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00:04I'm on my way
00:30Whim-ba-wim, oh, limb-ba-wim, oh, limb-ba-wim
00:32In the jungle, the mighty jungle
00:36The lions sleep tonight
00:40In the jungle, the...
00:42Whoever it is we're waiting for, it better be bloody worth it.
00:46There's a ton of paparazzi in the car park.
00:52Mr. Saban!
00:54Mr. Saban!
00:57Sorry, Daisy, but my mother had a bit of a turn. It was a quite long night.
01:02I think Titania's all right, then.
01:07I think perhaps Lorde's gone too far this time.
01:14Who are you playing?
01:15Hermia.
01:17I thought you'd be playing the pretty one.
01:18Oh.
01:30Nice touch for the photographers.
01:33Isn't it just?
01:49Another nail in the Ventura coffee.
02:07Jesus fucking Christ.
02:12Your mother's changed sides.
02:20You don't know how to fight again.
02:24Oh.
02:25Oh.
02:28Oh.
02:30Oh.
02:32Oh.
02:34Oh.
02:36Oh.
02:36Oh.
02:37Oh.
02:38Oh.
02:39Oh.
02:40Oh.
02:42Oh.
02:44Oh.
02:44Oh.
03:11MUSIC CONTINUES
03:13Hello, my Rose.
03:15What are you doing?
03:17The board was exceptional.
03:18Well, I told you she would be.
03:20An entirely authentic performer.
03:22It's as if she's lived it all before.
03:24Thank you for telling me to hire her.
03:27I'd be lost without you, darling.
03:42What are you doing?
03:44Getting into bed.
03:45Sorry, Declan, I'm back for work, not for you.
03:48You're telling me I'm not welcome in my own bed.
03:51Anything else you want to take while you're at it?
03:53I'm not taking anything that wasn't already mine.
03:55It's my house too, remember?
03:57I decorated it.
03:59Yeah, I know.
04:01I'm still paying the bills.
04:06Close the door!
04:14Good morning, Susie.
04:16Hi.
04:17Good morning, Mrs. Barriger.
04:19Here you go.
04:21Can you please not broadcast the fact that I've forgotten my scripts?
04:24Okay, well, I have to get back.
04:26I'm waiting for the call from Carol.
04:28Mm-hmm.
04:29The call about the publishers.
04:32The bidding war on my book.
04:33Where's the pen?
04:34What pen?
04:35My parker.
04:36So I can make notes.
04:37What?
04:37This is a rehearsal, Lizzie.
04:38I have to make notes about my character.
04:40You say you're a writer.
04:41Can you please write things down if you can't remember them?
04:43I don't know why Tony even asked you to do Mids of Night's Dream.
04:46You're not an actor.
04:46Tony asked me to do this because I am the face of Corinna.
04:49I mean, Lizzie, for once, could you please at least try and be supportive of my career?
04:56I can't feel sorry for being married to that.
05:06Me thinks, mistress, you should have little reason for that.
05:09And yet to say the truth.
05:11Ah, we're rehearsing.
05:12Sorry, I forgot my notes.
05:15Me thinks, mistress, you should have little reason for that.
05:18And yet to say the truth.
05:20Costume is saying nipples or...
05:23No nipples.
05:24Nipples.
05:25Dang.
05:26Mm-hmm.
05:26Charles says nipples.
05:27It's like fucking Piccadilly Circus in here.
05:29I know.
05:30I'm sorry.
05:30Please continue.
05:31Well, I've lost it now.
05:32I'll try and find him.
05:36I'm the most beautiful creature you ever saw.
05:40There he is.
05:41Me thinks, mistress, you should have little reason for that.
05:44And yet to say the truth, reason and love keep...
05:47Sorry, Charles, but Andrew needs the mattress.
05:50For fuck's sake.
05:51Please.
05:55Brilliant.
05:57Absolutely brilliant.
05:58Sorry.
06:00Sorry.
06:01Sorry, Charles, sorry.
06:02Actually, Charles, what do you think about going a bit further with this scene, sexually speaking?
06:08Yes.
06:08I think less is more, don't you, Charles?
