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Valentina Valiente - Capítulo 69
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00:02Yes, please tell the engineer to go to the construction site early tomorrow.
00:09Yes, that's where the customers will be waiting for him.
00:13Yes, thank you.
00:16Tell me, daughter.
00:18It's about Lupe, grandpa.
00:20She has been very loyal to you.
00:22He has taken care of you all this time, and of the whole family.
00:24I know he made a mistake.
00:27But he did it with the best intentions, just like me.
00:32You're not telling me anything new.
00:35We've already talked about this.
00:36Lupe is very sad.
00:38It would be a shame if he ends up leaving here.
00:40You hardly ever talk to him.
00:42If he gets depressed, or something, just imagine.
00:44She went through Brian's.
00:46If you were able to forgive me, why can't you forgive her, grandpa?
00:48Please.
00:53Okay, daughter.
00:55I promise I'll talk to Lupe today.
00:59Thank you, grandpa. I love you.
01:01Forward.
01:04Excuse me.
01:05The young Alejandro has already arrived.
01:07Thank you.
01:26What kind of disrespect is this?
01:28I only follow Mrs. Frida's orders.
01:30Because an earring has been lost.
01:32And am I a thief?
01:34Tell the lady to come and tell me to my face.
01:37And you out of my room.
01:38Get out of here, I'm not responsible for this.
01:40No!
01:52Forward.
01:55Mrs. Frida.
01:57Did you find my earring?
02:00Which earring?
02:01You and your little sister should paint your initials on your foreheads.
02:04That way I won't confuse them anymore.
02:06Excuse me, Mrs. Frida, for looking so much like my twin.
02:09Right now we're going to achieve something...
02:10Shh!
02:11It's just a figure of speech.
02:12Don't take it literally.
02:12What do you want?
02:14I'm telling you that Mr. Edmundo is meeting with young Alejandro and his granddaughter.
02:18I thought you might be interested.
02:22Thank you, whoever you are.
02:23Go away.
02:37Already.
02:38Let's see.
02:39What's the matter?
02:39Let it go.
02:40You've been feeling down for days.
02:46Yes, yes.
02:47Okay, Jim.
02:48I'll tell you, but...
02:51Please.
02:51Please don't judge me.
02:54We listen and we don't judge.
02:59It's because...
03:00Gabriel.
03:01Are you serious?
03:02Breeze, by Baguinchi.
03:04No, no, I just don't understand.
03:05What do you see in him?
03:06I can't wrap my head around it.
03:06What do you see in him?
03:07I just love it.
03:08I'm dying for him.
03:08I love him.
03:09You understand me?
03:09Obviously you're going to like it because you spend all day with him and on top of that you're pretending to be in love.
03:14I just don't understand.
03:14I don't understand.
03:15I don't understand why he doesn't notice me.
03:16Why doesn't he like it?
03:16What's wrong with me?
03:17I understand.
03:18There's nothing wrong with you.
03:19Breeze, you know what?
03:20Yeah.
03:21Yes, you have something wrong.
03:22Your self-esteem.
03:23It's all the way down to the floor.
03:25You who are beautiful, intelligent, have a great body, and have thousands and thousands of followers.
03:29And what?
03:29It's a zero, a Baguinchi, a nothing.
03:33And then, I don't understand.
03:34Why doesn't he notice me?
03:36Oh my God, how foolish!
03:38Because love doesn't work that way, Brisa.
03:40Look at Macarena with Alejandro.
03:41She became obsessed, sick.
03:43And he, preferring a cumbia singer.
03:46Was there something wrong with Maca?
03:48Yes, but it's different because Maca did do a lot of things that made him fall out of love with her.
03:51All those jealousy scenes.
03:52But I, I, I don't do any of those things and he doesn't even suggest it to me as a possibility.
03:57Breeze, please, let's see, let's see, let's see.
03:58Love is a mystery, isn't it?
04:00You can't decide who you like and who you don't.
04:03Do you remember me?
04:04When I was dying for Andy of the zeros.
04:06Oh, no way!
04:07How disgusting, how disgusting, how disgusting!
04:09Yes, I do remember.
04:10No.
04:10Yes, Andy, your most humble moment.
04:13No, it was, oh!
04:14He was horrible, he was flat-chested and on top of that, he was brutish.
04:17And I was killing for him.
04:18I mean, what a mess, can you imagine?
04:19You see, it happens to even the most beautiful and successful ones.
04:24What I'm saying is, look at me, the more you grovel, the worse it's going to be, you understand?
04:32I suppose love is a mystery, a dramatic mystery.
04:41Okay, come on.
04:48The project is ambitious.
04:50Complex.
