House of the Dead – Classic Gothic Horror Film - video Dailymotion

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Enter the shadows of a chilling gothic nightmare in House of the Dead – Classic Gothic Horror Film. This vintage horror movie delivers eerie atmosphere, dark secrets, and old school suspense that defined classic horror cinema.  Set inside a mysterious mansion filled with tension and supernatural dread, this gothic horror film captures the haunting charm of retro storytelling. With dramatic performances, moody lighting, and timeless horror vibes, House of the Dead stands as a must-watch for fans of classic gothic thrillers and vintage haunted house movies.  Perfect for viewers who love old school horror films, cult classics, and atmospheric supernatural stories from the golden age of cinema.

Transcript

00:00:26The Last Star of Night

00:00:30That Simply Fades Away

00:00:32The Crest Of A Wave

00:00:35As It Washes Out To Sea

00:00:37Where Does It Lead To

00:00:40And Who Knows Why

00:00:42The Saddest Melody

00:00:45Is The Sound Of Goodbye

00:00:52The Soft Saturn Wind

00:00:55That Leaves Behind A Chill

00:00:57The Last Autumn Bird

00:01:00As It Withers On A Hill

00:01:02The Distant Drummer

00:01:05Who Tries To Be Lied

00:01:08The Saddest Melody

00:01:10Is The Sound Of Goodbye

00:01:16The Saddest Melody

00:01:20Is The Sound Of Goodbye

00:01:46I'm so glad you're here

00:01:52Seems Like It's Been Such A Long Time

00:01:59I Wasn't Sure If You'd Be Coming

00:02:02I Got Here As Fast As I Could

00:02:08Sometimes I Feel Sorry For Your Wife

00:02:21I Better Get Back To The Hotel

00:02:23No, Not Yet

00:02:25Please Stay A Little Long

00:02:28He's Not Going To Be Back

00:02:29For Another Two Hours

00:02:30Call A Taxi For Me, Will You

00:02:33Please

00:02:34Marie

00:03:01Sure Been Raining A Lot Lately

00:03:06Seems Like It's Been Raining For A Week

00:03:11Well, He's Been Here Two Days

00:03:20Would You Mind Driving Around A Little Bit

00:03:32Never Mind Just Take Me To The Hotel

00:03:36I Have To Call My Wife

00:04:04Hey, This Rock Street

00:04:05Hey, This Rock Street

00:04:25Could You Tell Me Where The Ambassador Hotel Is

00:04:27I Thought It Was On This Block

00:04:29Or Block Over

00:04:30See The Cab Left Me Off And I Don't Recognize

00:04:39Hey Come On

00:04:46You Still Guys

00:04:57In There

00:05:23Let's go!

00:05:28Let's go!

00:06:10Let's go!

00:06:19Let's go!

00:06:26Let's go!

00:06:57Let's go!

00:07:25Let's go!

00:07:55Let's go!

00:08:09Let's go!

00:08:25Let's go!

00:08:37Let's go!

00:08:53Let's go!

00:09:05Let's go!

00:09:29Let's go!

00:09:36Let's go!

00:09:59Let's go!

00:10:06Let's go!

00:10:14Let's go!

00:10:29Let's go!

00:10:38Let's go!

00:10:42Let's go!

00:10:48Let's go!

00:10:50Let's go!

00:10:53Let's go!

00:11:11Let's go!

00:11:20my latest clients

00:11:26this one for instance

00:11:28it's all very interesting

00:11:29please let's not be an ungrateful guest

00:11:32I really should be going

00:11:33I've just begun to show you around

00:11:35as much, much more

00:11:39the very

00:11:40interesting

00:11:44very bizarre case

00:11:50her name

00:11:51was Miss Sibler

00:11:56she was a teacher

00:12:15I'm Miss Sibler

00:12:17I'm Miss Sibler

00:12:18isn't she sweet

00:12:20you brat

00:12:23stop running

00:12:39get away from my car

00:13:04damn kids

00:13:05disgusting little litter bugs

00:13:08stop running

00:13:08I'm Miss Sibler

00:13:09I'm Miss Sibler

00:13:14I'm Miss Sibler

00:13:16that's

00:13:16I'm Miss Sibler

00:13:16that's

00:13:17good

00:13:17I'm Miss Sibler

00:13:26that's

00:13:26good

00:13:36thanks

00:13:36Let's go.