06:11I think we imply, not do.
06:15Okay, well, I'll leave this in your capable hands, Charles.
06:18But just say the word.
06:20And I will happily oblige.
06:23Didgerick.
06:29Excellent work, everyone.
06:34Charles, you'll make sure I don't look foolish up there, won't you?
06:38Darling, you've never looked foolish a day in your life.
06:41I'm serious, Charles.
06:43Charles, I'm not as, I'm not as young as I once was.
06:47My darling, your beauty is like a Shakespearean sonnet, perfectly composed and eternal.
06:58But the big problem is, does anyone really give a fuck about poetry?
07:03It's not just about poetry, is it?
07:05It's about power and fate, patriotism and love.
07:09And sex.
07:10But we wouldn't actually get to see any sex.
07:12No, but it'll be described by the sexiest man in England.
07:16You know, Maud Garne and Yates had an unbridled passion unlike anything we've ever seen before on television.
07:22Describing all its lurid details.
07:24Every kiss, every fuck, every tortured moment of unrequited love.
07:33Great.
07:33Well, as long as you keep the tash and you don't skimp on the sex, you've got yourselves a Channel
07:394 commission.
07:40How soon can you deliver?
07:42I mean...
07:43Hello, Clara.
07:44What are these reprobates trying to sell you?
07:46Not trying to fob you off at the Beeb's sloppy seconds, are they?
07:49Well, I doubt the Beeb could have handled what these two are selling.
07:51If you need a reference for Cameron, be sure to let her know.
07:55I'm terribly sorry, Tony, but we're all booked up.
07:57Oh, no, we aren't staying.
07:59No, I'm just picking up Clara.
08:00We're going to the White Elephant.
08:02Have you booked your seats to see your lovely wife in the show yet?
08:07Not yet.
08:08Oh, I'd hurry up without you.
08:10They're going like hotcakes.
08:11She's a great talent.
08:13I'm surprised you didn't notice her when she was under your nose this whole time.
08:17Or was she generally on top?
08:22Declan?
08:25Nice to see you, Clara.
08:27We'll send over a budget next week.
08:29How is the boyfriend?
08:31Is it fun being shacked up with a man who has fucked everyone?
08:35As I say, practice makes perfect.
08:38Great don't business with you, Clara.
08:44You were a silly boy letting those suits slip through your fingers.
08:47Oh, I didn't let them go.
08:49I pushed them out.
08:51Shall we?
08:54That was a deliberate ploy to sabotage us.
08:57Didn't work, though, did it?
08:58We got the fucking commission.
09:01We did, didn't we?
09:03Turns out we're a pretty good team.
09:05Fucking A team.
09:07So, Tony Shakespeare, we should go.
09:09We need to go.
09:10What?
09:10No, no, no, no, no, where?
09:11Well, you might.
09:12No.
09:13We show Tony that we don't give a shit about his petty tactics.
09:16We're bigger than that.
09:22Gertrude.
09:23Gertrude.
09:25Gertrude.
09:26Gertrude.
09:32Gertrude, come.
09:38Is this a good crop this year?
09:41Yeah, tons of it.
09:42Just need to get it all in before it rains.
09:50Mummy's back.
09:52Tony's hired her for a midsummer night's dream.
09:55Oh, Christ.
09:56After all of my mess,
09:57I can't imagine Declan's very happy about that.
09:59No, no, he's not.
10:02He's horribly worried about Venturer already.
10:05Yeah, well, I should probably, uh,
10:07probably crack on.
10:11Gertrude.
10:11Go on.
10:12Gertrude, come.
10:13Go on.
10:14Come.
10:18Oh, Gertrude, just...
10:20I know.
10:21I know.
10:23I'm not doing that anymore.
10:29I can't believe how well everything is going.
10:32This Shakespeare's gonna be such a hit.
10:35I feel like we should celebrate.
10:37Well done, you.
10:38I know.
10:39I know.
10:45I know.
10:52I know.
11:00I know.
11:11Oh, my God. That was Archie.
11:14He says he's going to pull his sticky and wants me to come over while his parents are at the
11:17play.
11:19It's Mummy's big day.
