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NATO operative Jacques Kristoff is assigned to escort a thief in possession of a deadly virus, from Slovakia to Germany by train. The plot follows a NATO agent who must protect a woman carrying a deadly biological virus while fighting off terrorists on a high-speed train.

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Transcript
00:01:07Good night, sir.
00:01:37Hey, miss.
00:01:40Oh, thank God someone's here.
00:01:43Please, I need your help.
00:01:45My car always breaks down.
00:01:47I just need to use the phone.
00:01:48This area's restricted.
00:01:49But there's nowhere else for miles.
00:01:52Miss, now.
00:01:53Oh.
00:01:54Oh, let me help you.
00:01:57Oh, let me help you.
00:02:36Oh, let me help you.
00:02:38Oh, boy, boy.
00:02:49Oh, boy.
00:02:51Oh, boy.
00:02:51Oh, boy.
00:02:52Oh, boy.
00:02:52The championship is set.
00:06:19You leave for Slovakia tonight.
00:06:21You meet her near the border and take her to Munich.
00:06:25You'll be out of the country before the government knows what's up.
00:06:28We're going by train?
00:06:29Yeah, the airport's too hot and all the other routes are blown.
00:06:33There's a down payment, $50,000, American, unmarked.
00:06:36She gets the rest when she delivers the goods.
00:06:40Any ideas how to explain this to my wife?
00:06:44No.
00:06:47Your son needs a father who's around.
00:06:48You can't go running off.
00:06:50I'm not running off.
00:06:52I get time off in the hospital and you don't see them calling me, but you, you're away from
00:06:55the office for two days and...
00:06:57You think you're like interrupting our vacation?
00:06:59I don't know.
00:07:02June, you're in Rome, July, Washington.
00:07:05We've postponed it so many times we had to pull the kids out of school.
00:07:08Vladimir is an important client.
00:07:09They all are.
00:07:11When do we get to be important?
00:07:13Maddie, you and the kids are all my life.
00:07:16My life.
00:07:18Come on.
00:07:25Before I take the train, can't you just leave later and fly?
00:07:29Vladimir will not fly.
00:07:31It's too heavy to leave the ground.
00:07:36Look, I'm sorry, okay?
00:07:38You're going to miss your birthday.
00:07:41I know.
00:07:42We need to spend more time together, Jacques.
00:07:45Because of Carmel.
00:07:48I love you.
00:07:58I'll be back soon, okay?
00:07:59I promise.
00:08:01I love you.
00:08:02I love you too.
00:08:05And you stay out of trouble, okay?
00:08:08Show me what you've got.
00:08:15I love you, Dad.
00:08:16One more time.
00:08:17Come on, faster.
00:08:19Yeah.
00:08:21That's right.
00:08:22Love you.
00:08:24Love you, Dad.
00:08:48I love you too.
00:08:54You're a plastique.
00:09:06You must find this in the Constitution's plan.
00:09:10Okay, go now.
00:09:44Who are you?
00:09:46What did you expect?
00:09:48I said, who are you?
00:09:51Jacques Christophe.
00:09:52Go to the stage.
00:09:53Keep your hands where I can see them.
00:09:55Move to the light now.
00:10:00Keep your hands where I can see them.
00:10:05Walk towards the light.
00:10:13I wouldn't trust you if your tongue came notarized.
00:10:16Show me your ID.
00:10:17You're sitting at it.
00:10:23ID.
00:10:28Where's my money?
00:10:34Here's your money.
00:10:36And passport.
00:10:38We're taking the 681 to Munich.
00:10:41Let's get a few things straight, Jacques.
00:10:42You don't tell me what to do.
00:10:44I don't need you, nor do I want you.
00:10:48This way.
00:10:48No, this is my show.
00:10:52Come on.
00:11:00We're going up.
00:11:09Hold your fire.
00:11:11We want her alive.
00:11:26Stop shooting.
00:11:28Stop shooting.
00:11:29Stop shooting.
00:11:32Jack?
00:11:34You.
00:11:35Come on.
00:11:46Don't let her get away.
00:11:48Don't let her get away.
00:11:53I don't get away.
00:12:24Oh, my God.
00:12:27Oh, my God.
00:12:57Oh, my God.
00:13:23Oh, my God.
00:13:34Oh, my God.
00:13:40Oh, my God.
00:14:12Oh, my God.
00:14:16Oh, my God.
00:14:22Oh, my God.
00:14:33Oh, my God.
00:15:01Oh, my God.
00:15:45Oh, my God.
00:15:47Oh, my God.
00:15:49Oh, my God.
00:15:50Oh, my God.
00:16:02Oh, my God.
00:16:11Oh, my God.
00:16:48Oh, my God.
