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00:28Transcription by CastingWords
00:30Hey!
00:46Turn that shit off.
00:48Is there a chance you could do it?
00:55Show a little respect.
00:56Ms. Stryker doesn't deserve respect.
00:58Well, then your mother does.
01:00Not my mother.
01:02I came here tonight, didn't I?
01:13You know, you had the voice of an angel.
01:16Don't you remember?
01:18Our last year in London you were in the Nutcracker.
01:22Over the chorus, of course.
01:25Oh, you could hear your voice above all the other little imps.
01:30You were a cherub.
01:34Cute and round and...
01:37And you had the little solo.
01:39Oh, God, your voice.
01:50You really don't remember?
01:53Not at all.
01:55Oh.
01:57Well, that's a shame.
02:01It was a good memory.
02:04One of the few.
02:20If he was here for us, he'd pull us over.
02:25He's on radio.
02:26Smile.
02:27Smile.
02:29Smile.
02:36Easy.
02:49Easy.
02:51Easy.
03:11What the fuck did you just do?
03:13Things change quickly when you have a man in the trunk of your car.
03:16He was a kid.
03:17He was a cop.
03:18There are cameras on every street corner.
03:20In no time they'll identify the make and model of the unmarked vehicle near the Plymouth Estate
03:25at the time of Paolo Braga's kidnapping.
03:27And it won't be long before they use those cameras to track us where we're heading.
03:30You want your wife back?
03:32Your boy had to die.
03:34It's math.
03:41You're weak-kneed like your father.
03:45At least Kyle is.
03:48Thankfully, Mason's here to get Kyle's wife back.
03:51At least he takes after me.
03:53He's a fucking monster.
03:54Hmm.
03:55The thing about monsters is, we get things done.
03:59God, this was a mistake.
04:01Coming back to you, trusting you again.
04:06We never learn in this family.
04:20What the fuck happened to him?
04:21Mason took Paolo.
04:22He's gonna use him as leverage to get Abby back.
04:25How the fuck could you let him take him?
04:26Don't you fucking put this on me!
04:27You brought him back!
04:28Goddammit!
04:34Hutch.
04:35No.
04:35Tell me you have Edison.
04:37We lost Edison.
04:38No.
04:39Paolo just killed Edison.
04:41That's not Edison.
04:43It's the wife.
04:44She's the hacker.
04:45What are you talking about?
04:46Now I'm confused.
04:48I may have fudged the truth a little bit.
04:50You fudged the truth a little?
04:52What?
04:52I made that crazy and I have bitched Edison.
04:54Go find her!
04:56Dick.
04:57We lose Paolo and this is over.
05:03What the fuck you mean he's gone?
05:05Kane took him.
05:07Where?
05:08We don't know.
05:10Is he hurt?
05:11We don't know.
05:15I want you to call in every fucking favor.
05:19Metro Police.
05:21Dan Downing.
05:23I don't give a fuck.
05:26Call them all.
05:27Yes ma'am.
05:28Now!
05:30Now!
05:40Fuck!
06:02Fuckin' idiot.
06:12Fuckin' idiot.
06:13Your friends, or his, will find us here.
06:17I'd say we have two hours till they do.
06:20Why don't you go and clean up?
06:21Why don't you go and clean up?
06:38Where would Mason go?
06:39He's laying low until they fly Abbey to London to make the exchange.
06:43But how'd he disappear so quickly?
06:45Coming in there was a car parked.
06:47Just off the road.
06:48It was a grey Fiat but I didn't get the plates.
06:51Well, I got some friends at the Met.
06:52They might be able to help with that.
06:53You think he sold the car or?
06:55Or someone else was waiting there for him.
06:58Search all property records in London.
07:00Ever owned by a Dahlia Archer or a Thomas Kane.
07:02Yep, you got it.
07:21Look at you bringing us back together.
07:23Mending old wounds.
07:28You know this is suicide.
07:30How does this play out?
07:32Get in touch with your people.
07:34Make a trade.
07:35I get my wife, they get you.
07:38There's one big problem with the offer.
07:40I don't even know if she's still alive.
07:42It would be very bad for you if she isn't.
07:44It would be very bad for you if anything's happened to her.
07:47He has a son.
07:51Must be what?
07:53Ten by now?
07:55Yeah.
07:56I would bring him his wife.
07:59I know you have little regard for children seeing as you once try to kill your own.
08:04But if you ever speak about my son again,
08:08I will bring you to death like your husband.
08:12We're out of time.
08:13We need to call your people.
08:15We need a number.
