- 6 hours ago
The Ghoul is a haunting classic horror film from 1933 that blends mystery, suspense, and supernatural terror into a dark cinematic experience. Starring legendary horror icon Boris Karloff, the film follows the story of an ancient Egyptian jewel, deadly curses, and the terrifying events that unfold after a wealthy man’s death. With its eerie atmosphere, gothic visuals, and unforgettable performances, this vintage horror classic remains a favorite among fans of early horror cinema.
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Short filmTranscript
00:00:28You
00:00:39You
00:01:12We don't want to buy no line owner nothing
00:01:15Mr. Dragore, please
00:01:17Oh, even
00:01:55No sound, please
00:01:57After two years
00:01:59I find you
00:02:00I want the eternal light
00:02:03You found me too late
00:02:04Never mind
00:02:12I can kill with this
00:02:13From the end of the room
00:02:14No lies, please
00:02:17You cannot kill in England, Mahmoud
00:02:19They get down
00:02:20If I hang, there are others
00:02:22The eternal light goes back to the tomb
00:02:25From which you stole it
00:02:27But I tell you
00:02:28I have not got it
00:02:28Please, I am not a child
00:02:31I
00:02:32I sold it
00:02:33To whom did you sell it?
00:02:37Professor Marlon
00:02:40That robber of the dead
00:02:43Has he sold it?
00:02:44He did not buy it to sell
00:02:46What then?
00:02:46Like you, Mahmoud
00:02:47Like you, Mahmoud
00:02:48He leaves
00:02:48Believes?
00:02:50He believes that the eternal light will open for him and the gates of paradise
00:02:53Even so, he gave the best part of his fortune for it
00:02:57And very soon he will know whether or not he was right
00:03:00What do you mean?
00:03:03Professor Marlon
00:03:04Is dying
00:03:08Then you think it will be buried with him?
00:03:11I'm sure of it
00:03:11We have only got to wait
00:03:14Until he is dead
00:03:26I'm new here
00:03:32Opener of the way
00:03:42Ready?
00:03:45Ready?
00:04:00Ready?
00:04:02Bye fine
00:04:07What's that?
00:04:15Well, what is it?
00:04:18Good evening.
00:04:19I have been in the neighborhood, and hearing of your master's illness, I took the liberty of calling.
00:04:24How is he tonight?
00:04:25He'll never see the morning.
00:04:27He hasn't asked for anyone of my cloth.
00:04:29Nor will he.
00:04:30He's set in his ways, and they are the ways of the heathen.
00:04:33I know he won't see the rector, but though I'm a comparative stranger, I don't like to leave a man
00:04:37to die like that.
00:04:39He'll die in his own, as he has lived.
00:04:41Still, sometimes at the end.
00:04:43Not with him.
00:04:44He's stubborn and unbending, and will be so at the throne itself.
00:04:50Well, I suppose I can be of no use then.
00:04:52No manner of use.
00:04:58Good night.
00:05:11No manner of accident.
00:05:11Asking for you.
00:05:15Where could I find Mr. Brown?
00:05:33Come in or go out.
00:05:44You have to go up soon if you want to see him again.
00:05:46I don't know.
00:05:51Curious house, this.
00:05:53Curious owner.
00:05:55Yes, but I suppose a great Egyptologist can't be expected to be like other people.
00:05:59Well, he'll be like a great many other people soon.
00:06:01That's not a very sympathetic thing to say.
00:06:04Well, I'm not a sympathetic man.
00:06:06Want a drink?
00:06:09That's, uh...
00:06:10Across the hall, isn't it?
00:06:11I dare say.
00:06:21I dare say.
00:06:22September 22nd, 1931.
00:06:40Daily German.
00:06:521982.
00:06:56The eternal light.
00:07:00My last.
00:07:03The eternal light.
00:07:27The eternal light.
00:07:32And here...
00:07:36The door is closed.
00:07:38It is?
00:07:40There is no darkness.
00:07:42Nothing.
00:07:44The cat.
00:07:45They're hidden.
00:07:46Now, the cat.
00:07:46You were always suspicious. Have you ever trusted a living soul?
00:07:52Only fools. I trust you.
00:07:58Better to trust in the spirit than in the flesh.
