- 4 months ago
A chilling tale of science gone wrong, Shadows of the Atomic Curse tells the story of dangerous experiments, human transformation, and the dark consequences of obsession. This classic horror film blends fear, suspense, and the haunting legacy of atomic power.
Category
π₯
Short filmTranscript
00:00:00THE END
00:00:30The End
00:01:00The End
00:01:29Go put some clothes on
00:01:31I won't be a minute
00:01:33Try to get it through your head, Jeanette
00:01:40I only came in to tell you goodbye
00:01:42Goodbye?
00:01:46Pierre!
00:01:48It's all over
00:01:48You had your choice
00:01:51Either me
00:01:53Or the so-called profession you're working at
00:01:55You're still working
00:01:56So that means I'm through
00:01:58Oh, please don't treat me like this
00:02:00You know your ship is about to sail
00:02:02Better for us
00:02:02It's easier if I go away
00:02:04Easier to what?
00:02:05To suffer even more than we both have already?
00:02:07You know we belong to each other, Pierre
00:02:09Oh, please, Jeanette
00:02:10Let's end it now
00:02:11No!
00:02:16Pierre!
00:02:17You better move on
00:02:17There's a mother people out there
00:02:18They want you to do another number
00:02:19I won't do another number
00:02:20I'm fed up with this job
00:02:21Ah!
00:02:49Ah!
00:02:49Ah!
00:03:10Miss Marino?
00:03:11You haven't eaten anything today, either.
00:03:13I thought you might like a nice cup of tea.
00:03:15It's been almost three months, hasn't it?
00:03:18Yes, more or less.
00:03:20And in a few more days now...
00:03:23I could read the truth.
00:03:25In the eyes of Professor Moray, there isn't a bit of hope for me.
00:03:28Mutilated.
00:03:29Despigured.
00:03:33Forever.
00:03:34You might as well be prepared for the worst.
00:03:36But it won't make any difference to someone who really loves you.
00:03:39I don't want to be pitied by anyone.
00:03:42Especially by him.
00:03:44Oh, leave me alone.
00:03:48At least drink a cup of tea.
00:03:52Leave me alone!
00:03:55Dear.
00:03:59She has no family here.
00:04:00Not even friends close enough to worry about her.
00:04:03The newspapers made that clear.
00:04:05Go to her.
00:04:06Does anyone know you in that clinic?
00:04:07No one.
00:04:08And no one must know that Jeanette Moreno is coming here.
00:04:11No one will know.
00:04:12I have complete faith in you, as always.
00:04:14And I know that I shall succeed.
00:04:16You're going to need me.
00:04:17I'll be here, Albert.
00:04:19I'll be here.
00:04:20I'll be here, Albert.
00:04:21I'll be here.
00:04:22I'll be here.
00:04:23I'll be here, Albert.
00:04:24THE END
00:04:54THE END
00:05:24THE END
00:05:28No. You mustn't give up all hope yet.
00:05:33Who are you?
00:05:37Don't ask me questions. There isn't time.
00:05:41I'm an assistant to a great scientist who has come to hear of your case and wants to know more about you.
00:05:46He wants to give you treatment.
00:05:47What's the use of treatment?
00:05:50What's the use?
00:05:52You have to believe me.
00:05:54We have discovered a new therapy together.
00:05:56And it's miraculous.
00:05:57I guarantee it.
00:06:04Hello, Leroy.
00:06:05Hi.
00:06:06Now, don't tell me you're here because you want to interview me.
00:06:08You don't think so?
00:06:09Well, then I won't tell you that.
00:06:11Did you read about that girl?
00:06:12What do you mean?
00:06:12Oh, come on.
00:06:14What about this for a big headline?
00:06:15Jeanette Moreno, happy and beautiful as ever.
00:06:17Think of the mad publicity for your clinic here.
00:06:19Sure, but that's one headline you are never going to see in print.
00:06:21Why not?
00:06:22Doctor, we're waiting for your round.
00:06:24That's your service.
00:06:25So long, Leroy. See you around.
00:06:26Now, secrecy is necessary.
00:06:30And I mean absolutely.
00:06:34Not a word to a soul.
00:06:36This is the only hope you have.
00:06:39Keep that in mind.
00:06:40Always.
00:06:42You will drop out of sight for a short time.
00:06:45Three or four weeks at the very most.
00:06:47And when you reappear, everything will be as it was before.
00:06:51As if you had awakened from a horrible dream.
00:06:56Don't you believe me?
00:06:59Well, then do just as you wish.
00:07:04I have never been to see you.
00:07:09But we'll be expecting you.
00:07:18Now, don't disappoint me.
00:07:19I am not being immodest when I speak of a whole new era in the field of biology and therapy.
00:07:28The destructive and degenerative effect of atomic explosions have driven scientists more than ever before into research involving methods and processes of regeneration, rebuilding abnormal or totally destroyed cells.
00:07:42It is completely successful in correcting abnormal cell growth, as well as in restoring cells which have been destroyed.
00:07:50Just as good often grows out of evil, Derma 28 has grown out of Derma 25, the serum which provoked and accelerated abnormal development of cells.
00:07:59When I finally succeeded in stabilizing its effect, I produced the anti-cancer vaccine, which for years had been the major goal of the most important scientific research.
00:08:08Repeated experiments using Derma 28 on specimens deformed by injections of Derma 25 prove its miraculous efficiency beyond a doubt.
00:08:18A single injection of Derma 28...
00:08:20Monique!
00:08:21Monique!
00:08:22What are you doing?
00:08:23Don't you realize?
00:08:24Why, you must be completely insane?
00:08:25Yes, it's the Derma 25 serum that we've been injecting in so many of those poor little animals.
00:08:27Transforming them into monsters.
00:08:28You're aware of its effects.
00:08:29Look at that.
00:08:30Come on.
00:08:31You'll have to be exposed to treatment at once in the radiation chamber.
00:08:32No.
00:08:33Give me an injection of Derma 28.
00:08:34But you know it's never been tried on human beings.
00:08:35I wouldn't have the courage.
00:08:36That's just why I did it.
00:08:37To force you to have the courage.
00:08:38No.
00:08:39Let's wait for that girl Jeanette Morino.
00:08:40No.
00:08:41Give me an injection of Derma 28.
00:08:42But you know it's never been tried on human beings.
00:08:43I wouldn't have the courage.
00:08:44That's just why I did it.
00:08:45To force you to have the courage.
00:08:46No.
00:08:47Let's wait for that girl Jeanette Morino.
00:08:48No.
00:08:49I want to share this honor with you.
00:08:51I've never been as near to you before as I am at this moment.
00:08:54And you will always remember it.
00:08:57We don't need you.
00:08:59Lasha.
00:09:00Don't be troubled about me.
00:09:02When it's all over, you can bring me some roses.
00:09:05Leave us now.
00:09:07Quickly.
00:09:08Every second we have is precious.
00:09:09Every drop.
00:09:10No.
00:09:11Every drop of Derma 28 represents months of work and anxiety.
00:09:16And when the day comes when we can prepare it as rapidly as we do Derma 25 then we...
00:09:20Give me your arm.
00:09:24Yes.
00:09:25There is no doubt.
00:09:26There is not the slightest doubt any longer.
00:09:29You see?
00:09:30It removes every trace of the generation of self-structure.
00:09:34This is the day that comes but once in a lifetime.
00:09:38That is our lifetime.
00:09:42That's right.
00:09:45I shall always remember everything you've done for me.
00:09:49Tell me that in some other way.
00:09:51Tell it to Monique, not your assistant.
00:09:54We'll celebrate this evening.
00:09:56No.
00:09:57Let's both stay home.
00:09:59Together.
00:10:00With our records.
00:10:05One moment.
00:10:06Why do you look at me that way?
00:10:25For a moment there.
00:10:27You seem to be performing some sacred ritual.
00:10:30Yes.
