- hace 5 horas
Valentina Valiente 68
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TVTranscripción
00:02Okay, I've already explained my needs, and now I need, as a matter of life or death, 20,000
00:10dollars.
00:11We had agreed to meet there.
00:12No, no, no, no, just a little while. You're in no position to demand anything from me.
00:16You said it was easy for you to get that money, that you could get that amount out of that old man.
00:24whatever the amount of money was, he wouldn't even notice.
00:26I have it recorded there.
00:28I need more time.
00:30Yesterday you told me that my problems were only mine.
00:34Well, now they're yours too.
00:37Because if you don't do what I ask, that video could reach Mr. Echegaray's cell phone.
00:44And he's not going to like what you say there.
00:47And even less so how you speak about him.
00:51You can't.
00:54I don't want to talk about anything else.
00:56So until you have the money, it's best if you leave.
01:03I'm busy.
01:24Dance with me close, my love.
01:26Grandma, please don't call me a friend.
01:29My waist wants to move.
01:31This movement makes my hair mess up.
01:33Grandma, beautiful.
01:36I can't, Grandma.
01:38Can't.
01:38Oh, change that face, my love.
01:41Instead of a love song, it sounds like a melon song.
01:44Grandma, the lyrics have been heard.
01:46Look, dance close with me, my love.
01:47Please don't tell me, friend.
01:48My waist wants to move.
01:49That movement makes my hair ruffled.
01:51I don't identify with the lyrics.
01:52I don't know.
01:54Look, look.
01:55But what did Don Edmundo tell you?
01:57What did Rita tell you?
01:59What does Alejandro say?
02:01You have seen them convinced and enthusiastic.
02:06Trust those who trust you, daughter.
02:09Yes, I know it's difficult to decide on something new and different.
02:14But, as my grandmother used to say, nothing ventured, nothing gained.
02:19And we will all support you in what you do, my little girl.
02:24But you will always have the final say.
02:28These opportunities only come once in a lifetime.
02:33Put your heart into it, like you know how.
02:37Oh, grandpa.
02:38Yes, how do I know how to do it?
02:40But with me, close by, love?
02:41Please don't tell me.
02:44Yes, that's the thing, yes.
02:46Yes, really looking forward to it, really looking forward to it, really looking forward to it.
02:56What's wrong, Mom?
02:58Is something wrong?
02:59You seem a little agitated.
03:00Nothing's wrong with me.
03:02Alright.
03:03If you don't want to tell me, don't tell me.
03:05But I'm sure something's wrong with you.
03:08I know you too well.
03:09You're so annoying.
03:27First of all, I want to tell you that I am very disappointed in you two.
03:35I expected them to at least have some respect for this house.
03:41Rocky, I've always known you're not serious about girls.
03:44But this is serious.
03:46Your life is going to change forever.
03:48I know, old woman.
03:49Rocky, please shut up.
03:50I'll speak now.
03:51You're going to listen to me.
03:52They're both going to listen to me.
03:56Rita, I opened the doors of my house to you.
04:00With all my love, with all my respect.
04:02And this is how you repay me.
04:05Well, they're both going to be parents.
04:08But what are you?
04:09Are they in love?
04:10What are they?
04:12Mrs. Elsa, we are friends.
04:17More than friends.
04:17But the moment it all began...
04:19We're like affectionate friends, but really affectionate.
04:21But you first focused on life.
04:23No, you were the one who first caught my eye and you started all of that.
04:26How shameful, how awful.
04:27They don't even know if they're there or not.
04:30They disrespect the house and don't even take the slightest care.
04:33They don't take care of themselves, which is the most basic thing.
04:37They're going to have a child by pure carelessness.
04:40And there's no right to ruin the life of such a creature.
04:44That's unforgivable, Rocky.
04:45Shut up, I haven't finished speaking.
05:01Last night I saw you dancing and you turned to look at me.
05:06I wasn't looking for anything, and I melted because of those eyes.
05:11I just can't stop thinking about all the little things I can do for you.
05:15Your almond-shaped eyes when you look at me make me do something.
05:19Dance with me, close, look, please.
05:22Aguera, I'll take your knee.
05:24They are flat, they are flat.
