00:00First of all, welcome to INS.
00:02Thank you, thank you, thank you so much.
00:04Sir, if you are wondering,
00:06this is the Bharat Bhagya Vidhata.
00:08I am an Ajwan Kasap-Kiridhar.
00:11It is a very sensitive and emotional subject.
00:15So, when your Ajwan Kasap's role was offered,
00:17what was the first reaction?
00:19My first reaction was,
00:23actually, I didn't want to do this.
00:25Initially,
00:26because it was a very hated character.
00:29The whole country,
00:29it was the same.
00:31In fact, I also do it.
00:33So, when I started a negative character,
00:35and my career started,
00:39I didn't have a negative character.
00:42So, I was very, very, very doubtful.
00:46Then, my teacher, mentor,
00:48I have a film called Z5.
00:51His name is Safiya Sabdar.
00:53His name is Baba Azmi.
00:54He is my mentor.
00:56I have a film of my second film.
00:59He was my friend.
01:00So, he told me that,
01:01baby,
01:02you are on a career,
01:04whatever you want to do,
01:05whatever your work is,
01:05just show up.
01:07You do it.
01:08And if your work is good,
01:09then you will also be able to keep your work.
01:11So,
01:12you will have to make a typecast,
01:15no tension of the image,
01:17you might want to make a typecast.
01:25So I just followed my philosophy because I don't like my mother, I don't like this role.
01:31My mother doesn't like it, I don't like it.
01:32So she told me that I am very happy and happy characters.
01:35I am happy and happy to see people who are happy.
01:40How was your contribution to contemporary characters?
01:43How was it challenging for this role?
01:46How did you research this role?
01:48I did a lot of research.
01:53Actually, when this character came to me in December.
01:58And actually, his preparation started in August.
02:01In August, I made two or three films for this character.
02:06So I made an audition for him.
02:07So when I made an audition for him, I did a lot of work.
02:09And I did a lot of work in the shortlist.
02:16But in December, I had a lot of work in my character.
02:18So my preparation is already really good.
02:20So I had to write a lot of work in this film.
02:23There is a lot of work available on YouTube.
02:24So I was working on the chief investigating officer.
02:28And I was working on this case.
02:29So I was working on a book called Kassab and I.
02:32So he told me that Kassab was doing a whole thing.
02:35The knowledge that Kassab was doing his training,
02:36What kind of training was done?
02:38What kind of brainwashed was done?
02:40From those who were very easily and told him,
02:42That he was brainwashed.
02:43How did the brainwashed happen?
02:45It was a complete process.
02:49So many documentaries, books, incidents, and interviews
02:54in which they were talking about what they were talking about
02:59and what they were describing.
03:00So, I prepared the character.
03:04As characters play,
03:07we need to balance the character.
03:10We need to understand their ideology.
03:12How did you handle this challenge?
03:15Yes, this was the most challenging part.
03:19Because,
03:20Kassab was a man who had interviewed,
03:24watched and watched in documentaries.
03:26So, he said that he was attacking
03:27like a child with a gun,
03:30and he was attacking someone.
03:31He was attacking someone.
03:32He was attacking someone.
03:33And I was attacking someone.
03:35Because I was a vegetarian.
03:38So, I was against all the killings.
03:41He was attacking someone.
03:42So, I said,
03:43how do I relate?
03:44And how do I reach it?
03:46And how do I reach it?
03:47So, it was very difficult for me to think about
03:49that my ideology is that I want to kill someone.
03:53So,
03:54it was very difficult for me to find out.
03:55it was very difficult for me.
03:57they say that,
03:59good and evil
04:01to be able
04:02It's a whole story.
04:03You have to acquire a ram.
04:05You have to acquire something.
04:07You have to acquire a character.
04:09You have to acquire a character.
04:10You have to get into it.
04:11You have to find yourself.
04:12you have to find a character to find it.
04:15You have to find yourself.
04:17And you have to find yourself and find yourself.
04:24I think that the moment of shooting was the same moment when you felt positive and emotional impact?
04:29In the shooting time, there was no such moment.
04:35But the preparation was the same.
04:37You felt like you were feeling like this?
04:41I think that when I reached the stage, I was prepared for myself.
04:47But the painful moment was the time of preparation.
04:49I had a lot of time for my time.
04:50I was always reading and reading and reading.
04:55Now you are going to sleep and read a little more.
04:59I had to read documentaries on the night.
05:02It was always disturbing.
05:05It was always painful.
05:07I would love to do the work in the morning and not do the work.
05:11I could sleep in the morning.
05:12I would like to see light things on your balance.
05:17The audience has had a lot of time for your performance, but how did you get the feedback from the
05:22industry?