00:14:09Let's go.

00:14:38Let's go.

00:15:09Let's go.

00:15:36Let's go.

00:16:13That was Morris Duke and his orchestra, and now Lalo Paranza and his with strings.

00:16:30Let's go.

00:16:31Let's go.

00:16:36Let's go.

00:16:38Let's go.

00:16:40Let's go.

00:16:44Let's go.

00:16:46Let's go.

00:16:48Let's go.

00:16:54Let's go.

00:16:55Let's go.

00:16:59Let's go.

00:17:07Let's go.

00:17:12Let's go.

00:17:14Let's go.

00:17:17Let's go.

00:17:19Let's go.

00:17:22Let's go.

00:17:25Let's go.

00:17:26Let's go.

00:17:28Let's go.

00:17:31Let's go.

00:17:42Let's go.

00:17:45Let's go.

00:18:05Let's go.

00:18:06Let's go.

00:18:07Let's go.

00:18:09Let's go.

00:18:13Let's go.

00:18:17Let's go.

00:22:02Oh, my God!

00:22:38you don't expect me to believe that story it's ridiculous perhaps yet it's all very true

00:22:48but a woman being bitten to death by by children i never said children

00:22:59what

00:23:00i have no idea i don't think anyone really knows what or why

00:23:11she was very much a mess

00:23:16quite a challenge to me to make something acceptable of her

00:23:25this is just too hard to believe

00:23:31possibly as i told you i do get the most interesting cases

00:23:39you sound like you select these people everyone should be selective in what they do don't you

00:23:45agree take mr growski here for instance he was

00:23:50selective in what he did though i must say he was somewhat strange

00:23:58he had a rather abnormal predilection for cameras photography all that sort of thing

00:24:06there's some very nasty things

00:24:17look at this a movie camera

00:24:22looks like billy's dip paid off

00:24:28this one is julie i met her at the library

00:24:35she's good looking but you know she doesn't have too much upstairs

00:24:38hello

00:24:41oh hi i was just about to leave i thought maybe there wasn't anybody home

00:24:46no i'm home i was just busy come on in

00:24:49good um thank you

00:24:52oh

00:24:54oh it's so cute

00:24:55what your apartment i mean it's really neat and uh

00:25:01it's so cute i'll try to keep it clean

00:25:03oh sit down oh not there uh why not here sit here

00:25:10okay um i brought you some wine i don't drink

00:25:15oh uh well see i don't really drink too much anyway either

00:25:19but i didn't know if you'd like any or not so i'll just wait

00:25:24doesn't matter um

00:25:26oh

00:25:30thank you

00:25:38it was really nice of you to invite me for dinner

00:25:42i mean i don't usually accept blind dates

00:25:47how come you filmed them

00:25:49oh well um uh

00:25:55what are you interested in

00:26:02photography

00:26:05photography

00:26:06oh

00:26:08wow

00:26:10boy that's they're really great

00:26:15yeah um do you have an ashtray i could use

00:26:18i don't smoke

00:26:21oh um

00:26:22um photography

00:26:27well i mean of course there's one of your cameras right now

00:26:32um just like a a model airplane or something kind of mounted right on its own stand

00:26:38a model airplane

00:26:41it's it's it's more important and expensive than any model airplane it's

00:26:48photography is a serious endeavor

00:26:51hey i didn't mean anything bad really see i like to take snapshots too

00:26:56this is a motion picture camera you do not take snapshots with it or any other

00:27:01camera camera photography is not just a game

00:27:06um hayley i'm sorry see i just didn't know that i also study magic

00:27:13magic would you like to see a magic trick

00:27:18sure you would yes okay yeah i would need a um silk or a nylon

00:27:26you wouldn't happen to have a nylon stocking would you

00:27:29well just the ones i'm wearing i mean i don't carry extras

00:27:35darn it i mean i i really need a

00:27:38silk stocking to do this trick

00:27:42could i borrow one of yours i wouldn't ruin it or anything you know i i mean i to do

00:27:47this trick i

00:27:47really need a silk stocking

00:27:51um how about another trick no you would really like this trick

00:27:58well see um actually they're attached you know they're pantyhose

00:28:02so you'd end up having to use both stockings anyway that's all right i mean that'll that'll work