04:51And although I believe there are many ways to achieve it,
04:55I believe that the most important thing, first and foremost, is to achieve the acceptance and participation of the residents of San
05:02Jerome.
05:03Totally agree.
05:04They should be the true managers of this whole adventure.
05:07The best legal structure to achieve that is a non-profit civil association.
05:13And how does that work? What's it for?
05:16Hey, to get a RUC.
05:18To open bank accounts, to receive donations, to make agreements with municipalities, companies, universities.
05:27To apply for economic incentives.
05:29That's how it is.
05:30And it works very well with these neighborhood projects.
05:34And it gives you legitimacy before the State.
05:38Of course, yes. And that's exactly what we want.
05:40Hey, I love this project. I'm excited. I really have faith in it.
05:43And that's why I've made the decision to finance the startup, okay?
05:48The studies, legal advice, everything pending, all done?
05:52Seriously, grandpa?
05:53But listen up, guys. Don't think this is going to happen overnight. This project is going to take years.
05:58And since I'm going to put up money, I need a real commitment.
06:02No, we are, grandpa, yes.
06:05So go ahead and you have my support.
06:11Yes, that's true.
06:20Yeah, look, if we live like this, this is what each of us has to deal with.
06:26But this is more than I earn with my slimming shakes.
06:29Yeah, but I don't know.
06:31Oh no. Why do you have that face? I don't understand.
06:34I was expecting something more.
06:36You're such a pain, aren't you?
06:38Look, if you stopped wasting your money on nonsense
06:40and you invested your money in the basics and gave yourself some extra treats that would cover everything.
06:45For example, I think I'm going to treat myself.
06:48I can go on a trip with Brian or maybe invite him out for a nice meal, right?
06:51In a really beautiful place.
06:53Yes, look.
06:53I understand your humble aspirations, okay?
06:55But if we want the company to grow, we need to think big, Jenny.
06:58Continue.
06:59We need to increase sales, produce more, and expand our cash register.
07:03We need to view this as if it were a business.
07:06I like your entrepreneurial mindset, don't you?
07:09I didn't start five degrees for nothing.
07:11But you didn't finish them, then.
07:12Oh yeah, man, you're always highlighting the negative.
07:14Okay, look, stand here.
07:17That's right, but we can't win.
07:19Can I win this?
07:24Is it possible, Lupe?
07:26Yes, please come in.
07:28Can?
07:30Lupe.
07:31What have I done to deserve being insulted like that, Don Edmundo?
07:34They came and searched my room as if I were a thief.
07:37I have given them a reason in this house to do it.
07:40What have they been digging up or what?
07:41I don't know what you're talking about, Lupe.
07:43That you don't know anything that goes on in this house
07:46ever since he's been with that lady.
07:48Open your eyes, for God's sake!
07:49How dare you speak to me like that?
07:51Has he lost his mind?
08:09Finally we will have water.
08:11Health!
08:12Health!
08:12Finally, I'm not going down.
08:14Fill the dance floor and then go up from there.
08:16Health!
08:16But you never go down to carry the buckets up.
08:19Ah, you little liar!
08:20Well, from my experience as one of the oldest residents of San Jerónimo,
08:27This is a great initiative.
08:29The mayor isn't going to do anything because all he does is tear up the roads at the end of the year.
08:34I want water autonomy.
08:36That's right, ma'am.
08:37The most important thing is to involve all the residents of San Jerónimo.
08:41But we're still figuring out the best way to do it.
08:43The safest and the oldest.
08:46Those terrible flyers!
08:48It's true!
08:49Hey, they worked really well with the support, didn't they?
08:51Clear!
08:52And there's a neighborhood association, right?
08:53Oh, Katy told me that Wilfredo is there too!
08:56Clear!
08:56They can go, tell them about the problem, and seek help.
08:59See?
09:00I told you that talking to your family would be very helpful.
09:03I'm going to write everything down, okay?
09:05Health!
09:06Health!
09:15Hello, Mommy.
09:16Hello, son.
09:17Shall I heat up your food for you?
09:18No, no, no.
09:19Don't worry, Mommy.
09:20I heat up my food.
09:21You rest.
09:22You look exhausted.
09:25Yes, son.
09:26Alright.
09:27It's in the oven.
09:28Yeah.
09:36What's wrong, Mommy?
09:39I'm fed up with this house.
09:41That woman doesn't love me, and I don't love her either.
09:45Today he ordered my room to be searched.
09:48I have never felt so humiliated.
09:50That?
09:51Is that it?
09:52I'm not going to let them disrespect you like that.
09:54No, please, son, don't do that.
09:56There's no way around it.
09:57The worst part is that I'm not understanding myself well when something has broken in the world between
10:03us.