05:28Dance with me close, look, I liked it here.
05:32You know how to hit, now you know it.
05:34Tell him that what I...
05:36Come, no, no, no, no, no, no, no.
05:38Come.
05:39I was dancing and you happened to look at me.
05:42Oh, wait.
05:43What was it?
05:45Is that how you rate me?
05:45Hello?
05:47Yes, yes, yes, I'm coming out now.
05:49It was Alejandro who was waiting for me outside with a sack.
05:51I'll see, I'll see, you understand.
05:52I'm going to get all this stuff out.
05:54How beautiful!
05:55You're in the right place, aren't you?
05:56He's on the right track!
05:57He's on the right track!
05:57He's on the right track!
06:01Are they going to continue living in this house?
06:07Of course they're going to continue living in this house,
06:09Because otherwise, where are they going to go, right?
06:12Well, then, you're going to have to follow my rules.
06:16Rocky, starting tomorrow,
06:18I love you at seven thirty in the morning
06:20working on time.
06:21By that time you're already driving the motorcycle taxi, right?
06:24And the two of them will pay the electricity bill for the house.
06:27and they're going to put 400 soles worth of food on the table.
06:30Wow, that's a lot of money.
06:31Well, if they don't want to chip in for food,
06:33You're going to eat all your meals out on the street.
06:35Yes, we'll put them in, yes, we'll put them in.
06:38Everything else they earn they will save
06:41for Rita's medical appointments,
06:43for childbirth,
06:44for everything you'll need
06:46my grandson or my granddaughter.
06:49And don't think I'm going to be one of those grandmothers.
06:51that I'm going to solve their lives
06:52so that you can do whatever you want.
06:54That Elsa no longer exists.
06:56I now have my own life.
06:59Be grateful, rather, that I'm leaving you.
07:01stay here in the house.
07:04Now then, do you have anything to say?
07:10Is there anything to eat?
07:12This square of meat has made me hungry.
07:14And probably my puppy too.
07:16Go on, help yourself, son.
07:18What do you want me to come and get for you?
07:23Thank you very much, Mrs. Elsa.
07:25Now, daughter, go on, go on, eat it.
07:28Yes, daughter.
07:33Mommy, I am so proud of you.
07:37It's great that you stopped Rocky.
07:38Come here, you deserve a hug.
07:39I think it's very funny.
07:41Oh, my dear.
07:43I was researching a type
07:44specifically of shrub
07:46that grows only in areas with low humidity.
07:48Can you imagine?
07:49The hill of San Jerónimo
07:50full of bushes with fruit.
07:53Oh, my love, I can't even imagine it.
07:55Hey, I also thought that
07:58It would also be good to mention Edmundo.
08:00about my progress.
08:02In the end, it's the person.
08:03with more experience than I know.
08:05I don't know, I think the more ideas, the better.
08:07And your opinion matters.
08:09Do you think he would receive me?
08:11Of course, my love.
08:12Yeah?
08:12Tomorrow, if you want.
08:14I'll call him later.
08:15Yes please.
08:26Do you know what I was thinking?
08:27That?
08:29I have a girlfriend.
08:30to a grandmother.
08:32The richest grandma,
08:36sexier
08:37of all of San Jerónimo.
08:39Oh, how flattering.
08:42Now I'm going to have to be
08:43scaring away suitors,
08:45gentlemen, no more.
08:46But really?
08:49Honestly.
08:50These guys
08:50they have gotten involved
08:51the leg all the way in.
08:53What were they thinking?
08:55They clearly weren't.
08:56thinking about nothing.
08:58But perhaps
08:59I have raised
08:59a son like that,
09:00so irresponsible?
09:02Yes, I understand you.
09:03how do you feel.
09:04But if our children
09:05They don't have us
09:06to us as support,
09:07Who else do they have left?
09:09Take your time.
09:10I'm not telling you
09:11go running
09:12Congratulations!
09:13But I think
09:14that needs you.
09:15And that baby too.
09:17To feel your love
09:18It will do them a lot of good.
09:20It won't be part of their lives.
09:23I swear I still
09:24I find it hard to believe.
09:27Look,
09:29Don't forget
09:31that they are adults
09:32and as adults
09:33they're going to know
09:34solve their problems.
