- 5 weeks ago
Eternal Shadows of the Cursed Moon (1971) is a chilling classic horror film that explores the haunting curse of darkness and transformation. Set against eerie nights and mysterious landscapes, the story follows a man consumed by a sinister force that awakens under the cursed moon. With suspense, fear, and supernatural terror, this film remains one of the memorable cult classics of the 70s horror era.
Enjoy this vintage horror masterpiece and step into the eternal shadows of fear.
Enjoy this vintage horror masterpiece and step into the eternal shadows of fear.
Category
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Short filmTranscript
00:00:00Transcription by CastingWords
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00:04:51Run
00:05:13Run if you can
00:05:15Don't shoot, I'm not armed
00:05:19What difference, Langdon?
00:05:23I'm sick
00:05:24I'm dying
00:05:27Langdon pleading for pity
00:05:31Langdon the traitor
00:05:34Langdon the murderer, rapist, thief
00:05:39Langdon the evil man
00:05:42The recognized evil man
00:05:48Please
00:05:52I'm too weak to try to run
00:05:55I'll do anything you ask
00:05:58Just don't kill me
00:06:00What have you got to offer?
00:06:05No
00:06:06Please, no
00:06:09I
00:06:10I mean I hurt anybody
00:06:13I'm scared
00:06:15You can't kill me
00:06:20I'm not like wild animals
00:06:22I'm a human being
00:06:27Just like you are
00:06:30Shut up
00:06:31Would you serve me, Langdon
00:06:36Without question
00:06:37Loyally for the rest of your life?
00:06:41No
00:06:41I swear
00:06:43No need for that
00:06:45I always take a man at his word
00:06:48You really are sick, you know
00:07:09That fruit you just ate is extremely toxic
00:07:15As a matter of fact, you should be dead
00:07:18And it's a wonder you're not
00:07:20Starving is such a wretched business, isn't it?
00:07:28Wretched
00:07:29Painful
00:07:30Dirty
00:07:32Dirty
00:07:35When was the last time you heard some fresh meat to eat?
00:07:47Your friend isn't coming, Langdon
00:07:50She died of bullet wounds a while ago
00:07:54Leaving a trail of canned beans and dried fish behind her
00:07:59But then she wasn't really a friend, was she?
00:08:02In a way, though, she did come through for you
00:08:07In a way
00:08:10Come now, it's good meat
00:08:19Probably better than anything you ever tasted
00:08:23Eat, my boy
00:08:26Eat
00:08:31Eat
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00:15:07JUST WHAT THE HELL
00:15:08ARE YOU TRYING
00:15:09TO PULL, DOCTOR?
00:15:10ASKED HIM
00:15:11FOR PERIOD
00:15:12TO COME HERE
00:15:13IMMEDIATELY
00:15:15PHIL
00:15:17GET THESE
00:15:19BANDAGES OFF HIS FACE
00:15:21BUT HE CAN'T BE ALIVE
00:15:23YOU DO IT
00:15:25RIGHT NOW
00:15:51DO IT
00:15:53TOO
00:15:55AND
00:15:57HOPER
00:16:01DOES
00:16:02esper
00:16:17THE END
00:16:19DOES
00:16:20Don't touch him.
00:16:47Get help.
00:16:48Quick.
00:16:50Doctor.
00:16:56Doctor.
00:16:57Doctor.
00:17:20Philip?
00:17:21Philip?
00:17:22Philip?
00:17:23Philip?
00:17:50I think I'm rediscovering the nicest part of the house.
00:18:17You never used to think that.
00:18:19You used to make a joke of all the trouble I went to, having it done.
00:18:25Come sit by me.
00:18:38It's not too cold for you.
00:18:40No.
00:18:45You've had a pretty rough time of it, haven't you?
00:18:51I never expected you to say anything like that.
00:18:57I've been away a long time.
00:18:59You should expect to be surprised.
00:19:01I do.
00:19:02I don't know you anymore.
00:19:06Are you sorry?
00:19:07No.
00:19:08I've never been afraid of you before.
00:19:17You are getting chilly.
00:19:18You are getting chilly.
00:19:19No.
00:19:20No.
00:19:21No.
00:19:22No.
00:19:23No.
00:19:24No.
00:19:25No.
00:19:26No.
00:19:27No.
00:19:28No.