00:08:02I put my trust in my own gods.
00:08:09And now, when I am dead, my funeral, you will bury me at dusk in the clothes I told you.
00:08:25You will place the figure of Anubis at the west of the inner chamber.
00:08:32I will.
00:08:34And on the night of the moon.
00:08:41At the first hour, I will make my offering of the eternal light to Anubis.
00:08:53Opener of the ways.
00:08:58If I have done well in his sight, those fingers will close over the jewel.
00:09:11And he will open to me the gates of immortality.
00:09:17The hand of the heathen image will now come to life.
00:09:21Ah, the bandage. The bandage.
00:09:25Not located here.
00:09:34I have no idea.
00:09:35You'll к continuous meadow.
00:09:42I mean, did to meet the inhabitants of Death's ley.
00:09:43Not that side it itself.
00:09:54But I have no idea.
00:10:04Look.
00:10:10This is the eternal night.
00:10:16It was worse in my hand.
00:10:20A man will no find peace who robs his heirs.
00:10:26Bandage my hand.
00:10:29The eternal light must lie with me in the tomb.
00:10:36You're afraid of me.
00:10:39I'm afraid for you.
00:10:41If this should leave me, then you'll have reason to fear.
00:10:50For when the full moon strikes the door of my tomb,
00:10:56I will crack.
00:10:59You hear?
00:11:02I will come back to kill.
00:11:09Bandage my hand.
00:11:20I'm sorry.
00:11:21I'm sorry.
00:11:49I think you should leave me and run away with you.
00:11:52Doctor! Doctor!
00:11:59Doctor!
00:12:16Where's he going?
00:12:20Doctor!
00:12:53It's all over.
00:12:58Make out a certificate. What failure?
00:13:04What was the idea of bandaging his hand like that?
00:13:08How can I say? He had many queer fancies.
00:13:14I'll be around in the morning to sign the certificate.
00:13:23I'll be leaving my master aside till his body is laid to rest.
00:13:27You're telling me, I love it looks like that's not the case.
00:13:28Oh, right.
00:13:45As you look, the other mother has the value of the old man.
00:13:47I praise you.
00:13:47I'll be right back.
00:13:47I'm not sure, but he's the old man.
00:14:11I don't know.
00:14:21I don't know.
00:15:09Where are you going?
00:15:10To feed the lamp that is to burn inside.
00:15:45It's all wrong.
00:15:46It's all right.
00:15:49It's so disgraceful.
00:16:39It's all right.
00:16:50You're leaving the key inside.
00:16:52Aye.
00:16:53That was another of his queer fancies.
00:17:16I want you to stay here and watch that man with a club foot.
00:17:19I'm not a detective, Mr. Burton.
00:17:21One more word from you, Davis.
00:17:22You're not at work.
00:17:23I have reason to believe that he has stolen a valuable piece of property.
00:17:27May make an effort to get rid of it.
00:17:28Watch him and telephone me at my office if he leaves the house.
00:17:32Let's go.
00:17:32Let's go.
00:17:52Let's go.
00:18:10Let's go.
00:18:12Harlan.
00:18:12To.
00:18:13To.
00:18:14To.
00:18:15To.
00:18:16To.
00:18:17To.
00:18:27To.
00:18:33To.
00:19:02We'll see you next time.
00:19:38Carry up.
00:19:47From Rhapsody.
00:19:48Shillings, if you'll drive me to Yaksford Station in time to catch the five o'clock train.
00:19:52I'll oblige you, Governor. I was going straight back as it was.
00:20:19That's a very old carpet, Mr. Morland. I should be glad if you will not kick to pieces.
00:20:23I'm sorry. When I'm angry, I do kick.
00:20:26You could not have to explain that.
00:20:28Yes, I intend to.
00:20:31By your own statement, Miss Harland and I are the sole heirs of Professor Morland.
00:20:34We were informed neither of his death nor of his funeral.
00:20:37Your uncle died and was buried in a certain way according to his wishes, which need I go on.
00:20:43Almost his last words were a threat to return from the dead.
00:20:48In my opinion, he was mad.
00:20:49Well, that may be so.
00:20:50Miss Harland should have been consulted.
