00:25This is Tim Wassberg from Festtrek on CERN TV.
00:28I'm here in Cannes, France, for the Cannes Film Festival.
00:31Is there a musicality in how you see characters, or how do you see characters?
00:36Like these, they move very specifically.
00:40No, I think I don't use music that way, but it's a great way to...
00:47But what do you do? What do you do?
00:48Well, sometimes I use some music for some scenes, for example.
00:52Like, that brings me that, you know, mood or that atmosphere that I need for it.
01:01And I need to feel this way, or I need to hear this song, and that brings me to this
01:10moment for the character.
01:11Maybe yes, in that way.
01:14Because she lives in two different worlds, too.
01:17She's in her world where she likes to party, but she's in her world where she has to work.
01:20I think so, like, in the energy that I needed, you know, when I had to be much more awake.
01:31When I was alive and I was like a little girl, I was like a little girl, but I can
01:34feel like I'm going to be the same way.
01:37And in other words, the silence, which is also music.
01:43When we were in Mexico, we were only going to be able to come coming.
01:46When we were in Mexico, we were only going to be able to come.
01:46And we were like, in that avión, mamma, mamma.
01:51There, that's why you were the one who wanted to come.
01:53To see if you were here in Spain, you'd be able to come.
01:55Listen.
02:18Yes, we talk about that, how Isabel feels, and she feels a lot of anger.
02:25She is like frustrated, but we also talk about that she's exhausted.
02:32More than upset or, you know, and more than hate, it's like she is beyond her capacity.
02:43You know, it's like it's been too much for so long, and now that she has done so much
02:50to try, you know, to be with her treasures, it's like they are not, you know, it's like
02:58it didn't worth it because they say, like, I am a bad mom, I am a pain in the ass,
03:05that
03:05they hate me.
03:06I mean, they are teenagers, but at the same time, it's like, but all the things that
03:10I have done for you, you do not see that it's for your own good.
03:17So, she's very frustrated and she's very exhausted of working and of trying, but she doesn't,
03:25because she doesn't know how to do it, because she's fighting with herself instead of, it
03:31was as easy to ask, are you okay, my dear?
03:34How do you feel?
03:36But she doesn't know how to do it because nobody taught that to her, because she comes from a
03:41family that didn't do it.
03:45No vienes a Barcelona porque no quiere.
03:47Donde caben, una caben, dos.
03:49Tú sabes que puedes venir a visitarme cuando quieras, mi tat?
03:58I love your Spanish, it's really good.
04:00If you're good, you're just going to not see the
04:04cagapalos of my boss.
04:06The cagapalos, wey.
04:08No mames, I'm going to see you maduras, cabrón.
04:10I'm so sorry.
04:12I'm so sorry.
04:15I'm so sorry.
04:15I'm so sorry.
04:16Do you have the code?
04:16Yes.
04:18Arturo, the code?
04:21I think Lucila, when she comes back to Mexico,
04:25she's back to be another.
04:27I think that all the time she's in Spain,
04:31she idealizes a Mexico that doesn't exist,
04:35because we think about it with an ignorance,
04:38where, of course, everything was better.
04:41But she comes back, and she comes back with new experiences,
04:47that is, everything that she could live there,
04:51also the independence, the autonomy,
04:55that to come back to a family that is machista,
05:01that has lived all the time locked in.
05:06It's like, no, this was not what I thought about Mexico.
05:10A country that is becoming more insecure for women.
05:14You can't live a normal life as a woman,
05:16because all the time you can be in danger.
05:19I think that's something that you realize
05:22that I need to grow.
05:25Here, where I want to live.
05:27Here, where I want to live.
05:27You're a philosopher.
05:53I mean, we all have dreams, but then, life comes and hits with the reality.
06:00And it's very hard to, you know, to get it and organize your life again,
06:08because the dreams you really wanted are not coming through, or not now.
06:14Yeah.
06:15So, I mean, personally, I was an immigrant when I was 23, and I moved to Spain.
06:21And it's so hard to see that your dreams are not coming true.
06:26But at the same time, it's the best way to grow.
06:30I mean, you need to do that.
06:32You need that.
06:33Because it gives you...
06:34Strength.
06:35Perspective is very important.
06:37It happens to me.
06:38I mean, you need some distance, so you can see the whole picture.
06:45And in order to grow and be an adult, you really need to be hit by a reality.
06:51Wow.
06:51Oof.
06:59Thanks, Kevin.
07:14I mean, I was different fromiling.
07:15Chief.
07:15Up.
07:18It is good for the movie.
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