00:19:29No.
00:19:30No.
00:19:31No.
00:19:32No.
00:19:33No.
00:19:34No.
00:19:35No.
00:19:36No.
00:19:37No.
00:19:38No.
00:19:41No.
00:19:42No.
00:19:43No.
00:19:45No.
00:19:46No.
00:19:48No.
00:21:19You might have given me some idea of what you were going to do.
00:21:22You were always a little squeamish, Earl. It would have showed.
00:21:25I see. It's a one-man operation now.
00:21:29Is that new to you?
00:21:33Well, not like this, Phil.
00:21:34These people were your partners.
00:21:37Sure, you've always had control, but they trusted you.
00:21:40They put their trust in figures and ironclad notes.
00:21:43And they came out of it a lot richer.
00:21:46And a lot greedier, too.
00:21:47Phil, I don't know that I want to go along with this.
00:21:53What do you really want, then?
00:21:55A peace of mind?
00:21:56A clear conscience?
00:21:58Why not?
00:22:00Have you got a clear conscience, Earl?
00:22:02What do you think I ought to do about Julia?
00:22:06I don't know what you mean.
00:22:11There aren't many women who could have stood by you all this time.
00:22:13You're right.
00:22:15You see, that's the point.
00:22:16Things aren't going to get any better.
00:22:18And there's nothing that she or I can do about it.
00:22:21So what are you going to do?
00:22:23Just throw her out like your board of directors?
00:22:26Would you like that?
00:22:30All right, Phil.
00:22:32Come out with it.
00:22:33If you're implying that there's ever been anything between Julia and me...
00:22:36Earl, I'm just trying to make things easy for you.
00:22:40Easy?
00:22:42Easy.
00:22:46Julia knows what a disaster our marriage has been,
00:22:48but she's not the kind to let go or walk away.
00:22:52Principles.
00:22:54She's not going to just wake up one morning
00:22:56and realize that it's you she's wanted all along.
00:22:59If I threw her out, neither one of us would ever see her again.
00:23:03Why should you care?
00:23:05I don't want to hurt her any more than I have to.
00:23:08If she can make a good life for herself with you,
00:23:11why shouldn't she have a chance for it?
00:23:18So why don't you and I kind of help her along, Earl?
00:23:23Why, here's Tom Milton.
00:23:48Remember him?
00:23:49You inhabited him in 54.
00:23:5255, I think.
00:23:54You know I can't for the life of me remember what I did with him.
00:23:59I'll have to look it up.
00:24:03Actually, Langdon,
00:24:05since I happened to be in the neighborhood,
00:24:07I thought I'd look you up and have a little therapy session with you.
00:24:10You know, bringing you back with your own face
00:24:13was an irresistible temptation.
00:24:14But it may turn out to be an awful mistake.
00:24:19What have I done?
00:24:21Nothing yet.
00:24:23But having a face of your own
00:24:25is encouraging you to think about personal identity.
00:24:29And you know we can't have that.
00:24:32I take no pleasure in it.
00:24:34Naturally not.
00:24:36But your mind wanders.
00:24:39Why do you think I keep bringing you back, Langdon?
00:24:44Apart from the pleasure you get out of it.
00:24:47To awaken the latent evil
00:24:49in the people that I come in contact with.
00:24:51Good.
00:24:53I knew you'd be sharp enough to grasp that.
00:24:56It isn't as easy as it might seem
00:24:58to find qualified agents.
00:25:01Human nature is so ambiguous
00:25:03that the propagation of evil
00:25:06is left entirely to chance.
00:25:10There's been a great deal said
00:25:12about the scarcity of truly good men.
00:25:15Why truly evil men
00:25:17are just as hard to find.
00:25:20Do you realize, Langdon,
00:25:22that if you really put your mind to it
00:25:25you could be a saint?
00:25:26For our sight, of course.
00:25:29Nothing seems worth doing.
00:25:34You want to die.
00:25:37Is that it?
00:25:39Yes.
00:25:40What fantasies people pick up!
00:25:44This is all there is, you know.
00:25:47You have to stop thinking of yourself
00:25:49as a man groping towards
00:25:52some sort of fulfillment
00:25:53within a measured span of time
00:25:56because surely you can see
00:25:58that you stopped being mortal
00:26:00some twenty-odd years ago.