00:10:31It was a ritual.
00:10:33Come.
00:10:52Is this Professor Levins?
00:11:03Yes.
00:11:04I am.
00:11:11So you've come to us.
00:11:13I'm happy to see you.
00:11:16And your luggage?
00:11:17In the checkroom at the station, as you instructed.
00:11:20Where's the ticket?
00:11:21Here it is.
00:11:22Are you sure that no one knows you've come here?
00:11:29Positive.
00:11:30Go and pick up her luggage.
00:11:35Let's go into the study.
00:11:36Professor Levin will join us in a moment.
00:11:40But this isn't like a clinic.
00:11:42No, it's not a clinic.
00:11:44It's the place where Dr. Levin studies and does his work, with me to help him.
00:11:48Come now.
00:11:52Show me your face.
00:12:13Show me your face, I said.
00:12:22There's no doubt of it.
00:12:37Yes.
00:12:38She's disfigured forever.
00:12:40As if by a cancer that's beyond control, like leprosy.
00:12:43There's no one who can help me now.
00:12:46No one.
00:12:47Let me go away, please.
00:12:58I give you my word that I will restore your face.
00:13:00Restore all your beauty.
00:13:02You're worse than all the others, because you want to deceive me.
00:13:06Don't talk like that.
00:13:09Now pull yourself together.
00:13:11We have succeeded in discovering a great secret.
00:13:14The secret of spontaneous reproduction of living cells.
00:13:17It's the secret of life itself.
00:13:19The secret of life, and also of death.
00:13:23Just now I deliberately spoke of cancer.
00:13:25Of cells which proliferate unexpectedly at the expense of the organism until they have destroyed it.
00:13:29Well, with this remarkable discovery, we have succeeded in creating spontaneous reproduction of cells.
00:13:34We can rebuild cells which have been destroyed.
00:13:37We have tamed the monster which once devoured us, and made it serve our own ends.
00:13:42You must be now.
00:13:43It's a miracle.
00:13:44And you'll be the first person in the world to benefit from it.
00:13:47I shall perform this miracle.
00:13:49I've never believed in miracles.
00:13:52I've even forgotten how to pray.
00:13:54Oh, please let me go now.
00:13:55Rather than go on, I'd prefer...
00:14:07You'd prefer to kill yourself, please.
00:14:13If you've given up all hope, why didn't you do it before this?
00:14:16You're condemned for the rest of your life.
00:14:18And you know it.
00:14:19She knows.
00:14:20They all told you that.
00:14:22All right.
00:14:23Let me kill myself.
00:14:25Right now.
00:14:30If you really are so desperate, take your own life if you want to.
00:14:35Yes.
00:14:36I'll give this back to you.
00:14:38But only on that day when you look me in the face and tell me that I failed you.
00:14:41Do you understand, Jeanette?
00:14:43But until that day comes...
00:14:46Will you try?
00:14:49No, no.
00:14:50I beg of you.
00:14:56She's fainted.
00:15:00I've had a room prepared.
00:15:02Oh, I'll bear.
00:15:04And now we must take her upstairs.
00:15:07She's a beautiful human specimen.
00:15:11Beautiful?
00:15:15Didn't you hear about it?
00:15:16No, I didn't hear anything about the accident.
00:15:18I was at sea.
00:15:19We had just sailed.
00:15:20But...
00:15:22You mean today she had all her belongings collected from the hotel tour
00:15:25and had them delivered here at the clinic?
00:15:28It's all beyond me.
00:15:30She told us she was going back to that apartment hotel where she lived.
00:15:32The same hotel tour.
00:15:34Jeanette must still be in town.
00:15:36Oh, it might mean that she's gone away.
00:15:40There can only be one explanation.
00:15:42As a nurse, I'll have to betray a secret.
00:15:45Jeanette Moreno didn't want you to see her again as she is.
00:15:47Pasha!
00:16:02Pasha!
00:16:04You let the generator go out!
00:16:10You drunkard!
00:16:11I'll teach you!
00:16:17That's myεΉ΄ of cloud!
00:16:18You drunkard!
00:16:19I was so dumb!
00:16:20Can I see her now but how about you?
00:16:21That Bye!
00:16:23I've never left the faculty and that as soon as we first started.
00:16:27To a doctor, I saw her classmate.
00:16:31I don't go right off there.
00:16:33To a teacher.
00:16:35Ok, I'm sorry.
00:16:37I'm with myron in peace.
00:16:38I'm a son.
00:16:39I love my happiness and thisology.
00:16:41I hadn't given up generations and I'll never haveALIK.
00:16:43That was so dumb because whatever I was talking to people might Employers have
00:16:44Items that go afterlΔ±ΕRι½μ.
00:16:45I don't know.
00:17:15I don't know.
00:17:45I don't know.
00:18:15I don't know.
00:18:16I don't know.
00:18:20I don't know.
00:18:21I don't know.
00:18:22I don't know.
00:18:23I don't know.
00:18:24I don't know.
00:18:25I don't know.
00:18:26I don't know.
00:18:27I don't know.
00:18:28I don't know.
00:18:29I don't know.
00:18:30I don't know.
00:18:31I don't know.
00:18:32I don't know.
00:18:33I don't know.
00:18:34I don't know.
00:18:35I don't know.
00:18:36I don't know.
00:18:37I don't know.
00:18:38I don't know.
00:18:39I don't know.
00:18:40I don't know.
00:18:41I don't know.
00:18:42I don't know.
00:18:43I don't know.
00:18:44I don't know.
00:18:45I don't know.
00:18:46I don't know.
00:18:47I don't know.
00:18:48I don't know.
00:18:49I don't know.
00:18:50I don't know.
00:18:51I won't be long.
00:18:54Arlette, where are you going?
00:18:55I'll be back.
00:18:56It does seem impossible for a person to disappear overnight, as it were, without leaving a trace.
00:19:02Here, give me another one.
00:19:05You heard him.
00:19:06But it won't help anything.
00:19:07Two scotches.
00:19:08Right away.
00:19:09What her pride had done to Jeanette.
00:19:25First, the derma must be applied through an incision.
00:19:28Scalpel.
00:19:29shore.
00:19:33Swab.
00:19:38Slag.
00:19:46Derma.
00:19:59Nothing.
00:20:03It has no effect.
00:20:04What can we do?
00:20:06Derm injection.
00:20:27Nothing.
00:20:30Still no result.
00:20:33What a binge.
00:20:36Good night, darling.
00:20:36Good night.
00:20:37Yeah, let's go home. I'm tired.
00:20:39So long.
00:20:42Pierre, you're still here?
00:20:46I'll help you home.
00:20:49Is it too late?
00:20:51Yeah, it's much too late.
00:20:53Let me give you a lift in my car.
00:21:05Not a drop of the serum left. Five injections without any effect at all.
00:21:09And I know I was not mistaken.
00:21:11They took effect on you.
00:21:12Because then you applied it immediately.
00:21:13In the case of cells that are destroyed, you will have to make continuous application.
00:21:17Yes, perhaps you're correct.
00:21:18But it will take months to prepare serum enough.
00:21:21Let's send her away.
00:21:22We'll find another subject when we've a new supply of Dermot 28.
00:21:25And let her go around telling everyone what we did to her.
00:21:28We'll have to kill her.
00:21:29And besides, what if the Dermot 28 should have some unusual effect on her?
00:21:33Don't forget we derived it from Dermot 25.
00:21:35I can't bear to think of her becoming a...
00:21:37A monster, is that it?
00:21:40You worry too much about her.
00:21:44Albert!
00:21:48Look there!
00:21:52Jeanette!
00:22:07You shouldn't have been pessimistic.
00:22:17I never had a moment's doubt.
00:22:18Bring me something to drink, please.
00:22:21Albert.
00:22:21If you don't mind.
00:22:22I'm beautiful.
00:22:23I am feeling so focused.