08:16How do I know you'll hold up your end of the portal?
08:20You don't.
08:21Number.
08:36How do you want to play this?
08:39There's a corner shop half a mile from here that sells prepaid mobiles.
08:44You stay here, I'll make the call.
09:10We have Edison now.
09:11So all this, it's meaningless.
09:14Unfortunately for you, I don't give a fuck up.
09:16Unfortunately for you, I don't give a fuck up.
09:16I don't care about your satellites or the assassin or anything else.
09:19I'm just here for my wife.
09:22And you really trust your mother to make the call?
09:26Maybe she's negotiating for something more and we'll sell you out in the process.
09:30At least she's not here negotiating with you.
09:33So you don't trust her?
09:41I've been looking for you for a while now.
09:44And here you are.
09:47Here I am.
09:48I mean, you have to wonder.
09:51Maybe I wanted to be here.
09:54Tied up.
09:56Mono-mon.
09:57To finally have a private audience with Mason Kane.
10:00I felt a kind of kinship with you.
10:05Kinship.
10:06We both have parents that wanted the worst for us.
10:09I'd fucking applaud you if my hands weren't tied.
10:15You want to give to your daughters, to your wife, a life worth living.
10:22Listen, that's what I want for my boy.
10:26I've been looking for you not to kill you.
10:28I want to make you an offer.
10:31You and I.
10:33We can create peace.
10:35A world free from war, violence, greed.
10:41Isn't that what we want for our children?
10:43For Asher.
10:44For Hendrix.
10:51Don't talk about my kids.
10:55Not interested in your offer.
11:14Who is this?
11:15Joanna.
11:16Lovely to hear your voice, dear.
11:18Though you do sound a little stressed.
11:20Listen, if you want him back, bring Abby Conroy to London immediately.
11:25This is you, Dahlia.
11:26Well?
11:27When your kid's in a pickle.
11:29We have everyone on this.
11:30We'll find you within the hour.
11:32So I suggest you bring him back to us before we do find you.
11:37I'll make sure that they don't-
11:38Make my death quick and painless?
11:40No, you really are out of your depth, you ridiculous twat.
11:44I'll call back with a location.
12:03Time to go.
12:09Is that you, Chris?
12:10How's it going, Frank?
12:12Frank Charme.
12:15Charme.
12:16The name's Charme.
12:18No, it's not ringing any bells.
12:19Okay, that's fine.
12:20Nothing on Mason yet.
12:25You let him get to you.
12:27It's Francis Charme.
12:29Yeah, I'll say it again.
12:30I didn't.
12:31If you didn't keep your daughter's very existence from him.
12:38He never would have flown off the handle.
12:40And he never, ever would have betrayed Citadel.
12:45And we would not be in all of this shit.
12:49You are to blame.
12:51You created him.
12:52What's the first rule of the agency?
12:55Do not get involved with another agent.
12:57And you two were fucking around like it was fucking spring break.
13:03You compromised everything.
13:04Is your mother there?
13:06Everything that I built, you compromised.
13:08And had you not murdered his father and created him,
13:10maybe the agency would still be standing today.
13:13Why did you bring him into this, Bernard?
13:15You knew he was a mole.
13:17You knew he was unpredictable.
13:18He's the best killer I have.
13:20You have five killers, including yourself and me,
13:22and that Paddington bear-shaped motherfucker.
13:24So why did you bring him into this?
13:25He was supposed to work!
13:31He's still...
13:32He's still...
13:38Fuck.
13:47Shit.
13:51The things you build are flawed.
13:54Because you are flawed.
14:03Is that you, man?
14:04Who are you lazy-eyed bastard?
14:07It's Frank Sharp.
14:10He's hung up.
14:12Oh no, he's back.
14:13Frank Sharp.
14:14No, he's hung up.
14:33You always did have a temper.
14:35What'd they say?
14:36Can they get off the ground now?
14:37Go and pick up your mess.
14:55They're en route.
14:58We should burn the car, steal another one to transport him.
15:00And you'll probably be better at that than me.
15:03You got him?
15:05Don't worry.
15:06Or just young men like him don't excite me like they used to.
15:09Yes, I've got him.
15:11You go.
15:12Time's ticking.
15:28Time's ticking.
15:30Time's ticking.
15:36Time's ticking.
15:40Time's ticking.
15:41Time's ticking.
15:42Time's ticking.
15:43Time's ticking.
15:44Time's ticking.
15:54Time's ticking.
15:54Time's ticking.
15:55Time's ticking.
16:00Time's ticking.