11:21I know.
11:22But I really like him, Dougie.
11:25Do you think she'd mind?
11:29I'll cheer loudly enough for the both of us.
11:31No.
11:38Oh. Well.
11:45To what do I owe the pleasure?
11:48It's a funny thing, really. I was...
11:51I bumped into the Chief Whip,
11:54who suggested that perhaps I should run for your seat in the by-election.
11:59Congratulations.
12:01That's...
12:03That's wonderful.
12:04You're off?
12:05Yeah, I'm going to head to the Priory first.
12:07I think you should come. I think it'd be good.
12:08Show Tony how little effect he's had on you.
12:11I would rather be eaten alive by red ants than go to a Shakespeare put on by Tony.
12:16We'd be together.
12:17Sorry. No can do, I'm afraid.
12:19I hope it's a categorical disaster.
12:21Enjoy.
12:27How can you see looking through those tears?
12:30She leant against the gate, her thighs pricked red from the nettles.
12:35Angus stepped towards her, his handful of dock leaves.
12:39He dragged them slowly up her leg and under her skirt,
12:42the wet sap of the leaf joining Cecily's ecstasy.
12:45Right, Fred, Fred, we're off.
12:48I want to get there nice and early so we can get a good seat.
12:51Good idea, Mousie.
12:52You have a lovely time.
12:53I don't understand why I have to go if Daddy doesn't have to.
12:56Because Daddy doesn't want to give Tony Baddingham the satisfaction.
12:59Daddy is old enough to make his own bad decisions.
13:02Right, come on out.
13:03Bye, Dad.
13:03Bye, son.
13:04I don't want anyone thinking that we're not cultured.
13:06And remember, Fred, Fred, do not take off your trunks.
13:10I'm not having whatever swims in and out the end of your thingy floating up to the top.
13:13I'm too old for another baby.
13:15I don't think it works that way, my love.
13:17I don't care.
13:18Just don't do it.
13:20Right, out.
13:23Come on.
13:49Do you think he's expecting us, Tina?
13:52Do it.
13:52Well, I think you should only do it with someone who really loves you and who you love.
13:58I wish I'd waited for someone special.
14:01I should probably give him a blowjob, though, shouldn't I?
14:02Oh, God.
14:04How do you give a blowjob?
14:05I thought he'd done everything.
14:07No, I've hardly done anything.
14:10Talia said that Toby's come tasted of salty orange juice.
14:17What if he thinks I'm shame?
14:18He doesn't think you're shame.
14:19What if he gets to know me and then realizes I'm shame?
14:22You're not shit.
14:23You're amazing.
14:24Just, you know, be you.
14:26You're the best.
14:28Bye.
14:30Bye.
14:31Bye.
14:41Bye.
14:43Bye.
14:51Bye.
14:57Bye.
14:59Bye.
15:01Bye.
15:16what the hell are you doing here why aren't you with your mother mommy doesn't want me to see
15:22you please can i come and live with you daddy please what time did you set off before breakfast
15:31you must be famished i swapped one of my rosettes for a pack of tanzin's opal fruits aha breakfast of
15:38champions oh come on then i'll be good let's get you home this way really want to do you want
15:58to
16:01i'm so sorry i'm not sure i'm ready oh i'm so sorry hey don't be silly it's fine i'm in
16:07no rush i love
16:08just hanging out with you i've got barbarian the ultimate warrior if you want to play that yeah
16:19what are you after come to get my suit for the performance i didn't think you were coming if
16:25tony wants to put on a show for me i am more than happy to watch ah you think you
16:30only hired me to
16:31piss you off your words not mine god can you not see how petty you're being can you not see
16:39how naive
16:40you're being came to see you in a play did he of all the actresses in the world it was
16:46you who had to
16:47be his titania he didn't know i was going to be playing nora he was blown away he offered you
16:53a
16:53slice of fame and you grabbed at it with both hands like a hungry child he doesn't give two shits
16:59about
16:59whether you're good or not it works for him either way maude o'hara wife of rival declan o'hara
17:05in
17:05carinium smash hit declan o'hara's wife bombs in carinium production i'm exposed regardless
17:11he's destroyed rupert now he's coming after me you think tony expects me to fail i don't think he
17:17cares great well let's hope i prove both of you wrong now if you wouldn't mind
17:27fucking off i would like to get ready in peace