00:17:01Oh, my God.
00:17:44Oh, my God.
00:17:51Oh, my God.
00:18:02Oh, my God.
00:18:08Oh, my God.
00:18:10Oh, my God.
00:18:10Oh, my God.
00:18:11Oh, my God.
00:18:12Oh, my God.
00:18:27By the way, I won't be needing this.
00:18:49What do you want?
00:19:02Ladies and gentlemen, train 681 to Munich, we stop at Linsburg, Southport, Southport.
00:19:36Let's go ahead.
00:19:37Let's go ahead.
00:20:11Here.
00:20:19Excuse me.
00:20:21I'd like to change comportments.
00:20:22Yes, sir.
00:20:24Do you have one with a large broom and bed?
00:20:27This is a very special trip for us.
00:20:29Thank you, madam.
00:20:31I can move it to 1B.
00:20:32It's in the next car.
00:20:33Please follow.
00:20:44So, you're a musician, huh?
00:20:48Musician?
00:20:50And you're pretty insightful.
00:20:53Must be real interesting.
00:20:56All the, uh, songs and such.
00:20:58Yeah.
00:21:00It's amazing that I can keep them all straight in my hand.
00:21:05Excuse me.
00:21:09Shot down.
00:21:11Bad luck, mate.
00:21:13I'm Angus Riley.
00:21:15Bob Sterling.
00:21:16Alexis Oil.
00:21:18Oh, really?
00:21:19I'm in oil, too.
00:21:20Really?
00:21:21Well, I'm always tinker with me bikes.
00:21:23Keep them running smooth, you know?
00:21:25You know, I hope they load me bike on good.
00:21:27It looks like they just threw it on.
00:21:28Five minutes, Simon.
00:21:29Got some pictures of bike, yeah.
00:21:31Want to take a look?
00:21:32Not really.
00:21:33Bartender, bring my partner another drink here, would you?
00:21:36You limey's got a good sense of humor.
00:21:44Nice.
00:21:58.
00:22:22Train 681, train 681.
00:22:26We are now being tracked by the Railways Authority.
00:22:30Have a safe day.
00:22:41We've just crossed the toughest border on the Eastern Bloc.
00:22:44That's the first step.
00:22:45It's the hardest.
00:22:48Let's celebrate.
00:22:49I'm getting champagne.
00:22:51My job is to keep you alive.
00:22:53That means...
00:22:54Then I'm under house arrest?
00:22:55In jail?
00:22:57You sound just like my son.
00:23:00And I feel very sorry for him.
00:23:06But you don't know where she is.
00:23:10Well, I know she did some relief work in Bosnia for the World Health Organization.
00:23:14And they told me that she could be headed back for a spell.
00:23:17But you don't have a phone number, or an address, or an email, or a fax.
00:23:24I lost it, didn't I?
00:23:26They told me that she caught this very train three weeks ago.
00:23:29I mean, I know it sounds cheesy, but you could say that I'm following me through love's footsteps.
00:23:36I think it was a beautiful story.
00:23:39Beautiful.
00:23:40Beautiful.
00:23:42Hey, bartender.
00:23:44Line them up here.
00:23:45Two more right here, please, would you?
00:23:48These are on me.
00:23:49In fact, all the drinks tonight are on me.
00:23:52Conductor told me he'd pick up my bar tab if I'd switch compartments.
00:23:59Sweet.
00:24:06Miss, can I put this up there?
00:24:08Oh, no, no, no, no, no, please, please.
00:24:11I stayed for the last 10 years to buy this.
00:24:14Okay, keep it right there.
00:24:35All right, take care, partner.
00:24:38Oh, yeah.
00:24:40Now, it's the wrong time for this right feeling again.
00:24:46It's like running in a windstorm, I just can't win.
00:24:51Looks like winter, but it feels like spring.
00:24:55My mind turns in over, my heart's just a-singin'.
00:24:58It's the wrong time for this right feeling again.
00:25:04It's the wrong time.
00:25:19It's the wrong time.
00:25:47There I go.
00:25:51Wash your steps, please.
00:25:53Let me have a few steps here.
00:26:02Hey!
00:26:03No, stop there.
00:26:04No.
00:26:27I'd appreciate it if we weren't bothered.
00:26:30Thank you, sir.
00:26:35This is the most beautiful thing I've ever seen.
00:26:39Thank you, sir.
00:26:42Thank you, sir.
00:26:42All clear!
00:26:44All clear!
00:26:46Hey!
00:26:47What do you want here?
00:26:53Engine's ours.
00:26:59I'm rolling.
00:27:19We're ready, Mason.
00:27:22You better be ready with the cell phone blocker, Williams.
00:27:27There we go.
00:27:28Take your positions.