00:20:52But I understood that Miss Harland were not on speaking terms.
00:20:55Oh, what of that? You expect quiet at a funeral, don't you?
00:20:57Yes, I also expect it in my office.
00:20:59I'm very sorry, but after all, this means a bill to both of us.
00:21:02My uncle was worth about $4,000 a year.
00:21:04Well, he isn't now.
00:21:06What do you mean by that?
00:21:08He spent a good deal, you know.
00:21:09Well, it may surprise you to know that some time ago he drew a check for 75,000 pounds.
00:21:16What for?
00:21:17I don't know.
00:21:19You don't know? You were in charge of all his affairs and you don't know?
00:21:22That's what I said.
00:21:24And I advise you to look after the tone of your voice.
00:21:27Follow you.
00:21:28I'm going to run down to Owlsville House tomorrow morning.
00:21:32Yes, why, I don't think you'll realize the condition that you'll find there.
00:21:38No, that's why I propose to go.
00:21:40You won't like it.
00:21:42You'll be most uncomfortable.
00:21:44You don't advise me to go?
00:21:45I think you'll be making a very big mistake.
00:21:49Then I'll go.
00:21:52Oh, by the way, does Miss Harland know anything about this will business?
00:21:56No doubt she will have received a letter from me by now.
00:21:59Do you know, Miss Harland?
00:22:00No.
00:22:02I propose to give myself the pleasure of calling upon her this evening.
00:22:08Hello.
00:22:09Oh, it's you, dear minute.
00:22:11I have a visitor here, but I think he's just going.
00:22:14Thank you very much.
00:22:16If you're going to see Miss Harland tonight, I shall be there myself.
00:22:19No doubt you will succeed in making a painful interview intolerable.
00:22:24Good afternoon.
00:22:26Man, I must help your practice a great deal.
00:22:35Now, Davies.
00:22:44Can you direct me to Blountford Street, please?
00:22:47Follow the tram lines, close on Amal, and then turn right at the church.
00:22:50I'm obliged to you.
00:22:54I want to get here for me.
00:22:55There is no one.
00:22:55I love you, sir.
00:22:55There is no one.
00:22:58There is no one.
00:23:01I got off to you.
00:23:02I got off to you.
00:23:06The one.
00:23:08Is there anything other stuff?
00:23:16Follow the wall?
00:23:16Go.
00:23:21See if you have an eye on the wall.
00:23:31Oh, it's good to get out of that fog.
00:23:33My dear, a most exciting thing has happened.
00:23:36Oh, don't let it happen again.
00:23:38No, not that.
00:23:39That's a chestnut.
00:23:41It's this.
00:23:42It looks like a solicitor's letter.
00:23:45It's just been delivered by hand.
00:23:47Oh, dear.
00:23:48What haven't we paid?
00:23:49I wonder if I'm going to get a shock or not.
00:23:51Oh, Caney, that is a silly game.
00:23:56After all you've said about Uncle Henry, what do you think he's done?
00:23:59Being nice at last.
00:24:00Well, he's dead.
00:24:02My dear, I'm sorry.
00:24:04And here's a solicitor who wants to see me.
00:24:06My dear, I'm glad.
00:24:08He was awfully rich, wasn't he?
00:24:11He may have left you a fortune.
00:24:13If he has, I'll buy you a private cinema.
00:24:15Oh, I say, did this letter come?
00:24:18A few minutes ago, what?
00:24:20He asked me to telephone him if I could see him here at Pitt.
00:24:24You don't want to miss the chance of a fortune for the sake of something.
00:24:28You better run out and do it now.
00:24:30You're right.
00:24:55I don't want to miss the only reason why he asked me to.
00:25:00No, I'll be honest there.
00:25:52What's the matter? What's happened?
00:25:53Somebody attacked me. It smashed my back.
00:25:56Why, good lord, it's Betty Harlow.
00:25:58Grace Morris.
00:26:00You would go and get yourself into some kind of mix-up.
00:26:02You would arrive when it's all over.
00:26:05Well, I'm going home.
00:26:06Wait a minute.
00:26:07It's on my way.
00:26:43I'm going home.
00:26:44I'm going home.
00:26:45I'm going home.