00:22:25I Elon.
00:22:26I love you.
00:22:28I love you.
00:22:28It's the ΡΡΠΈΡ
!
00:22:29I love you.
00:22:32I love you.
00:22:32I love you.
00:22:33I love you.
00:22:38I love you.
00:22:45You see this.
00:22:46I love you.
00:22:48It's the name.
00:22:50Let your copy.
00:22:51Here we are.
00:22:56Let's drink a toast to our victory.
00:23:01First, take her upstairs.
00:23:18Albert!
00:23:21Look there.
00:23:35And the state of shock is completely over.
00:23:37There can't be any more doubt of it.
00:23:38We've won.
00:23:40Doesn't it please you?
00:23:42Yes.
00:23:44But right at the moment, all I'm able to feel is sheer exhaustion.
00:23:48It's as if I were afraid.
00:23:50Of what?
00:23:53Will there be after effects now?
00:23:55Will the regeneration of cells continue as it should?
00:23:58I'm sure it will.
00:24:03Have I slept too long?
00:24:08You?
00:24:09Yes, Jeanette.
00:24:10It's Professor Levin, the man who has...
00:24:12Give me your hand.
00:24:13I swim.
00:24:24But...
00:24:25baby.
00:24:27There goes that way!
00:24:28I can't hear it, sir.
00:24:37I can't hear it, sir.
00:24:39I can't hear it.
00:24:40I owe you more than my life itself.
00:24:57Jeannette.
00:25:02Get back in bed now.
00:25:05You have suffered great physical shock with all this.
00:25:09You've recovered, yes.
00:25:10But we must wait a bit.
00:25:13We must be certain what the results are.
00:25:18Absolutely sure.
00:25:21Don't doubt it, Jeannette.
00:25:24The miracle has happened to you.
00:25:29And you will remain with us until we are sure that we can proclaim it to the entire world.
00:25:34Don't you feel happy?
00:25:35Don't you want to laugh and sing for joy?
00:25:37Don't you feel happy?
00:25:38Don't you want to laugh and sing for joy?
00:25:42Don't you feel happy?
00:25:43Don't you want to laugh and sing for joy?
00:25:44Don't you want to laugh and sing for joy?
00:25:47Don't you feel happy?
00:25:48Don't you want to laugh and sing for joy?
00:25:49Don't you feel happy?
00:25:50Don't you want to laugh and sing for joy?
00:25:54Don't you feel happy?
00:25:55Don't you feel happy?
00:25:56Don't you want to laugh and sing for joy?
00:25:57Don't you want to laugh and sing for joy?
00:26:01Don't you.
00:26:07And Monique, I wonder why she hasn't returned.
00:26:11I suppose she has an experiment she's working on.
00:26:15Anyway, isn't it better like this?
00:26:18We are seldom without Monique.
00:26:31No.
00:26:31All of it.
00:26:52What do you want here?
00:26:54Do you remember how you embraced me when you first saw that you were cured?
00:27:03What was then gratitude has already become love.
00:27:07You shouldn't believe that. If I loved you, I would surely tell you.
00:27:14I'll tell you. You love me.
00:27:17You weren't able to see clearly inside your heart,
00:27:20and you're still too upset by everything that has happened in your life.
00:27:25But you love me. You must know you love me.
00:27:28I have snatched you away from desperation and from death.
00:27:31It is I who restored your beauty. It is I who need you.
00:27:35I'll never be able to live without you.
00:27:47Albert.
00:27:48No, Jeanette.
00:27:51You are nothing if not mine.
00:27:54You belong to me.
00:28:06Wait a moment. I had almost forgotten.
00:28:09Excuse me one moment.
00:28:13Albert.
00:28:15Tell me what it is.
00:28:16Nothing. Nothing at all.
00:28:19Something rather urgent which I've forgotten to tell Monique.
00:28:23Monique!
00:28:25Monique! Monique! Monique!
00:28:33Oh.
00:28:35I don't know what's wrong.
00:28:37It's just though my face were on fire.
00:28:38Sit down here a moment.
00:28:39You'll be all right.
00:28:40Monique!
00:28:41Monique!
00:28:42I don't understand.
00:28:43Albert.
00:28:44What's wrong with me?
00:28:45I am here, Jeanette.
00:28:46Just relax.
00:28:47You're very tired.
00:28:48Now she will sleep soundly for several hours.
00:28:49Time is pressing.
00:28:50Move her to the laboratory at once.
00:28:51It must be a success.
00:28:52It must be, understand?
00:28:53Don't count any longer on me.
00:28:54Monique!
00:28:55Monique!
00:28:56Monique!
00:28:58Monique!
00:28:59Monique!
00:29:00Monique!
00:29:01I cannot do it without you.
00:29:03Monique!
00:29:04Monique!
00:29:05Monique!
00:29:06Monique!
00:29:07Now she will sleep soundly for several hours.
00:29:10Time is pressing.
00:29:11Move her to the laboratory at once.
00:29:15It must be a success.
00:29:16It must be, understand?
00:29:18Don't count any longer on me.
00:29:19Monique!
00:29:21She means more to you now than just an experiment.
00:29:23Monique!
00:29:24I cannot do it without you.
00:29:28Then I'll make a condition.
00:29:29You know what it is.
00:29:30Yes, never see her again.
00:29:32I give you my word, believe me.
00:29:37Sasha, help us carry her to the laboratory.
00:29:53I've prepared everything, but what's to be done?
00:29:55Ah, if there were only a single drop of it still left.
00:29:58But there isn't any.
00:29:59I refuse to give up now.
00:30:01We'll try radiation.
00:30:05Have you gone mad?
00:30:06Yes, yes, I know it's madness.
00:30:07But I'm willing to take any risk for her.
00:30:09You know very well it's useless.
00:30:10Her scar tissue is forming again.
00:30:12And radioactive treatment is effective only against Derma 25.
00:30:15Jeanette.
00:30:19She mustn't suffer like this.
00:30:23But there's always surgery.
00:30:25An insertion.
00:30:25You're out of your mind.
00:30:26That's it.
00:30:27It's the only possible solution.
00:30:29I'll transplant directly from another human being
00:30:31those glands which produce Derma 28.
00:30:32From another woman, a young one.
00:30:34Albert, you must be insane.
00:30:36You've gone mad over her.
00:30:37I gave you my solemn word.
00:30:39Now I know that I can't trust you.
00:30:40How will you ever accomplish it?
00:30:41By murdering the first woman that passes.
00:30:43And if the after picture looks different,
00:30:44you'll kill another woman and another.
00:30:46But I refuse to be your accomplice.
00:30:48And if I ask for the truth, I'll tell.
00:30:49I'll tell you, hear?
00:30:50Monique, come back here.
00:30:58Monique.
00:31:00Monique.
00:31:01Listen to me, Monique.
00:31:03Stop it.
00:31:04We've already said enough for each other.
00:31:06She's lying down there alone.
00:31:08It's not possible to save her.
00:31:10What can we do?
00:31:11But I am still here and so are you.
00:31:12What vote do you want of me?
00:31:13Sacrifice myself for her?
00:31:15You're impossible.
00:31:22Yes, it's true.
00:31:23I'm infatuated with her.
00:31:26But it will pass.
00:31:30Pass away.
00:31:31It's not love, really.
00:31:31It's a sentimental complex.
00:31:33It's only a compulsion, if you like.
00:31:34I want to dominate the girl, to possess her creatively.
00:31:37You will have to help me in this also.
00:31:39Help me overcome this infatuation.
00:31:41Struggle along with me, as you always have done before.
00:31:48Can't you manage to convince yourself
00:31:49she will remain like this?
00:31:51Like this?
00:31:53She has nothing to do with the two of us.
00:32:03I promise we will send her far away.
00:32:06Far away.
00:32:09I will forget her.
00:32:11We will start all over again, and be successful.
00:32:13Please try to be the same intelligent woman
00:32:15you've always been.