00:27:29Be calm.
00:27:30Be cool.
00:27:31You got it.
00:27:57Hello?
00:27:58Jack?
00:27:59Yes?
00:28:00How's the compartment?
00:28:02Oh, no.
00:28:02Comfy.
00:28:03I thought you liked it.
00:28:04Now we're all set for music.
00:28:07William, you better be ready up there.
00:28:11Cell phone blocker's on.
00:28:12Over.
00:28:14Hello?
00:28:14Hello?
00:28:17Sure you don't want to grab a drink?
00:28:20No.
00:28:23You're no fun, you know that?
00:28:25I don't have to be unmarried.
00:28:27Really?
00:28:33I like married men.
00:28:43I bet you do.
00:28:55Excuse me.
00:28:57It's all right.
00:28:59It's all right.
00:29:04You're welcome.
00:29:14Who is this?
00:29:15Ticket to check.
00:29:18One moment, please.
00:29:23I'm coming.
00:29:24I'm coming.
00:29:33Maddie.
00:29:34Happy birthday.
00:29:36I can't believe you.
00:29:37I can't believe you did this.
00:29:39Surprise.
00:29:40Surprise.
00:29:42Say sign for the camera, Dad.
00:29:44Don't be stupid.
00:29:44Hi.
00:29:45We thought we surprised you.
00:29:47Here.
00:29:47Open it.
00:29:48Open it.
00:29:50Even if you're good for the zone back.
00:29:51Dad, open it.
00:29:53Ethan!
00:29:54Ethan!
00:30:11This is my new client.
00:30:12Your new client.
00:30:14I'm, uh, Galina Constantine.
00:30:18And what exactly do you do?
00:30:20I'm an acquisition.
00:30:24Acquisition.
00:30:26Interesting.
00:30:28And you're helping my husband with what exactly?
00:30:34I'm...
00:30:39I'm...
00:30:39Maddie!
00:30:41Let me explain.
00:30:42Okay, okay.
00:30:43Start by explaining how Vladimir ended up looking like that!
00:30:46Madeline, it's nothing!
00:30:48Oh, you're right, you're right.
00:30:49I'm overreacting.
00:30:50I find my husband along with a prostitute at 1am.
00:30:52She's not a prostitute.
00:30:54You know what hurts the most?
00:30:55Is that you acted like you were upset to leave us.
00:30:59I was upset.
00:31:01I...
00:31:01I still am.
00:31:02Don't.
00:31:03Don't.
00:31:04What?
00:31:0620 years together and I never knew how good you were at lying, eh Jacques?
00:31:11Madeline.
00:31:12Please, listen to me.
00:31:13Please.
00:31:14I love you.
00:31:15That's the truth.
00:31:19I'm finding the kids.
00:31:21And getting off the train at the next stop.
00:31:24Hey.
00:31:27Madeline.
00:31:44Stay put.
00:31:45Let me try to save my marriage.
00:31:47Be back in five minutes.
00:31:48I hope I didn't cause any problems.
00:31:52Lock the door.
00:32:05Hey, hey, hey!
00:32:09Where is she?
00:32:10Where is who?
00:32:12I don't know what you're talking about.
00:32:15She's not in 2C.
00:32:17She's booked in the 2C.
00:32:18Check again.
00:32:21Conductor swapped my room, partner!
00:32:28Get those heads up!
00:32:29This way!
00:32:29Move it!
00:32:30Move it now!
00:32:31Wake up!
00:32:32Wake up!
00:32:32Wake up!
00:32:33I look alive!
00:32:34Now!
00:32:34Come on!
00:32:35Move it!
00:32:35Move it!
00:32:38Everybody, hold!
00:32:39Thank you, Handsорт!
00:32:42Go away!
00:32:44Temper?
00:32:49Hello!
00:32:56Oh by the way!
00:32:57My wife will.
00:32:57I love you, my family.
00:32:58I love you too.
00:33:08My wife will not get along.
00:33:09No�� dude!
00:33:21What the hell are you doing?
00:33:22It's all right, mate. Take it easy. It's all right. Just point the gun at me.
00:33:28Move!
00:33:41Please, my kids are on this train.
00:33:43Sit down. Just let me find them. Quiet.
00:33:44And they're not in here. Just let me find them.
00:33:46Ladies, sit down and you'll never see your kids.
00:33:49Why don't we all try to calm down?
00:33:51Oh, hey!
00:33:52Just calm down.
00:33:54Just calm down.
00:33:57Just calm down.
00:33:59Okay, calm down.
00:34:24Come in there.
00:34:30Oh, shit.
00:34:32Oh, shit.
00:34:38Come on!
00:34:50Move, lady!
00:35:00She is not on the train, sir.
