00:05:48Oh
00:06:21Oh
00:06:41Oh
00:07:05Oh
00:07:05Oh
00:07:05Oh
00:07:06Oh
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00:07:40Oh
00:07:41Ah
00:07:47Oh
00:07:49Oh
00:07:49Oh
00:07:57It
00:07:59Yeah
00:08:00Oh
00:08:02Oh
00:08:04Oh
00:08:05Oh
00:08:09If you are with me, in your eyes, in your dreams, in your dreams, in your dreams,
00:08:21I feel like the words of your heart, as you are with me,
00:08:30You are with me or not, what is the difference?
00:08:45If you are with me or not, what is the difference?
00:08:52If you are with me, if you are with me,
00:09:01You are with me or not, what is the difference?
00:09:24If you are with me or not, what is the difference?
00:09:27If you are with me or not, what is the difference?
00:09:35If you are with me or not, what is the difference?
00:09:49If you are with me or not, what is the difference?
00:10:01If you are with me or not, what is the difference?
00:10:05If you are with me or not, what is the difference?
00:10:11If you are with me or not, what is the difference?
00:10:51If you are with me or not, what is the difference?
00:10:55If you are with me or not, what is the difference?
00:11:03Thank you for sharing this with us.
00:11:10You performed very well. Thank you very, very much.
00:11:17It's wonderful to be here. Thank you very much.
00:11:39I want to fall in love.
00:11:42Fall in love?
00:11:43Yeah.
00:11:44Wow.
00:11:50What do you mean?
00:11:51What do you mean?
00:11:53Sir, actually, they have beautifully portrayed in every film.
00:11:59That my standards are very high.
00:12:02And when we met, I guess, everyone's favorite.
00:12:05So, I've seen it at least 25 times.
00:12:07So, I'm also a local girl.
00:12:10So, maybe I'll get my aditya on the train.
00:12:12I'll get to the train.
00:12:15So, do you have to do that scene?
00:12:17Can I do it?
00:12:19Definitely.
00:12:20Why not?
00:12:20Oh, Mr. Imtiaz is here.
00:12:22One more time.
00:12:23One more time.
00:12:36One more time.
00:12:39I got to take care of my record.
00:12:42I've been in the house.
00:12:43Let me leave my hands.
00:12:44I'm not so beautiful, man.
00:12:50I'm so beautiful.
00:12:50Hello?
00:12:52This is my seat.
00:12:54This is my seat.
00:13:03There is a lot of people in the passenger seat, but I think the passenger seat is very big.
00:13:10When did I come to Mumbai? When did I come to Bombay?
00:13:14I came to study a hostel.
00:13:18And then I thought I had to study and go back home.
00:13:22Because there is my family.
00:13:23What is everyone? It's me too.
00:13:27Are you going to go?
00:13:30Hello?
00:13:33What happened, boss? What happened?
00:13:36Drugs works?
00:13:43Tell me something like this.
00:13:46All my friends are talking about.
00:13:49And so I am also very big.
00:13:51I mean, auntie Agoni types.
00:13:52There is no article in the magazine.
00:13:54There are such types.
00:13:56Tell me what is the problem.
00:13:58Tell me.
00:13:58Don't harm me.
00:13:59I'm friends.
00:14:00Tell me.
00:14:02You are my problem.
00:14:04You are my problem.
00:14:06You are my problem.
00:14:11You are my problem.
00:14:12You are saying.
00:14:13I don't understand.
00:14:14I'm not interested in your things.
00:14:17I don't know if you are going to Batinda or Banaras.
00:14:20You are living in a hostel.
00:14:22Or in a brothel.
00:14:23What is the difference?
00:14:24Why do you know all this?
00:14:31Please, just leave me alone.
00:14:32Okay?
00:14:33Which seat is yours?
00:14:34Tell me.
00:14:35I'm going to sit in the other seat.
00:14:36But please, be quiet.