00:32:17You know, I would kill a thousand times
00:32:19before I would admit defeat.
00:32:23Please be reasonable.
00:32:28Please be reasonable.
00:32:42You know that we're bound together forever.
00:32:44For ever and ever.
00:33:08Police Commissioner Bouchard, Professor Levin, aren't you?
00:33:11Have we met before?
00:33:12No, but your name is so well known.
00:33:14And your photographs, your television interviews.
00:33:16Submit me, Bube, pathologist.
00:33:19Marais, my assistant.
00:33:20I'm sorry we have to disturb you personally this way.
00:33:23You did telephone us, didn't you?
00:33:24I'm all alone here at the moment.
00:33:26Shall we go inside?
00:33:27Good.
00:33:28Chief, I'm out of cigarettes.
00:33:29Do you mind if I...
00:33:30Yes.
00:33:30Can't you go half an hour without smoking?
00:33:42What is it, Sasha?
00:33:43Why did you come in without knocking on my door?
00:33:53Did Professor Levin send you?
00:33:57I have a splitting headache.
00:34:00Oh, yes.
00:34:02The champagne.
00:34:04Where is Monique?
00:34:05What do you mean, Sasha?
00:34:19What's happened to Monique?
00:34:24No.
00:34:25No, it's not true.
00:34:27I don't believe it.
00:34:28It's not possible.
00:34:29Monique!
00:34:30Monique!
00:34:31Monique!
00:34:36Paralysis of the heart, it's quite obvious.
00:34:38Uh-huh.
00:34:39And she showed no symptoms?
00:34:40No warning beforehand?
00:34:42Oh, yes.
00:34:43I have kept her under special care for almost two years.
00:34:46I'll make out the certificate at once.
00:34:48Without an autopsy?
00:34:49An autopsy.
00:34:50I've already confirmed the diagnosis given by Dr. Nevin.
00:34:55And out of consideration...
00:34:56No, no.
00:34:57If it's usual practice.
00:34:59Inspector, if the decision lies within my jurisdiction,
00:35:02I say no autopsy.
00:35:03Oh, no.
00:35:03If one isn't necessary.
00:35:04Absolutely not.
00:35:05She was from Cherbourg.
00:35:12Monique Riviere.
00:35:14You will find her identity card and papers in her room.
00:35:17She suffered from dizzy spells and palpitation.
00:35:20I should show you something.
00:35:23Ah, here it is.
00:35:27This is her most recent electrocardiogram.
00:35:30I kept it where she wouldn't find it.
00:35:32Better show this thing to our pathologist.
00:35:34For me, it's Chinese.
00:35:37You know, Professor,
00:35:39I'd say I know you intimately.
00:35:42Oh, does that amaze you?
00:35:44Well, it doesn't take a long white beard
00:35:45to be a scientist and a famous one.
00:35:47But I know your articles.
00:35:49I've read your interviews.
00:35:50And I saw you on television when you returned from Japan.
00:35:53Oh, by the way,
00:35:54these strange-looking bottles,
00:35:56are they from...
00:35:56Yes, Hiroshima.
00:35:57A process of deformative fusion of bottles,
00:36:00glasses, and ceramics near each other.
00:36:01The people of Hiroshima sell them as souvenirs.
00:36:04Well, anyway, it's a rather shocking sight.
00:36:07And did you remain a long time there?
00:36:09Sit down, please.
00:36:10For eight months.
00:36:12At the Japanese Institute for Radiological Research.
00:36:15Oh, how interesting.
00:36:17Please.
00:36:18Ah, thank you.
00:36:20I gave up smoking.
00:36:22Then you've had a close look at those poor creatures.
00:36:25Certainly.
00:36:26And from then on,
00:36:27I've devoted my life to such research.
00:36:29What research exactly?
00:36:31Are you acquainted with the field of genetic mutations?
00:36:34Yes, vaguely speaking.
00:36:36Frogs that, after the atomic explosion,
00:36:38produce frogs with two heads.
00:36:40Exactly.
00:36:41Suppose that mutations could be made permanent or not,
00:36:44as we please.
00:36:45Imagine if this were so,
00:36:47what extraordinary developments it could lead to.
00:36:50What you mean is,
00:36:51exploit the horror by extracting its advantages.
00:36:54The bad, which justifies the good.
00:36:55Is that it?
00:36:57More or less, I suppose.
00:37:00During your television interview,
00:37:02you showed some photos that were most interesting.
00:37:04Oh, yes.
00:37:05They're in this album.
00:37:11May I?
00:37:12Please do.
00:37:20Poor, wretched people.
00:37:25And the psychological consequences in these victims?
00:37:28That's the most intelligent question.
00:37:31Well, the relationship between body and soul
00:37:33has not yet been established.
00:37:35Hmm.
00:37:36A problem we can let go by, I think.
00:37:38Or am I wrong?
00:37:44Well then, doctor.
00:37:46I've made out the certificate.
00:37:48Paralysis of the heart.
00:37:57What's that?
00:38:03She's dead.
00:38:07Stop!
00:38:08Stop!
00:38:09Let's go to the police!
00:38:10Today, I'm glad to be alive.
00:38:36Thank you for making me so happy.
00:38:37I didn't want you to get the impression
00:38:39that you're a prisoner there,
00:38:41on my account,
00:38:42through necessity of keeping everything a secret.
00:38:45What are you looking at?
00:38:47The water.
00:38:49The water?
00:38:51Yes, I'm sorry.
00:38:52Isn't there any music?
00:38:53Charnet.
00:38:54You're so distant.
00:38:56Oh, Albert.
00:38:57Please don't make me explain.
00:39:00All right.
00:39:01No explanation.
00:39:02I suppose that the escape from the zoo
00:39:04would lead to tragedy.
00:39:06But who, if not a wild beast
00:39:07with the most ferocious instincts,
00:39:09I wanted to hear some music.
00:39:10They've killed a poor girl
00:39:11with such savage fury.
00:39:12There is no doubt that the girl
00:39:13How bad?
00:39:14That's it?
00:39:15was a victim of a gorilla
00:39:16which escaped.
00:39:17What is it?
00:39:18I feel cold suddenly,
00:39:19and my face is burning
00:39:20like the other night.
00:39:21The night, Monique.
00:39:22Don't get excited.
00:39:23We are going back home.
00:39:25I wonder what it is.
00:39:25Put them on now.
00:39:27Your glasses.
00:39:27Your glasses.
00:39:27Your glasses.
00:39:27Jeanette is upstairs in her room.
00:39:50She won't wake up for several hours.
00:39:52But I want you to watch outside her door
00:39:53and don't move from there
00:39:54till you see me.
00:39:55Put this stuff somewhere else.
00:39:57I must save her at any cost.
00:40:03I give my life to save her.
00:40:05There's always one way.
00:40:06Infertion.
00:40:07Transplant the glance
00:40:08of another woman.
00:40:08The young one.
00:40:09What more do you want me to do?
00:40:11Sacrifice myself for her?
00:40:12Yes.
00:40:13Another one like Monique.
00:40:14And if the after effects
00:40:15are the same.
00:40:18Another and another
00:40:19until I save her once and for all.
00:40:22But I don't have the courage.
00:40:23I don't want to kill again.
00:40:25Everyone knows you.
00:40:26Your article.
00:40:27Your interview's on television.
00:40:28Yes, I know.
00:40:29I know.
00:40:30But who, if not a wild beast
00:40:32with the most ferocious instincts
00:40:34could have killed a poor girl
00:40:35with such savage fury?
00:40:38Yes.
00:40:39Number 25.
00:40:41Exactly.
00:40:42Number 25.
00:40:44Who can create a monster?
00:40:46A monster who doesn't fear killing.
00:40:49Who doesn't suffer as it kills.
00:40:51Who doesn't kiss?
00:40:52Who doesn't appear?