09:35Trust in that.
09:37Now
09:37I'm going to tell you something,
09:40But don't bother.
09:41Oh, how about that.
09:44Do you know you look
09:45super sexy
09:46When do you get annoyed?
09:48Are you going too far, Mud?
09:53Really?
09:55Yeah.
10:01Let's see.
10:04My son is not going to live
10:05in a place like this.
10:20Hands at your sides.
10:23Fast!
10:25I want to see her
10:26again
10:27and ask him
10:28that comes out
10:29of my mind
10:33But when I saw her
10:34so straight on
10:35corner me
10:37It takes me
10:37to the current
10:42it bewitched me
10:43it bewitched me
10:45She made me a mother
10:47believe
10:48Did I give you three seconds?
10:48so that?
10:51Go ahead,
10:51three seconds.
10:52No, please,
10:53Rita,
10:53No.
10:54Oh,
10:55It's wrong.
10:57That.
10:58Very badly.
11:01Ready.
11:07Is it not there yet?
11:07100% to my liking?
11:09But something is something.
11:45We had arranged to meet
11:46No, no, no, no.
11:47Just a little while.
11:48You are not here
11:48under conditions
11:49to demand anything from me.
11:51You said
11:52that for you
11:53It was simple
11:54get that money
11:55that old man
11:56I could get him out
11:57the amount of silver
11:59let it be
11:59And he wouldn't leave
12:00to give an account.
12:01I have it recorded.
12:02her.
12:03Huh?
12:22Are you okay, Frida?
12:23I see you with my head
12:23elsewhere.
12:24Yeah.
12:25All good,
12:26all good.
12:28I want to show you
12:28my latest acquisition.
12:30Look how beautiful.
12:32It is of a hairy mare.
12:34Wow.
12:36Beautiful.
12:37Isn't that lovely?
12:38Yeah.
12:39I'm happy.
12:40I know exactly where it is.
12:42And how did you manage it?
12:44Well,
12:44We are friends,
12:45luckily,
12:46because it's been a while
12:46that she was obsessed
12:47with having some of it.
12:48Then he gave me
12:49the facilities
12:49to pay for it a little
12:50in parts,
12:50Because the truth is
12:51which has cost me
12:51a small fortune.
12:52But I wanted to treat myself.
12:55I am very happy.
12:56Oh,
12:57It's beautiful.
12:58Yeah.
13:09To complement
13:10water collection
13:11of the fog catchers,
13:12we can implement
13:13a system
13:13mechanical pumping
13:14from the well
13:15that works
13:16through solar panels.
13:17Interesting,
13:18because if this project
13:19silk,
13:20It's going to take some time.
13:21Exact.
13:21And I would like to
13:22that the community
13:23perceive a benefit soon.
13:24You understand?
13:25That the neighbors
13:25don't feel
13:26which is a distant promise.
13:28With that we could
13:29save a lot of time
13:30until the hill
13:30have water sovereignty.
13:33Hey,
13:33I am surprised
13:34because this is a project
13:36very ambitious,
13:37complex,
13:38No?
13:39But highly important
13:41for the community.
13:42It seems perfect for you.
13:44Have you thought
13:45in seeking state support?
13:47Not for now.
13:48Private investment
13:49in communion
13:50with community work,
13:51nothing else.
13:51I wouldn't want to
13:52that this
13:53only outside
13:53an urban development project,
13:55you understand me?
13:55We must incentivize
13:57to the community
13:57so that he/she can work
13:58with us.
14:00We cannot continue.
14:01waiting decades
14:02until the water arrives.
14:03Exact.
14:04And that's the way
14:05to focus on it.
14:06Very good, Alejandro.
14:07Thank you, brother.
14:15Can we talk, Benítez?
14:18It's so nice to see you
14:19so often,
14:20Fridita.
14:21I hope you bring me
14:22good news.
14:24I haven't been able to
14:25get the money.
14:27$20,000
14:27It's too much.
14:29I mean,
14:30that you lied to me,
14:30Fridita.
14:32You had told me
14:33that you could get
14:34the money
14:34whatever you fancy
14:36from that old man.