17:46ah
17:52i remember that dress i was at a garden party with melise when the housekeeper called where is she
18:02um she's still asleep is it okay if we leave a bit longer she was horribly tired poor thing
18:07i suppose the place looks good i see cameron has been allowed a vase must have been quite the uphill
18:15battle well she's very persuasive better than i was well i wouldn't say that after all my drawing
18:22room is pink
18:26you know tabitha has been bullied no she didn't mention it she had a fist fight at pony club
18:34defending your honor
18:38that's my girl when are you gonna learn that your actions have consequences
18:42i didn't know i was being taped it wasn't my fault but you did sleep with all those women i
18:48didn't
18:49know i was expected to live like a monk and you remember we're not married anymore no one expects you
18:53to be celibate i just think acting like an okay guy would have been enough i don't have to answer
18:58to your
18:59strict moral codes anymore ellen but i still have to answer to yours
19:04do you know what the moms at school think of me now i am the slut that had a foursome
19:11with rupert
19:11campbell black and his friends your behavior bleeds over the rest of us your life contaminates ours
19:25i have spoken with a lawyer
19:29i am seeking 100 custody please please don't
19:35don't do this i i'll die without them you see them once a month at best you'll be fine well
19:41i won't
19:42let you take them well you won't have any choice i doubt you'll have much credibility in court with
19:47your recent track record i am so sorry that your parents never looked after you but i won't leave
19:55my children to the same fate if you can't protect them i will now i would appreciate it if you
20:05went and
20:05got tabitha
20:29i saved the store before you
20:36thank you sweetheart
20:36what are you doing
20:59charles maude's in makeup but she doesn't seem quite bright
21:04it's all right i've tried talking to her but she's having a total
21:06okay i will handle it thank you for letting me know
21:12she looks okay to you doesn't she if by okay you mean deranged as if she could snap at any
21:17moment
21:18jesus just stop jabbing at me someone's nervous
21:27no i shouldn't have come in i have to go home i can't be here what are you talking about
21:32you can't leave you're the lead i know why tony hired me and i will not be used no you're
21:39amazing
21:39you're wonderful don't move i'll i'll be right back
21:44i'll be right back
21:45daisy yes charles doesn't that sort of look like the sea
21:47yes it does please fetch mrs o'hara a whiskey and find lord battingham now okay thank you
21:56give me five minutes five minutes deep breaths maude in and out you two did
22:0815 minutes until curtain call wonderful to see you monica yes hello monica thank you so much for
22:14coming i wouldn't miss it for the world oh such a joy to combine culture and community i uh couldn't
22:20agree more reverend penny corinium really has gone above and beyond great to see you lady gosley
22:30well you too surprising you've come out on mass it seems no freddie with you tonight no he's not as
22:39much into the bard as i am he's absolutely cuckoo about the new swimming pool honestly i can't tear him
22:47away makes my skin itch just being in the carinium bill take the higher ground exactly can we swap
22:55i've already had two pints and i'm gonna need a piss oh yeah
23:03apparently the four men that mo have their shirts off i love shakespeare degland's in the audience
23:10he looks extremely uncomfortable very good you're battingham you're battingham mrs o'hara is
23:15refusing to go on okay everyone out oh um emmy hasn't been finished yet out yeah we'll just go okay
23:34i know why you hired me i won't do it i won't be made a laughing stock all right let's
23:41sit down no
23:42come on come on or have a talk
23:51the problem is she's just not a professional we're all here to do a job and uh as we actors
23:57always say the show must go on isn't that right
24:04excuse me i can't do it i can't remember my lines i don't know what i'm doing you're doing what
24:11you
24:11were born to do you could do this in your sleep declan says you don't care if i'm any good
24:15or not