00:40:53Who doesn't take into Hat?
00:40:55Who doesn't even think that usually
00:44:12You see?
00:44:37Are you convinced now?
00:44:42Oh, but...
00:44:43Think calmly.
00:44:47And without this obsession for your looking glass...
00:44:53I know, you're thinking of yesterday.
00:44:55I'm still upset myself.
00:44:56You're afraid the cure will not be permanent.
00:44:58But you're mistaken.
00:45:00Now it's only a question of cell growth.
00:45:03I've already solved this problem.
00:45:05We must allow the cells we've regenerated to achieve lasting stability.
00:45:09Nourish them artificially for a time.
00:45:11And especially with a transplant.
00:45:14Transplant?
00:45:15Yes.
00:45:16It must be done.
00:45:17And it must be done more than once.
00:45:20Why are you staring at me?
00:45:23I told you I'm tired and upset.
00:45:25I spent the whole night working in the laboratory so you could wake up as you are.
00:45:29How many more times will you have to treat me?
00:45:33A few.
00:45:34Very few.
00:45:37No one hopes so more than I do.
00:45:39You could never understand what it has cost me to make you well again.
00:45:44And yet, all I would have to do is tell you.
00:45:48To make you realize how deeply I love you.
00:45:51Jeanette!
00:45:52No!
00:45:53Leave me alone out there.
00:45:54Please go.
00:45:55I must get dressed now.
00:45:56We can see each other later out in the garden.
00:46:09Very well then.
00:46:37Hello?
00:46:39Yes, Lieutenant Mourney is still on board the Garon.
00:46:42He's now in Cape Town.
00:46:43I have a communication for him.
00:46:45It's very urgent that I reach him.
00:46:46Could you possibly forward a letter?
00:46:48Certainly, by air mail.
00:46:49He has a stopover on the return voyage.
00:46:51Please, don't mention it.
00:47:01Excuse me, Sasha.
00:47:02I haven't any more cigarettes, and you know I only smoke this kind.
00:47:11Please go and buy me some.
00:47:20While you're at it, would you mail this letter?
00:47:22And get something for yourself.
00:47:25Oh, no.
00:47:26Please take it.
00:47:27Do take it.
00:47:29You will remember to mail the letter, won't you?
00:47:41Here, my darling.
00:47:42Nothing is changed between us.
00:47:43At least not for me.
00:47:44And I need you desperately.
00:47:45Pierre, I'm afraid.
00:47:46Thank you, Sasha.
00:47:47You did very well.
00:47:48Yes, yes.
00:47:49I know I can rely on you at any time.
00:47:50This letter I've heard.
00:47:51No, no, no, no.
00:47:52I won't say a word.
00:47:53But don't you permit her to be out of your sight when I'm not around.
00:47:54And disconnect the telephone the way I showed you.
00:47:56Sasha, this evening I have to do some work around here,
00:47:57and I don't want to be disturbed at all unless I call you myself.
00:47:58Do you understand?
00:47:59No.
00:48:00Run along.
00:48:21We'll call you over.
00:48:22We'll call you.
00:48:23We'll call you over.
00:48:24And we'll call you over.
00:48:25Next time.
00:48:26Next time.
00:48:42We'll call you over.
00:48:43Hi, Marilla.
00:48:44Hi, girls.
00:48:45How are you doing this evening?
00:48:46Oh, I'm going to smoke one more cigarette and call it a night.
00:48:49Well, we'll be back and walk home with you.
00:48:51Fine.
00:49:14Mirella! Mirella!
00:49:16Mirella!
00:49:18I told you they'd be here.
00:49:19Hey, you. What are you two doing around here?
00:49:21What do you suspect?
00:49:22Get on home now.
00:49:23Aren't you afraid you'll meet the gorilla?
00:49:25The gorilla.
00:49:26I'd rather meet him than some men I know.
00:49:46Where are you going?
00:49:47I'm gonna try it.
00:49:48Where are you?
00:49:49I've almost been a doctor,
00:49:50I've ever known him a lot of women
00:49:53where he went to the gorilla.
00:49:55He actually was using his one.
00:49:56I don't think he was a question.
00:49:57I'm a doctor.
00:49:58I'm a doctor.
00:49:59He's a doctor.
00:50:00He's a doctor.
00:50:01He's a doctor.
00:50:02He's a doctor.
00:50:03He's an doctor.
00:50:04He's a doctor.
00:50:05Here's a doctor.
00:50:06He was a doctor.
00:50:07He was a doctor.
00:50:38Let's go.
00:51:08Come on, hurry. Get the bar set up.
00:51:32Arlene, why must you always be late?
00:51:34I'm all ready to go.
00:51:35Well, look who's here.
00:51:37Here.
00:51:38How's that?
00:51:40It's been aging.
00:51:42How are you?
00:51:43Don't tell me you've been pining for me.
00:51:45Well, I have, if you want to know.
00:51:47Hi, Yvonne.
00:51:48Am I wrong, or are you getting fatter?
00:51:50It's becoming, isn't it?
00:51:52Hey, good evening.
00:51:54How are you, Uncle, buddy?
00:51:55A carton of cigarettes, if you play me something.
00:51:57But only for me here.
00:51:58Let's get with it, boys.
00:51:59We've got a paying customer.
00:52:01Sit down here.
00:52:01It reminds me of her, doesn't it?
00:52:19La Garonne.
00:52:30That's Pierre Moniz's ship.
00:52:32And a doctor today.
00:52:33Where's the key to the front gate?
00:52:41Hurry, come with me.
00:52:49Hey, ladies. Look, that's cold. Come aboard.
00:52:53No, thanks. I'd rather wait down here.
00:53:04Pierre.
00:53:11I can't believe it. Jeannette.
00:53:16Jeannette.
00:53:24We've recovered.
00:53:26Why didn't they tell me at the clinic when I looked for you?
00:53:28But they told me you'd always be disfigured.
00:53:31Did you ever want to see me?
00:53:32It was the truth, Pierre. The truth, I swear.
00:53:40Didn't you know I looked everywhere for you?
00:53:43Jeannette, where have you been? You can let me know.
00:53:45Where are you staying? What happened to you?
00:53:47Didn't you receive my letter?
00:53:48What, Louis?
00:53:50Oh, Pierre, take me away. I'm so frightened.
00:53:52Of what? Tell me.
00:53:58There's a man in the water there. I heard a flag.
00:54:01There he is!
00:54:19And you're positive that she's the same person?
00:54:31There's no doubt about it.
00:54:32And this one showing the scars was given to me at the clinic that sent her way disfigured forever.
00:54:36Yes, yes. The photographs were the same girl, I agree.
00:54:40But I was referring to the person you met tonight.
00:54:43On the waterfront. You don't think that...
00:54:45Oh, no, Commissioner. It was she in front of me.
00:54:49But in the dark, with the fog and all.
00:54:53But I know her. I couldn't possibly be mistaken.
00:54:56There's no Jeanette Morino listed with the Bureau of Missing Persons.
00:55:00But she's not a missing person. She's here. I've seen her.
00:55:03She has no relatives in town, even if she'd been kidnapped.
00:55:06Listen, you know, I want to believe you.
00:55:08I remember the auto accident from which Jeanette Morino barely escaped with her life.
00:55:12But this story of a recovery is impossible.
00:55:15Yet she's cured. Perfectly normal. It's her same fate.
00:55:17But who would be likely to hide such a miracle as that?
00:55:21Whoever it was who tried to kill me.
00:55:22For what reason?
00:55:23An hour ago on Rue Dorme, Police Sergeant Brundelle recovered her stolen automobile.
00:55:30This is the license number.
00:55:31You want to rejuvenate me?
00:55:33How long has it been since I bothered about stolen cars?
00:55:36The same automobile a short time before, just about the same moment the assault occurred,
00:55:40was stopped for speeding on the Esplanade, where it passes the waterfront by patrolman Chalain.