00:14:43I have to wait here.
00:14:44Look, as...
00:14:44That...
00:14:45That brothel was not the right.
00:14:49Sorry.
00:14:49I didn't mean that.
00:14:51Okay, let's not.
00:14:52I don't know.
00:14:53You know anything about anything.
00:14:54You've also got upset.
00:14:55And her anger has been out of me.
00:14:58No one doesn't.
00:14:58Actually, I don't feel good about anything else...
00:15:00And nowadays I don't feel bad that I don't feel good at it.
00:15:02Because I'm gonna marry my married close to you.
00:15:05It's also on the forest.
00:15:05I don't understand anything in the mountains, hills and mountains.
00:15:11Yes.
00:15:14I'm going to marry you.
00:15:15I'm going to marry you and I'm going to marry you.
00:15:18I'm going to marry you.
00:15:18What will I do?
00:15:19You'll have to think about it.
00:15:20And that's it.
00:15:21I'm my favorite.
00:15:22And let's go and see...
00:15:24Oh?
00:15:25Oh?
00:15:25Oh?
00:15:36Don't worry, son.
00:15:38This is not your way.
00:15:40It's not your way.
00:15:41It's a good acting.
00:15:51What did you remember all of this?
00:15:54I remember when I read it.
00:15:55And because I've seen it a lot of times.
00:15:57Just, just, just, just, just, just, just, just, just, just, just, just, just, just, just, just, just, just, just, just,
00:16:01just, just, just.
00:16:05No, he's now in character.
00:16:07No, sir.
00:16:08In real life, I'm like that.
00:16:09I mean, I'm going to be my favorite kind of.
00:16:11Nice.
00:16:20Once again, let's go out for the legendary Asha Palek, ma'am.
00:16:25Thank you, ma'am.
00:16:31I, my papa, my dad, we are not a fan of your food, ma'am. Literally.
00:16:37My dad gave up his tongue and gave up his tongue so that Aasha will heal him in a hospital.
00:16:44He felt that Aasha will heal himself.
00:16:48Ma'am, the fans will be very popular for you because the whole world is your fan.
00:16:53And you will get a lot of love letters and you will learn love letters.
00:16:56You will also read a letter that Aadhi has written in front of you.
00:17:01And I have a message that, ma'am, please read that love letter.
00:17:06Aasha ji.
00:17:08Priya Vishal ji.
00:17:09Oh, wow.
00:17:10You are a guru.
00:17:12You are a spiritual.
00:17:13You are a spiritual.
00:17:15You are a spiritual.
00:17:17You are a spiritual.
00:17:18You are a spiritual.
00:17:20You are a spiritual.
00:17:24Mahapurush.
00:17:26Mahapurush.
00:17:28Mahapurush
00:17:29Harsha, this is what is?
00:17:31This is the hint.
00:17:32Vishu sir.
00:17:33Chwa ji.
00:17:34Which film is on Abhishaih's talents?
00:17:41Mahapurush?
00:17:42Mahapurush.
00:17:44Mahapurush.
00:17:44Mahapurush.
00:17:45You are Shakti Maan.
00:17:47This is Shakti Maan. Shakti Maan is a film.
00:17:50No, no, maybe not.
00:17:51So who's film?
00:17:52Let me tell you, the dialogue Asha Ji has said,
00:17:55that film is a film.
00:17:57Correct.
00:17:58In which Aamir Khan and Salman Khan are called Amar and Prem.
00:18:02That's why Abhishek is going to sing Amar and Prem.
00:18:05Today, Abhishek is going to sing Amar and Prem.
00:18:08Presenting Dhanbad's real Dhan,
00:18:10son number one, Abhishek Kumar.
00:18:18Problem is that his recent song was another one.
00:18:28What has been happening with him?
00:18:33What has happened?
00:18:36Maybe it is history and is the first film in practice?
00:18:37How hasn't happened?
