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00:16you're saying flint's your bodyguard yes he protects me and he's loyal hard to find these
00:21days no kidding i didn't marry my husband for his looks what else can you tell us does he have
00:26family friends i don't know anything about his personal life i know his address are we going to
00:32talk about the fact that he turned into some kind of sand monster what i know she knows it started
00:38about six months ago slow at first but it's been getting worse and he never remembers when it
00:45happens oh he always remembers unless he gets clubbed in the head with an iron girder that's it
00:51he turned into sand that's it was sand right it just seems like kind of like a big deal so
00:55do you
00:55have any clues as to what's causing this to happen you haven't given us much to go on isn't that
01:00what
01:00the money's for you're an investigator investigate you know an artist doesn't just paint with air
01:07he needs a canvas brushes paint do you think i'm withholding from you mr riley what if i said i
01:12did i'd ask why you thought that it's a lifetime of experience with clients with women as fun as
01:19this little game is i'm afraid i have other business to attend to get to painting mr riley
01:32what do you think i think you might need a cold shower i think i might need one
01:39but you're right she is hiding something all the fun ones do i'm gonna check out flint's apartment
01:46why don't you go down to the bureau of criminal records yeah been a while since we had a real
01:51case
01:51but i don't mean my mom
01:52you gotta accentuate the positive
02:00money's negative and life's sharp
02:03to the affirmative don't mess with mr in between
02:07you gotta spread joy up to the maximum
02:11bring the gloom down to the minimum and have faith
02:17a pandemonium lobel to walk up on the scene
02:27a man
02:29gonna meet a new supplier at the docks tomorrow
02:33canadian
02:34you didn't tell me that
02:35i'm telling you now
02:37it's not smart for you to go out in public till we know who tried to take you out
02:41i'll go where i want
02:43with all due respect you don't pay me what you pay me for my charm or disposition
02:47you pay me to keep you alive and i'm telling you it's a bad idea
02:50if you dying benefited me i would have done it myself ten years ago
02:53but i know what i'm good at i know what i'm not
02:56and i need you to stay alive and in power
02:58so pretty please with cherries on top
03:01let me go down to the docks ahead of you
03:02and once i make sure everything's kosher you can waltz on in and show everyone the brightness of your feathers
03:07you finished
03:11the problem is not that the guy is out there
03:13the problem is
03:14that they thought they could take me out at all
03:16ever since the spider disappeared
03:18things have been comfortable
03:20maybe someone's thinking that i got complacent
03:23or soft
03:25maybe you're one of them
03:27thinking you could take me out
03:30if you could set yourself on fire like addison
03:32then you might have a shot
03:34imagine controlling that kind of power
03:37now flint goes missing
03:39right after
03:40he's been acting strange lately
03:42now if those two things are related
03:45go look for flint
03:50and when the boys find our p.i
03:53riley
03:54make him straight to me
04:20great
04:22great
04:33Hi, this is Robbie Robertson calling.
04:34Mr. Robertson, how many times do I have to tell you
04:37you're never getting your old job back?
04:39Listen, I don't know if Walters has seen my article in the Gazette,
04:41but I just...
04:42Mr. Robertson, there's no point in this conversation.
04:43What I'm saying is I just need to sit with him, that's all.
04:46Mr. Robertson, please.
04:47But if you just give me a chance to...
04:50I'm on to something truly sensational.
04:52It's the biggest story of years.
04:53There hasn't been anything this big since the spider.
04:57I promise it'll be worth his while.
05:03I'll see what I can do.
05:12But Marco, got a delivery.
05:15Anybody home?
05:24I'll be right back.
05:52I'll be right back.
06:09It's Winston.
06:10Silverman wants to talk to you.
06:12Give me the keys.
06:25Check the bedroom.
07:15Nice place.
07:17A bit fancy for my taste.
07:20And I got a pretty good idea why.
07:24Let's go.
07:26You think he got a new lady?
07:28Is that why he ain't coming to poker lately?
07:36If you're a fool and you don't know where to go to, why don't you go where the fashion sits?
07:44Yeah, that's all the time.
07:46I thought you might have washed up and put the bits.
07:48Oh no, not me, Hank.
07:50That's a report.
07:51I'm dumb as ever.
07:53I found the sitting outside.
07:55I didn't know if it belonged to anyone.
07:57Hmm.
08:01No, my wife made me quit eating these.
08:03Okay, well in that case...
08:05Last night, Chuck, you ain't my wife.
08:08Name?
08:09Flint Marco.
08:40All right.
08:40All right.
