
00:59:43No?
00:59:44Then you're out of business.
00:59:46I don't think so.
00:59:47No.
00:59:48Who's going to buy your stuff?
00:59:50You are.
00:59:51Yeah?
00:59:52Huh?
00:59:52Why?
00:59:54If you don't, certain people may find out certain things which you might not want mentioned.
01:00:02Sorry you said that.
01:00:05I'm sure it had to be said.
01:00:06I'm sure it had to be said.
01:00:32I'm sure it had to be said.
01:00:45Let's go.
01:01:06Let's go.
01:01:47Let's go.
01:02:06Let's go.
01:02:36Let's go.
01:02:36Let's go.
01:02:39Let's go.
01:02:39Let's go.
01:02:41Let's go.
01:02:42Let's go.
01:02:43Let's go.
01:02:44Let's go.
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01:02:56Let's go.
01:03:04Let's go.
01:03:10Let's go.
01:03:10Let's go.
01:03:12Let's go.
01:03:12Let's go.
01:03:13Let's go.
01:03:13Let's go.
01:03:14Let's go.
01:03:14Let's go.
01:03:14Let's go.
01:03:14Let's go.
01:03:15Let's go.
01:03:20Let's go.
01:03:22Let's go.
01:03:22Let's go.
01:03:23Let's go.
01:03:23Let's go.
01:03:23Let's go.
01:03:23Let's go.
01:03:24Let's go.
01:03:24Let's go.
01:03:24Let's go.
01:03:24Let's go.
01:03:24Let's go.
01:04:21Let's go.
01:04:51Let's go.
01:04:54Let's go.
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01:08:20Let's go.
01:08:22Let's go.
01:09:16Let's go.
01:09:45Let's go.
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01:10:20Let's go.
01:11:13let's go.
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01:11:48let's go.
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01:12:13let's go.
01:12:16let's go.
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01:13:32let's go.
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01:24:20let's go.
01:24:20let's go.
01:24:22let's go.
01:25:17let's go.
01:25:20let's go.
01:25:50let's go.
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