00:25This is Tim Osprey from Festtrek on SurfTV.
00:28How do you come here in Cannes, France for the Cannes Film Festival?
00:31Well, I think that first of all we had a lot of reading sessions about the script and the character
00:39and we really talked about her personality and how we saw her in the film.
00:46And then we talked a lot about films that had inspired me and other characters in this film that we
00:54could take inspiration from.
00:56Which films?
00:56I mean, mostly Black Swan from Darren Aronofsky.
01:02For the madness and the fact that the character drives crazy at the moment in the film and the use
01:09of the genre as well.
01:10And then after she worked a lot on her side and I think that she did a lot of research
01:21about how she was going to mentally and psychologically make her character evolve during the film.
01:32Hello and welcome to Bloody Burger.
01:34Can I take your command?
01:35Hello and welcome to Bloody Burger.
01:37Hello and welcome to Bloody Burger.
01:45it's this character and to bring the nature of nature and to plant the
01:51decor of what the character is going to live. And then after that, when all the
01:56change corporel is coming, it's easy because we are helped by the team
02:02of the person who made the SFX, etc. And suddenly, we have an impression of
02:06having a character in plus, who is your character who helps you to enter
02:08in this second body. And the two are complete and
02:14accompany her.
02:15Could you talk about sort of building the world of the hospital?
02:19Yes.
02:20That she could exist.
02:21Yeah, yeah. But I think the hospital is a character itself, you know, in the film.
02:25And I really imagine it as a monster. And I wanted to put my characters in the
02:33center, you know, of this monster. And so this is how I imagine the
02:38the hospital. I wanted to be, I wanted to be very organic. And so there is a lot
02:44of, there are a lot of references to blood and, you know, veins and fluids and all
02:52the sounds that you can hear in the hospital, you know, are organic sounds taken
02:57from human, you know, bodies. So yeah, this is how I imagine it.
03:08You know, it's amazing.
03:15It's amazing to have a prosthesis. It allows you to discover another corporality. And
03:21And suddenly you play with something that you don't know.
03:24And so, like the character, you discover a new tone, a new way to touch your body,
03:29to apprehend your body.
03:31In the other hand, I wasn't feeling claustrophobic.
03:34I had the impression of a new tone, to discover something.
03:41It was quite jouissive to be able to play with it.
03:45Yes.
03:47I think what I liked about this character is her empathy and the place where she wants to do it.
03:54Because what she does has a sense.
03:57And little by little, in the film, we try to remove all the sense of her coming and why she
04:05does that.
04:06I don't like anything anything in this character.
04:08In the other hand, it's a character that I touch a lot and, without spoiling the film,
04:13I prefer to sacrifice rather than continue to go further in this madness.
04:20And I think it's beautiful.
04:23This character is full of humanity and we should have a little more in this world.
04:28And, it's beautiful.
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