10:05Really, Mom?
10:09I think it's time to resign and leave this house.
10:28Tell me, Frida, have you ordered Lupe's room to be searched?
10:31What happened?
10:33I dropped an earring and told Delia to go look for it.
10:36Oh, that clumsy little girl.
10:38Did he go into Lupe's room?
10:40In fact, he went into Lupe's room.
10:42Those girls have such a lack of judgment.
10:45But you know how they are.
10:46You tell them to look everywhere and they literally do it.
10:49But the earring has now appeared; it was behind the bathroom cabinet.
10:53I'm going to ask you a favor, Frida.
10:55Next time, be more careful because in this house, staff are not mistreated.
11:00Edmund, those girls are reckless.
11:03No one is mistreated in my house either.
11:06Well, I ask you to call their attention to it.
11:08Because what they have done is serious.
11:10Okay, I'll do it.
11:15Edmund, what did you think of the painting?
11:18Oh, Frida, I look at it, I look at it and I don't like it.
11:23And I swear I'm trying, but it seems too much for me.
11:28Okay, but you do support Alejandro and Valentina with a crazy project.
11:31I ask you for one thing, just one thing, and you can't give it to me.
11:36Look, if you don't like it in the room, we'll take it somewhere else.
11:38We're not going to spend $25,000 to decorate the bathroom.
11:43Is it silver?
11:44It's not about the money, it's just that I don't like that painting, can't you understand?
11:47But it's the painting of my dreams.
11:50And you couldn't care less.
12:06But where would we go, Mom?
12:09Moving isn't so easy.
12:11Well, I'm sure the gentleman would give me my compensation, which is no small amount.
12:15I have money saved.
12:18I could start a business, return to San Jerónimo, and buy something there.
12:24Calm down, Mommy.
12:25Whatever you decide, I support you.
12:28Count me in.
12:30Besides, we can't stay here forever.
12:34This is not our house.
12:36Yes, well.
12:37It isn't.
12:51Tomorrow we have an appointment with a networking expert.
12:53She's very capable.
12:54My grandfather insists that we talk to her.
12:56He's going to help us with the launch campaign.
12:57Oh, I love it, Valentina.
12:58That's great news.
12:59Yes, but there's a tiny problem.
13:01Which?
13:03The thing is...
13:03You're pregnant too.
13:06Valentina, what lovely news.
13:07They will be able to go to school together.
13:09No no.
13:10It's not that.
13:11The girl who's going to help us is Macarena, my boyfriend Alejandro's ex.
13:18Hold on, is she going to help us?
13:19Don't you think it's a red flag that she's going to help us, Valentina?
13:23It's a very long story.
13:24She made my life impossible.
13:26Until recently I hated myself.
13:28Oh no, if he hated you, then he's going to have to deal with me.
13:30Give me that phone.
13:30No, no, wait.
13:30I'm going to finish telling you.
13:32Yes, she had an accident.
13:34He almost lost a leg.
13:35Yes, that's what it did, I don't know, it changed her and out of nowhere she started being nice to me.
13:41That bad Macarena no longer exists.
13:43It's a new Macarena maguiña.
13:51How is?
13:52Yes, but I don't understand.
13:53Why don't they look for a new investor instead of asking people for permission?
13:56Because this is not a project for the community, but of the community.
14:02Okay?
14:02If the neighbors don't embrace this as their own, it's not going to work.
14:06It has to reflect the identity of the neighborhood, right?
14:09To their needs, to their aspirations.
14:12To their aspirations.
14:15Water sovereignty.
14:16Exact.
14:16Exact.
14:18The idea is for people to feel independent, you know what I mean?
14:22That they come together and feel like they are creating something for themselves.
14:25Exact.
14:26It's cool, you're cool, and I see you're inspired.
14:28But you know what?
14:30I think if you want people to identify with the project, so they feel it's their own, like
14:34his,
14:35You should put something on the steering wheel that's characteristic of the hill, I don't know, so people can see it and say...
14:41That's San Jerónimo, my neighborhood, you know?
14:44Yes, of course, yes.
14:45Hey, I like it, I like it.
14:48Sometimes I forget that in the prehistory of your life you were an advertising executive today.
14:53Yes, well, I didn't start five degrees because of the priests.
14:56Exact.
14:56And which one did you finish?
14:58It's always the same.
15:04What a change that girl has made!
15:06From telenovela villain to princess, it's a fairy tale.
15:09I don't know, Rick.
15:11I don't trust him.
15:12And it's all being faked.
15:13Do you believe him?
15:14I think it has changed.
15:16I see her as affectionate, as if she's determined to make me like her, to help me.
15:22I don't know, I don't think a person can pretend to be someone they're not for so long.