00:55:44Inside, as well as the driver, there was an unconscious woman and a doctor taking her to the hospital.
00:55:48You see?
00:55:48Check the hospital.
00:55:50I've already telephoned. There's no record of her.
00:55:52Maybe he was taking her to a private clinic.
00:55:54The name of the doctor.
00:55:56Well, Chalain didn't bother to ask him that under the circumstances.
00:55:59It could have been a doctor who commandeered the first automobile he found.
00:56:02Or a clever criminal, who would say anything to avoid identifying either himself or the woman.
00:56:08Jeanette.
00:56:10Perhaps.
00:56:10But there happens to be a real doctor who might give us some information about this miraculous recovery.
00:56:19Will you let me come with you?
00:56:20Yes, but on one condition, however, that...
00:56:23No, I'll tell you in the car.
00:56:35Ah, good evening, Professor Levin.
00:56:38Please excuse us if we're...
00:56:40Oh, this is Police Sergeant Duran.
00:56:44Marais, I think you already know.
00:56:46Excuse the interruption if we're disturbing you at this hour, but passing in front of your villa, I thought,
00:56:50why don't I leave it up to you, Professor Levin, to clarify a scientific problem we have?
00:56:54You were so extremely kind to me when we met each other that time before, in those unfortunate circumstances.
00:56:59Oh, yes.
00:57:00My poor assistant had passed away.
00:57:03Monique Riviere.
00:57:05You may go, Sacha.
00:57:06He's a strange one.
00:57:15He's my factotum.
00:57:16He cares for the garden more than anything.
00:57:18Mm-hmm.
00:57:19A mute.
00:57:19The soul of fidelity.
00:57:21An expert with flowers.
00:57:22The classic one to suspect in a mystery story, if there were anything to suspect him of.
00:57:26May I offer you a drink, Inspector?
00:57:28Yes, yes.
00:57:29Let's be comfortable.
00:57:31We must try to make it easy for Professor Levin to forget that we're policemen.
00:57:35Did you notice these bottles?
00:57:37He got them as a souvenir of Hiroshima.
00:57:40Interesting, aren't they, Duran?
00:57:45You don't have to blow smoke under my nose.
00:57:47Excuse me.
00:57:57Here you are.
00:58:00If you please.
00:58:08Now then, Inspector.
00:58:10Ah, I'll make it brief.
00:58:12Look here, Professor.
00:58:12Have you been following in a clairvoyant all that Tommy Rot about Sadoc, the monster?
00:58:17Not closely.
00:58:18Tommy Rot is the right word for it.
00:58:20Cheap, sensational journalism.
00:58:21Chief?
00:58:23All right.
00:58:23Go out and smoke, if you don't mind, that is.
00:58:26But I...
00:58:27I still don't comprehend.
00:58:28The time before, I asked you a question, which you were kind enough to say was intelligent.
00:58:34About the psychological reaction of the victims of an atomic explosion.
00:58:37Well then, perhaps my own supposition will be an absurd one.
00:58:41But think of the ships that arrive here from Japan and this, uh, Sadoc.
00:58:46Is it possible that he's one of those...
00:58:48I see.
00:58:48You've been impressed by the recurring factor in these cases of the wound from the throat
00:58:53to the sternum.
00:58:54The obsession of a vindictive-minded man who has been poisoned or disfigured forever by atomic
00:58:59radiation.
00:59:00One might even say, a vampire of the atom age who wants to recover.
00:59:04Exactly.
00:59:04What do you say?
00:59:05The hypothesis is melodramatic, but not to be excluded.
00:59:14You just said the hypothesis is melodramatic, but the fact that you don't exclude it altogether
00:59:18puts me, how shall I say, more at peace with my own conscience.
00:59:21We mustn't let our feet get too far off the ground.
00:59:23Chief, the photograph?
00:59:24Ah, right.
00:59:27Excuse me, I had another purpose in coming here to see you.
00:59:32Look here.
00:59:33Examine these two photos.
00:59:34Do you believe that a woman reduced to such a state as this might recover altogether?
00:59:40What I mean is, without any scar, without a trace.
00:59:46I should say not.
00:59:48This state of disfiguration is permanent.
00:59:52Nevertheless, Professor, I...
00:59:53Me too, the talking, Durand.
00:59:56Nevertheless, there is someone who swears that he's seen this woman the way she was.
01:00:01That's impossible.
01:00:02And if there did exist a cure, I don't know, a process we never heard of.
01:00:05Any man who had discovered one would be a celebrity.
01:00:08Mm-hmm.
01:00:09And I assure you, I'd be the first to envy him.
01:00:11Mm, I imagine so.
01:00:13All right, then, this other photo, which was submitted to me as proof of her actual recovery,
01:00:17must have been taken at some time prior to her accident.
01:00:23Titty, the signature was not dated.
01:00:28Ah, right.
01:00:29It wasn't.
01:00:29And besides, even if it had been, it could easily have been faked.
01:00:32Professor, I'm ready to swear that these...
01:00:33Durand!
01:00:36We've been disturbing you long enough.
01:00:38We're most grateful, Professor.
01:00:39I'll accompany you.
01:00:41Marais!
01:00:42Uh, we're leaving.
01:00:44Durand!
01:00:58Professor, you must feel rather lonely here.
01:01:01Such a big house.
01:01:03Don't you have a new assistant?
01:01:05You think it's so simple to find one?
01:01:07And moreover, I'm enjoying a period of repose right now.
01:01:10I merely study for relaxation.
01:01:11You know, Professor, what I envy you is your gardener, Sasha.
01:01:14Really?
01:01:15A bit difficult to believe that.
01:01:16No, it's just that I'm a flower gardener on my days off.
01:01:18Imagine, Inspector, he even works at night.
01:01:20Maybe he's expecting a frost.
01:01:22I know what you mean.
01:01:23You're dying to have a look inside that greenhouse.
01:01:25But I don't think it's this hour.
01:01:27No, no, no, no, no, indeed.
01:01:28Sasha would be delighted to have you look in.
01:01:31I'll wait for you in the car.
01:01:33What for?
01:01:34Why don't you come too, Durand?
01:01:35This way.
01:01:36This is Sasha's kingdom.
01:01:42There are his plants.
01:01:43There are his roses.
01:01:45Sasha, your honor.
01:01:46These gentlemen have come to admire your beautiful greenhouse.
01:01:50It's really beautiful, too.
01:01:52Well, you ought to know.
01:01:54Flowers.
01:01:55Nothing else of any interest.
01:01:57Sasha's always busy with them.
01:01:58He doesn't even have time to read mystery stories.
01:02:00Yes, and no wonder.
01:02:03Well, good night, Professor.
01:02:05And excuse us again.
01:02:06Sasha, accompany the gentleman to the gate.
01:02:10Durand, aren't you coming?
01:02:16Good night, Professor.
01:02:17Good night, sir.
01:02:30Jeanette.
01:02:45What is the purpose of this autopsy?
01:02:47Now, Doctor, I've already arranged for the body to be exhumed,
01:02:51and I must ask you to proceed without any further argument.
01:02:54Very well, sir.
01:02:54Good morning.
01:02:55Good morning.
01:02:57Garage, I want my car at the door in ten minutes.
01:03:00Good morning, Doctor.
01:03:02Hmm.
01:03:04You want a cigarette, Chief?
01:03:09Listen, Marie.
01:03:11I've just had an idea.
01:03:12I want you to keep that villa, Professor Levin, under observation.
01:03:16Why?
01:03:16Do you think that's...
01:03:17Well...
01:03:18Hi, Chief.
01:03:19You want a good lesson, huh?
01:03:30ΡΡΠ΄Π°.
01:03:39Let's go.
01:03:42Sasha?
01:03:42Sasha?
01:03:43Sasha! Sasha!
01:03:50Janette.
01:03:53What are you shouting for? What's wrong with you?