08:40Right back.
08:40I'm in the closet.
08:43No, Sargon.
08:44Didn't you fight there too?
08:46Yeah.
08:46It was one of the biggest battles of the war, where a million of us are.
08:49Hold on.
08:50Is that...?
08:51Addison.
08:52Looks like they were in the war together.
08:53Is that what Kat is hiding from you?
08:55I bet she knew that Flint had a friend with super powers.
08:58Oh, I know.
08:59What I don't know is why she didn't tell me.
09:01Probably thought you wouldn't have taken the case.
09:02She would have been right.
09:36I don't think I've ever heard that one.
09:38I wouldn't think so.
09:40It's an original.
09:43Visited Flint's apartment today.
09:47Does this mean anything to you?
09:49I knew he was in the war.
09:51Hard to believe he was ever so young.
09:53What about this guy?
09:55You see him?
09:55This little guy right over here?
09:56You ever come around the alcove, visit Marco?
10:00Can't say I've ever seen him.
10:03His name's Addison.
10:06He's the guy that burned down Silvermane's mansion.
10:08He's dead now.
10:10So is the P.I. that shot him.
10:12What can I say?
10:14The world's a dangerous place.
10:19You're pretty cool under pressure.
10:21I wasn't aware I was under any.
10:22Why don't you tell me Flint worked for Silvermane?
10:24Would you have taken the case if I had?
10:25I don't like surprises.
10:26I remember that when your birthday rolls around.
10:31The deed is under my name, but it's no secret Silvermane owns this place.
10:35And Flint's a good way to protect his investment.
10:38And you.
10:39And me.
10:40You see this club lives and dies on people walking through that door because they want what I give them.
10:48You trying to get me, Mr. O'Reilly?
10:50Get?
10:51You?
10:52Understand me.
10:53Seems you got my number.
10:55I've learned a lot of them over the years.
10:56Oh, want one for every Tom, Dick and Harry?
10:59Hmm.
11:00You're interesting.
11:01Oh, yeah?
11:02How's that?
11:03Well, the other night when we met, you called yourself a coward.
11:06But I think you're braver than you let on.
11:08Oh, you're good.
11:10In an obvious sort of way.
11:12I must settle as the situation requires.
11:14You see, I have business with Silvermane and I have business with you, Mr. O'Reilly.
11:18One has nothing to do with the other.
11:20Now, have I said enough for you to keep the money you came here to return?
11:23Or have I misjudged you?
11:25No, I'll keep working the case.
11:27Not because I'm brave.
11:29Why then?
11:30Uh, a singer's gotta know all the numbers.
11:33Maybe a detective just gotta know all the answers.
12:18You..
12:20You...
12:22Ugh!
12:30it's uh tai chi yeah that's right it's tai chi it's it's good it's good for breathing and
12:38relaxation i recommend it i don't have the slightest clue what you're talking about
12:44we don't care either
12:52a coaster really gosh i shouldn't have thrown it so hard
13:05come on let's go for a ride
13:15you mind telling me why i'm here silverman wants to see it i figured that i'm asking you why
13:21we're not really the why guys maybe you wouldn't be here if you didn't try ripping the boss off
13:25ah donagal i don't have anything to do with this little scheme i actually try to talk him out of
13:30it like i said the boss just wants to talk i've got no idea who hired addison to burn down
13:35your
13:35boss's house you don't know nothing uh double negative but we'll set that aside for now my
13:39point is i'm not much of a detective yeah then you got nothing to worry about just like donagal right
13:43yeah just like donagal by the way i am sorry about the nose me that was him
13:56get out
14:03where'd he go check the side
14:12the boss ain't gonna like this yeah he wanted us to bring him in
14:27time's a tough all over but the true measure of a city is in how it responds to the hard
14:33times
14:33and this isn't topeka or kalamazoo this is new york we're gonna link arms and stand strong
14:41against the rising tide
14:45what's the headline here desperate morris delivers doug i'd go with quadruple m mayor's missive mrs mark
14:54man i wouldn't trust hudson to do my laundry that man's gonna beat morris by 10 points
14:59sometimes you just want a different brand of snake oil
15:02so uh you gonna explain your face let's just say you should lay off the addison reporting
15:09silverman
15:10on a war path about addison wasn't always coming after him so tread
15:15lightly i'm not going with the face that looks like hamburger meat
15:18i've been with his guys before as the man with the mask and the goggles new york's beloved
15:24hero of the hour not as ben riley you know what give me that i'm making a declaration right now
15:30that's right
15:31if i'm reelected you can say goodbye to prohibition
15:35man knows his audience
15:37as god is my witness you'll never go thirsty again
15:41look all i'm saying is you're in it with silverman now
15:44the choice is to suit up or die
15:47why are you trying to tango again
15:48maybe you'd be doing the city a favor in the process
15:50oh come on robbie enough of that
15:53you know what i'm doing after this
15:54what
15:54being beautiful
15:56and working the addison story
15:58i don't publish i don't eat my friend
16:03i've been thinking about the canadians
16:06you gonna let me handle it
16:08nah i'll do it
16:10plan stands but
16:12go ahead of me
16:13scout it out
16:18ah
16:20well i think it's stylish
16:22what do you think winston
16:24i'm not one for fashion
16:26well the whole thing is a little
16:29tired
16:29now winston
16:30have you got a gripe at all
16:33no i just think there's a better thing to spend time on than dressing up dolls
16:38well there's fashion and there's taste
16:40box it up
16:41you like it too right
16:44honestly i think
16:44yeah yeah it's perfect
17:03excuse me ma'am
17:04i'm looking for the addison's
17:05i want you to share
17:07i know
17:07happy
17:07lol
17:171
17:17kid
17:17kid
17:17yeah
17:17you
17:18kid
17:35kid
17:46Who are you?