14:36Well,
14:37I just got married.
14:38I might suspect,
14:39Edmundo.
14:40That's too much money.
14:42Well,
14:43Do you know what's going to happen?
14:44No, no, no.
14:45Wait, wait.
14:46I've thought of a system
14:48that can work
14:49And I think I could pay you
14:51up to the entire debt.
14:52Which system?
14:53What are you talking about?
14:55Buying and selling art.
14:57The world knows nothing.
14:59You could get
15:00a painting
15:01by some well-known artist
15:02and sell it to him
15:03at whatever price you want.
15:05You don't tell me
15:06that you are desperate.
15:10It's very difficult, Fridita.
15:12We would have to get
15:13a painting,
15:14to make a whole number.
15:16But not that you're in a hurry.
15:20You need the money.
15:28Now,
15:29if you want this project
15:30it happens,
15:30You have to start
15:31as soon as possible,
15:32because it's going to take you time
15:34contact
15:35to the professionals
15:36relevant
15:37and search
15:38to investors
15:39correct.
15:40I know.
15:40It's not easy.
15:41to get ahead
15:42a social work,
15:44but every great work
15:46You have to start somewhere.
15:48And this type of project
15:50They are what he needs
15:51the country.
15:52Trying to solve
15:54basic needs
15:55of the community
15:56That's a good reason
15:59to eat
16:00a good fight.
16:02Congratulations.
16:03You have my full support.
16:05Whichever one you need.
16:06Thanks a lot,
16:07second.
16:08Thank you.
16:09Wow.
16:10Yeah,
16:11This is a...
16:14Very good, Valentina,
16:15that you woke up with yourself.
16:16Yeah,
16:17But I'm still very nervous.
16:19Nerves.
16:19Many singers
16:20when the nerves
16:22they come
16:22Their throats close up.
16:23Oh no.
16:24Don't tell me that,
16:24please,
16:25because I feel that...
16:26No, don't worry.
16:27Apart,
16:27We're working on the timeline.
16:28Get ready.
16:29Okay, Valentina.
16:31Peaceful,
16:32relaxed,
16:33You know what you have to do.
16:34Yes, yes.
16:34Baby and I
16:35We trust you.
16:37Thank you,
16:38thank you.
16:40Yet,
16:41look.
16:46Little Virgin of the Assumption,
16:47please,
16:48Guide me, everything
16:49to make it spectacular.
16:50Please,
16:51please.
16:52Am I waiting for myself?
16:53Oh, sorry.
16:56Already.
16:57Already.
17:01I'm ready.
17:03Yeah.
17:28Valentina,
17:29Just a moment.
17:31Your voice needs more warmth,
17:34mischief.
17:35When you join the choir
17:36It has to be upstairs.
17:37Okay, that's fine.
17:38Don't worry,
17:39apart,
17:39because it repeats
17:41as many times as necessary
17:42until it turns out well,
17:43Okay?
17:43Thank you.
17:44Forward.
17:54Edmund,
17:55I'd like to introduce you to Mr. Benítez.
17:57He's an art dealer.
17:59Ah, nice to meet you.
18:01Nice to meet you,
18:02Mr. Echigaray.
18:03I have bought paintings from him
18:05to Mr. Benítez
18:06lifetime
18:07And look,
18:07Rivas has brought us.
18:09It's impressive.
18:10how to build the wall
18:12of the room.
18:13I would love to have one.
18:19How much does it cost?
18:21$25,000.
18:42Let's see, then.
18:44Valentina,
18:46Surprise me,
18:47please.
18:48Dale.
18:48Thank you.
19:19Last night I saw you dancing
19:21And you turned to look at me.
19:23I wasn't looking for anything.
19:25And I melted because of those eyes.
19:28I can't stop thinking about it today.
19:30in so many little things
19:32I can do it for you.
19:33Your eyes are so almond-shaped
19:35When they look at me, it gives me pleasure.
19:38Dance close with me,
19:40look,
19:40Please don't tell me,
19:42friend,
19:43My waist wants to move.
19:45This movement messes up my hair
19:48Dance close with me,
19:50look,
19:50The heart doesn't know how to wait.
19:53Now you know it very well.