01:03:56No, let go of me. I want to get out of here. I'm afraid.
01:03:59Of me? Of the man to whom you owe everything and who loves you?
01:04:02You're not telling the truth. You want to go back to Pierre.
01:04:04But I'm going to save you now in spite of yourself.
01:04:06Yes, I want to go to Pierre. I don't care if I'm scarred for life.
01:04:09Because I know now that he will love me anyway.
01:04:11You think so? Well, your scars are already returning.
01:04:14Embryonic still and all but invisible.
01:04:17But if this action is not arrested almost immediately,
01:04:19you will turn into just what you were before.
01:04:21Yes, the thing will get worse.
01:04:23It will devour you bit by bit.
01:04:25It will transform you into an animal like a monster under the very eyes of your Pierre.
01:04:29I don't want to stay here anymore. I don't want to.
01:04:33Listen.
01:04:35I give you my word of honor.
01:04:37It will only take a few days.
01:04:39Perhaps only one day to make the final application.
01:04:42And then you'll be cured forever.
01:04:44Free to go where you please and with whom you please.
01:04:47If you're ungrateful enough to leave me for a man who has done nothing for you,
01:04:50you deserve nothing else.
01:04:52But until you're cured, don't try anymore to run away.
01:04:56Don't try to see anyone.
01:04:58Will you promise this?
01:05:00Look here.
01:05:04I'll even give this back to you.
01:05:06You have no more reason to kill yourself.
01:05:16What is it?
01:05:19Who?
01:05:20Who?
01:05:21The police.
01:05:22Inspector?
01:05:23Who?
01:05:24Pierre!
01:05:25Who?
01:05:26Who is here?
01:05:27Who is here?
01:05:28Who is here?
01:05:29Pierre!
01:05:30Oh!
01:05:31Oh!
01:05:32Oh!
01:05:33Sasha!
01:05:34Let her go.
01:05:35Yes.
01:05:36Run to him.
01:05:37Let him see you like this.
01:05:38Go away with him as you are.
01:05:40Remember, I gave you my word and I shall keep it.
01:05:41It will be your decision then.
01:05:44In the meantime, you will help me to finish it.
01:05:47It is not Albert who is speaking now but Professor Levin.
01:05:49I have to win, you you are not, you have to win.
01:05:52I have to win.
01:05:54To not you, you are not what you are.
01:05:57I have to win.
01:05:59You will win.
01:06:00He shall win.
01:06:01You will win.
01:06:02Let him see you.
01:06:03On it.
01:06:04I have to win.
01:06:06You will win, you will win.
01:06:07I have to win.
01:06:09I have to win you see this is all I'm asking of you
01:06:35You wanted to see me sergeant
01:06:37I'm sorry to disturb you. Why be sorry at all? Disturbances are part of your profession
01:06:44I'm not really a policeman. Oh, no
01:06:47Then please explain why you dared pass yourself off as a policeman and for what reason the commission is my fault
01:06:52I was so anxious to learn more about your research that I asked permission to come with him
01:06:55But on the other hand coming here so late at night and not having time to explain it down
01:07:02What should you have said that you had a personal interest in the case of that unfortunate?
01:07:07Young lady. What is her name again? I guess
01:07:10Janette Maureen Oh
01:07:12You know you were not very convincing as a policeman
01:07:16Yes, I guess I wasn't you're right professor
01:07:19It's true the photo of Jeanette with the signature was really taken before the accident
01:07:27But I know I've seen her I know it was she she Jeanette
01:07:30Yesterday in front of me beautiful as before
01:07:36On the dock where my ship is tied up
01:07:38And I talked with her just as I'm talking with you
01:07:41And if they hadn't attacked me right then you were attacked yes and from behind
01:07:46Because I know there's some mystery concerning Jeanette and I was about to learn it
01:07:50You love her that is evident. I wonder if you had parted with her sentimentally. I mean before you were actually separated
01:07:57How did you know that I'm also a psychiatrist?
01:08:00Don't forget it
01:08:03You are now suffering from an obsession to find her again. You're capable of seeing her and every woman you run into and
01:08:09Perhaps yesterday on that very same pier where often before Jeanette was waiting after a long voyage. No, it was no hallucination
01:08:15And how can you explain the attack on me well, maybe an attempted robbery?
01:08:24Yes, it wouldn't be the first time on the waterfront see
01:08:28And perhaps the night was foggy perhaps you'd also been drinking a bit
01:08:37No, I wasn't drinking
01:08:41It was she all right
01:08:43Will you please tell me what you wanted me to do for you?
01:08:48Please help me to convince the police tell them that this miraculous recovery is possible
01:08:52They'll go on looking for and for a woman not a phantom that's to be excluded
01:08:57Then you advise me to give up every hope
01:09:00In your position I would say yes
01:09:04No, I love her too much for that
01:09:07I don't mind if she's ugly or disfigured when I find her as long as I find her
01:09:14An entirely different woman
01:09:16Yes
01:09:17A woman who is no longer yours
01:09:19Doesn't love you anymore
01:09:20This is what I'm excluding
01:09:23I see there's absolutely nothing I can do for you
01:09:27I'm very sorry
01:09:28Thank you professor
01:09:30No, no, there's no need to thank me
01:09:31Why should you?
01:09:33Sasha
01:09:38Accompany the gentleman
01:09:40I hope I see you again, sir
01:09:42Goodbye, mister
01:09:43No, why bother to give me your name?
01:09:46I don't think there'll be any further occasion to see each other
01:09:58Why don't you think there'll be any further information we'll be using
01:09:59No, that's not true
01:10:00I don't know
01:10:01Goodbye, you see
01:10:02Why the Hell
01:10:03Besides the Hell
01:10:05Because the Hell
01:10:06Well, I don't know
01:10:08And you'll see
01:10:08I don't know
01:10:09Look for sure
01:10:10I don't know
01:10:11What a hell
01:10:13You guys doing
01:10:16You guys doing
01:10:18You guys doing
01:10:20I don't know
01:10:20You guys doing
01:10:22Are you going
01:10:24You guys doing
01:10:26It's fun
01:10:27You guys doing
01:10:29You could hear his voice.
01:10:30All you had to do was open the door, and you didn't do it.
01:10:33I didn't do it because...
01:10:34You didn't do it.
01:10:35I was sure that I could rely on you.
01:10:37Now wait for me here.
01:10:39If I leave you alone, it's because I have to do still once more what no other man ever did for the woman he loved.
01:10:45Tomorrow there'll be nothing here.
01:10:47Oh, if I could only tell you the truth.
01:10:49What do you mean, the truth?
01:10:54You must wait for me.
01:10:58I'll be back in a couple of hours.
01:11:10Follow him.
01:11:11Step on him.
01:11:15Very good.
01:11:17In his automobile.
01:11:19Have you arranged for reinforcements?
01:11:21Take all precautions.
01:11:23Exactly where is he at the moment?
01:11:28Let's take a seat.
01:11:45Is this the seat occupied?
01:11:46It won't be.
01:11:49You all right?
01:12:11Watch yourself now, buster.
01:12:13Let's not start on your bed, huh?
01:12:15May I have a light, please?
01:12:28Okay.
01:12:54Oh
01:13:24Help!
01:13:26Go, please!
01:13:54Come in here!
01:13:56Come in here!
01:13:58Yes.
01:14:00Another woman.
01:14:02In the waterfront neighborhood again, but is the woman dead?
01:14:06Hmm, that's a blessing.
01:14:08Yes.
01:14:10Yes, naturally.
01:14:12A little arm throughout the zone and declare an emergency.
01:14:24Let's go.
01:14:48Professor Levin?
01:14:49He sat through the whole film and then he went out.
01:14:51Gerard's telling him we're waiting here for further instructions.
01:14:53I told you, Chief.
01:14:54Were you both inside the whole town?
01:14:55Well, we both have turned.