00:27:14Let's go.
00:27:18Oh, so you brought him.
00:27:20Dear Mr. Broughton, we're delighted to see you.
00:27:24No, it isn't Mr. Broughton.
00:27:25It's my cousin, Rafe Morland.
00:27:27Dear Mr. Morland, we're delighted to see you.
00:27:30Wrong again.
00:27:31We don't like him very much.
00:27:32Oh, don't we?
00:27:34I didn't realize.
00:27:35Well, our two families are not on speaking terms.
00:27:37Oh, dear.
00:27:39As far as I can make out, it was started by my letter as a Christmas joke.
00:27:42Oh.
00:27:42Won't you sit down?
00:27:44No?
00:27:45But now he's dead.
00:27:47The throttle's all over.
00:27:48I'm not sure it hasn't just begun.
00:27:51Where's Mr. Broughton?
00:27:53Because I didn't telephone.
00:27:54I nearly got throttled instead.
00:27:57Betsy!
00:27:57There was a man with a limp.
00:27:59He pushed a note into my hand.
00:28:01I just put it in my bag when somebody snatched the whole affair.
00:28:04What was in it?
00:28:06There's something of value at our bail.
00:28:09Others are after it.
00:28:11So come.
00:28:12And Broughton was doing everything he knew to keep me away from there.
00:28:15Why goodbye?
00:28:16I'm going down there right away.
00:28:18I'll let you know what happens.
00:28:19You're wrong.
00:28:20I'll let myself know.
00:28:21If you go, I go too.
00:28:23You can't do that.
00:28:25Alone in a house with a man you're not even on speaking terms with?
00:28:28Oh, don't be so absurd.
00:28:30It's not as if I even liked him.
00:28:32If another woman was going, perhaps.
00:28:34I can't.
00:28:34I suppose that means you want to come too.
00:28:36Well, obviously it's my duty.
00:28:38And suppose I object.
00:28:40I'm not so broke I can't hire a car.
00:28:43Oh, all right.
00:28:45You win.
00:28:45But for goodness sake, hurry.
00:28:46I won't get away.
00:29:00Bet you can.
00:29:01There you are.
00:29:06Oh, this is an unsespeakable car.
00:29:08There's no proof for my gate.
00:29:10All right, we'll walk.
00:29:20It looks as if I'll have to walk.
00:29:22It might do worse.
00:29:24There's a grand move.
00:29:26It's full.
00:29:58It's full.
00:29:59It's full.
00:30:02It's full.
00:30:05It's full.
00:30:09Let's go.
00:30:54I'll see if there's a name on this gate.
00:31:02No, there's nothing to show this place.
00:31:03But there aren't any other places and I'm frozen.
00:31:07Well, it's no use going to the wrong place.
00:31:09Wait a minute, here's someone on a bike.
00:31:10Hi there, cocky.
00:31:11Wait a minute.
00:31:14Oh, hello.
00:31:15I'm awfully sorry.
00:31:16I didn't see you were a parson.
00:31:17Oh, that's all right.
00:31:20Any trouble?
00:31:21Oh, no, no.
00:31:22We just want to get to Owls Vale House.
00:31:25Well, this is it.
00:31:27As a matter of fact, I'm calling there myself.
00:31:29Did you know my uncle?
00:31:30Professor Morland.
00:31:31Oh, slightly.
00:31:32Perhaps I want to introduce myself.
00:31:34My name's Hartley, Nigel Hartley.
00:31:36I'm down at Ravenly.
00:31:37The vicar's ill.
00:31:38How do you do?
00:31:39I'm Wraith Morland.
00:31:42This is Miss Harland.
00:31:44We're the heirs of the old...
00:31:45Couldn't we have the rest of the introduction indoors?
00:31:47Yes, yes, of course.
00:31:48You must be cold.
00:31:51All right, stay on this drive.
00:31:53You go along, I'll follow.
00:31:54All right.
00:32:21Here we are.
00:32:29Car'll be all right here.
00:32:32I'll show you the way.
00:32:54I'll show you the way.
00:32:58Let's see.
00:33:03Come on.
00:33:06I'll show you the way.
00:33:06Come on.
00:33:07Come on.
