- 2 minutes ago
Mumbai, Maharashtra: During an exclusive interview with acclaimed actor Subodh Bhave, where he opened up about portraying Neem Karoli Baba in his upcoming film. Calling the experience deeply spiritual, Subodh Bhave said such sacred roles “choose the actor” and revealed how he felt Maharaj Ji’s blessings guided his performance. He also shared emotional moments from the shoot in Prayagraj, where devotees welcomed him with Baba’s own blanket and prayers. Speaking about spirituality, acting, and responsibility as a public figure, Subodh Bhave emphasized emotional honesty in cinema. The actor also reflected on regional cinema, young actors, and the relevance of Neem Karoli Baba’s teachings in today’s stressful world.
Category
😹
FunTranscript
00:00Subhoji, first of all, welcome to INS.
00:02And first of all, you would like to know that
00:07Neem Karoli Baba, like spiritual and powerful personality,
00:10how was it emotionally challenging and how did you personally be transformed in this journey?
00:19All of us, we are very happy that we are so much.
00:23And we have been waiting for many days.
00:26And for many years, we are seeing that
00:30to be able to learn about Baba's father,
00:35many people from India and outside of India.
00:38Many people from India go to India.
00:41So first of all, the pleasure of being here
00:45our producer and director,
00:48made their own culture in their life and
00:51It is important to be able to perform the Lord.
00:57To perform any saint is a very difficult task.
01:02Because people see them from a very spiritual way.
01:05They go to their darshan and give them a place in their mind.
01:11So, to perform any saint, this is a very difficult task.
01:18It is not easy until you have any merit of the Lord.
01:24So, I understand that I have been able to perform the role of the Lord,
01:28because the Lord had any merit of the Lord.
01:30I have been casted by the Lord of the Lord.
01:35So, when the Lord came to me and took this film,
01:39I do not know much about the Lord.
01:42I will never hear the Lord about the Lord.
01:42Because I have been a good friend of mine in the industry,
01:46who often have been treated.
01:48So, I have always heard of them.
01:50But I had never heard of them.
01:53I had never heard of the Lord.
01:53Never heard of him.
01:55So, I did not know the whole way.
01:56I didn't know anything. But when Sharadji told him about his life and he said that we want to do
02:04his work,
02:06I was happy that I had a feeling that either Sharadji or someone from his team or someone from his
02:15team,
02:16So how did this come to me? So I understood that no artist doesn't see any person's role.
02:24I understood that Maharaj has made me feel that he has made me feel that he has made me feel
02:35that he has made me feel that he has made me feel that he has not done.
02:38So what I heard about Sharadji, what I heard about his friends, what I heard about his friends,
02:45So all of these things are in your mind and in your mind.
02:48And when you portray them in front of the camera, you can see all of these things in front of
02:56the camera.
02:58Sir, as you said that he was chosen for you, so what set was a movement that you had spiritually
03:04uninstalled?
03:05Why did you see that?
03:07My first day, when we started in the Prahyadaraj.
03:11We started in that house, where the Maharaj allows us to be.
03:15He was the only house of his friends.
03:19It was made of his own house.
03:21He was made of his own friends.
03:21In that house, where the Maharaj had been sleeping,
03:24He was living in 4 times,
03:28He was living in the house.
03:31He was living in the house,
03:31He was living in the city for the Maharaj.
03:34people came to the church.
03:36So the first time we went to the church,
03:40I took them to the church.
03:44And those who have come there,
03:47who have seen the maharaj ji,
03:50who have experienced the experience,
03:53they were all there,
03:55who were very big in my life.
03:58So they have sent me there.
04:00The kambal maharaj ji was in his life.
04:03The kambal gave me the kambal to my body.
04:08And then, someone put me a hand,
04:11someone put me a hand,
04:12someone put me a hand,
04:13someone put me a hand,
04:14someone put me a hand,
04:15someone put me a hand,
04:16someone put me a hand.
04:17So they understood that it was for the maharaj ji.
04:21So when the whole scene was happening there,
04:25in the actual scene,
04:27we feel that the kambal is in your body.
04:30I have been on the stage,
04:31and that the fire was very positive.
04:34The fire was very positive.
04:35People were very loving,
04:37and people were very familiar.
04:39And I think it was very important,
04:41because of that place,
04:43we also experienced the fire.
04:45And then the whole journey was very easy.
04:47Sir, let's talk about the name Garoli Baba's simplicity and calmness.
04:53What do you have to control the actor inside?
04:57As I have said, there is no such big actor,
05:00that he can take advantage of the Holy Spirit in any way.
05:06It is not possible until the Holy Spirit is given to him.
05:11So, I think it was the only thing we have seen,
05:16I don't want to control the actor.