01:14:56He didn't move once.
01:14:57Not once.
01:14:58Let's go in.
01:14:59Sir Roy!
01:15:00Well, what are you up to?
01:15:02I'll come clean with you now, Chief.
01:15:04If you won't let me chase set up, then I'll chase you.
01:15:06As you can see, it's your fault.
01:15:08Well, from now on, you mind your own business, Ketney.
01:15:10At your orders, Chief.
01:15:23Where was he sitting?
01:15:24He never moved once.
01:15:25Where was he sitting, I asked you?
01:15:26Right here, Inspector.
01:15:27In this row here.
01:15:28This one.
01:15:29He was sitting in this seat.
01:15:30And you never let him out of your sight, huh?
01:15:31Well, I slipped outside for a minute to buy some cigarettes.
01:15:32But I never let him out of sight.
01:15:33And who was there sitting next to you?
01:15:35If what I think is true, you'll be back in a beaten uniform.
01:15:37That reminds me.
01:15:38What was he wearing?
01:15:39Yes.
01:15:40What did he have on?
01:15:41You could see that he was wearing a camel's hair coat, Inspector.
01:15:42Yeah.
01:15:43And that's like opening a phone book for the name Smith.
01:15:44He sat here, you say?
01:15:45Right here, sir.
01:15:46Where were you two sitting?
01:15:47We were back there.
01:15:48That's right.
01:15:49That's right.
01:15:50I was back in a beaten uniform.
01:15:51That reminds me.
01:15:52What was he wearing?
01:15:53Yes.
01:15:54What did he have on?
01:15:55You could see that he was wearing a camel's hair coat, Inspector.
01:15:58Yeah.
01:15:59And that's like opening a phone book for the name Smith.
01:16:01He sat here, you say?
01:16:02Right here, sir.
01:16:03Where were you two sitting?
01:16:04We were back there.
01:16:05That's right.
01:16:06Inspector Headquarter told me I would probably find you here.
01:16:23The autopsy I did on Monique Riviere.
01:16:25Incredible.
01:16:26I'll never be able to forgive myself.
01:16:29You mean like the others?
01:16:31And this stuff, what do you think it is?
01:16:34It's blood, there's no doubt about that.
01:16:39I don't know if it's human or...
01:16:44And what else do you think it might be?
01:16:46Have it examined right away.
01:16:48The rest of you come with me.
01:17:04I don't want to lose her.
01:17:08And I no longer have the courage to kill.
01:17:11Not even to save her life.
01:17:13I don't have the strength left.
01:17:16I felt it this evening.
01:17:18I'm not what I was before.
01:17:19I'm not the same.
01:17:21I have to tell her.
01:17:23It's finished.
01:17:24I failed.
01:17:25But I don't want to lose her.
01:17:27Jeanette.
01:17:32Jeanette.
01:17:33Please forgive me.
01:17:34It's too late now to make any difference.
01:17:36And there's nothing more I can do to help you.
01:17:38There's no hope of your recovery.
01:17:40You will remain as you...
01:17:44No.
01:17:45It's impossible.
01:17:46The treatment has taken effect at last.
01:17:48We are saved.
01:17:49Do you hear me?
01:17:50Saved, I say.
01:17:51Come, get up now, Jeanette.
01:17:52We must leave here immediately.
01:17:53I don't believe you.
01:17:55But you're completely cured and it's forever.
01:17:58It was I who did it.
01:17:59Just when I began to think that...
01:18:02Come on, get dressed.
01:18:03Don't lose any more time.
01:18:04We must get away from this place as soon as possible.
01:18:06But away?
01:18:07Yes, at once, I said.
01:18:08No.
01:18:09Have you lost your mind, Jeanette?
01:18:10Those policemen suspect me by this time.
01:18:11The police were here.
01:18:12Don't ask me to explain it to you.
01:18:14I don't want to.
01:18:15Hurry up now.
01:18:16I'll hurry.
01:18:17But I'm not leaving with you.
01:18:18Jeanette.
01:18:19You made me a promise and this is the decision I've made.
01:18:21Jeanette.
01:18:22Jeanette.
01:18:23I want to disbind you here.
01:18:25I've even killed for you.
01:18:27I've...
01:18:31I've hurt you.
01:18:32I've unleashed a horrible force within me that I can no longer control.
01:18:36You alone can help me stop it.
01:18:38Tell me that you will never abandon me now.
01:18:41No!
01:18:42Look again.
01:18:43You begin to understand now.
01:18:45Tell me you belong to me, that you will run away with me.
01:18:50It is my only hope of salvation.
01:18:51Then you will see again the man you came to for help and who loves you so much.
01:18:56It all depends on you.
01:18:57No, it's horrible.
01:18:58Jeanette.
01:18:59Let go of me.
01:19:00Move the trigger and murder the man who condemned himself for you.
01:19:07Have that much courage at least because in a moment or two you will go mad.
01:19:11Mad with horror you don't know.
01:19:13No!
01:19:14No!
01:19:15No!
01:19:16That's right.
01:19:17Don't look at me.
01:19:18It's better that you don't look at me.
01:19:19But believe me when I say you can still save me if you would say to me...
01:19:23No!
01:19:24I can't bear it!
01:19:25No!
01:19:26No!
01:19:27You say no.
01:19:28Well then get dressed.
01:19:29I'll give you one minute and no more.
01:19:32You're coming with me whether you want to or not.
01:19:37I don't know what will become of us.
01:19:40It doesn't matter anymore.
01:19:42But you will never see your care again.
01:19:45You're mine.
01:19:46Mine!
01:19:47I'll kill you first.
01:19:49I'll kill you first. Now get dressed.
01:20:01Albert, have you no pity?
01:20:06It is. That's what I ask of you.
01:20:10I...
01:20:12No! Help!
01:20:19Help! Help! Help!
01:20:24Help! Let me go!
01:20:26No one will leave you. No one will ever take me.
01:20:30Let me go!
01:20:39Go away with me.
01:20:42Go with me.
01:20:45Help! No!
01:20:48No!
01:20:50Help!
01:20:52Help!
01:20:54Help!
01:20:55Help!
01:20:57Help!
01:21:00Help!
01:21:08Dad! Dad!
01:21:11No!
01:21:22Yes!
01:21:25Yes!
01:21:26No!
01:21:27No!
01:21:28No!
01:21:41Sam!
01:22:04Sam!
01:22:11No!
01:22:12No!
01:22:16No!
01:22:21No!
01:22:24No!
01:22:26No!
01:22:28No!
01:22:29No!
01:22:31No!
01:22:33No...
01:22:35No!
01:22:36No, no.
01:22:38No.
01:22:39No!
01:23:09Sosa, Sosa, Sosa, you must live in Sosa.
01:23:19Jeanette, Jeanette, we must hide her as we did before.
01:23:24Sosa!
01:23:39In fact, Pierre, watch out!
01:23:41Levin, look there!
01:23:43Fire a volley through the window panes.
01:23:48Come out, Levin!
01:23:50Come out with your hands up!
01:23:52Jeanette!
01:23:54No, come back!
01:23:58Yes, I must kill you too, Jeanette.
01:24:03Jeanette, I must kill you too, Jeanette.
01:24:09Jeanette!
01:24:10Jeanette!
01:24:11Jeanette!
01:24:12Jeanette!
01:24:13Oh, Pierre!
01:24:14Pierre!
01:24:15Pierre!
01:24:39Jeanette!
01:24:40Jeanette!
01:24:42Jeanette!
01:24:43Jeanette!
01:24:44Jeanette!
01:24:45Jeanette!
01:24:46Jeanette!
01:24:48Jeanette!
01:24:49Jeanette!
01:24:50Jeanette!
01:24:51Jeanette!
01:24:52Take that man out of here.
01:25:20Well, come on.
01:25:21Give me a light.
01:25:22Give me a light.
01:25:52Give me a light.
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