00:33:14Come on.
00:33:19What a horrible house, I wish I was home in bed, I can hear someone coming
00:33:39Ah, well don't stand about, come inside
00:33:42All right
00:34:15We're going to the library.
00:34:38Where are the rudest men alive?
00:34:42Oh, pretty pussy.
00:34:44How horrible. It's stuck.
00:34:47I dare say you know your own business best.
00:34:49But why you should want to bring a parson?
00:34:51A pure accident. We met at the gates.
00:34:53So naturally, you brought him in.
00:34:55Broughton, I can stand a certain amount, but no more.
00:34:57Oh, come, come. Don't let's make a battle of it.
00:35:09You stay here in the car.
00:35:10No. I shall be among the trees, watching.
00:35:26You may say I have no right to express this opinion, but to my mind it's a scandalous and disgraceful
00:35:32burial, which may have disastrous consequences.
00:35:34It would be very disastrous if he came back, wouldn't it?
00:35:38I quite see Mr. Hartley's point.
00:35:39Yes, you make friends quickly, don't you?
00:35:40An enemy's quicker.
00:35:41Need me have these childish squabbles?
00:35:44We all know the dead men don't come back.
00:35:50Oh, I wish I was back home in bed.
00:35:54Hadn't somebody been around for that?
00:35:59I'm sorry to...
00:36:00With an intimate friend of Professor Mullen.
00:36:04Well, you'd better come in.
00:36:05We seem to be giving a party.
00:36:07Oh.
00:36:08Oh, thank you.
00:36:22My name is Aga Ben.
00:36:24An Egyptian.
00:36:26An Arab.
00:36:27I don't remember having heard your name.
00:36:30I did not flatter myself that you would.
00:36:32But I knew Professor Mullen some years ago, in Egypt.
00:36:45I heard the tomb. I must protest against anything of the sort.
00:36:50Why shouldn't the poor man look at his friend's tomb? I don't mind him going.
00:36:55I can't believe that you'd willingly encourage paganism.
00:36:59The Egyptians were not pagan, sir. As no doubt you know, Miss...
00:37:06Kayleigh, I think you'll all be very unkind to Mr. Traoray.
00:37:10I don't think you people realize quite how far Morland's queer ideas took him.
00:37:15He even believed that after his death at a certain hour the image of a new bisque would come to
00:37:19life in his tomb.
00:37:20It's horrible.
00:37:22Well, I can't see that it matters. After all, if that sort of mumbo jumbo gave him any comfort...
00:37:28It matters a big deal.
00:37:29If my suggestion is likely to hurt anyone's feelings,
00:37:33Please, forget it.
00:37:34Oh, I love you, Mr. Traoray.
00:37:37Oh, your sympathy is more than charming.
00:37:41Well, what about a cup of coffee after your cold drive?
00:37:45I dare that we should find some in the kitchen.
00:37:48May I offer my services as pantry man?
00:37:53Quite sweet of you.
00:37:58Come, Mr. Traoray.
00:38:02For sheer speed.
00:38:04Shall I let him out of our sight for a moment now?
00:38:06Perhaps that's just as well.
00:38:09About making a fire in the library?
00:38:11Yes.
00:38:13I'm sorry, there should be this sort of atmosphere after all.
00:38:15We're only ships that part in the night.
00:38:17Hmm.
00:38:18Do you want a drink or will you pass now?
00:38:21I...
00:38:21Oh, well, thank you very much.
00:38:30There you are.
00:38:41Well, if you build it that way, there won't be any draft.
00:38:44Well, it'll be the only place in this house where there isn't one, then.
00:38:48Oh, don't you think you carry those separate retorts that travel too far?
00:38:52And since we met, I can't remember you saying a kind word to anyone.
00:38:56Perhaps you're right.
00:38:58I'm sorry.
00:39:08Six cups.
00:39:10That's just...
00:39:12Just four too many.
00:39:15Eh?
00:39:17Tell me about Egypt.
00:39:19Have you ever seen a sheik?
00:39:23I am one.
00:39:25Oh!
00:39:26Oh!
00:39:27Oh!
00:39:33Thanks.
00:39:35Then how should I address you?
00:39:38Oh!