24:15because either way it reflects badly on him oh christ what a terrible thing to say to one's wife
24:21there is no chance in hell you'll be bad you're an entirely authentic performer maude it's as if
24:29you've lived it all before so this isn't a ploy to get a declan why i'll admit that watching your
24:36husband squirm is the cherry on top but i'm a businessman i don't make bad decisions
24:42i hired you because you are bloody good at what you do you were the best person for the job
24:48it's
24:48just it's just flattering me you're just pandering to my ego no i'm not i have no interest in producing
24:55anything that isn't exceptional i don't fail like if this is a disaster it's not gonna be a disaster
25:03it's gonna be brilliant if you don't trust yourself trust me i am so confident in your performance
25:11i want you to come in and audition for me for the lead in the next series of four men
25:15went to mo
25:17she's the lady of the manor a rich posh english bitch on heat you'll have all four men's hearts
25:23and cocks in the palm of her hand
25:28if that doesn't prove how confident i am in you i don't know what does
25:37the ox has therefore stretched his yoke in vain the plowman lost his sweat and the green corn
25:45hath rotted ere his youth attained a beard the fold stands empty in the drowned field and crows are fatted
25:56with the murin flock the nine men's morris is filled up with mud i'll tell you all that to her
26:04girl
26:04and the queen is in the wanton green for a lack of treatment
26:07isn't she judged
26:08indistinguishable
26:11camera one push in
26:16therefore the moon the governess of floods pale in her anger washes all the air that rheumatic diseases do
26:26about what's this play about it's about the fertility of being in love how easy it can happen
26:31with the wrong person but how that same haphazardness makes the triumph of true love all the sweeter and i
26:37if their virtues force perforce doth move me on the first few to say to swear
26:47i love you
26:52i love you
26:59uh
27:02uh
27:24CHOIR SINGS
28:02CHOIR SINGS
28:07CHOIR SINGS
28:07CHOIR SINGS
28:07CHOIR SINGS
28:08Give this to Emi for me, will you?
28:39Lizzie!
28:40What are you doing here?
28:42I'm so sorry, I know I shouldn't have.
28:49Oh, you're reading my book?
28:51I am.
28:52Went to WH Smith's, there you were.
28:55There was a bidding war on my new novel.
28:57What, the chapters I read about Lettie and Ferdy?
28:59Yes.
29:00They liked it so much they've given me a two-book deal.
29:03Carol, my agent, is over the moon.
29:05You know, I've made more money today than I've earned in my entire life.
29:09Just wanted to tell you first.
29:11That's bloody brilliant.
29:16You're bloody brilliant.
29:47Like a warrior that fights and wins the battles.
29:53I know the taste of victory.
29:56Though I went through some nights, consumed by the shadows.
30:01I was crippled emotionally.
30:05Mmm.
30:07Somehow I'm laid into the heartache.
30:10Yes, I did.
30:13I scared.
30:16I found the way out of darkness.
30:20I kept my faith.
30:21I know the taste.
30:22I kept my faith.
30:23When the river was deep, I didn't fall down.
30:28When the mountain was high, I still believe.
30:32When the valley was low, it didn't stop me.
30:36Ladies and gentlemen, please take your seats.
30:39The performance is about to resume.
30:41You're waiting for me.
30:42Fuck!
30:47She probably got lost.
30:48Poor lad.
30:52The public must have...
30:57And cue curtain.
31:00Okay, cue music.
31:04I wonder if...
31:06I can't find James.
31:07I've looked everywhere.
31:08He's not in Studio Two.
31:09He said he'd be there.
31:11Jesus Christ, we can't carry on without Bottom.
31:13What the hell are we going to do?
31:16Here comes my messenger.
31:18How now, man?
31:19Spirit.
31:20What night was now about this one to the grave?
31:25Charles.
31:33Will you just see Stout?
31:35Maybe she's doing a poo.
31:39Oh!
31:43Oh, my God.
31:51I was worried you might drown.
31:53What a wonderful way to die.
31:59Dad!
32:05You all right, my angel?
32:07What are you doing home?
32:09Mummy hates me.
32:10Of course she don't hate you.
32:11She loves you.
32:12How did you get home?
32:13I walked, cut straight across Frogsmore Field.
32:16What, all that way?
32:18Well, you should have called me.
32:19I would have picked you up.