15:26Yes, but would you trust your career to someone like that?
15:28In other words, the leg has gone too far, not the head or the thighs.
15:31I don't know, it doesn't inspire confidence in me.
15:33My grandfather trusts her a lot.
15:34And the enthusiasm that can help us.
15:37I don't know, I also think she's really good at what she does.
15:39So he can give us some good ideas for the project.
15:43I don't know, something doesn't smell right.
15:45I don't know if it's because I'm pregnant or because of Rocky's shoes.
15:47I've already told him to take them out.
15:49Oh my God, on top of that, he's sure he has a more developed sense of smell than anyone else.
15:52Much more sensitive.
15:53Well, look, I'm telling you this so we don't completely trust each other, right?
15:59Let's be vigilant, with one eye open and the other closed.
16:01Yes, yes, yes, that's how we have to be.
16:02I'll pick you up tomorrow morning.
16:04Yes of course.
16:05Take care, friend.
16:06Take care of yourself.
16:06Take care of yourself.
16:07Yes, I'm going to go.
16:08Yeah I know.
16:25Oh, if you're a real Arjona fan, how can you not go to the concert?
16:28Lots of money, daughter.
16:30That's why we have to win one of the 22 double tickets that Movistar is raffling among its customers.
16:34With access to the exclusive lunch.
16:36Oh really?
16:37Oh, yes, look.
16:38Let's see.
16:39Oh, here it is.
16:40Since we have Fibra TV and Fospago services, we can participate from Adnimo Vistar.
16:44Look.
16:45That's it.
16:47Thank you.
16:48Now all that's left is to cross our fingers.
16:50Oh, it must be Brian.
16:51No, because I leave them alone.
16:52Thank you, Mommy.
16:55My love.
16:57Close the door.
16:58Yeah.
16:58I have something nice to tell you.
17:00What happened?
17:02Ah, finally I'm making good profits in Perro Calato.
17:05I can finally enjoy my money.
17:06My love, I am so happy for you.
17:08Congratulations.
17:09Suddenly you could put your money into a fixed-term deposit account.
17:12Or perhaps saving in a municipal savings bank.
17:14I've been told there are very good interests at stake.
17:16Suddenly we could find out together.
17:18No, not right now.
17:19Right now I want to enjoy myself.
17:20Maybe we can go to Cusco together.
17:23You know?
17:23No.
17:24Okay, then let's go to Tarapoto.
17:26He says the jungle is beautiful, it has beautiful places.
17:27Or if not, since she doesn't listen to this anymore, we can go north, facing the sea, somewhere quiet, just the two of us.
17:34Okay, I'll treat you.
17:35No, Perro Calato invites you.
17:37Thank you for the invitation, my love, but I don't think it's the most responsible use of your money.
17:42But why, Brian?
17:44We are young only once, and life is short.
17:47Besides, I want to enjoy this with you.
17:50I know, my love, but I don't think it's the best way to spend your first paycheck.
17:55Besides, I can't contribute much right now.
17:57Things between my mom and Don Edmundo aren't going so well.
18:01And, well, we're thinking it would be a good idea to combine their severance pay with our savings.
18:05and, I don't know, maybe be able to buy a little house around here.
18:09Yes, well, maybe you're right.
18:25We'll print it tomorrow and then we can distribute it.
18:28Wow!
18:29Incredible!
18:46Maca, I'd like you to meet Rita.
18:48She is my manager.
18:49I love it, Rita.
18:50It's so nice to meet you.
18:52Nice to meet you.
18:55You are so beautiful.
18:57Is something wrong?
18:58No, no, you're very pretty.
19:00You are very, very pretty.
19:02I don't know, you must be an artist, an actress.
19:05Maybe, I don't know, a model.
19:06No, no, no, I'm not an actress, nothing like that.
19:08I have been an influencer for many years.
19:11Maybe you've seen me in a YouTube video or something like that.
19:13Yes, that must be it.
19:15But seriously, you have such beautiful hair.
19:17And your skin, right?
19:18How soft.
19:19What cream do you use?
19:20I don't know.
19:21Sorry, Mom, it's just that she's very creative.
19:24I like your hair too.
19:27You are so beautiful.
19:29Well, let's get started because we have a lot to talk about.
19:32Yes, yes, yes.
19:32Set, of course.
19:33Clear.
19:40Thank you for lending us your house as a base of operations.
19:43It will be much easier to distribute the flyers from here.
19:45Sure, but don't worry, Alejandro.
19:48I'm really excited about this.
19:50She's told me a little about her pains and it seems like a pretty big project,
19:53very important.
19:55Yeah.
19:55I support them 200%.