00:35:06Of course she is.
00:35:08Move the first-class passengers into the bar car.
00:35:12I'll be there in a minute.
00:35:14Let's go!
00:35:15They're going to kill us all!
00:35:17I'm getting out!
00:35:19Stop!
00:35:25Bob!
00:35:28Oh, thank God. Thank God.
00:35:31They're my kids.
00:35:33They're my kids.
00:35:37Are you okay?
00:35:39What are you looking at? Keep going!
00:35:40Let's go!
00:35:41Move!
00:35:42I'm not with you.
00:35:42Move!
00:36:08Galina Constantine!
00:36:10Mason's here?
00:36:11He can't wait to see you.
00:36:19I don't have anything.
00:36:42Go ahead.
00:36:56Keep him calm.
00:37:02Stop!
00:37:03What are you doing?
00:37:04I have to get off!
00:37:05No!
00:37:05Fuck you!
00:37:06I'm getting off!
00:37:08My family.
00:37:09Fuck you!
00:37:10I have to get to Munich.
00:37:14You'll kill yourself.
00:37:15It's better than letting Mason Cole get his hands on me.
00:37:18Mason Cole?
00:37:20He's here.
00:37:21He's here.
00:37:21On this train.
00:37:22He finds me.
00:37:23I'm dead.
00:37:25Hey!
00:37:25Shit!
00:37:27Oh, shit!
00:37:28Shit!
00:37:29Give that to me!
00:37:31What the hell is this?
00:37:32None of your business.
00:37:34Don't!
00:37:35Some kind of drug.
00:37:37What is it?
00:37:38Don't!
00:37:39You'll infect everyone on the train.
00:37:42Hey, don't you go by.
00:37:46They call it SP-43.
00:37:48It's a mutated strain of smallpox mixed in with several other pathogens.
00:37:53You can kill millions with this.
00:37:55Did Lars know?
00:37:57Of course.
00:37:58He's buying me a ticket to a new life.
00:38:01I'm finding my family.
00:38:03And I'm keeping this.
00:38:04Give those to me.
00:38:05Lars owes me.
00:38:07They'll send you a check.
00:38:08Come on.
00:38:45Please be careful with that.
00:38:47French.
00:38:50Eighteen hundreds, I'd say.
00:38:54No!
00:38:56No!
00:38:56No!
00:38:57No!
00:38:57No!
00:38:57No!
00:38:57No!
00:38:58No!
00:38:58No!
00:38:58No!
00:38:58No!
00:38:58No!
00:38:59No!
00:38:59No!
00:38:59No!
00:38:59No!
00:38:59No!
00:38:59No!
00:39:02No!
00:39:05No!
00:39:05Hello, my fellow travelers.
00:39:08Sorry if you're uncomfortable.
00:39:10But I've needed to relocate you to achieve a goal of mine.
00:39:14Now I'm not here to make any political or religious statement.
00:39:19As a matter of fact, I'm not here to make any statement at all.
00:39:23I'm looking for someone, a woman by the name of Galena Constantine.
00:39:32Any of you men would remember her. She's quite striking.
00:39:38She was accompanied by a man with all dark hair.
00:39:44They're on this train.
00:39:46Perhaps one of you knows where.
00:39:57You maybe.
00:40:01No.
00:40:04Please do not test my resolve.
00:40:14I'm going to ask you once again. Has anyone seen the people I've described?
00:40:25Well, if you don't know, you don't know, do you?
00:40:32Well, if one of you has a sudden memory flash, please let me or one of my associates know.
00:40:47We've got 29 minutes. Sweep the train. Check the toilets. Check the baggage car. Pull up the goddamn carpet.
00:40:54Let's find them.
00:41:16Behind them!
00:41:29Stop shooting! Stop shooting!
00:41:32Stop shooting!
00:41:54Stop shooting!
00:41:55Stop shooting!
00:41:56Open the lambs!
00:41:59Keep throwing!
00:42:02Stop getting!
00:42:19and
00:42:20See you can't find the help in this case.
00:42:22Hand them over.
00:42:23I don't have any.
00:42:25Please don't insult my intelligence, Kenny.
00:42:28Natasha.
00:42:34She didn't have it.
00:42:35Check him.
00:42:54That's not it.
00:43:01That's more like it.
00:43:02Those are mine!
00:43:20Oh, God.
00:43:23I'm dead.
00:43:24We're all dead.
00:43:27Oh, no!
00:43:32Henry! Henry! It's okay.
00:43:35But! Could you die?
00:43:37You're not going to die. Trust me.
00:43:40We still have jobs to do, and we're going to do them.
00:43:42Since neither of you remember science class, let me remind you that
00:43:45while this liquid is highly infectious, we can and are going to make
00:43:49an antidote, a vaccine.