32:20I did.
32:21It just rang and rang.
32:23Mum thinks I look awful.
32:25She says I'm an embarrassment.
32:26You're beautiful, baby.
32:28You know that Mummy says silly things.
32:30Sometimes she adores you.
32:31She'd kill for you.
32:32You know that.
32:33What if she is right?
32:34There was a boy I liked at the stables.
32:36But he said I was weird.
32:38Well, then he's not for you.
32:41Not everyone fancies everyone.
32:44Love can be cruel like that.
32:48It's about chemistry.
32:49And lucky timing.
32:52I wish someone loved me the way you love Mum.
32:58It will, baby.
33:01It will.
33:02I won't tell Mum about your skinny dipping.
33:06It'll be our little secret, yeah?
33:09Let's go and get some ice cream.
33:11Come.
33:22Okay.
33:33Unkiss thy ears.
33:35Monsieur Cobweb.
33:37Good Monsieur.
33:39That's Charles.
33:41No.
33:42I don't think so.
33:44Things change though.
33:46I can play in bottom.
33:47No, that's definitely Charles.
33:50Do not fret yourself too much in the action, Monsieur.
33:54And good Monsieur, have a care the honey bag breakers.
33:57What the fuck is going on?
33:59I think he's rather good.
34:08Bravo!
34:09Bravo!
34:10Bravo!
34:21Oh, well done.
34:37Your mum was ace.
34:39Oh, she was, wasn't she?
34:40So, why'd you look like someone just ate your last rollout?
34:43I thought the play was a little depressing.
34:44I thought...
34:45How's it depressing?
34:46It's all about true love.
34:48And a love potion that can make you forget everything.
34:51And fall in love with the wrong person.
34:55Girl, you need a tequila and a cock in you right now.
34:57Come on, we're going into town.
34:58I should probably wait for you.
34:59Fuck off.
35:01Life's short.
35:02We're never going to be this hot again.
35:05Come on.
35:07Woo!
35:09Well done, darling.
35:11Well done.
35:12You were incredible.
35:14Don't be silly.
35:15It was a tour de force.
35:17Right.
35:18Well done, Charles.
35:19Congrats, darling.
35:21You're a much better bottom than James.
35:26Don't cry, it went so well.
35:32Mummy died this morning.
35:35What?
35:36I got a call from the nursing home to say that she died just before dawn.
35:39Didn't think Tony would be too impressed if I didn't come in.
35:43A lot resting on today, you know.
35:47I'm so sorry.
35:50An orphan boy at 40.
36:03Are you decent?
36:08Oh, Gerald, did you tell him our news?
36:11No. What news?
36:12We set a date for the wedding.
36:14March the 5th.
36:19Oh.
36:24Charles's mother died this morning.
36:27Oh, Charles, I am sorry.
36:29Poor her.
36:31Poor you.
36:33Enbit really is frightful.
36:36Come on, Gerry.
36:37Let's let him dry his eyes.
36:39One doesn't want to appear tear-stained in public.
36:41We'll see you upstairs at the party.
36:43Stiff drinks all round.
36:44Doctor's orders.
37:09Why, why, you are a lucky sod, Declan.
37:12Morty was superb.
37:13A fine filly indeed.
37:14It really was a masterpiece.
37:17Who the hell let Declan and his reprobates up here?
37:19Mother Goose, apparently.
37:22Oh, you really bought the bard alive tonight, Tony.
37:26The Scottish play is my favourite, but this is proving a close second.
37:31Yes, wasn't it good?
37:32Well, I'm sorry my Fred Red couldn't be here.
37:34He's absolutely gaga about the new swimming pool.
37:38Everything smells of chlorine.
37:39You'll excuse me.
37:41Lady Gosling.
37:43Congratulations, Tony.
37:44Jane.
37:44Yes, yes.
37:45It was honestly the kind of thing I would have expected to see at Stratford-upon-Haven.
37:49Well, of course, it's exactly what we at the Ministry of Culture are looking to promote.
37:53I saw the announcement of your new position, Mr. Stratton.
37:56Lovely news, isn't it?
37:57We're so proud to be back in government, aren't we, darling?