19:55What I like is dancing.
19:58Last night I saw you dancing
20:00And you turned to look at me.
20:02I wasn't looking for anything.
20:05And I melted because of those eyes.
20:08I can't stop thinking
20:09How many little things can I do for you?
20:12Your eyes are so almond-shaped
20:14When they look at me, it gives me pleasure.
20:17Dance close with me,
20:19life,
20:20Please don't tell me,
20:21friend,
20:22My waist wants to move.
20:24This movement makes my hair mess up.
20:27Dance close with me,
20:29life,
20:29that the heart doesn't know how to wait.
20:32Now you know it very well.
20:34What I like is dancing.
20:37Dance close with me,
20:39life,
20:39Please don't tell me,
20:41friend,
20:41My waist wants to move.
20:44This movement makes my hair mess up.
20:47Dance close with me,
20:48life,
20:49that the heart doesn't know how to wait.
20:52Now you know it very well.
20:53What I like is dancing.
21:18I adore this painter.
21:19Rivas passed away 15 years ago
21:22if you can no longer find it just like that in the market.
21:24And now we have it here.
21:27That would be my dream.
21:29Indeed,
21:30This painting is a great find
21:33and a very good investment.
21:35The price I'm giving them
21:36It's a bargain.
21:38Because
21:38I know Mrs. Frida
21:40and she has been my client
21:41for many years,
21:42and I know how much you appreciate it
21:44This work.
21:49Let me think about it.
21:50Oh,
21:50thank you,
21:51Ed.
21:51Frida,
21:52I said I'm going to think about it.
21:56OK?
21:57Then I'll let him
21:58the test frame.
22:00They say that the paintings
22:01always
22:02they are looking for their place
22:03And I am absolutely sure.
22:05that this already
22:06He found it.
22:19Valentina!
22:22We've got a hit, girls!
22:23That's singing,
22:24Valentina.
22:25What a way to shut me up!
22:27Congratulations!
22:28Thanks a lot
22:28for the opportunity,
22:29really.
22:29I was already getting embarrassed,
22:30But this one did turn out well.
22:31It turned out amazing!
22:33Oh,
22:33You sang incredibly!
22:34Now it's time for post-production.
22:36You will be able to
22:36to streamline the entire process.
22:38In fact,
22:38I'm going to put
22:39all my bullets
22:40in the musical sense.
22:41I loved it,
22:41I loved it.
22:42Now what remains
22:43It's a launch,
22:44something that you
22:44They already know what to do,
22:45TRUE?
22:45Exactly,
22:46And I'll take care of that.
22:47So don't worry,
22:48Trust me.
22:50Valentina!
22:51Valentina!
22:53Valentina!
22:55I need to listen!
22:56I need to listen!
23:14Does it tempt you?
23:15Let's have dinner here
23:16Tonight together?
23:19Then we could
23:22watch a movie.
23:24I don't know,
23:25You take it.
23:26Of course it arouses me,
23:27Edmund.
23:28If you want, we can
23:30have dinner
23:31or watch a movie,
23:32But the thing is
23:34I can't stop thinking
23:35in Rivas.
23:37I'm in love
23:38of that painting.
23:40Oh, beautiful, beautiful, beautiful.
23:42To be honest,
23:43I'm not convinced.
23:45But why?
23:46It's divine.
23:48Well,
23:49It's a matter of taste.
23:50Frida.
23:51You like it
23:51And not me,
23:52And for that price.
23:54It's just not fair.
23:55There is nothing.
23:56in this house
23:56that I feel is mine.
23:58And I don't mean
23:59to the decoration,
23:59but there is nothing
24:01that I really
24:01has chosen.
24:02And I'm a decorator.
24:04The ironies of life.
24:05I understand that, sweetie.
24:07Let's see,
24:08How can I explain it to you?
24:09That painting
24:10It has strong colors.
24:12and a painting
24:13It's something
24:14with which
24:15one lives together.
24:16And I'm not sure.
24:17I want to see that painting.
24:18every day
24:19in my living room.
24:21You've grabbed her
24:21with that painting.
24:22That's not the case.
24:25Let's see,
24:26Why don't we leave?