00:43:52Why do you think it's so valuable?
00:43:54But we must proceed exactly as planned.
00:43:57If you don't, I will kill you.
00:44:02Brits, we have the package.
00:44:05Yes, we're on.
00:44:06Copy that, sir. I'm 15 minutes out.
00:44:24Mason?
00:44:27I'm so sorry.
00:44:29Natasha, it's okay.
00:44:32I'll take care of you.
00:44:44Throw her off the train.
00:44:47And kill him.
00:44:54Get up, Christophe.
00:44:55Come on, Mr. Christophe.
00:44:56Come on, now.
00:44:58You're tough, right?
00:44:58Come on.
00:44:59Come on, now.
00:44:59Tell me what you got.
00:45:00Come on.
00:45:23He's going to kill us all.
00:45:28There's no way we can take them all on, they've got guns bigger than I am.
00:45:33What are you gonna do with me, Mason?
00:45:34I haven't decided yet. I could keep you around or scatter you over the tracks like Monsieur Christophe.
00:45:41Are we gonna have a problem here?
00:45:44She's scared, that's all.
00:45:46Didn't your parents tell you it's impolite to stare?
00:45:50You're hurting me, Mason.
00:45:52Wouldn't want that now, would I, Galina?
00:45:56Shh, shh, no, no, Ethan.
00:46:10You know that you could do this job on your own?
00:46:12Mason, please.
00:46:13When I found you, you were nothing but a cheap circus tart hustling the locals.
00:46:16I made you what you are.
00:46:18I know. I'm sorry I messed up.
00:46:21I gave you everything, and this is how you repay me?
00:46:25Give me another chance.
00:46:27Please, Mason.
00:46:30We were good together.
00:46:31I make it up to you.
00:46:34I missed you.
00:46:35I missed you.
00:47:03Wixod turnover.
00:47:05Call me when we slow to 40 kilometers, okay?
00:47:07I need cojected hydraulic lines.
00:47:09You got it.
00:47:55Please, please don't kill me.
00:47:58I'll do whatever you say.
00:48:00I'm not one of them.
00:48:02Hey, you the conductor?
00:48:03Yes, sir.
00:48:04Vincent Gruber.
00:48:06Vincent, I need your help.
00:48:10Listen.
00:48:12I need to get to the engine to take control of this train.
00:48:17I can't make it up there, sir.
00:48:21My leg.
00:48:23But I can help.
00:48:26I know everything about this train.
00:48:30Okay, I've got it.
00:48:32Oh, Vincent.
00:48:33Yes, sir.
00:48:34Call me, Jack.
00:48:50We're stopping.
00:48:51I'm getting out of here.
00:48:56Everybody sit down and be calm.
00:48:58I can't do it.
00:49:00I can't do it.
00:49:03No.
00:49:03I can't do it.
00:49:19The man.
00:49:21I can do it.
00:49:23I can do it.
00:49:24Are you there?
00:49:25Ahhhhhhh!
00:49:54Ahhhh!
00:49:566-8-1, you appear to be making an unscheduled stop.
00:49:59Are you having problems?
00:50:00It's over.
00:50:16Vincent, we're losing speed.
00:50:18Tell me how to keep moving.
00:50:19I think I can.
00:50:27If you're burning up, I'll get you some water.
00:50:38What do you think you're going?
00:50:39I just need some water.
00:50:41For my kids.
00:50:49Can't you stop me?
00:50:51Cynthia, are you all right?
00:51:17Pull the pressure off the brake lines.
00:51:20Got it.
00:51:21Find the fuel compressor.
00:51:22Is it empty or full?
00:51:25At least.
00:51:26Now prime the starter engine by pressing the red button to your left.
00:51:32Careful.
00:51:33Give it too much until rupture the brake lines.
00:51:47Yes?
00:51:47Mark, what the hell is going on?
00:51:49I'm killing them by a weapon.
00:51:51Jack, slow down, okay?
00:51:52We have to keep a low profile on this.
00:51:54Low profile?
00:51:56Mason code is on this train.
00:51:57Where are you?
00:51:59In the engine.
00:52:00I'm trying to keep this train moving.
00:52:02Okay, good.
00:52:02Just keep working.
00:52:03You'll have backup in no time.
00:52:05You should not have it.
00:52:07Hello?
00:52:08Hello?
00:52:11Something is really wrong.
00:52:13I hurt all over.
00:52:14We're screwed, man.
00:52:16Everybody's getting sick at once.
00:52:17Just shut your mouth.
00:52:19You're not the only one that's scared here, pal.
00:52:20You may have your head in the sand open, John, but I don't.