37:59Indeed.
38:00Mrs. Thatcher's been so clever to recognise Paul's talents.
38:03Why, don't you think it makes sense to invite Paul to join the board at Carinean?
38:08Ah.
38:09You're quite right.
38:12Would you like to join Paul?
38:14Well, 1987 is turning into quite the banner year.
38:19Used to hopefully topping it off with a boy in December.
38:27Yes, I must just say hello to Lizzie, excuse me.
38:32What happened to James?
38:34Oh, well, he wasn't that bad.
38:37No, James didn't come on in the second half.
38:39Nobody knows what happened to him.
38:41Charles filled in.
38:42Oh.
38:44Perhaps you ought to go and look for him.
38:46And you might think about toweling off your hair first.
38:50Smell a little of chlorine.
38:55Between you and me, I thought your Titania at school was far more exciting.
39:00Well, that was a long time ago.
39:01Yeah.
39:02I remember.
39:13Um.
39:14Daisy, isn't it?
39:16Ah.
39:18Lovely to see you looking so well.
39:24Oh, sorry.
39:26You okay?
39:27Yep.
39:28You don't look okay.
39:30It's just been a very long day.
39:34James.
39:36James, darling.
39:38It's me.
39:40Oh, God.
39:41James?
39:43Oh, James.
39:45What happened?
39:46Oh, James.
39:48James.
39:50James.
39:51Oh.
39:52Oh.
39:53I think I knocked myself out.
39:54Oh, darling.
39:56Oh.
39:57Did they have to cancel the play?
39:59No, darling.
39:59So sorry.
40:03What?
40:04They did it without me?
40:04Yes.
40:05So sorry.
40:06Don't be silly.
40:07It's not a fault.
40:08You saved me like you always do.
40:11Because you're a saint.
40:12I don't deserve you.
40:22All right, Kev?
40:22All right.
40:23Two shots and a snake bite.
40:25What do you want?
40:27Er, yeah, a shot, two, please.
40:29Tequila.
40:29Best love potion known to man.
40:31How was the show, then?
40:32Bunch of posh wankers prancing about.
40:34Pretty decent rendition, to be honest.
40:36Don't be jealous, Kev.
40:37One day your prince will come.
40:44One for each of us.
40:47What?
40:48What?
40:48What are you doing?
40:49Sticking the music up.
40:50And by the night we got the money on the back.
40:54Called crocodiles.
40:55Oh, eh, oh.
40:56I snapped the teeth on the cigarette.
40:58Falling times a little guy.
41:00I say, oh, eh, oh, eh, oh, eh, oh, eh, oh.
41:07I won't do it.
41:08Walk like an Egyptian.
41:10Oh, eh, oh, eh, oh.
41:21The blonde waitresses take their trays, spin around and they cross the floor.
41:26They've got the moves.
41:28Oh, eh, oh.
41:28You drop your drink then they bring you more.
41:31All the school kids so sick of folks.
41:33They're like the punk and the metal band.
41:35When the buzzer rings.
41:37Oh, eh, oh.
41:38They're walking like an Egyptian.
41:40All the kids in the marketplace say.
41:43Wee-oh, wee-oh, wee-oh, wee-oh, wee-oh, wee-oh.
41:49Walk like an Egyptian.
42:04You were incredible.
42:06Oh, you thought so, did you?
42:08Well, how kind.
42:09How kind to drink.
42:10You know, it was just like watching with the old days.
42:13I want you to come to Ireland with me.
42:16Imagine if you, me, and yet, it'll be our homecoming.
42:19But you want me to go with you?
42:21To do what?
42:23To be by my side.
42:24Oh, to be by your side.
42:26Because I thought we were done supporting each other, Declan.
42:29I mean, didn't you just come tonight to watch me fail?
42:32No, I was angry.
42:34I shouldn't have said what I said, all right?
42:38You were amazing in there.
42:40Please, love.
42:43Please come with me.
42:44No.
42:45I don't think so.
42:47I don't want to sit around watching you work.
42:51Unfortunately, I'm going to be quite busy because Tony, uh...
42:55Tony wants me for the new series of Four Men Went to Moe.
