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Join another thrilling chapter of mystery and suspense in The Mystery of the Royal Jewels – Classic Detective Adventure 08. As a priceless collection of royal treasures becomes the center of a baffling investigation, a determined detective must follow a trail of hidden clues, secret motives, and unexpected twists. Packed with intrigue, suspense, and classic detective storytelling, this exciting adventure will keep viewers guessing until the very end. Perfect for fans of vintage mysteries, clever investigations, and timeless crime dramas.

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Transcript
00:27Don't move.
00:30Get your hands up.
00:48This will bring all the cops in town.
00:52I'll get rid of him.
01:11That's the end of Operator 99.
01:26Then we dredged the sedan out of the water.
01:29It's certainly the most valuable car in the world.
01:31It was a quarter million dollars in gold built into the body.
01:35And Belmont almost got it.
01:37Unfortunately, we didn't get Belmont.
01:42Headquarters is getting impatient over the fact that he's still at large.
01:45I'll have to answer their letter tonight.
01:51Oh, don't bother.
01:52I'll dictate it on the machine and you can type it up tomorrow.
01:54All right.
02:00Good night, Jerry.
02:01Good night, Joyce.
02:02Good night, Joyce.
02:20Confidential data in the Belmont case.
02:24In Jim Belmont, we are dealing with a criminal genius.
02:28Following his spectacular escape from custody,
02:32he did not hide out like the average criminal.
02:36Instead, he conceived a daring plan to steal the crown jewels
02:40of the Archduchess Cornelia from the Glenview Bank.
02:52Lock this up in the strong room, will you, Benson?
02:55Yes, sir.
02:58It will only be for a little while and be a great convenience to me.
03:01We're happy to be of service to you.
03:38All set?
03:39Everything is working smoothly.
03:45Calling F2.
03:47B1, calling F2.
03:49F2 speaking.
03:50Come in, Chief.
03:51We're ready to go.
03:53Start rolling.
03:54The keys are in the top left-hand drawer of the information desk.
03:57The case will blow up in two minutes.
03:59Right.
04:00Let's go.
04:09Get the fire extinguisher.
04:11I'll turn in the alarm.
04:18Get the fire extinguisher.
04:24I'll turn in the alarm.
04:36Get the fire extinguisher.
04:36Where's the fire?
04:36In the safety vault, in the basement, Chief.
04:43You see the result of perfect planning and timing, my dear?
04:45Yes, but Farrell had better be out of there before the real firemen arrive.
04:56We heard the explosion.
04:58The fire's in there, back of the vault in that...
05:08I'm glad you got here.
05:09This won't put it out.
05:18Why doesn't he hurry?
05:38There he is.
05:42I burned my face.
05:43I have to get to a hospital.
05:58No.
06:13Blake's after him.
06:14Step on him.
06:19Step on him!
06:33Step on him.
06:35Step on him.
06:38Step on him.
06:41Subąda by his arm в centre.
06:41And now he's in my place.
06:41Step on him.
06:42Step on him.
06:47Let's go.
07:15A study of Belmont's methods reveals one dominant characteristic.
07:19He has, as his associates, only expert criminals.
07:24This suggests a method of drawing him into the open.
07:29Left of rare paintings still unsolved, looting of city museum remains a mystery.
07:35Police are at a loss to guess how the theft was engineered,
07:38with guards on watch inside and at every door,
07:41an unidentified man performed the impossible feat of stealing the painting.
07:45I'd like to meet the man who had talent enough to do it right under the noses of the police.
07:55Talking about the museum robbery?
07:57Yes.
07:58I found out who did it.
07:59Who was it?
08:00A guy by the name of Shaw.
08:02I found out about it from Harris, one of the boys.
08:04Shaw was smart enough to steal the pictures all right,
08:06but now he doesn't know how to dispose of them.
08:08They're too hot.
08:10We could sell those paintings to our agents in the east.
08:12Shaw would probably be glad to get a small cut.
08:16Get word to him that I'll meet him and make a deal with him.
08:27Better make this a good job, Ed.
08:29Have to meet Belmont face to face.
08:31How close do you expect to get to him?
08:34Close enough to handcuff him, I hope.
08:36He fell for the story I planned about the museum robbery.
08:39Finally, a message filtered through that Belmont would meet Shaw
08:42nine o'clock tonight in the rear of a building on Garrick Street.
08:45Well, you will be Shaw.
08:48I've been making up our operators for 10 years
08:50and I've never had a complaint yet.
08:53How does he look, Miss Kingston?
08:57Put the wig on him so I can get a better idea.
09:12Why, it changes you completely, Jerry.
09:28Well, I only hope it fools Belmont tonight.
09:52Freezer!
09:53Freeze!
09:53Who are you and what do you want here?
09:54I'm sure just a minute y'all
09:59What's the idea just to make sure you don't have a gun okay go down those steps to the basement
10:27Don't come any closer Shaw
10:29Unroll those paintings so that I can see them
10:31All right
10:36Don't move
10:38What does this mean
10:39It's an arrest Belmont
10:41Ah yes
10:42I recognize your voice now Blake
10:45You've aged a lot lately haven't you
10:47I'll feel a lot younger when you're behind bars
10:50You'll never put me there
11:10You're very clever in baiting your trap Blake but not clever enough
11:13I always keep an ace up my sleeve
11:16I prepared an unpleasant surprise for anyone who tried to double-cross me
11:19The bulletproof glass was part of it
11:23Now you'll get the rest
11:51You'll never put me there
12:11You'll never put me there
12:11You'll never put me there
12:11You'll never put me there
12:11You'll never put me there
12:11You'll never put me there
12:11You'll never put me there
12:11You'll never put me there
12:12You'll never put me there
12:12You'll never put me there
12:12You'll never put me there
12:12You'll never put me there
12:13You'll never put me there
12:13You'll never put me there
12:16You'll never put me there
12:20You'll never put me there
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