24:27of galleries
24:28and we searched together
24:30the paintings
24:31that we like
24:32To both of them?
24:37It's that I want
24:38to Rivas.
24:56Well,
24:56Let's make a toast.
24:57Wait, wait,
24:58Rocky is missing.
24:59Rocky!
25:00Rocky, cut it out, Rocky!
25:01I'm here now.
25:02Hey,
25:03Now the complete system.
25:04A toast.
25:04When nature calls,
25:05We have to go.
25:05A toast to...
25:06Oh, don't say things like that.
25:07Girls, listen up.
25:08A toast
25:09for my achievement.
25:10No, no, no, no, no.
25:11Steps are missing.
25:12Everyone, everyone.
25:12Steps, steps, steps, steps.
25:13To toast.
25:14Wait, brother,
25:14You give me your steps.
25:14Oh, I'm telling you, I'm telling you.
25:15It moves too much.
25:17Missing?
25:18You, you, you.
25:18Oh, serve him, serve him.
25:20No, no, no, no.
25:20My love,
25:20Tomorrow is Monday
25:21And I have to work
25:22And I'm fine.
25:22with a lively stream.
25:23This is how I toast.
25:25Well, since we're on the subject...
25:26almost all with the steps,
25:27Now we can toast.
25:28Yeah?
25:29Yes, of course.
25:30I want to celebrate
25:30this small step,
25:31this small achievement
25:33and for all the achievements
25:40That's exactly what it could be.
25:41a success or a cycle.
25:42It's still a great achievement
25:44or a tremendous step.
25:45Oh, my love.
25:46Thank you.
25:46And thanks to Rita too
25:48If it weren't for her
25:49I wouldn't have achieved this.
25:50Oh, my friend,
25:51I just did my job
25:52so I don't lose my job.
25:53Especially now that I'm pregnant.
25:54I am pregnant.
25:55Are you pregnant?
25:56Haven't you heard it?
25:57Did I hear you say that later?
25:58What are you saying?
25:59But whose?
26:00From me, buddy.
26:01Who else would it be?
26:02What do you have?
26:02No, no, no, no, no.
26:04Calm down, calm down, calm down.
26:05I was asking,
26:06just so you know
26:07congratulations,
26:07What's more, you know what?
26:09Don't worry about the crib,
26:10sponsored by Galato dog.
26:12Oh, I like it.
26:13Friend,
26:14I trust you a lot.
26:15I knew what a great talent you had.
26:17We're going up.
26:19Cheers, cheers, cheers.
26:20Health!
26:24Why not?
26:25Baby!
26:26No.
26:26I'd forgotten, guys.
26:27Sorry,
26:28What a scare, they hit me.
26:30Yes, I'll see.
26:31Cheers, cheers.
26:31Cheers, cheers.
26:33Baby!
26:34No.
26:37I took hold of her.
26:38Yeah I know.
26:58AND?
26:59Did he rob the old man?
27:00I'm waiting.
27:01Oh, how annoying.
27:02This lady has told him
27:03that I'm not going to work with her.
27:09I'm working on it.
27:11Stop writing to me.
27:18Forward.
27:21Sorry for the delay.
27:23Mrs. Lupe was bringing dinner,
27:25But there was a problem.
27:28Permission.
27:53This one is a real piece of work.
27:55Oh, he brought me.
27:59Come! Come! Come! Come! Come! Come! Come! Come! Come! Come! Come! Come! Come!
28:10I'm going to make the official presentation.
28:12Brian, Jenny Gabriel, my partner. Gabriel, he's my sweetheart Brian.
28:17It's time to forget the past and move towards the future and for everyone to get along.
28:21Okay, now talk about boy stuff, then.
28:23Talk about boy stuff! Okay, one, two, three, I'm outta here.
28:37I don't think I want to see that movie anymore.
28:40Oh, I'm not in the mood, Edmundo.
28:43Linda, don't get like that.
28:46Perhaps tomorrow I'll be able to see that painting with different eyes. Perhaps I'll like it.
28:52Oh, really, that's what I want, for you to give it a chance.
28:56I find the painting fascinating and it's a very good investment, as Mr. Benítez says.
29:00And he knows it.
29:03And he knows it.
