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Fest Track On Sirk TV Film Interview: TERRESTRIAL [Fantasia Film Festival 2025 - Montreal, Canada - Virtual] - Part II
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3 months ago
Actor Jermaine Fowler talks to Fest Track about motivation, tone and approach in regards to the world premiere of his film "Terrestrial" playing the Cheval Noir section of the 2025 Fantasia Film Festival in Montreal, Quebec.
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Short film
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00:00
I've always felt like there's some people
00:29
who kind of need to be handheld in a way
00:32
to see a perspective.
00:33
And there are people who are eager to see the perspective,
00:37
which is why I think it's great to have villains
00:41
or bad guys, so to speak, who are more full
00:44
and more, every villain thinks they're the hero
00:48
in their own story, right?
00:49
And that's why I think some of the best movies
00:51
have a dynamic and layered antagonists.
00:57
You look at the Joker, again, for him, it's strange
01:02
because he doesn't really have a solid backstory,
01:05
but he's so passionate about what he's saying
01:08
and his philosophy is so ingrained in him
01:12
that you want to hear him talk again.
01:15
You want to see him.
01:16
You don't really, I mean, there are people
01:18
who even rooted for him because his perspective
01:20
was, come on, you know?
01:24
I've always felt like that's how you know
01:25
you have a good film is when every character
01:27
is spoken for and the perspective is very solid.
01:31
So I think this does a great job from not just Alan,
01:33
but from all the, you know, my co-stars
01:37
to everything, even behind the camera,
01:42
every department felt like they had something
01:45
they connected to with the story
01:47
that they wanted to kind of leave an imprint,
01:50
you know, from art department to music
01:52
to the editing.
01:53
Like, I think everyone had something
01:54
they wanted to say
01:57
and that they wanted to leave behind for this film.
02:00
So I think that's why it's connecting
02:02
with a lot of people.
02:04
The Vox, they are native to one of Neptune's moons.
02:13
They come to Earth in secret
02:14
and they choose when to be seen
02:16
and they choose when to remain hidden.
02:19
For years, they lived in the periphery,
02:21
observing us, testing us,
02:23
trying to determine who has the greatest potential.
02:27
But it's seldom the one that you think.
02:29
Could you talk about the logic
02:30
versus the emotion of it?
02:31
Because there's a scene with you
02:33
and Brendan, for example,
02:34
where basically you're like,
02:36
I get it, but why?
02:38
You know, and you see the logic
02:40
and emotion of the situation.
02:42
You see Alan thinking us through,
02:44
like, what do I do to get through this?
02:47
Could you talk about that logic
02:49
and emotion within the character?
02:50
I just remember when we were filming those scenes,
02:55
when it comes to Alan,
03:02
logic was outweighed.
03:04
I'm sorry, excuse me.
03:05
I think when we did those scenes,
03:06
it felt like for Alan,
03:09
the emotion outweighed the logic.
03:11
He was so desperate and ashamed of his own life
03:15
that he still felt he can get away with this.
03:19
There was still something in him.
03:21
He was like, I got this.
03:24
I can still, and that, again,
03:26
it's all logic has gone out the window with this guy.
03:29
And that's because he's just so desperate
03:32
to keep this lie going.
03:37
And I think it just goes to show you
03:40
how much he did not,
03:43
how much being embarrassed was going to affect him
03:47
and how long he's been just wanting to be successful
03:55
and also prove people wrong.
03:58
I think all those things kept him from being
04:03
just rational, all those things.
04:09
And it ends up being tragic.
04:11
And that's honestly, that's reality for him.
04:15
That's life.
04:16
In one of the novels, it's this janitor from Indiana.
04:20
He's a fucking loser.
04:22
I know about it.
04:23
But the Vox Dees, they see greatness in it.
04:27
When they're ready,
04:28
they will shepherd the Chosen Ones away
04:30
into a transport vessel
04:31
where they went into a greater Vox Dees consciousness
04:33
called the Vox Electus.
04:38
My last question to you
04:40
is the fact that, like,
04:42
obviously you've done a lot of comedy.
04:45
You know, well, Brendan,
04:46
everybody in this film, a lot of them,
04:48
could you talk about the finding the humor
04:51
in the darkness?
04:53
Obviously, Steve can find that
04:55
and you can find that.
04:56
But can you talk about that balance?
04:57
Like, there's a scene in the kitchen,
04:59
which there's a funny part of it,
05:01
but there's also something so dark about it.
05:04
Yeah.
05:04
Honestly, I don't think...
05:06
I can't speak for everybody,
05:07
but I honestly didn't approach this film
05:11
with a comedic point of view at all.
05:16
I didn't set out to want to make people laugh at all.
05:19
I don't think Steve wanted to either.
05:21
In fact, the situation is tragic.
05:26
And again, that's a part of comedy.
05:28
That's a part of my favorite comedy.
05:30
Tragic comedy.
05:30
Tragic comedy.
05:31
Yeah, you're right.
05:32
It starts with the awful thing
05:33
that you can think of.
05:35
But a comedian's perverse filter
05:37
turns it into something that people laugh at
05:40
because it pokes at something
05:41
people are really feeling deep down.
05:44
And I don't think we really...
05:45
There are zero jokes in the movie.
05:47
No, I know.
05:48
No, it's uncomfortable.
05:49
It's awkwardness.
05:50
That's what makes it...
05:51
It's awful.
05:53
And I think that's why movies like Fargo
05:55
and...
05:57
I got to put Fargo up there.
05:59
I think Fargo is probably...
06:00
I love Burn After Reading, by the way.
06:02
It's one of my favorite, like...
06:03
But again, there's no jokes in it.
06:04
It's all situationally...
06:05
It just makes you uncomfortable.
06:08
It's really beautiful.
06:11
So they're like...
06:14
The good guys?
06:25
It's personality, though.
06:27
Yeah.
06:27
When you see that happen to Brad Pitt.
06:29
Yeah.
06:29
You're just like...
06:30
It's not funny, but it's just sort of...
06:32
Why did that happen?
06:33
But it happens when you...
06:35
You can truly execute that well
06:37
when you set up the stakes.
06:39
And once you set that up,
06:44
you can go anywhere you want to go.
06:45
And this movie goes a lot of places.
06:47
So I think...
06:49
I don't think...
06:50
I think every actor in the film
06:52
do have comedic chops.
06:54
But I don't think they approached it
06:56
as like, this is funny.
06:58
This is going to make...
06:58
I think we all approached it honestly.
07:00
And what came out of it
07:02
was something people really
07:05
just kind of reacted to.
07:08
Whether it was cringy,
07:10
whether it was like...
07:11
I heard gasps in the theater.
07:12
I heard laughing.
07:13
Every emotion I think we hit
07:15
during that rollercoaster ride.
07:17
But I would say it's only because
07:18
we approached it the most honest...
07:21
Just honestly.
07:30
Apparently I....
07:32
that's...
07:34
maybe it's just one of us
07:35
that, uh...
07:36
or of the lip
07:39
I'd like or have to...
07:40
When were done.
07:41
Had any..
07:42
with you,
07:43
I have no doubt about the...
07:45
I would?
07:46
If I'm not a felt drawer.
07:47
You mean that
07:48
what if you hardest hit?
07:49
Lass gaming multiplayer then?
07:49
In this film...
07:51
where you can see when...
07:51
I'm getting held in touch.
07:52
And so you guys...
07:53
by you doing all I can...
07:53
play left...
07:55
And I have no idea
07:58
this movie.
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