00:28:07fine even better

00:28:11um

00:28:14well uh

00:28:16i feel silly

00:28:18no no that's all right don't don't worry about a thing i'll turn my back and you can slip them

00:28:23off

00:28:26okay um

00:28:29now you promise you're not going to look or anything i won't look on my honor

00:28:35um all right well you know i've um i've always been fascinated by by magic because i always like

00:28:44to try to to figure out how they do the trick you know what the secret is to it and

00:28:50i've been to

00:28:50it to vegas you know i go there and i've seen some of the magicians there and uh it's really

00:28:57it's really interesting to me but i you know i haven't been there um too recently uh you aren't

00:29:05going to ruin them oh promise okay

00:29:13okay okay now this is a disappearing trick a marvel of prestigitation

00:29:25i like that kind you do yeah okay you you just look straight ahead

00:29:31i'm gonna figure out how you do it too okay straight ahead that's right towards the camera

00:29:39right okay now this takes complete concentration to get the full effect

00:29:45up you have to close your eyes you cannot see this part um all right

00:29:55abra wait okay

00:29:56okay

00:30:10voila

00:30:13your life is gone it's disappeared

00:30:18i waited until now i decided to skip all the boring formalities

00:30:23her name is carol and she's some sort of a secretary or something you know

00:30:35i buy all the photography books for myself

00:30:41and oh look at that camera boy does that look complicated

00:30:47look at all the switches and gadgets and buttons

00:30:55hey that's funny

00:30:58what it sounds like it's buzzing or something kind of worrying do you hear it

00:31:03no it's your imagination no listen it's running isn't it no it's not

00:31:14yes it is it's running isn't it come on what are you doing are you filming us oh no what

00:31:20kind of

00:31:21thing is that now wait a minute it's no you wait a minute i don't go for that kind of

00:31:25thing

00:31:25now what did you think you're gonna get me drunk we're gonna get on the couch

00:31:31no way i've known creeps like you you are nuts

00:31:51it's been three days but i finally found another one

00:31:54um she's a real dandy you know society type upper crust very rich and snooty

00:32:05kind of got acquainted at the uh audubon society

00:32:11she's got the hots for me i can tell

00:32:15probably because i i bowled her over with my clever wits and uh subtle sexuality

00:32:24anyway she's she's coming to see me soon and and i have to prepare and there's only about

00:32:32there's only about a hundred feet of film left so i'm going to have to work fast on this one

00:32:38mr groski

00:32:41i am afraid that i'm going to have to ask you if i may borrow your telephone to call a

00:32:46taxi no

00:32:47i i mean that won't be necessary mrs lundquist

00:32:55i'm afraid it will be don't call you shouldn't call please don't call

00:33:05mr grasky you have no reason to speak to me in that manner whatsoever

00:33:11no

00:33:40please

00:33:42what do you know all about him i mean how did you find out the details of what he did

00:33:46and how

00:33:46i have uh police records doctors files that sort of thing my disposal i'm a professional these are my

00:33:57customers my clients i have to know all about them to take care of them properly like this one

00:34:05one of my faith very intriguing situation

00:34:40so

00:34:49so

00:34:50so

00:36:08Yes.

00:36:12Well.

00:36:14From the top.

00:36:19First of all, Mr. Castellucci did not hang himself. He was murdered.

00:36:24I found a few small clipped hairs on his collar and the fresh scent of a tonic on his face

00:36:32and neck, a tonic, which Mr. Castellucci doesn't happen to possess in his vast assortment of aftershaves and colognes.

00:36:41Now, this would lead me to believe that Mr. Castellucci had recently obtained a haircut.

00:36:48And in my experience, it is very rare for a man to get a trim immediately prior to doing away

00:36:55with himself.

00:36:57I also found some vaguely distinguishable rope burns on his wrists and a few strands of that very rope on

00:37:07his coat sleeve, strongly suggesting that Mr. Castellucci had no control of the method of scheduling of his premature demise.

00:37:18I also found this airline ticket dated today in his coat pocket scheduled to leave for Rome, Italy by way

00:37:25of New York, departing a little less than seven minutes ago.

00:37:33Well, I strongly believe that the deceased really wouldn't have passed up the opportunity of a trip like that.