00:52:24Terrorists plus sickness equals biological warfare.
00:52:27Sir, I'm a doctor.
00:52:30Well, I'll bet med school didn't prepare you for this.
00:52:32Or this.
00:52:34So what is it?
00:52:35Tell me what your professional opinion is, Doc.
00:52:38We're fucked.
00:52:39I can't help these people if you keep running.
00:52:43Well, maybe we should all just remain calm then, huh?
00:52:46Because pretty soon we're all going to be knocking at the pearly fucking gates.
00:52:58Mason.
00:53:00Mason!
00:53:02You want to strike out on your own?
00:53:06Fine.
00:53:07You're on your own.
00:53:08Bastard!
00:53:09Don't you fucking leave me here!
00:53:11Don't leave me.
00:53:13Hard to say, isn't it?
00:53:17It's time.
00:53:21How are you feeling?
00:53:23Getting ill?
00:53:26I hope your end is painful.
00:53:29Fuck you.
00:53:33You're already dead.
00:53:42Vincent.
00:53:44Vincent!
00:53:45Vincent!
00:53:45We're stopping!
00:53:46Vincent!
00:53:48Listen, baby.
00:53:49After we kill this fucker and get all the money,
00:53:51we're going to buy our own island.
00:53:53You hear me?
00:53:55Our own island.
00:54:08Sir, two of them are on the way.
00:54:12Slam down the accelerator.
00:54:14Move the pressure.
00:54:15Bump the fuel.
00:54:15Prime the starter engine.
00:54:17Careful!
00:54:22Give it too much.
00:54:23Careful!
00:54:24It's a rupture of the brake line.
00:54:25Prime the starter engine.
00:54:27He's not here!
00:54:30Slam down.
00:54:31It's a rupture of the brake line.
00:54:32Careful!
00:54:50Sandra, tell me why I'm removing it.
00:54:52I don't know.
00:54:53It's the start of the charge.
00:54:57Prince, get back in the air
00:54:59and follow this train.
00:55:00You're pulling it out.
00:55:00That's affirmative, sir.
00:55:04Looks like the engine's sneaking, Mason.
00:55:06Then fix it!
00:55:13Open it!
00:55:14Ah!
00:55:15Ah!
00:55:16Ah!
00:55:16Ah!
00:55:17Ah!
00:55:17Ah!
00:55:21Ah!
00:55:21Ah!
00:55:38She was the love of my life.
00:55:43Ah!
00:55:45Ah!
00:55:50Ah!
00:55:54Ah!
00:56:04Ah!
00:56:07Ah!
00:56:09Ah!
00:56:26Oh, my God.
00:56:40Oh.
00:56:41Oh.
00:56:54Bob!
00:56:55I'm going down!
00:56:57Copy that, sir.
00:56:59I'm deploying the land.
00:57:04Damn it!
00:57:05There's too much blockage.
00:57:06It's no good, Mason. I'll get you on the other side of the mountain.
00:57:10Pull us out now!
00:57:12No, Mason. It's what?
00:57:14God damn it, do it!
00:57:20Then get up to the room.
00:57:22Get up to the room!
00:57:47Fuck!
00:58:01Damn it!
00:58:06Fuck! Fuck! Fuck! Fuck! Fuck!
00:58:17It's fucking time!
00:58:24Fuck! Fuck!
00:58:45Fuck! Fuck!
00:58:48Fuck!
00:58:51Fuck!
00:58:57Fuck!
00:59:08Shit! She got the vial!
00:59:11I'll take care of her.
00:59:12You make sure Kristoff is dead this time.
00:59:14And I don't want your word, I want his head!
00:59:19We need to lie down.
00:59:22Let me help you.
00:59:24What's wrong with us?
00:59:26All right, that is it!
00:59:28You are out of here!
00:59:29You're sicky and you're sick!
00:59:31I want you out!
00:59:32You! Move it!
00:59:33Come on, sit down!
00:59:34Help me!
00:59:34Why don't you just get up?
00:59:35You know, Pritch, you know that if you just shut up!
00:59:37Leave it alone!
00:59:39You okay?
00:59:44Yeah, I'm fine. It's just a cold.
00:59:46I've had it all week.
00:59:48Look, I'm here to help you.
00:59:52Did she get her a glass of water?
00:59:54Yeah.
00:59:54Come on.
00:59:56Oh, babe.
00:59:57Oh, I heard a long break.
00:59:58I heard so bad.
00:59:59Oh, baby.
01:00:06We need to pump liquids into them.
01:00:08Juice and water.
01:00:10Wet down all the bar towels.
01:00:11And anything else you can find to make cold compresses.
01:00:14All right, you got it.
01:00:15Zone which would be possible.
01:00:30General Zakhev...