43:00Are you joking?
43:01No.
43:02Because he believes in me, even though you clearly don't.
43:06That is not true, and you know it.
43:08Well, you've never done anything to help my career.
43:10All you've ever done is hold me back.
43:15Let's talk about this at all.
43:17The cast are going out for a drink.
43:19I've booked a room at the Cotchester Hilton, so...
43:23Don't bother waiting up.
43:29Oh!
43:30Oh, darling!
43:32Thank you!
43:39Thank you!
43:44Where's my leading lady?
44:00What's going on here?
44:02Is it someone's birthday?
44:03I don't think so.
44:04Shelly and Taggy kicked it off.
44:06Taggy?
44:0999 dreams I have had just to prove the world was here.
44:15And here we'll be back.
44:16There's a red balloon.
44:19I think of you and let it go.
44:29Fuck!
44:29Oh, are you alright?
44:31I'm a bit drunk.
44:32Are you?
44:32I think I need to go home.
44:33Alright, well, I'll drive you.
44:34Okay?
44:35Yeah.
44:37Hi.
44:38Have you seen Shelly?
44:40No.
44:41Have you seen Domi?
44:42No.
44:45What?
44:46I'm heading off, Shelly.
44:48Come on.
44:49Oh, see you, Taggy.
44:55It's not like you to drink.
44:56Is everything alright?
44:57It's poor Bottom.
45:01Everyone else falls in love and he just goes back to being sad old Bottom.
45:06I think I'm Bottom.
45:08You are not Bottom.
45:09I mean, you have a fabulous Bottom.
45:13Yeah.
45:13But you're not Bottom.
45:16Anyway, who's to say that Bottom doesn't meet somebody wonderful the day after the play?
45:20Hmm?
45:22It's almost tomorrow, Taggy.
45:40Yeah, I won't say anything.
45:41I'm on a huge rock.
45:43Cool.
45:44Listen.
45:45Listen.
45:47Where's Mummy?
45:49They had a fight.
45:51She's staying in Couch, sister.
45:53A huge rock.
45:54Well, then go and get her.
45:55Just tell her you love her. Tell her what she wants to hear.
46:00Why are all men so bloody useless?
46:27Hello.
46:29Hello.
46:35Oh, yeah.
46:41Oh, my gosh.
46:43Gosh, yes.
46:45Sorry.
46:48Was Sharon okay?
46:51Yeah.
46:52She didn't see anything.
46:55I felt so guilty, I said I'd buy her this field and build her her own stables.
47:02Which...
47:04Yes, we can't keep doing this.
47:07Too many people will get hurt.
47:12Yeah.
47:16Gosh.
47:22I suppose we're lucky we had it even for an instant.
47:27Yeah.
47:33Goodbye, Freddie.
47:37Goodbye, Lizzie.
47:58Mother disappeared gradually from my life, and for that I am grateful.
48:05I'm not sure I could have withstood her disappearing all at once.
48:13Who will I put the Christmas cards up with now?
48:18Who will I tell when I've got good news?
48:25My friends.
48:26My friends.
48:28Thank you all so much.
48:31I can't tell you how much this means to me.
48:43Look, Declan, I know I've left your adventure in an awful mess, but I'm going to make it up to
48:49you.
48:56Sure.
49:04Benta?
49:08I told you you could do it.
49:15Are we waiting for anyone?
49:19No.
49:21Just us.
49:24Would you like me to read anything?
49:27I was hoping, perhaps, we could improvise.
49:33Huh.
49:37Would you like me to do the English accent?
49:41Why not?
49:45You know the first rule of improvisation is you can't say no to anything.
49:50Is that right?
49:51Would you like to see me do anything in particular?
49:55There are lots of things I want to see you do.
49:59You know, I actually dreamt of doing some things in front of you the other night.
50:04Oh, really? What was that?
50:05There were some very bad things.
50:07What was that?
50:08I seem to remember it started something like this.
50:18And then, what was it?
50:22Is that..
50:25It's..
50:25Oh, yes.
50:54THE END
51:05THE END
51:26THE END
51:27THE END
51:31THE END
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