05:20Sir, one more question.
05:21When we play the role of spiritual personalities,
05:25some of the people in the mind of the audience,
05:27you said that you have to raise their shoulders.
05:34You think that when you do other things,
05:37you have to do something in your personal life.
05:44Like Arun Govil,
05:47when he was in Ramayan,
05:49he saw a cigarette in the airport.
05:52So, he was very nervous about how you can eat.
05:56So, this is an actor's responsibility.
06:00Do you think you have to do something or not?
06:04What do you say about this?
06:05I think that this is a person's life.
06:09It is a way to live our lives.
06:13So, I will also do many of these people,
06:18who may not like people.
06:20It is not necessary that I will be a saint or a human being.
06:24There will be many people who are very deadly villains,
06:29who kill people.
06:31or so,
06:32I find that that lady has made her face.
06:35There is a lot of trauma.
06:37There is a lot of passion.
06:38There is a lot of pompous and but there is a lady by the woman.
06:42And now I am not the man.
06:44Please come to the president of the woman.
06:46I am the woman who has seen him in the world.
06:48People will see their faces.
06:49In the real life,
06:52you must harm them as the family or not.
06:54Do it or not.
06:55But then, you need to keep some of the things away from you.
06:58Because people also see you.
07:01I didn't want to take their name,
07:03but they were a very big player,
07:06a sportsman,
07:07who came to press conference.
07:09And as they came to press conference,
07:11they saw that they had a soft drink on their table.
07:14What did they do?
07:15They took the soft drink and took a bottle of water.
07:19What happened to them?
07:21In two days,
07:22the shares of the soft drink
07:24had so many losses
07:27that they didn't give up.
07:29So as a sportsman,
07:30they wanted to give up
07:33that people would want to go
07:35to your body
07:36to drink a lot.
07:39So if we are a public personality,
07:42we should not do those things in the public,
07:44from which people
07:47reach out to the public.
07:49So that's what we keep.
07:52Sir, one more thing.
07:54Today,
07:54in a commercial cinema scenario,
07:57the spirituality is also glamorous.
08:00How did you maintain the balance of authenticity in this film?
08:02How did you maintain the balance?
08:04I think this is all the credit
08:06from the writer and director,
08:07Sharat Singh Thapurji.
08:09Since 4-5 years ago,
08:11they shared all the research
08:12and the whole team with their actors.
08:15And with their research,
08:18keeping their trust,
08:20keeping their trust,
08:20keeping their trust,
08:20keeping their trust,
08:21keeping their trust,
08:22keeping their trust,
08:22keeping their research
08:32and keeping their trust.
08:33So what does the pressure
08:35increase in this responsibility?
08:37What do you think?
08:39I don't have any pressure
08:39to take my trust.
08:41I don't have any pressure.
08:42When you take the pressure,
08:43the person gets away from you.
08:45You get away from the person.
08:47You get away from the person.
08:49You get away from the person.
08:51You get away from the person.
08:52I say that
08:52I am not listening to them.
08:54I don't have anything.
08:55So whatever you do,
08:56you do.
08:57I am very small.
08:59So don't believe
09:00that I am going to increase
09:01anything.
09:02If you believe
09:03that this is my body,
09:04that there is nothing to do,
09:05then I am going to do it
09:06with his hands.
09:06I am going to do it.
09:08So this is not my responsibility.
09:10Because you are very small.
09:11Sir,
09:12like you said,
09:14you said,
09:14like Dr. Kashinaat Ghanekar,
09:18like Real Life Legends.
09:20So,
09:20Neem Karoli Baba,
09:21And how are theyés with each other?
09:24And what are theyés with?
09:26They are ahead of these.
09:27Because the role of the freedom fighters.
09:30And the role of the theatre of the future,
09:31Kashinaat Ghanekar,
09:32and the role of the theatre.
09:33And the role of the master of the plants,
09:37and the role of the psychic andbble.
09:41are a great character of the powerful
09:42So many people are involved.
09:44And the role of all the roles.
09:46And the role of the spiritual arts,
09:48And the father of the son is a great lady.
09:56It was a different way to look at their lives, or to look at their bodies, or to look at
10:02their bodies.
10:04So, I think that we can do the whole film with the research.
10:11Sir, historical and biographical characters, do you follow the facts or emotional interpretation?
10:20Look, the facts are necessary, but the emotional interpretation is necessary because we don't have a book on it.
10:28We don't have a book on it. This is not a documentary of Maharajji.
10:31We don't have a book on it. We don't have a book on it. We don't have a book on
10:36it.
10:36So, the facts are necessary, but we create a scene.
10:42What will happen?
10:43We imagine a director by creating a scene.