05:24Did you say that your work was really good?
05:29I got a good feedback from our film and all the nurses in the film
05:37I met Smita Tambi and I met him in the film
05:42I called him first and I met him very many actors
05:45I met him in Singham
05:48I didn't have any acting and I was like, what a good scene is
05:53I didn't remember him in the film
05:55I really like your work.
05:59When it launched the trailer,
06:02the ma'am told me that you are my favorite actress.
06:06After watching the film, you are my favorite actress.
06:10That was my favorite performance.
06:13He told me that it was good.
06:18In real incidents,
06:20there is an extra responsibility for actors.
06:23Do you think that this role has changed as an actor?
06:28Yes, very much.
06:32You know that life is not as much as you are watching.
06:36There are also many different things.
06:38For example, I don't do research on this topic.
06:41Why do I do as a human?
06:43Why do I do as a human in 2016?
06:46But when you film films,
06:48you will know that there is a whole system
06:50which one seems to be a women who are very human,
06:56who are not just working,
06:57who are not doing and they're being weaponized,
06:59who are being brainwashy,
06:59who are being evil and people are making evil work.
07:02So I think these things,
07:03these fascinants of this character,
07:05in which I should do.
07:06Why would I become a person
07:07who will think of this...
07:10FTI journey and acting process after trading in industry, what challenges do you have to do with the challenges?
07:23Challenges are in this field.
07:28FTI has to be confident in itself.
07:37I have a confidence in FTI.
07:40I feel like I have a process.
07:43I know how to do it.
07:45It depends on the roles and how to channelize the roles.
07:52It depends on the roles that you have to do with the roles that you have to do with the
08:02roles.
08:02What is the role of the roles?
08:49What the role of the role of the roles are there?
08:49So, we can be able to do something, we can be able to do something, but we need to be
08:55able to do something in any type class.
09:00So, I believe in this philosophy.
09:04Every actor has a rejection and uncertainty.
09:08How was the difficult phase in your career?
09:11How did you overcome this?
09:13Or, I thought, I was working on this.
09:17I thought, I would go back home.
09:20Or, I would like to go back home with that.
09:22Or, I would like to do something, I would like to do something.
09:29The second plan was that our teachers, who Naseer has said something, when they came to the theater,
09:36and then FTI came to the theater.
09:38So, Naseer has said that if you have any plan B, leave it on that.
09:48So, there was clarity that there was no plan B.
09:51It was very clarity.
09:53But in lockdown, there was a phase when I was studying in FTI,
09:57and we had three sinisters.
09:58So, lockdown was over.
10:00It was about a quarter of a time.
10:01We were empty.
10:03So, I thought, how will it happen?
10:06Acting is very difficult.
10:07How will it happen?
10:08How will it happen?
10:08How will it happen?
10:09When will it happen in Bombay?
10:11When will it happen?
10:12When will it happen?
10:12When will it happen?
10:13In those things, it was negative.
10:15But my teacher in Delhi, Mohit Tripathi Sir.
10:18I was only actor.
10:20I am an actor.
10:22I took them through my life on lockdown.
10:25I left an actor.
10:26I took my acting classes at lockdown.
10:27And ended up doing two on lockdown.
10:28I醜 I played an actor,
10:29and played an actor.
10:30And, I liked it.
10:32And then, I thought,
10:32OK.
10:33Now, when I do it, everything will work.
10:35So, I don't have much attention.
10:37You are now looking at this one.
10:43So what are your thoughts on your journey?
10:49Every step for me is just a wonder.
10:53I'm just amazed.
10:55I want to see what happens.
11:00I want to see what happens.
11:02I think what happens is that I have done so much work from my community.
11:06The town is all in the city.
11:10If you don't get the result of this in the city,
11:11even if you don't have to get the result of this in the city in the city.
11:11But, in the city of Angath,
11:14I am very proud to have done the part of Angath.
11:20You went into Angath as a person's great.
11:28The part of Angath is the very opposite of Angath.
11:31Then I went to Ramayana.
11:34The best thing is this.
11:36As I finished my work, I can easily shift my focus on the other work.
11:40This is finished.
11:43In Ramayana, we had physical training.
11:46You are doing the movement.
11:49You should walk like an ape.
11:51You should feel like a monkey.
11:53That's all we have learned.
11:54I had a lot of difficulty because when you learn what, when, where, why, how, who,
12:04this is how you learn how to learn.
12:05This is how you study for a computer, this is how you study for a computer.
12:09It was how you study reality.
12:10Now it is how you do it.
12:16How did you learn how to do this?
12:20How did you learn the experience with this?
12:21Did you get to learn something or do you remember them?