00:37:45Now, for the killer, his name is Savio Molinski, a rather well-known, low-life type character, and the only

00:37:55man in this town vaguely degenerate enough to smoke a revolting brand of cigar known as El Amigo.

00:38:02The ashes of which may be found in that dresser top, or this table over here.

00:38:10He can usually be found at this time of day at a filthy little dive known as Frenchy's Pool Parlor

00:38:17at 6th and Franklin.

00:38:24Well, pick him up and book him.

00:38:27First degree murder.

00:38:35You can take him down now.

00:38:38He's had his hour in the public eye.

00:38:49Congratulations.

00:38:50An excellent piece of work.

00:38:52Oh, thank you, thank you.

00:38:54I rather thought so myself.

00:38:57It is not too difficult, really.

00:38:59A rather routine case, obvious clues, but it does keep the senses keen and the mind alert.

00:39:05It's something like a baseball player taking batting practice.

00:39:09Or a champion horseman chopping about in a rowboat on a Sunday afternoon in the park.

00:39:13I don't believe I've had the pleasure.

00:39:15I don't believe you have.

00:39:16Inspector Wendell McDowell, Scotland Yard.

00:39:18Ah, England, right?

00:39:20Last time I checked, yes.

00:39:22Well, then you must be the famous Inspector McDowell, Britain's number one sleuth.

00:39:29Isn't that what you call it?

00:39:30There have been people that have phrased it that way, yes.

00:39:34In that case, you probably know that I am Chief Detective Malcolm Tolliver, America's greatest detective and master of criminal

00:39:42investigation.

00:39:43You honor me, sir.

00:39:44No, I respect you.

00:39:47I don't think I could ever honor you.

00:39:48All right.

00:39:49We're supposed to be rivals, aren't we?

00:39:52Oh, incorrigibly so.

00:39:54Well, how in the world did you ever find me in this squalid setting?

00:40:01I just asked at the station house in your dispatcher a nice chap, Bonnie...

00:40:06Bernie.

00:40:07Bernie, that's right.

00:40:08He told me where I could find you.

00:40:10You mean you didn't deduce my whereabouts through calculated assemblage of relevant clues?

00:40:15No, this time I just stooped plain old common sense and asked.

00:40:18I do that quite often, actually.

00:40:20It's less dramatic, I suppose, but much more direct.

00:40:23Oh.

00:40:24Well, are you visiting here in America, or are you on the track of some ruthless international lawbreaker?

00:40:32Oh, a bit of both, as a matter of fact, so I thought I may as well drop off and

00:40:36observe the master of detection at work.

00:40:39Sort of, um, absorb a few tricks.

00:40:41Oh, Inspector, you are stretching your efforts in the art of flattery.

00:40:47Oh, hardly.

00:40:48Hardly.

00:40:49I honestly believe it couldn't hurt me to pick up a few pointers.

00:40:51After all, we are competing for the title of world's leading criminologist.

00:40:56Yes, I believe someone did phrase it that way, didn't they?

00:41:00Uh, journalist.

00:41:00Yes, I think it was Time Magazine.

00:41:03Rolling Stone.

00:41:04No, I'm certain it was Time.

00:41:05Rolling Stone.

00:41:07It was January 7th, page 3, column 2, and the headline was in full capitals.

00:41:12Yes, yes.

00:41:14Well, uh, Mr. McDowell, shall we adjourn these premises to a more pleasant environment?

00:41:21Yeah, I do have to dash off for an apartment right now, but perhaps later.

00:41:23We could have dinner together?

00:41:25You're two steps ahead of me.

00:41:26Brilliant deduction.

00:41:27After you.

00:41:28Oh, I think.

00:41:28Oh, I insist.

00:41:29Well, I insist.

00:41:30Well, I'll do that.

00:42:06Ah, that's a really excellent vintage, don't you agree?

00:42:11Most assuredly fragrant, softly smooth, yet distinctly melodious.

00:42:22A very refreshing analysis.

00:42:25Beaujolais, Les Bions Venues, 1968 or 69.

00:42:37No, definitely 69.

00:42:39No, definitely 69.

00:42:41Correct?

00:42:43You're very good at that.

00:42:44That's my job, being good at what I do, being the best.

00:42:48Well, we all try to be the best, Inspector.

00:42:53Ah, spirit of competition is what keeps us going, I suppose.

00:42:58Absolutely.