17:52Hey, brother.
17:53Don't hate brother me.
17:54I asked you a question.
17:56You sure did.
17:57And seeing as you are a very large and angry man, I'm going to answer.
18:02Looking for Vera Addison?
18:04Do you know who she is?
18:05Why do you want to know?
18:07Well, I am a reporter working a story on James Addison's death.
18:11I wanted to talk to his widow.
18:16Jimmy's dead.
18:19Oh, I'm sorry.
18:20You guys were friends.
18:22How did he die?
18:24It was an explosion.
18:28Standard Oil Depot.
18:30Why are you writing about him?
18:31Well, before he died, he burned down the wrong house.
18:34Whose?
18:36Silverman.
18:44It's time for me to leave.
18:45Wait, wait, wait, wait, wait, wait, wait, wait, wait, wait.
18:47Hmm.
18:48Addison didn't just take it upon himself to burn down the house of the most dangerous man in the city.
18:51Someone paid him to do it.
18:53Now, look, he was your friend, so I'm guessing he wasn't a bad guy.
18:56He was sick, and these days call for men to use their sicknesses to get by until their sicknesses eat
19:02them alive.
19:02Hang on, what do you mean he was sick?
19:04I don't know who hired him.
19:06But yeah, his wife, mate.
19:09And do you know where I can find her?
19:11Try the Jeffrey Hotel.
19:13She always went there when they came in some money.
19:15And when she came back, the money was gone.
19:18Go figure.
19:19Oh, thanks.
19:21I'll be here a visit.
19:26I told you.
19:27He hardly comes to the office anymore.
19:29I can't remember the last time I saw him.
19:31Well, maybe this will jog your memory.
19:33Please, don't mind the truth.
19:37For your sake, I hope so.
19:40We'll be back.
19:44Oh, God.
19:45That's not the hell that came up for you.
19:48Oh, God.
19:54Janet.
19:56Did they hurt you?
19:58No, not this man.
20:00They said they'd be back.
20:02Then they put a gun to my head.
20:04They kept saying that I'd end up like Donigle.
20:06That if I didn't tell them where you were,
20:08he and I'd be crossing the river six together.
20:12What does that mean?
20:14It means Donigle's dead.
20:16Silverman killed him.
20:17But I'll take care of it.
20:19Ever since Ruby died, I've been waiting for you to get it back together.
20:22Back to the man I know is buried somewhere inside you.
20:26Five years.
20:29And this is how it ends.
20:31Janet.
20:32Go home.
20:33Get some rest.
20:34You'll feel better.
20:35And I'll call you when it's safe.
20:37Yeah, I'm going to go home.
20:40But I am not coming back.
20:42I care about you, Ben.
20:44So deeply.
20:47But not enough to die for you.
20:49Janet.
20:52Janet.
20:53Janet!
20:53And I have to.
21:22And I found you.
21:37Hiya, I'm Pete with maintenance. Sorry about the leak. It'll be no problem. I'll just...
21:41Gosh, the unit downstairs. Big mess. Water. Water. Everywhere.
21:44What's going on?
21:45Something about a leak?
21:46No, I like what you've done with the place. Although, if you move the table over by the
21:49window, you really get that sunset glow at dinner.
21:52I told you that.
21:52I'm sorry, have you been here before?