19:57Thank you, thank you very much.
19:58Thank you to all of you, to Valentina and to you.
20:01Not just anyone can get involved in a fight like that.
20:04The truth is that this country needs people like you.
20:07Because not everything is about money, money, money.
20:10We must also think about those who need it most.
20:12Yes, well, we just came with an idea.
20:15In the end, it is you who will make this project a success.
20:19Oh God, I hope everyone commits.
20:21Yes, yes.
20:22In fact, everything he knows about the neighborhood and its people,
20:26I think it could be very helpful.
20:28Oh, really?
20:29Yeah.
20:30You tell me how I can help.
20:32Yeah.
20:36The first thing is to think about a comprehensive artistic concept.
20:39It's not just the song, but the entire identity.
20:42Image, narrative, discourse.
20:45Okay, speech.
20:47Everything has to be consistent.
20:49What you sing has to be related to how you look and the image you project on social media.
20:54In other words, everything has to tell the same story and it has to be aligned.
20:59Aligned.
21:01For example, if you're going to talk about animal rights,
21:05You can't release a song after you reveal that you're in love with a bullfighter.
21:10You understand me?
21:11Then there's the timing.
21:14It's super important when we publish content.
21:17It needs to be done strategically.
21:18We can't publish everything at once.
21:21We need to generate intrigue.
21:22Sure, so first it positions the interactions and then scales the impact or something like that.
21:28Yes, more or less.
21:29The idea is to grow little by little, but with purpose, with intention.
21:36Yeah.
21:37And that's basically it.
21:40What do you think?
21:42Now we need to talk about the presentation.
21:44The first impact on the public.
21:47What do you want to achieve with that first...?
21:50Hey?
21:53Oh, how nervous!
21:59Thank you so much.
22:00I didn't think social media was so scientific.
22:03I'm happy.
22:03Don't forget to write to the networking expert I recommended.
22:06And tell them you're coming from me, that way they'll have a lot of respect.
22:09Oh!
22:10Are you busy?
22:11No, no, no. I was just about to...
22:12Oh!
22:13Careful!
22:13Hey, carlina!
22:15Yeah.
22:15Bye, Maka. Thank you.
22:16Thank you!
22:17Thank you so much!
22:18Bye!
22:25And so?
22:35Look, if it's for social media, it has to be something short.
22:38Already.
22:38Yes, something to motivate the residents to attend this first meeting.
22:42How about something like, hey, neighbor, do you want some water?
22:46Come to this first meeting for water sovereignty.
22:48I love it, yes.
22:49No, no, no. People are going to think we're giving away bottles of water, and that shouldn't be the case, right?
22:52Don't you think so, my dear?
22:53Yes, yes, yes. What if you talk about the historical importance, about the use of natural resources?
23:01And we give them pajamas as a gift so they can go to sleep.
23:03That's boring! That's Alejandro! Wow!
23:05No, it has to be something more local. More neighborhood.
23:08Yes, well...
23:08That's precisely why I need it.
23:10I think, Jenicita, that you are the most suitable for this mission, right?
23:14It always comes up as indicated.
23:15I know, it has to be something more... something more natural.
23:18Yes, but also emotional.
23:20Yes, but... but effervescent too.
23:26How do you do it?
23:27I don't understand.
23:30Giving advice to the filthy one.
23:32Share your wisdom with the raggedy one and the raggedy one.
23:37It seems like you want them to succeed.
23:39It's all part of my strategy, Mom.
23:42Don't you believe me?
23:44I don't know what to think anymore.
23:46Okay, Mom.
23:47To show you I'm not crazy, I'm going to show you a play I have saved.
23:54Look at that.
24:04The twins recorded it.
24:06Delia or Lidia.
24:08One of the two.
24:09Apparently, you have them very well trained.
24:11Oh, what are you waiting for to launch it?
24:13She wants to sink that louse.
24:17Patience.
24:19As soon as Valentina has her five minutes of fame, I'll make sure to ruin everything.
24:24The higher you are, the harder the fall.
24:27Didn't you tell me that revenge is a dish best served cold?
24:36Now we understand each other.
24:49Yes, obviously.
24:50I'm Maca's friend.
24:51Sure, that's why he gave me your contact information.
24:53Don't worry, relax.
24:55We are childhood friends.
24:56We've known each other for so long, that's why she trusts me.
24:59Okay.
25:00Okay, then we're set.
25:01We'll keep in touch.
25:03Perfect.
25:03Kisses, baby.
25:04Bye.
25:05Hey, I brought you this to eat.
25:08Oh really?
25:09Yes, because I don't want my son to be born with that mosquito-like face you have.
25:13Oh, as long as he's not born with that pitbull face you have.