00:42:58Sort of, uh, if at first you don't succeed.

00:43:01Well?

00:43:01Ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha.

00:43:17How in the world did you ever crack that miserable fiasco after letting it drag on for all those weeks

00:43:25with no results?

00:43:26Yes, actually, you see, I, uh, I had it cracked, as you say, months before.

00:43:30I was simply waiting for my pigeons to move into position and implicate themselves with irrefutable evidence.

00:43:37You know what I'm saying?

00:43:39Well, I, I couldn't run around naming names and allow them to, uh, dig in with clever attorneys and, uh,

00:43:46neatly constructed alibis.

00:43:48Uh, something like that appalling situation you yourself experienced on that unfortunate jewel robbery investigation last year.

00:43:57Oh, wait, wait.

00:44:00Now, that's not exactly right, Inspector.

00:44:02I had good reason to handle that case in an unorthodox manner.

00:44:07Really?

00:44:08And, uh, is this unorthodox manner an American trade?

00:44:12Well, I suppose so.

00:44:14The Americans are, uh, unorthodox, Japanese, inscrutable, uh, Italians lusty, French passionate, British stuffy.

00:44:23Ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha.

00:44:27Stuffy but precise.

00:44:28A message for you, sir.

00:44:29Oh, thank you, Leon.

00:44:51Leon?

00:44:53Yes, Mr. Tomlin.

00:44:58Who gave this to you?

00:44:59Why, no one, sir. I found it next to the reservation book.

00:45:02Your name was on it, so I assume that...

00:45:04Oh, of course, of course. You didn't happen to see someone placing it there, did you?

00:45:09No, sir. I left to check the kitchen, and when I came back, I found it there.

00:45:13Very good, Leon. Thank you.

00:45:15My pleasure, sir.

00:45:17Something mysterious?

00:45:20It's a note.

00:45:23Unsigned, a cryptic note.

00:45:26Ah, they're the best kind.

00:45:28Mr. Tolliver, in three days, someone you know will die a horrible death.

00:45:36You are the only one who can prevent this tragic occurrence.

00:45:41Don't you think you should?

00:45:42Now, it's written by pasting up letters from newspaper headlines.

00:45:49That's a very amateurish trait.

00:45:51Hmm. It does, sir, seem to get the message across, however.

00:45:57Elmer's glue. Very middle class.

00:46:03Bremerton paper mills, New York.

00:46:07Ah, 20-pound flat bond.

00:46:1080% straight pulp, 15% dye, 5% nylon fiber.

00:46:17Common.

00:46:17Hmm.

00:46:20A little too calm, really.

00:46:23Now, this is going to take a bit of looking into.

00:46:28I, um, I do have to return to London in a few days, but I'd like to, uh, tag along

00:46:34on this case.

00:46:35Sort of observe your matters. Would you, uh, would you mind terribly?

00:46:39Still attempting flattery, Inspector.

00:46:42Not at all. I'm just, uh, immensely interested.

00:46:45Uh, you wouldn't feel threatened by my presence, would you?

00:46:50Now you flatter yourself, Inspector.

00:46:53You know, maybe there is only room for one foremost criminologist in the world.

00:46:59But being that one is not just a matter of methods.

00:47:04It's the man.

00:47:06The man and his methods.

00:47:10Now, certainly I wouldn't feel threatened.

00:47:12Tag along if you like.

00:47:14I'd love to have you.

00:47:15Maybe you will learn something.

00:47:18Perhaps I will.

00:47:30Hmm.

00:47:49All right, uh, Inspector.

00:47:54Apparently, the letters were cut from the following four newspapers.

00:48:00San Francisco Chronicle, the London Times, the St. Louis Post-Dispatch.

00:48:05And strangely enough, strangely enough, just these two letters, N, T, were cut from the New York Times.

00:48:16Hmm.

00:48:20That's a, rather a slap in the face for the Times, isn't it?

00:48:31Would you like to take a look at this, Inspector?

00:48:34The electrolysis test for hair construction identification?

00:48:37Not really.

00:48:38I prefer the magnetic analysis myself.

00:48:40It's considerably more accurate.

00:48:46Not really.

00:49:01Find anything?

00:49:03Nothing significant.

00:49:05No fingerprints on the envelope or the letter?

00:49:08No prints.