16:00You're looking more and more like your father.
16:06Oh.
16:10Chin Chin.
16:15What's in it for you?
16:18Helping him.
16:20Oh, um...
16:24Love.
16:29Love!
16:33Maybe I wanted to make amends to him.
16:38I was a mantic or mole in the highest echelons of British government.
16:45He knew what I did.
16:48He could have posed a threat.
16:50So you wanted him killed?
16:55I had something greater to protect.
16:58I was helping to build a safer world.
17:01Where the things that happened to my family, to good innocent people, would never happen again.
17:08That's why I built Manticore.
17:11You built Manticore to set the world on fire.
17:14Just like they did to your husband, so the world could know your pain.
17:17My father rescued you.
17:21I'm here to do it again.
17:26So are we gonna negotiate or what?
17:31I'm here to help my son.
17:38But I don't have you gagged.
17:40Do I?
17:51Is that Claude with the curved cock?
17:53Good.
17:54It's Frank Sharp.
17:56Yeah.
17:57Yeah, they're Frank Sharp.
17:58I'm good.
17:59How are you?
18:00Listen, I need a favor.
18:02I need eyes on the Plymouth Estate of Windsor.
18:05It's a brave Fiat at around 10.20 this evening.
18:08You can find me late.
18:10Well, you haven't done anything yet.
18:11Except finally get someone to remember your name.
18:13Fiat 95.
18:14Great, yeah.
18:14That's it.
18:15The Plymouth Gallery to Croydon.
18:17Okay, thanks very much.
18:19The camera's lost a car on the outskirts of Croydon, but it's definitely there.
18:22Okay.
18:27Here.
18:2837, St. Anne's Way.
18:44I'm in here, love.
18:54What's this?
19:02Well, I'm starving.
19:04You must be famished.
19:06No?
19:08I thought it would be nice, you know, little, um, family dinner.
19:15Not sure when we get the chance again.
19:18Come on.
19:19I'll be landing in an hour.
19:20Sit.
19:20Eat.
19:27I remember this smell.
19:29Your chicken.
19:31It's a favourite.
19:33Smells never leave you.
19:36Chicken cacciatore.
19:39Drugstore perfume.
19:41Running flesh.
19:51At the moment I met your father, I knew he was the love of my life.
19:58It wasn't an act or a decision.
20:01It just was.
20:04He was...
20:05Brilliant.
20:08And intoxicating.
20:11And certain.
20:16And he was dishonest and cruel.
20:20And small.
20:23And I loved him.
20:25Not because of all, despite those things, but because one-to-one.
20:33I was his and he was mine.
20:37And here you are, risking the woman you love for the woman you married.
20:42I love Abby.
20:45Do you?
20:47She's my wife.
20:49Hmm.
20:51Doesn't mean that you love her.
20:54Nadia?
21:01You're fucking with me.
21:03Excuse me?
21:06You're fucking with me.
21:10No, dear.
21:11Yes, dear.
21:15I'm simply not.
21:16I can't.
21:17Did you make a deal with him?
21:21Of course not.
21:23He tried to kill me.
21:25Yeah, you tried to kill me.
21:26A few times.
21:32We entered negotiations, but...
21:36A deal I didn't make.
21:41Eat up.
21:43And then I'll call Joanna.
21:47And you can get him ready.
21:54It smells just like I remember.
21:56Hmm.
22:03You're looking more and more like your father.
22:09Not a shred of me.
22:12Yeah, I'm not kidding.
22:20No, no, no.
22:22No, no, no.
22:25No.
22:28No.
22:34No, no, no.
22:37I'm sorry.
22:37No, no, no.
22:38No, no, no, no.
22:56you're making a mistake
22:58under the haymoth bridge
23:00east end
23:014am
23:03don't be late
23:13so you tried to cut a deal with her
23:17no
23:18I didn't try to cut a deal with her
23:20she tried to cut one with me
23:22but it didn't make
23:23is that what she said?
23:29I'm playing with you
23:31I wanted something she wasn't willing to give
23:36or maybe she gave it
23:43is that your father?
23:46do you often think of him?
23:49no
23:50I dream of my father sometimes
23:55it's the same dream
23:59we're in the ocean
24:00off the coast of St. Louis
24:03it's just him
24:05me
24:08we withdraw me
24:12the boat is on in the distance
24:16closer and closer the boat comes
24:20and just as
24:21my father realizes
24:24that the boat sees us
24:27will save us
24:32I push him
24:34under the water
24:36I hold down
24:39his skull
24:43until
24:45he goes
25:04it was cancer that took him
25:10not in the dream
25:12and creative
25:14never thought that fair
25:17not that it took him
25:19it's just
25:22I wasn't the one to do it
25:26I heard once that
25:30we become our true selves
25:34when our father dies
25:39I suppose you had a lot more time than me
25:41to figure out who that is
25:49your father was
25:51a saint
25:53what was that like?