21:54I am familiar with the unit, yes. Bathroom's that way.
22:14Well, don't you stand there and say something.
22:17Um, sir, what exactly are you fixing?
22:20Oh, yeah.
22:21John, I found the issue. You've got a Boston Cherry basket. It's the lineman of the mission
22:27joint.
22:48Excuse me. What's happening in there?
22:54Excuse me, what's happening in there?
23:12I don't think that guy was a plumber.
23:25I don't think that guy was a plumber.
23:34I don't think that guy was a plumber.
23:37I don't think that guy was a plumber.
23:42I don't think that guy was a plumber.
23:56to get out of here i'm gonna scream then i don't think you want a white woman screaming about a
24:00black man trying to force his way into her hotel room actually i got a hunch that you wouldn't
24:06want the city's most ruthless gangster knowing that the money someone paid your husband to kill him
24:11was being spent on lobster and designer clothes so go ahead and scream honey unless you want me
24:18to do it i got a pretty deep voice it really carries
24:42that's it what do you mean no tears i just told you your husband died
24:47people crave in different ways
24:51you already knew james was a lot of things but not the type to cut and run
24:57when he didn't come home that night i figured he was never coming home
25:00when did he start setting fires six months ago suddenly discovered he had an innate talent for
25:05it who hired him for the silver main job just because i didn't scream doesn't mean i'm an open
25:10book as far as i'm concerned james dug his own grave and now he's lying in it
25:30this place feels haunted that's because it is
25:35speaking of ghosts
25:38jimmy addison's dead what what a couple days ago some reporter came around asking about
25:46him wanted to know who hired him to kill silverman
25:52you didn't know if i'd known i would have stopped him
26:03flint you don't look so good it happened again
26:08changed completely this time never changed back and not all the way
26:15it's like the doc said our clocks are ticking
26:20faster and faster now everything we went through
26:26we deserve better you and i let's get out of here you can crash at my place
26:32better for us to stay together right now
26:37yeah you have to check every crate is it because we're canadians yeah it's because you're canadian
26:42you know boss doesn't trust anyone myself included before he still runs this town
26:48shipping's good boss ready for you to come all right i'm on my way
26:53i'm
26:54i'm
27:07i'm
27:09i'm
27:10i'm
27:10i'm
27:12i'm
27:21i'm
27:23What is that?
27:30Hey, go check it out! Go, go, go, go, go!
27:40Shoot him!
27:51Oh!
27:53Oh!
27:59Oh!
28:09Where'd he go?
28:17Power!
28:21Come here!
28:24Thank you!
28:26Oh, God!
28:28You ever run out of blood?
28:30Yes, you do!
28:40Well, what the hell are you waiting for?
28:44After you.
28:45No, no, by all means.
28:47Out of the car!
28:56Oh!
28:57Not another step!
29:01Hey!
29:02Hi, Jake!
29:14It's been a while.
29:16You've done well without me around, haven't you?
29:19I didn't know you did hit jobs now.
29:21Do you mind if I ask you?
29:22Who hired you?
29:23Nobody hires me.
29:24I'm here because of Ben Riley.
29:26Riley the Flatfoot?
29:27Yeah, that's right.
29:28I owe him a favour.
29:30Sorry, where are my manners?
29:31Do you want a drink?
29:32No!
29:32No!
29:32I want you and your gums to lay off Riley.
29:35He doesn't know who tried to kill you, and roughing up his secretary isn't going to change that.
29:39So, I leave the gums to you alone, and that's it?
29:43Because you know, back in the day you really couldn't leave me alone, could you?
29:46I don't think you're listening to me, Silverman.
29:49This is your only warning.
29:51If you mess with Riley or any of his people, I will kill you.
30:19What?
30:42Riley, this you?
30:44This your door?
30:45What are you talking about?
30:46Did you stop Silvermane's car?
30:48Well, you heard about that, huh?
30:49Yeah, well, I got some bad news for you.
30:51Cops had an ambush shut up for Silvermane at the docks.
30:53Someone gave him a tip about a booze exchange.
30:56Someone tipped off the cops about a Silvermane booze exchange?
30:58Yeah, they're rounding up about a dozen of his guys right now.
31:00Cops were all set to catch the man himself in the act, but Silvermane never showed.
31:04Do they know why he didn't show?
31:06No, don't worry.
31:07Police got word that someone stopped Silvermane from coming.
31:10They don't know it was you.
31:11Shit, gotta go.
31:12I ain't trying to die, no phone booth.
31:37What the hell did I just do?