01:00:32...Jack Kristof.
01:00:33Jack.
01:00:33How's the vacation?
01:00:34I'm on train 681 from Bratislaga to Munich.
01:00:38We've been hijacked by Mason Cole.
01:00:49Any idea why?
01:00:51Three vials of SP-43.
01:00:54We've had reports that it was stolen from the Slovakian government.
01:00:57Consider it confirmed. It's on this train.
01:01:04Did you contact Lars?
01:01:06Yeah.
01:01:07There has been exposure.
01:01:09My God. Do you have the vials?
01:01:12I'm doing everything I can to get them.
01:01:19Unless you recover it and stop that train.
01:01:22I know the procedure, sir.
01:01:27Jack!
01:01:43We've got to clear the tracks now.
01:01:45Yes, sir.
01:01:45Then call the World Health Organization.
01:01:49We've got to say.
01:01:50I know.
01:01:54I see.
01:02:22Let's go.
01:02:24Come on! Come on!
01:02:59Come on!
01:03:00Come on!
01:03:13Are you okay?
01:03:14Yeah, I'm okay.
01:03:16Do you know what's going on around here?
01:03:18I'm not sure.
01:03:21Everyone who's sick had to be exposed at the same time, but...
01:03:25Nothing has Nicky and Bay should bury this short.
01:03:31I think it might be smallpox.
01:03:34Smallpox?
01:03:36Wasn't that wiped out?
01:03:39Yeah.
01:03:40It was eradicated back in 1973.
01:03:42One, two, three...
01:03:43One, two, three...
01:03:46One, two, three...
01:04:12Christophe's dead.
01:04:14You sure this time?
01:04:16Yeah.
01:04:17I saw him fly off the top of the train...
01:04:19on a motorcycle.
01:04:21No way he could have survived.
01:04:23You better be right.
01:04:25What about Kalina?
01:04:26The sign.
01:04:27I need those vows, Henry.
01:04:34me.
01:04:51At this rate, I'll be down to my knicker soon.
01:04:54it's just wrong and young ones have to suffer
01:04:57and young ones have to suffer
01:04:58and young ones have to suffer
01:05:03and cover yourself up if you want
01:05:04oh that's it
01:05:06most countries stopped inoculating against smallpox
01:05:09in 1979 we've had our shots
01:05:11so our immune systems still have
01:05:13a trace of the vaccine
01:05:14but anyone born after that has absolutely
01:05:17no protection
01:05:17so what you're saying is that we're safe we can't get it
01:05:20no no no no we can
01:05:23it'll just be delayed or not strong
01:05:27mom mom get over here
01:05:33I need some room
01:05:34I need some room
01:05:40good girl
01:05:42no get ice
01:05:43if we don't get this fever
01:05:44don't
01:05:45I need to go help that
01:05:47I can't go over there
01:05:49I need you to help me
01:05:50I need that now
01:05:51I'm afraid
01:05:51I'm afraid
01:05:53I'm afraid
01:05:53I'm afraid
01:05:54I'm afraid
01:05:54come on
01:05:54please bring the ice
01:06:01more
01:06:01more
01:06:05it's okay
01:06:12no
01:06:13no
01:06:16no
01:06:17no
01:06:17no
01:06:17no
01:06:17no
01:06:20train 420
01:06:22this is an emergency
01:06:24come in
01:06:26Reiner
01:06:28Reiner
01:06:28come in
01:06:29why
01:06:30you must stop your train at the Lint station
01:07:01what's going on
01:07:20let me have some medical supplies there must be some on the train
01:07:22you're responsible for the waste bullets undead
01:07:41passports, yours and the brass, now
01:07:52Jacques, I've got to stop the train
01:08:00Vincent, the engine's on fire
01:08:02can you shut the line?
01:08:04I'll drive
01:08:04if you can, get out of there
01:08:06yeah
01:08:07happy birthday, Jacques
01:08:09I've had my initial consultation with the firm of Christophe
01:08:14Christophe and Christophe
01:08:17so here's the deal
01:08:18you've got two minutes to get the compartment 5B
01:08:22and Jacques, I don't like killing women and kids
01:08:26but I will if I have to
01:08:36don't come any closer
01:08:37I'll shoot you, Jacques
01:08:38I swear to God I'll shoot you
01:08:40you've got the vials
01:08:42don't fucking move or I'll kill you
01:08:44you're sick
01:08:46if you had let me go
01:08:48everything would be okay
01:08:49I would be fine
01:08:51listen, with the vials
01:08:53we can cure you and everybody else
01:08:56it's too late
01:08:59no, it's not
01:09:01you've got to trust me
01:09:05Christophe
01:09:0630 seconds
01:09:20I'm gonna make things right
01:09:30Otto, what's going on?