12:26I will tell you, when I shot them, there was a scene where they were opposite Chandon Roy Sanyal.
12:37So the camera was put on them.
12:40Ghanvi Kapoor Ji was giving cues for them.
12:44So I saw that they are behind the camera and they are giving cues.
12:49They asked me, do you need Ranvir Kapoor to give cues?
12:57Chandon said, it's okay, I will do it.
13:00But Ranvir said, no, I would love to give cues.
13:05So that was so good.
13:06And they gave the whole cues and enhanced the performance.
13:10And this is exactly the same.
13:11So when we make an audition, when we make an audition, if someone has a friend, I am making an
13:15audition.
13:16So why would I give it to him?
13:18I would like to be a father, a wife, a child, a child.
13:22I would like to be a cue so that his performance could be good.
13:26And that scene could be good.
13:27I saw that Ranvir Kapoor.
13:29So this was a good scene.
13:32That scene could be a good scene.
13:37So this scene could be a good scene.
13:39And we now have a good scene.
13:43I don't have to be a good scene.
13:45And that scene could be a good scene.
13:53We're in the scenes, we're in the same direction.
13:55But I don't have to be a good scene.
14:00I was nervous.
14:01I was nervous.
14:04He was standing standing by the way.
14:06He told me about the scene.
14:07He told me about it.
14:10Hi.
14:11I said hi sir.
14:13I am a physician.
14:14I am sorry.
14:16He told me how to break the scene.
14:19We were able to break the scene.
14:22He told me about the scene.
14:23In fact, there was a scene.
14:25He said to him,
14:28He told me about it.
14:30He told me about it.
14:31Of course, of course.
14:33He went to me and walked.
14:36He came to me and came to me.
14:37He gave me all the cues and performed.
14:39He also felt the scene better.
14:43In the industry and cinema,
14:45especially in Bollywood,
14:47there are cinema and life-tacticals
14:50of both children.
14:52How do you feel about the expectation
14:53in which direction?
14:55I don't know the audience.
14:59I am an audience.
15:01I am an actor.
15:02I am an actor.
15:02I am an actor.
15:03I am so happy that I get to see more and more good stories.
15:08As an audience.
15:09As an actor, I get to see more stories.
15:12I don't have to see the scale.
15:15I feel like narrative film is very strong.
15:17I do not want to see a story.
15:19I don't want to see a story around the world.
15:21But, I want to see a story about it.
15:24That was really good.
15:25The story is very good.
15:26If you don't want to see a story
15:30I am an actor.
15:42If you don't want to see a story,
15:44you don't want to see a film.
15:45I was surprised that I didn't see anyone's face or not.
15:54What was the interaction between them?
15:57My opinion was that when I started preparing this character,
16:02I told him that Kassab and Ismail were the two characters.
16:07the other terrace, the smile and Aditya Narayan had played.
16:12So, these two are both to meet anyone in the set.
16:16We used to be in our vanity.
16:20We used to eat, we didn't contact anyone.
16:23This was the director's vision.
16:25And I didn't have a direct scene, only one scene.
16:29The last one. I performed one scene.
16:32And their give and take is very good.
16:34And they gave me give and take.
16:36So, my performance is also the same.
16:38It's always your co-actor.
16:40We used to teach the acting as a co-actor.
16:43If you're a co-actor is good, then it's because of your co-actor.
16:47If you're a co-actor, you're a co-actor.
16:49So, I'm just supportive of the co-actor.
16:49So, I'm just getting the co-actor.
16:51I'm just getting the same.
16:51I'm doing so much quality.
16:54Ajman, Kazaab, Angad, Urta.
16:57These are three different roles.
17:00So, Rahit Khan is a versatile actor.
17:02Do you have to establish that this is a conscious strategy?
17:06Or is it organically?
17:08No, there's no strategy.
17:10Because there's no strategy.
17:12So, it's organically.
17:15We're actors.
17:16We're doing FTIs.
17:17We're doing FTIs.
17:19So, now things are organically.
17:22Now, I'm not taking this, but I'm not taking it.
17:27Now, I'm doing this process.
17:30Now, I'm doing this process.
17:32So, I'm doing this work.
17:32And, Inshallah, I'm doing this work.
17:34So, I'm doing this work.
17:35And, I'm doing this work.
17:38But, I want to offer it so much.
17:40So, we're doing this work in a very new phase.
17:43So, I'm open to any character which has some substance to it.
17:47Through form and intercom.
17:48So, we're looking at the same type,
17:48so, it's a challenge.
17:48so, we're doing this toappreciate,
17:48And, after then,
17:48something that's going to happen,
17:49it's deep and SAM.