00:49:10Just mine and Leon's.

00:49:13Obviously, we are dealing with a professional.

00:49:16And, uh, no convenient cigar ash or burnt ropes end to lead you to the identity of the fellow?

00:49:24Well, now, let's see.

00:49:25Uh, what have you got?

00:49:26You have the intended murder, and you know when.

00:49:29That's tomorrow.

00:49:30So, uh, all you have to know now is, uh, where and, uh, how.

00:49:34And, uh, possibly why, uh, just to jolly things along a little.

00:49:38What?

00:49:39Now, look, Inspector.

00:49:41You asked if you could observe, not participate.

00:49:45Now, if you want to speculate or theorize, why don't you get yourself into another room?

00:49:51And shout all your wins and your whats and your hows to your heart's content.

00:49:56Now, if you don't mind, I am trying to work, and I don't need all your amateur Dick Tracy suppositions

00:50:04and hypothetical poppycock rattling around this laboratory!

00:50:12Well, uh, I tell you what, I, uh, I'll just sit over there and watch.

00:50:17Fine, Inspector, fine.

00:50:19You just do that.

00:50:25Hmm?

00:50:33Hmmmm!

00:50:34Huh?

00:50:44Okay, come on!

00:50:46Huh?

00:50:48Hmm?

00:50:48Hmm!

00:50:49Hmm?

00:50:50Hmm?

00:50:50What?

00:50:54Oh, yes.

00:50:55I, uh, I got your message just as I was leaving my hotel.

00:50:59Well, come in, come in.

00:51:00I'm glad I caught you.

00:51:02Yes, I, uh, I suppose I am, too.

00:51:07Um, my word.

00:51:11Your police department looks after you rather handsomely, doesn't it?

00:51:15Not at all like our poor impoverished bobbies.

00:51:18Don't be deceived, Inspector.

00:51:20My salary on the force couldn't even begin to pay for this house.

00:51:24My good fortune results from the fact that I have the time and the resources to take on private cases.

00:51:31A private eye?

00:51:32You can call me that if you wish.

00:51:34I prefer a private investigator.

00:51:37And your, uh, superiors have no objection?

00:51:40I have no superiors.

00:51:43Ah, yes.

00:51:45Why don't you have yourself a seat?

00:51:47How gracious.

00:51:53I called you here because I have managed to solve the mysterious case of our threatening murderer.

00:52:00I thought you might be interested.

00:52:01Ah, yes, of course.

00:52:02This is the day, isn't it?

00:52:04And I was beginning to think you were really stumped for once.

00:52:08Hardly.

00:52:09Although rather unique in its initial appearance, the case has actually turned out to be rather routine.

00:52:18Really?

00:52:21As you so, uh, aptly put it, uh, yesterday, what is apparently murder?

00:52:28After the horrible death, as it says in the note, the win is obviously today, three days after the note's

00:52:34delivery.

00:52:36I'm the victim of this unsavory piece of mayhem.

00:52:40As the note says, someone that I am supposed to know is, in fact, myself.

00:52:52Yes, me.

00:52:56Now for the perpetrator, the plotter, the instigator of this vicious scheme to commit cold-blooded, premeditated murder.

00:53:05After examining certain obvious elements, elements that reek of ego and pride and lust for power,

00:53:13I can only come to one conclusion.

00:53:16The case is solved.

00:53:18I am the victim.

00:53:21And you, my dear inspector, are the murderer.

00:53:26Bravo.

00:53:27Well done.

00:53:29An excellent piece of investigation.

00:53:32And the weapon, of course, a gun.

00:53:34The least likely weapon to be used by Britain's leading crime fighter.

00:53:38And that's why no one could possibly suspect me of killing you.

00:53:54I forgot to tell you.

00:53:57I solved the case two days ago.

00:54:08Oh.

00:54:09I've got a gun.

00:54:35Oh.

00:55:04Oh!

00:56:06At least I was thoughtful enough to change the inspector's bloody shirt.

00:56:11And I tried to keep the same expression on his face.

00:56:15A sort of clever little grin.

00:56:19I suppose you're going to tell me American Detective Tolliver is in that coffin?

00:56:27Heavens no.

00:56:28And they never found enough of poor Chief Detective Tolliver to bury.

00:56:33He seemed to go all to pieces over the incident.