29:17And he knows it.
29:27Work?
29:28No, Benítez.
29:29No, Benítez.
29:30Okay, yes.
29:31I just like being a nurse, helping people and all that.
29:33I like it.
29:34Oh, how lovely.
29:35What nice people.
29:36No, Benítez, seriously, but what do you like?
29:40Anime.
29:41That?
29:42Yeah.
29:42I really want to convince Jenny to watch One Piece.
29:45That?
29:45One Piece?
29:46Do you like One Piece?
29:47Brother, I love One Piece.
29:49No.
29:50Yeah, I don't think you'll convince Jenny to watch it now, huh?
29:52Good luck with that, but where are you at?
29:54No, I'm on par with the manga, on par with the manga.
29:56Ah, you're a super otaku.
29:57No, I'm just into anime.
29:59Oh, you're missing something.
30:00No, no, no, hold on.
30:01Don't tell me anything.
30:01Otherwise, I'll take my cane away from you.
30:02No, no, no, no.
30:03But that's what you're missing, brother.
30:04No, no, no.
30:05Wait, wait.
30:07No, the alarm.
30:08I have to go now.
30:14I have work early tomorrow, so I don't want to stay up late.
30:19Yes, sorry.
30:20But it was a zombie.
30:23Well, I think we'll see each other again, right?
30:25Oh, well yes, yes, let's go.
30:26Okay, thanks.
30:27Okay, let's celebrate Vale.
30:28Hugs, Dad!
30:30Hugs, Dad!
30:31Hugs, Dad!
30:33Hugs, Dad!
30:34Hugs, Dad!
30:37Hugs, Dad!
30:38Hugs, Dad!
30:38Grandpa, I'm very happy.
30:40My song turned out spectacular.
30:42I heard the voice and said, that's me.
30:44Everything is turning out very nicely.
30:46Thank you, grandpa.
30:47I knew it.
30:48I was sure you were going to make it.
30:50Don't thank me, okay?
30:51Because you're achieving this through your own hard work and talent.
30:55What a great talent you have, daughter!
30:58And now, the world needs to know you.
31:02Hey?
31:03Hello!
31:04Oh, those faces!
31:06Did anything good happen?
31:08Yes, I just recorded my first song.
31:10If you want, sit down over there.
31:11Wow!
31:12With Gilberto Pacheco, the sheikh of cumbia.
31:15The very famous one!
31:18Valentina, the producer of all the celebrities!
31:21Yes, the music producer.
31:23And Valentina left everyone speechless.
31:27Oh really?
31:29How lovely, Valentina!
31:31Thank you.
31:31This producer is a boss.
31:33I'm sure you'll do amazing.
31:34Thank you.
31:35Yeah.
31:36And how are they going to release the song?
31:38Through social media?
31:39You already have a launch campaign.
31:41You already have a digital strategy, right?
31:43No, you haven't seen that of me yet.
31:44Ah, a good social media campaign is vital for any project.
31:48If you want, you can come with your manager and I'll teach you some things about networks.
31:52There are details worth knowing.
31:54What a great idea!
31:56Take advantage, Vale, okay?
31:57Because Macarena has studied marketing and is a great influencer.
32:03Influencer, dude.
32:05That's it, that's it, that's it.
32:06And you know that world well, don't you?
32:07Uh-huh.
32:08Yes, yes, yes.
32:09They can come tomorrow.
32:10I have the morning free.
32:12Tomorrow.
32:12What are you saying?
32:13Yes, yes.
32:14Tomorrow morning, right?
32:16Okay, I'll tell Rita.
32:18He's my manager.
32:19I'm going to come with her.
32:19I love it.
32:20Okay, I'll leave you now and see you tomorrow.
32:22Dale.
32:23Bye.
32:25Don't walk too far.
32:26Oh no.
32:27I'm worried.
32:28Enjoy your meal.
32:28Come.
32:29Thank you.
32:31More of this.
32:32More of this.
32:44color.
32:45Come on!
32:47Relax.
32:49No.
32:51No.
32:52No.
32:53No.
32:54No.
32:56No.
32:58No.
32:59We've done a clean-up and haven't found any earrings.
33:01Well, I can't find it.