10:48So, definitely, the facts are responsible, but there is an emotional interpretation of the facts.
10:53Sir, do you think that the audience has more subtle and sound performances?
10:59I don't think this is something.
11:02Because we watch films from other countries,
11:05some people are loud, some people are very subtle,
11:08some people are doing videos.
11:10So, I think the emotions are important.
11:14Acting in any way.
11:16Sir, I think that in regional cinema,
11:18the content of the cinema is more strong.
11:28Hindi cinema is also a big star.
11:31Look, every film is a big time.
11:35So, in the years, there have been a lot of films in Hindi cinema.
11:41I say that in all countries, there have been a lot of great films in India.
11:45Whether it is Hindi, Bandali, Tamil, Telugu, Malayan, Kanad, Marathi,
11:52Udiya.
11:53So, in every language, there is a time that a lot of good directors, writers, actors,
11:59that in the years.
11:59Sometimes the people come together with the audience
12:01and they are made in a lot of amazing films.
12:03So, you can see that in Hindi cinema,
12:05they are looking for themselves and trying to find themselves,
12:09trying to explore themselves.
12:10So, in Hindi, the small films that they are making are making,
12:14they are are making very amazing films.
12:15The Malayan film, that is made in Awards, is also very good.
12:18And in Marathi, there are really good films.
12:20And with Bandali, there are really good films.
12:22And with Bandali there are really good films.
12:22And in Tamil, there are also those great films.
12:25So it comes in every language, in every culture, and in every culture.
12:31So that's the same phase in the Hindi film industry.
12:33Sir, if you talk about young actors,
12:35you focus on social media and regular PR machinery.
12:40Do you think that there is a craft compromise?
12:44Yes, I don't think that many people in social media have become a very important part of your life.
12:51So many youngsters who are watching videos,
12:53have become a part of the workshop.
12:58There are many workshops that are not in Mumbai.
13:02There is a workshop in Karnataka,
13:04in a village for 12-20 days.
13:07I also see many youngsters there.
13:10So it's not that they don't have seriousness.
13:12I think that they have more available sources of my generation.
13:18If there are social media in our generation,
13:20we are also working on them.
13:22So there is no mistake.
13:23There is a mistake.
13:24There is a mistake.
13:24There is a mistake.
13:25If you talk about it.
13:26But even today,
13:28the new generation,
13:29they are exploring themselves in different ways.
13:33They are looking for themselves.
13:35They are looking for themselves.
13:35So I think that they need to give a push.
13:36I think that they need to give a push.
13:40I think that they need to give a push.
13:40What do you think about the dedication of the patients of today's actors and today's actors?
14:06What do you think about them?
14:07I think that every person has a journey.
14:11A journey of oneself.
14:12it's a different journey.
14:14It's a different journey,
14:14a different character's journey.
14:15They see a different view of the artist.
14:18I see a different view of the artist.
14:20What is your intention?
14:21And what is your intention?
14:23I think that it's a huge attitude to your journey.
14:27So for me, it's more minor in commercial cinema or in art films.
14:33I do the same thing that I like.
14:36Sir, Neem Karolili Baba's miracles and teachings are famous all over the world.
14:40How do you connect with his thoughts?
14:44I think that his whole life is connected.
14:49Because those little things that Neem Karolili Baba has learned from all of his life,
14:58if you look at that story, you will understand what you want to say.
15:03Sir, how do the teachings of Neem Karolili Baba's stressful and fast-moving generation are so relevant?
15:10It's very important.
15:11First of all, make sure that what is happening is happening with someone.
15:15What is happening is happening to you.
15:17What is happening is happening to you.
15:19What is happening is happening to you.
15:20And if you understand this, you will be very positive.
15:26Sir, you have given the importance of performance in our career.
15:30So, do you think that the mainstream opportunities are found?
15:36I don't think so.
15:37Whatever you get, I'm very happy.
15:40Lastly, sir, what are the future projects?
15:42Can we see you in Ramayana?
15:44Ramayana?
15:45Ramayana?
15:46Ramayana?
15:46There are many Ramayana.
15:47Ramayana?
15:47Sir, what is Ramayana?
15:49No, it's been a shooting film.
15:52There are many films.
15:54There are many films, there are many series,
15:56there are also.
15:57There are also films, there are also.
15:58There are also Hindi and Marathi.
16:00There are all of them.
16:02So, every actor is so excited to me as much as the Maharaj's actor is so excited to me as
16:08much as the fiction actor is so excited to me as much as the actor is so excited to me
16:13as much as the actor is so excited to me.
16:14Sir, what would you like to give a message to the audience?
16:17Since this film has been released in the whole world, you must go to the cinema, go with your family,
16:24and make this film with your father's son.
Comments