00:56:37But come, let me show you this next one.

00:56:40Number four, I call him.

00:56:42He's one of my newest acquisitions.

00:56:47Acquisitions?

00:56:48There you go again, acting as if you pick and choose.

00:56:51I'm sorry.

00:56:53I shall call them my customers if it will make you feel any better.

00:56:58Let's have a look.

00:57:00What do you say?

00:57:04Here's the file on the new applicants, Mr. Cantwell.

00:57:09So what else do you want?

00:57:11If there's anything you don't find, please let me know.

00:57:18Testy little thing.

00:57:20Thanks, Susan.

00:57:22Hey, Dennis, how about grabbing some lines?

00:57:25Uh, no, thanks, Dan.

00:57:27Come on, we're going down to that new hamburger joint.

00:57:2923 different kinds of hamburgers.

00:57:31No, really, I, uh, I've got to run a few errands.

00:57:34I have to take care of a few things.

00:57:39Well, you're lost, Dan.

00:57:4123 different kinds of hamburgers.

00:57:46Why do they keep pestering me?

00:57:52Stupid jerk.

00:57:5423 different kinds of morons.

00:57:58Gotta get out of here?

00:58:0810, 20, 25, 50, 75, one buck.

00:58:17Uh, do you have any gum?

00:58:20Huh?

00:58:21Gum.

00:58:22Chewing gum.

00:58:23No.

00:58:27You really don't have any chewing gum.

00:58:29What do you think this is, a delicatessen?

00:58:34Slob.

00:58:56Hey, look, look, I don't have any change.

00:58:58Why don't you get a job?

00:58:59You don't have any problem.

00:59:00Creep.

00:59:27Hey!

00:59:29Hey!

00:59:30You got me locked in!

00:59:35Is somebody back there?

00:59:46Hello?

01:00:18You got me locked in!

01:00:48Is somebody down there?

01:01:08You got me locked in!

01:01:20You got me locked in!

01:01:58You got me locked in!

01:02:07Hey!

01:02:08Hey!

01:02:09Hey!

01:02:10Stop!

01:02:11No!

01:02:12Don't stop it!

01:02:13Hey!

01:02:14Oh!

01:02:15Stop it!

01:02:17Stop!

01:02:18No!

01:02:19No!

01:02:19Stop!

01:02:32No!

01:02:33No!

01:02:35No!

01:02:44No!

01:02:48No!

01:02:49No!

01:03:00No!

01:03:02No!

01:03:09No!

01:03:11No!

01:03:13No!

01:03:14No!

01:03:30Here's the file on the way up, Mr. Cantwell.

01:03:33If there's anything you can tell the file, please let me know.

01:03:37No, I have to take your phone.

01:03:39Look, I don't have any change, Mr. Cantwell.

01:03:43Please let me know.

01:03:44No.

01:03:45You're lost, Ian.

01:03:46Please let me know.

01:03:52You're lost, Ian.

01:04:06You're lost.

01:04:07You're lost.

01:04:10You're lost.

01:04:15Straighten my friend.

01:04:50Oh, my God.

01:05:24Oh, my God.

01:05:52Oh, my God.

01:06:10Oh, my God.

01:06:38Oh, my God.

01:06:53Oh, my God.

01:06:56Oh, my God.

01:07:43Oh, my God.

01:08:13Oh, my God.

01:08:41Oh, my God.

01:08:58Oh, my God.

01:09:13Oh, my God.

01:09:26Oh, my God.

01:09:42Oh, my God.

01:10:01Oh, my God.

01:10:31Oh, my God.

01:10:56Oh, my God.

01:11:04Oh, my God.

01:11:30Oh, my God.

01:11:57Oh, my God.

01:12:00Don't rush off, don't rush off, don't rush off, Mr. Talmadge.

01:12:29Oh, my God.

01:13:07Oh, my God.

01:13:57Oh, my God.

01:14:24Oh, my God.

01:14:29Oh, my God.

01:14:30Oh, my God.

01:14:31Oh, my God.

01:15:24Oh, my God.

01:15:30Oh, my God.

01:16:06Oh, my God.

01:16:12Oh, my God.

01:16:38Oh, my God.

01:16:57Oh, my God.

01:16:58Oh, my God.

01:16:59Oh, my God.

House of the Dead – Classic Gothic Horror Film

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