25:15Eat, eat, eat.
25:16Thank you.
25:17Hey, how's the regá?
25:18Good?
25:19Incredible, you have no idea.
25:21Tell me.
25:21Macarena is beautiful.
25:23She has very soft skin, yes.
25:25You should eat exotic fruits.
25:27Mote, kiwi, pitacayas, all those, are super expensive.
25:30Oh, she's incredibly intelligent.
25:31And when he speaks, he dazzles you.
25:33I was like...
25:34Oh, really.
25:36That's why Valentina is so jealous of her, actually.
25:38Oh, do you think Valentina won't be jealous of her?
25:40Out, in.
25:40Look, Valentina is amazing, already.
25:42She's the best in the world.
25:43But it must be really tough to have a rival like that.
25:47Oh, it has green.
25:49Do you like it?
25:49Absolutely!
25:51My favorite.
25:52Heat it up.
25:53What path do I walk and sing melodies in my head?
25:56But I always laugh even if I'm dying of sadness.
26:14My patience has its limits, Frida.
26:22Are you about to fall from grace?
26:28Answer me or you know what's going to happen.
26:52Hello, neighbors.
26:54I am Jenny Julka, daughter of Leo, daughter of Elsa, sister of Rocky.
26:59And many of you know my family.
27:01And I probably know yours.
27:04Because we live in this little piece of land called San Jerónimo.
27:09Thank you very much, neighbor.
27:11Thank you, thank you.
27:11TRUE?
27:12This is the meeting that's being talked about quite a bit here in San Jerónimo.
27:15Finally, water for everyone.
27:17It's for our future.
27:19Neighbor, please help me deliver.
27:20No, thank you, thank you.
27:21You're carrying a little bit here too.
27:23Thank you, thank you.
27:24I see them there, huh?
27:24Yes, thanks.
27:28Neighbor, good day.
27:28Hey neighbor, how are you?
27:29How are you?
27:30Look, look, look, look.
27:32Do you remember we were talking about the meeting?
27:34Finally, water from San Jerónimo.
27:36Look, there it is.
27:37All the info is there, right?
27:38Tomorrow.
27:38Yes, please pass it on.
27:40I'll give them a little bit to help me distribute.
27:42Sure, of course.
27:43What was he saying now?
27:44Ah, yes, a little soda.
27:45Ah, yes.
27:49And we all know how difficult it is to live here.
27:51The difficult thing is living on this hill.
27:54That's why the time for a big change has come.
27:56Let's unite as a neighborhood to solve our problems together.
28:01It's time to forget about those figurehead politicians.
28:04And fight together.
28:06Like a single fist.
28:08Rocky, my brother, how are you?
28:09My mom saves time.
28:10During the day you will see my mom, Rocky, Valentina Valiente, and Wilfredo from the bodega handing out flyers.
28:17We want the basics.
28:19Water and green areas.
28:21Can you imagine our San Jerónimo Verde hill?
28:25That view.
28:26Those airs.
28:28That shadow.
28:29Those photos.
28:32Imagine all that we could achieve together.
28:35I'm not talking about a better San Jerónimo for our grandchildren.
28:38I'm talking about a better Saint Jerome for us.
28:42Give us a chance.
28:44Listen to us.
28:57Stop bothering me, Benítez.
28:59You're not going to achieve anything that way.
29:01As you can see, my creditors are tough people.
29:08Those guys are fitting me wrong.
29:11This is not a game, Frida.
29:15So, what did the stingy old man say?
29:19For a millionaire, it's hard for him to part with money, isn't it?
29:23If he doesn't want to buy the painting, then you'll have to sell him something else.
29:29Come on, start thinking about what you're going to do, Frida.
29:33Because you have to do something now.
29:35Because if someone's going to die, it's not going to be me.
29:43Okay, Benítez.
29:45I'll get the money tonight.
30:00I know that sometimes it's easier to shut yourself away in your own world and move forward without looking to the side.
30:04But go to the meeting tomorrow.
30:07It's just going to be for a little while.
30:09Neighbor, you and I know that San Jerónimo deserves to be better.
30:15Come to our first information meeting and be part of this great change.
30:19Let's make San Jerónimo a little piece of heaven.
30:22We'll see each other, because we're neighbors.
30:44Look, sweetheart, I got you two ribs at half price.
30:48And they're from the same series.
30:49Your friend was a con artist.
30:52His painting wasn't worth what he was asking.
30:56They were hard to get, weren't they?
30:58But now they're all yours.
31:01We can place them wherever you want.
31:06That?
31:07Aren't you happy?
31:21Rita?
31:22Tell me, how much was it?
31:24Incredible.
31:24You don't know, I'm eager, motivated.