00:18:38When has happened?
00:18:41We've been telling inmidd ė puesto
00:18:42What has happened,
00:18:42All right?
00:18:43When real?
00:19:35Oh
00:19:44What happened when my heart broke?
00:19:49Why did I learn how to learn?
00:19:55What happened when my heart broke?
00:20:00There was a hole in my heart
00:20:04There was nothing, there was nothing
00:20:08What happened when my heart broke?
00:20:14Why did I learn how to learn?
00:20:18Why did I learn how to learn?
00:20:23Why did I learn how to learn?
00:20:29What happened when my heart broke?
00:20:34Why did I learn how to learn?
00:20:57Why did I learn how to learn?
00:21:11Why did I learn how to learn?
00:21:27Why did I learn how to learn?
00:21:33Oh
00:21:41Oh
00:29:45Oh
00:30:09Oh
00:30:10Oh
00:30:11Oh
00:30:17Oh
00:30:18Oh
00:30:18Oh
00:30:19Oh
00:30:20Oh
00:30:21Oh
00:30:22I will tell you I will not go
00:30:28I will not go
00:30:30I will not go
00:30:33I will not go
00:30:57Oh
00:31:12Yeah, bother
00:31:14Up yada curry as always Jotir my nakrometer number one
00:31:20Thank you, sir.
00:31:21It's like you're in that film.
00:31:23Very good.
00:31:24Thank you so much, sir.
00:31:29This song has been pictured as well,
00:31:32which has been made by Bumtaz.
00:31:34Very good.
00:31:36You did it very well.
00:31:38Thank you so much, sir.
00:31:44Vishu, sir, you know,
00:31:46one thing that is common in Kaka and Asha,
00:31:48which is common in Kaka and Asha Ji,
00:31:49that is love of fans.
00:31:51Fans leave their work,
00:31:52and leave everything,
00:31:53and write them for their letters.
00:31:55For their marriage,
00:31:56they reach their home immediately.
00:31:58And I've seen their fans' clothes,
00:32:00personally,
00:32:01because there are two in my house,
00:32:02my mum and papa.
00:32:05In my childhood,
00:32:06my papa understood himself.
00:32:11They used to wear clothes,
00:32:12they used to wear clothes,
00:32:14and they used to wear clothes.
00:32:14And now,
00:32:15these two didn't come in one shot.
00:32:16But as they knew,
00:32:18we were celebrating Kaka,
00:32:20and Asha Ji is going to come.
00:32:22They both came here with me.
00:32:24I had to come here with the driver.
00:32:26I had to come in my car.
00:32:27I had to come in my car.
00:32:42I had to come in my car.
00:32:43I had to come in my car.
00:32:44And I had to come in my car.
00:32:47I had to come in my car.
00:32:50I had to come in my car.
00:32:54Yes, yes.
00:33:02What a joke.
00:33:03I had to come in my car.
00:33:04Now,
00:33:05we've been working.
00:33:06We've been sitting.
00:33:07We have to listen to the music.
00:33:08And instead,
00:33:09we have to sit with the music.
00:33:10And the other one is sitting.
00:33:11And now,
00:33:12this kind of music will come in.
00:33:16We have to listen to Tanish and Mishmi from them.
00:33:21Tanish and Mishmi from them.
00:33:22Yes, Mishmi from them.
00:33:44Where?
00:34:15Closed the first grave of Mishmi from them.
00:34:17So, I have to listen to you.
00:34:31It's your name.
00:37:34Wow, wow, wow.
00:41:12Presenting, Maki Mashal, Ankita Mahuagiri.
00:41:33What a song, really.
00:41:44Ah, ah, ah, ah, ah.
00:41:52Ah, ah, ah, ah.
00:41:58Listen, Sajna, Papi Hine.
00:42:05Listen, Sajna, Papi Hine.
00:47:48Thank you so much.
01:02:21Thank you, buddy.