25:55I'm done talking about my father
25:56why?
25:57I find that it's so
26:00interesting
26:00that
26:02your father was killed
26:03with
26:03hundreds of others
26:06and then you killed
26:07thousands
26:09to avenge his death
26:13do you think he will be proud of you
26:15of what you did for him?
26:17is this
26:18don't you think you're gonna get to me?
26:19I don't think you have any intention
26:21of following through on
26:22your end of this bargain
26:25I think I leave here
26:28with that man
26:31so you please
26:33flattery didn't work earlier
26:36I'm thinking maybe
26:38guilt could
26:56we can't remake the world
26:57the way your father saw it
26:58I told you I'm done
26:59talking about my father
27:01because he would be ashamed of you
27:03that you're his son
27:05because he would be
27:07I'm giving you a choice
27:09to absolve yourself
27:10from what you've done
27:11to reject what you are
27:16that's why you became a spy
27:17isn't it?
27:18because it was the only way
27:20to hide your true nature
27:21your true soul
27:23it was survival
27:24wasn't it?
27:25to hide even you
27:27from yourself
27:27because if you saw
27:29what you really were
27:29you wouldn't be able to go on
27:33you've brought only pain
27:34and death
27:35to everyone
27:36who loved you
27:37and your daughters
27:39who grow up
27:40and they'll have to spend
27:41the rest of their lives
27:43scrubbing themselves
27:44of any residue of you
27:46so horrified
27:48that they're yours
27:49that they'll dream
27:50about drowning you out
27:51in an ocean
27:52and wonder
27:53why the world
27:54didn't allow them
27:55the chance
27:56to kill you themselves
28:13oh god
28:21Bob?
28:27Bob?
28:32Fuck!
28:33Fuck!
28:35Fuck!
28:36Fuck!
28:42Oh, my God.
29:34This was Grandpa Arthur's chair, right?
29:38I remember him, bad breath, how'd he die?
29:45He shot himself, to spite my mother who loved him, and did it in that chair to spite me
29:53you loved that chair.
30:06You may have just killed your wife.
30:12What are we gonna do?
30:21What size suit you wear?
30:43Lights are on.
30:52What size suit you wear?
31:25What size suit you wear?
31:46It's still warm.
31:50Not a bad cook.
31:56Yeah, Addison's gone.
31:58They flew around.
32:24What?
32:26Change of plan.
32:27No.
32:28No change of plan.
32:29I'm speaking now.
32:30Charing Cross Tube Station.
32:31Old Platform 3.
32:32Ten minutes.
32:51Once you've caught her, get out of there, no matter what happens.
32:57Just keep her safe.
32:59Understand?
33:00And if this exchange happens to go pear-shaped, you be sure to make way for Mason.
33:06We're gonna need every bit of him.
33:09I don't think there's much of a car left.
33:12It looks that way.
33:18Let's do this.
33:20Let's do this.
33:37Let's do this.
33:37Let's do this.
34:09For this.
34:50I don't know.
35:26Stop that!
35:27Joe, don't pull anything.
35:29No one's doing anything.
35:32Where's Mason?
35:34Someone has to keep eyes. I'm certain you're doing the same.
35:40Just the two of you.
35:42Slowly.
36:09Just know.
36:11I go.
36:14He goes.
36:15She's not fucking around.
36:17Shut up!
36:18Okay, let's just relax.
36:25The girl walks to me.
36:29Then I let Paolo go.
36:30No.
36:32You let him go first.
36:33No, that's not happening. I'll kill him where he stands.
36:36And I'll kill her.
36:36I will fucking do it!
36:39Help me!
36:39Same time.
36:40What's my guarantee, dear?
36:42What's mine, Dahlia?
36:46No, no.
36:47No.
36:59No!
37:01No!
37:02No!
37:07No!
37:12You're smart moves.
37:14Always a pleasure, Delia.
37:28All right, go.
37:31You're safe now.
37:32Am I?
37:47You're safe now.
38:19I told you to go.
38:21Fuck off.
38:28Down.
38:33Ow.
38:34You're hit.
38:36I'm fine.
38:38Abby, you okay?
38:42You mean Celeste?