31:28This guy really knows what he's doing.
31:30No!
31:30Yes, it was part of a plan for how we need to move forward.
31:34So everything's going to be okay.
31:35And he has worked with artists.
31:37She has worked with Maricaro de Marín herself.
31:39That?
31:40Yes, he worked on their last album.
31:42So we're going to go up.
31:43This is going to be a success.
31:44No, my friend, I can't believe it.
31:45Yes, yes, you have to believe it.
31:47Now we have to let Gilberto Pacheco do the mixing
31:50and we'll focus on your makeover.
31:52In your image, do you understand?
31:54Yeah.
31:54We need to find a different way to produce it, right?
31:57Produce your artistic image.
31:59So, what would an artistic image look like?
32:01It can't be with my own image.
32:06You have two panchorribas instead of one.
32:09Don't you like them?
32:12They're beautiful, Edmond.
32:16Thank you.
32:18They're cute.
32:20Oh, I have to go.
32:22I'm having lunch with my prom friends.
32:24Tell him about your riverbanks.
32:26I'm going to do it.
32:27I'm going to do it.
33:20Yes, but no.
33:22In other words, we have to make it impactful.
33:24that it be transgressive,
33:26that people look at you and are like, "Wow!"
33:28With your essence, but more or less with your role models.
33:31I don't know, for example, do you like cats?
33:34Yes, but...
33:35Yes, perfect, that's enough.
33:36We can start by taking inspiration from cats.
33:39For example, with cat ears
33:40or dress a certain way...
33:42I know, like a panther.
33:44We're going to dress you up like a panther
33:45And you're going to say...
33:46Ah, I am powerful!
33:48Oh, power...!
33:48No, no, Marcelo.
33:49They go to maricar el marín.
33:50You'd better do like...
33:51Arrr!
33:51Oh, I don't know, the one who wants to be good.
33:53No, my friend.
33:54I don't really identify with a panther.
33:56I don't think so.
33:59Trust me.
34:00You're in my hands.
34:03Everything will be alright.
34:31Everything will be alright.
34:57It's been a year.
35:00A goddess queen of the Inca Empire
35:02with your headdress,
35:04with your wonderful suit.
35:06Oh, friend.
35:06I'd love to,
35:07But I've never left Lima
35:08And it would be like appropriating something
35:10that I don't know very well.
35:11Okay.
35:12So let's think about the Amazon.
35:15A mystical Amazonian goddess
35:17that emerges from the Marañón
35:18And what comes out...
35:20Oh, as if I were Yuru.
35:22Listen to me, no.
35:22I told you I haven't left Lima.
35:24You're right.
35:25So let's think about
35:27foreign influences.
35:28What do you think of a role model?
35:29like Shagira,
35:30Karol G
35:31or a North American reference?
35:33I know.
35:34Taylor Swift.
35:35It's a good business model.
35:36She knows how to do it.
35:37So,
35:38She has the Swifties,
35:40You're going to have the Valentines.
35:41Oh no.
35:42I don't know if I want that.
35:44We don't have to think about it now,
35:45and well,
35:46I'll leave that as homework for you.
35:47In other words, homework.
35:49In other words, a task for this house.
35:50Exactly, just like home.
35:51That's how I have to feel.
35:52And I know, I'm going to ask for help here.
36:22Wow!
36:24Anyone would say you've dressed up
36:26for a date.
36:28My mom always said
36:29that one dresses for the enemy.
36:32In this case,
36:33the enemies,
36:34because the girls in the class are.
36:37Are you going to be late, sweetheart?
36:38No, I don't think so.
36:40They're a bit mocking.
36:43Have fun.
36:47I'll do that.
36:50Jimena, don't look at me like that.
36:52I am happy helping her.
36:54That's precisely why
36:56I'm looking at you like this, baby.
36:57I just don't understand.
36:58Look, it's taken you years, years,
37:00to understand how networks move,
37:02the engagement rate,
37:03the algorithm,
37:04the exhibition, everything.
37:05I mean, you literally
37:06You can do workshops
37:08about how to manage networks
37:10and marketing
37:10and the theaters would be full.
37:12And you go
37:13and you give it to that flea,
37:14oh really?
37:15Breathe, Jimena.
37:16No, no, no, no,
37:16I don't understand.
37:17She's a drunk.
37:18a mass.
37:18Sorry, girls, are you ready?
37:19But it's not in our best interest.
37:20that she does well.
37:22It's not in our best interest.
37:22Because?
37:23Because they already know
37:24what the world of music is like.
37:25Eternal parties,
37:27zero limits,
37:27drugs, alcohol.
37:29And Valentina,
37:29Let's just say it's not exactly
37:31The most controlled person, huh?