33:02Search every corner.
33:04In the kitchen, in the service area.
33:06And in the rooms too?
33:08Move.
33:09Yes, ma'am.
33:20And support.
33:23Support.
33:26AND...
33:28we let go.
33:34How's it going? How was it?
33:36Pretty cool, right?
33:37The Royal Academy proposed a range of adjectives to describe situations like these
33:42And none of them were good people.
33:44But it was delicious.
33:45And do you think "rich" is a better adjective?
33:48Yeah.
33:51Hey, Gabo.
33:52I was thinking that another way to make your partner jealous would be by doing a couple trend.
33:58Like, something cute, cozy.
34:01What do you think?
34:02Yes, look, that's already been said.
34:05What do you mean, it's over?
34:06Yes, what happened is that yesterday I saw Jenny with her boyfriend.
34:09Yes, and the truth was brutal.
34:12Besides, the guy is a good person, he's nice and all.
34:16I don't think it makes sense to keep trying there.
34:20But isn't that great?
34:21So, you can finally move on from her, from this little game we had together.
34:29Come here, Gabo.
34:30How about we watch a movie or get something to eat?
34:35I don't know.
34:36Oh, thanks, but I can't.
34:38The thing is, yesterday I arrived feeling really down, totally depressed, and I went on Instagram.
34:43And that's it, I started throwing corn.
34:45And I'm meeting up with a skinny girl for now.
34:48But, thank you.
34:49Now you are the best.
34:52Well, I have to go.
34:54Because I don't get the skinny one for myself and that's it.
34:58But we're still on the same page, right?
34:59Next Friday.
35:00Yoga.
35:03AND...
35:04That?
35:15Service.
35:19Thank you, Lupita.
35:20Yes, my love.
35:34Grandfather.
35:36I think things between you and Lupe aren't the same as before.
35:39I notice you're a little distant with her.
35:42Oh, daughter.
35:43Things have happened.
35:44Yes, I know.
35:46Lupe and I did it without any bad intentions.
35:50But I notice she's very sad.
35:51She doesn't feel important.
35:53Besides, your wife doesn't want it.
35:56I feel that what hurts him the most is having lost your trust.
36:00I'm sorry, daughter.
36:02But trust isn't given away.
36:04And please excuse me, I have to make some urgent phone calls before Alejandro arrives.
36:09Because I promised to talk to him about the details of the San Jerónimo project.
36:14Clear.
36:17Oh.
36:33Do you need anything, my dear?
36:35Ana, I was just looking for my wallet.
36:38But I'm leaving now.
36:39Look, my little girl.
36:54Yes, please tell the engineer to go to the construction site early tomorrow.
37:01Yes, that's where the customers will be waiting for him, right?
37:05Yes, thank you.
37:07Tell me, daughter.
37:10It's about Lupe, grandpa.
37:11She has been very loyal to you.
37:14He has taken care of you all this time, and of the whole family.
37:16I know he made a mistake.
37:18But...
37:19But he did it with the best intentions, just like me.
37:23You're not telling me anything new.
37:26We've already talked about this.
37:28Lupe is very sad.
37:30It would be a shame if he ends up leaving here.
37:32You hardly ever talk to him.
37:34If he gets depressed, something.
37:35Imagine, he already went through what happened with Brian.
37:37If you were able to forgive me, why can't you forgive her, grandpa?
37:40Please.
37:52Oh, Frida.
37:53I look at it, I look at it and...
37:56I ask you for one thing, just one thing, and you can't give it to me.
38:00I love this project and that's why I've decided to fund its launch.
38:05And since I'm going to put up money, I need a real commitment from you.
38:09No, we are, grandpa, yes.
38:10Lupe.
38:11What have I done to deserve being insulted like that, Don Edmundo?
38:14They came and searched my room as if I were a thief.
38:17What's wrong, Mommy?
38:19I think it's time to resign and leave this house.
38:26If he doesn't want to buy the painting, then you'll have to sell him something else.
38:32Come on.
38:33Start thinking about what you're going to do, Frida.
38:35Look, beautiful.
38:36I got you two Rivas at half price.
38:39And they're from the same series, right?
38:41Your friend was a con artist.
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