00:39:39I'm cutting sandwiches for a sheik.
00:39:43I don't feel quite well.
00:39:45Oh!
00:39:46Don't be alarmed.
00:39:47We're not quite as uncivilized as people think.
00:39:50Oh!
00:39:50Don't say that.
00:39:53Do you ride a white stallion?
00:39:56Sometimes.
00:39:57Oh!
00:39:57Oh!
00:39:57Down the path of the moon.
00:40:00The noble animal plunging and frothing at the nostrils.
00:40:05Till it's found as at your feet, faithful unto death.
00:40:08Well, not very often.
00:40:10You see, it's rather too expensive.
00:40:13Why, it's not your fault.
00:40:14We were taught to hate one another, but...
00:40:16Good Lord, you don't think I hate you, do you?
00:40:18Well, I can't somehow feel I'm your dearest friend.
00:40:21You never did have a great deal of sense, did you?
00:40:23Well, that's mine.
00:40:28I have a woman's intuition that you and I are up against things.
00:40:32Yes, I'm pretty sure we are.
00:40:33Well then, let's cut the quarreling.
00:40:36Shoulder to shoulder, eh?
00:40:37All right.
00:40:39Partners.
00:40:40Partners.
00:40:41Oh.
00:40:55Well, what a wonderful night.
00:40:58It's a full moon.
00:41:16You're scared of a dead man in his tomb?
00:41:19Shame on yourself.
00:41:23Are you a child that your knee should rattle at the talk of a madman?
00:41:31Look your enemy in the face.
00:41:34It's the fear the big door has got you.
00:41:37And will hold you fast till you stare it down.
00:41:47You dead men walk.
00:41:50I'm not thinking a dead man will cross my path tonight.
00:42:03You dead man will cross my path.
00:42:24With the wings He is blind.
00:42:30And will you find me standing on the beparens?
00:42:37Oh, my God.
00:43:15Oh, my God.
00:43:34Oh, my God.
00:43:37Oh, my God.
00:43:39Oh, my God.
00:43:41Oh, my God.
00:43:48Oh, my God.
00:43:49Oh, my God.
00:43:49Oh, my God.
00:43:49Oh, my God.
00:43:50Oh, my God.
00:43:51Oh, my God.
00:43:53Oh, my God.
00:43:53Oh, my God.
00:43:56Oh, my God.
00:43:57Oh, my God.
00:44:19Oh, my God.
00:44:41Oh, my God.
00:44:57Oh, my God.
00:45:28Oh, my God.
00:45:31Oh, my God.
00:45:43Oh, my God.
00:46:12Oh, my God.
00:46:53Oh, my God.
00:47:23Oh, my God.
00:47:50Oh, my God.
00:47:57Oh, my God.
00:48:10Oh, my God.
00:48:42Oh, my God.
00:49:19Oh, my God.
00:49:51Oh, my God.
00:50:00Oh, my God.
00:50:33Oh, my God.
00:50:56Oh, my God.
00:51:25Oh, my God.
00:52:05Oh, my God.
00:52:15Oh, my God.
00:52:56Oh, my God.
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00:53:38Oh, my God.
00:54:14Oh, my God.
00:54:25Oh, my God.
00:54:27Oh, my God.
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00:56:11Oh, my God.
00:56:25Oh, my God.
00:56:41Oh, my God.
00:56:43Oh, my God.
00:57:13Oh, my God.
00:58:05Oh, my God.
00:58:18Oh, my God.
00:59:02Oh, my God.
00:59:26Oh, my God.
00:59:54Oh, my God.
01:00:15Oh, my God.
01:00:59Oh, my God.
01:01:02Oh, my God.
01:01:32Oh, my God.
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01:02:41Oh, my God.
01:03:03Oh, my God.
01:03:13Oh, my God.
01:03:44Oh, my God.
01:04:06Oh, my God.
01:04:20Oh, my God.
01:04:49Oh, my God.
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01:05:28Oh, my God.
01:05:57Oh, my God.
01:06:14Oh, my God.
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01:07:00Oh, my God.
01:07:38Oh, my God.
01:07:39Oh, my God.
01:08:12Oh, my God.
01:08:38Oh, my God.
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