37:34Poor Alexander,
37:35That's true, Macarena,
37:36I feel sorry for you.
37:36Oh, Jimena,
37:37How exaggerated.
37:38I mean,
37:38He gets drunk once
37:39And now she's Amy Winehouse
37:40of cumbia.
37:41Yeah.
37:41Don't let it happen to you, Jimena.
37:43Well, yes, that's true.
37:44My cousin went into rehab
37:45and now he's a banker.
37:46Look,
37:47I respect your point, Jimena.
37:49But I don't agree.
37:50I want to continue helping
37:51Valentina in whatever she needs.
37:53I want him to do well.
37:54Okay?
37:55Perfect.
37:55Don't say so later
37:56that I didn't warn them about.
38:00Girls, I'm leaving now.
38:01Aunt,
38:02You don't know what your daughter just said.
38:03Let me tell you.
38:04Jimenita,
38:05I don't have time.
38:05I have a meeting with the prom girls.
38:07Is Aunt Ingrid going?
38:09Yes of course.
38:10If you wear their famous
38:11cherimoya supplement,
38:12Bring me a little piece,
38:13please.
38:14Aunt Ingrid's voices
38:15They're amazing,
38:16They don't know what they are.
38:17Yes, I have eaten them.
38:18They are his associates.
38:19Don't forget, Mom.
38:21Of course, of course.
38:22I heard you.
38:23Betty.
38:23Bye, bye, bye.
38:24My aunt is so regal.
38:27When I grow up,
38:27I'm going to be like this,
38:28manifesting.
38:29I love it.
38:30Yeah.
38:31Can you pass me a grape?
38:32Yeah.
38:51Already?
38:52Already?
38:53When are you going to do it to me?
38:54the transfer
38:55Your old man?
38:57Edmundo didn't want your painting
38:59and brought me
39:00two free ribs.
39:03That?
39:06I was going to bring it to you,
39:08But I didn't want to.
39:09that Edmund
39:10I suspected nothing.
39:11My cretin.
39:13And now?
39:14What am I going to do now?
39:16Don't worry.
39:18You are
39:19a man
39:20with many friends.
39:23Can you sell
39:24another thing?
39:25But I don't have
39:26nothing worthwhile
39:27twenty thousand dollars
39:28here.
39:30Che Garay
39:30He's a millionaire.
39:31You have to get him out
39:32the silver.
39:33Tell him,
39:33Tell him you're going
39:34to lend that money
39:35to a friend
39:36or that you lost it
39:37at the casino.
39:38For God's sake,
39:40He's a millionaire.
39:41To a millionaire
39:42What does it matter if he loses?
39:43a few thousand
39:44in dollars?
39:44Oh my God!
39:46Why don't you ask him?
39:47more days
39:48to your creditors?
39:52Are you crazy?
39:54They tried to kill me
39:55Well, what if
39:57you didn't find out.
40:00No.
40:01That's what he says.
40:03It's not in their best interest.
40:05They do it so that
40:07be afraid.
40:08my destiny
40:09as for my peace
40:12I don't want to
40:15further
40:15because I'm dying
40:17scary.
40:18I'll tell you
40:19to dominate
40:20the boldest
40:22I will not give up
40:26I will go
40:27I'm cold
40:28the heart
40:29that turned off
40:30my flame
40:31this iron
40:33This lady
40:34This meeting
40:36has requested it
40:37a neighbor
40:37much loved
40:38for all of us
40:39Valentina Ramos.
40:40She wants to introduce us
40:41a project
40:42together with the architect
40:43and urban planner
40:44Alejandro Osores.
40:45Go ahead Valentina.
40:47Thank you.
40:48All the help
40:49that you have given
40:50Valentina
40:51with your knowledge.
40:52You're awesome, huh?
40:54But there is something
40:55which worries me a lot.
40:57What happened?
40:57The topic of alcohol.
40:59I know that Valentina
41:00It will be controlled
41:01But, dude
41:03advise her a lot
41:04to avoid excesses.
41:06I know our childhood
41:06It hasn't been easy, has it?
41:08But
41:09our puppy's
41:10It's going to be better.
41:12I promise you.
41:14Yeah?
41:18Thank you for being here
41:19and for always listening to me.
41:21I love you very much.
41:23You're obsessed
41:24like Ginchi
41:25I swear, Brisa
41:25I don't understand
41:26I don't understand
41:27What do you see in him?
41:28You who are so beautiful
41:29really?
41:30You and I
41:31we're going to find
41:32an exit
41:34as usual
41:35We've done it.
41:36You are a man
41:37intelligent
41:39strong.
41:41With you
41:42feel
41:42protected.
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