00:00There's close to 50 cameras going at any one time.
00:02Where do you put these cameras?
00:03Everywhere that we can.
00:05And then some places that we shouldn't.
00:06No, they're…
00:07A lot of trash cans.
00:09Yeah, it is important that there's not really a hidden camera show in that, you know,
00:12Anthony is aware that there are overt documentary cameras following him around.
00:16But we make it feel like a very, very small footprint, like a small PBS kind of documentary.
00:22So he maybe sees five to six crew between the sound team, the cameras, and then the producers who are
00:28there.
00:29And so we have that overt coverage, which is sort of traditional documentary coverage.
00:34And then we find all the places where you can put our covert hidden cameras and the two-way mirrors
00:39and all that kind of thing.
00:40And we scatter them around the place.
00:42And there's, you know, during that rehearsal period that, you know, our director, Jake Szymanski,
00:46will work with the actors.
00:47And that's where you're figuring out, oh, we don't have…
00:49We have this whole key scene going on over here.
00:51We know we have to have Anthony over here.
00:53We must make sure we have the coverage in this area.
00:56We're doing a lot of tweaking as that goes on.
00:58And then there's also a psychological consideration of, well,
01:01do we want a camera to be present in this scene?
01:04Do we want Anthony to see a camera here?
01:06Do we think that would change his reaction to a thing that he's just done,
01:09that he's just learned?
01:11Or do we want it to be hidden in that moment?
01:13And so we're also figuring that out as we go along during rehearsals and making those changes and those choices.
01:17I'm glad you're here.
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