01:09:32that drunken moron
01:09:34hasn't stopped
01:09:37stop the train
01:09:39there's no way to avoid a collision
01:09:44just a few seconds to go
01:09:51three
01:09:52two
01:09:54one
01:09:56oh, Jacques
01:09:57dad
01:09:58let's put that weapon down, Jacques
01:10:00drop the clip
01:10:11let him go
01:10:14I've got a proposition for you
01:10:16as you pretty much decimated my entire crew
01:10:19I need someone to go find Galena in those vials
01:10:23that someone is you
01:10:26fail
01:10:28and I'll shoot your whole family
01:10:30and just to let you know I mean business
01:10:32I think I'll shoot the boy right now
01:10:34wait
01:10:35I've got it
01:10:37I've got it
01:10:37I don't believe you
01:10:40give it to me first
01:10:49I must say you make for a rather challenging journey
01:10:53why are you doing this
01:10:54I like long vacations
01:10:58say your parents
01:10:59what about our deal
01:11:01our deal
01:11:06get the boy
01:11:17fuck
01:11:18fuck
01:11:23rhinder
01:11:28rhinder, come in
01:11:40rhinder, come in
01:11:43Ah!
01:11:45No!
01:11:47Ah!
01:11:50Ah!
01:11:58Dad!
01:11:59Ethan!
01:12:01Ethan!
01:12:02Careful!
01:12:13It must have hit the tail of the train.
01:12:28Ethan!
01:12:33Ethan!
01:12:36Ethan!
01:12:40Ethan!
01:12:43Ethan!
01:12:50Ethan!
01:13:14Ethan!
01:13:17Oh!
01:13:20Oh!
01:13:20Oh!
01:13:20Oh, my hair hurts!
01:13:23I'm fine.
01:13:26Leave it!
01:13:27No!
01:13:28Leave it!
01:13:28No!
01:13:29No!
01:13:29No, Jacques!
01:13:31You lived in your life for 20 years, our son is dead.
01:13:38And our daughter.
01:13:50I have to go.
01:13:52People need my help, okay?
01:13:57They need my help, too.
01:14:05I'm sorry. I'm so sorry.
01:14:09I love you so much.
01:14:17The train is only 50 miles from Munich.
01:14:20My orders are to be prepared for the worst.
01:14:24Are the troops in place?
01:14:25Yes, sir.
01:14:26If they reach the bridge at Charles, we have a squadron of Apachigan ships in place loaded with thermochemical bombs.
01:14:34Those bombs carry enough heat to destroy the virus.
01:14:38Dr. Reno?
01:14:39It's our only choice.
01:14:41If this virus gets out, millions will die.
01:14:48They'll fire out the rest of us.
01:14:49We can start a special boat off.
01:14:49We can get some of them.
01:14:49We can do it.
01:14:53No one is happy.
01:14:55We can start a special boat, too.
01:14:55Oh, no, no.
01:15:01Can you see that?
01:15:04Even if the soldiers have fallen out there, the swords are going to go for it.
01:15:12Vincent, if we don't stop this train, they will, they have to.
01:15:17But, but the engine?
01:15:18We don't need the engine. Let's disconnect it.
01:15:22Come on. Come on, I will show you.
01:15:24Your husband's a good man.
01:15:26How long have you worked with him?
01:15:29Since last night.
01:15:34Your husband's a loyal man.
01:15:42Pull the handle.
01:15:44Handle.
01:15:46That's not enough.
01:15:49Once we get disconnected, we'll have to use the handbag.
01:15:56Jack!
01:15:57Ah!
01:16:03Ah!
01:16:16Oh, my God.
01:16:42Oh, my God.
01:17:10Oh, my God.
01:17:42Oh, my God.
01:18:00Oh, my God.
01:18:15Oh, my God.
01:18:18Oh, my God.
01:18:19Oh, my God.
01:18:20Oh, my God.
01:18:43Oh, my God.
01:19:11Oh, my God.
01:19:32Oh, my God.
01:19:53Oh, my God.
01:20:47Oh, my God.
01:21:11Oh, my God.
01:21:23Oh, my God.
01:22:07Oh, my God.
01:22:16Oh, my God.
01:22:37Oh, my God.
01:23:10Oh, my God.
01:23:37Oh, my God.
01:23:40Oh, my God.
01:24:11Oh, my God.
01:24:13Oh, my God.
01:25:11Oh, my God.
01:25:11Oh, my God.
01:26:07Oh, my God.
01:26:09Oh, my God.
01:26:13Oh, my God.
01:27:10Oh, my God.
01:27:13Oh, my God.
01:27:41Oh, my God.
01:28:14Oh, my God.
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