00:26:02What am I?
00:26:05Well, you're in transition.
00:26:07You're still part man
00:26:09becoming, hopefully,
00:26:11a quality,
00:26:12a pure moral force,
00:26:16so to speak.
00:26:17I am a man.
00:26:19Damned, maybe,
00:26:20but still a man
00:26:21who knows shame
00:26:22and sorrow
00:26:23and revulsion
00:26:24and regret.
00:26:25You have no idea
00:26:35how distasteful I find this.
00:26:39I wish there was
00:26:40some subtler
00:26:41and equally effective way
00:26:43of making a point with you.
00:26:45Do try to remember, Langdon.
00:26:48I find you quite useful,
00:26:50but I don't want you
00:26:51to be anybody.
00:26:53Not anybody at all.
00:26:57The pain you feel
00:26:59is only a slight pressure
00:27:00on the kidney.
00:27:02If you vex me further,
00:27:04I can be much more imaginative.
00:27:21Can I get you a drink?
00:27:36Earl stopped in this afternoon.
00:27:39I figured he would.
00:27:42He told me.
00:27:46He said you had to talk about me.
00:27:48Yes.
00:27:53What did you tell him?
00:27:58I think you know
00:27:59what I told him, Julia.
00:28:02Just what do you take me for?
00:28:06What was his attitude?
00:28:09I don't know what you mean.
00:28:14Did he seem interested
00:28:15in the idea?
00:28:18What was the point
00:28:32of telling him
00:28:32all those lies?
00:28:34What are you trying
00:28:35to do to me?
00:28:38About four months ago,
00:28:40you let an airline pilot
00:28:41pick you up
00:28:42at the Savoy Bar.
00:28:45Now, that bothered you a lot,
00:28:47didn't it?
00:28:47You hadn't spoken to me
00:28:51in months.
00:28:53You didn't care
00:28:53whether you lived or died.
00:28:55You didn't care
00:28:56what happened to me.
00:28:58How was I supposed to feel?
00:29:00Just the way you did feel, Julia.
00:29:02The trouble is,
00:29:03you've never been able
00:29:03to forgive yourself for it.
00:29:08How long have you known?
00:29:10What difference does it make?
00:29:11I don't understand you at all.
00:29:15I don't understand you at all.
00:29:21Earl is as close to being
00:29:22what he seems to be
00:29:23as anyone you've ever known.
00:29:25With him,
00:29:25you'd never have to wonder
00:29:26where you stood.
00:29:28And that's what you've
00:29:29always wanted, isn't it?
00:29:30And it's not supposed
00:29:31to matter whether I love him
00:29:32or not.
00:29:34What do you want, Julia?
00:29:35Love you've had.
00:29:36Why don't you settle
00:29:38for something you can live with?
00:29:40Who are you?
00:29:44As far as you're concerned,
00:29:45I am and can only be
00:29:47whoever
00:29:48or whatever you think I am.
00:29:50I need you.
00:30:08I don't want to lose you.
00:30:12Whoever,
00:30:13whatever you are.
00:30:20I don't want to lose you.
00:31:41What's the matter?
00:31:46Are you ill?
00:32:11Hello.
00:32:14Come on.
00:32:15Come on.
00:32:17Don't worry, my mom's in the shop.
00:32:19Don't worry, don't worry.
00:32:20Don't worry.
00:32:47Oh, my God.
00:34:47I'm very tired, Julia.
00:34:52I'll talk to you later, all right?
00:34:54Is there anything wrong?
00:34:57No.
00:34:58There must have been some kind of weapon used.
00:35:13Nobody could have done that with his bare hands.
00:35:15I don't know, Lieutenant.
00:35:19Even a weapon has to be handled.
00:35:21What kind of a weapon would you need to rip out a man's heart with a single blow?
00:35:31You're not sure it was a single blow?
00:35:35I wouldn't swear to it, no.
00:35:36Not on something as mutilated as that.
00:35:40But I would guess he was hit no more than three times.
00:35:44Once on the head and twice across the body.
00:35:47With the force of a jackhammer.
00:35:49And that's not all.
00:35:50We picked up bits of tissue from his heart, lungs, digestive tract that looked as if they come out of a meat grinder.
00:36:01No.
00:36:02Well, how else can you explain the way he's been acting?
00:36:04All right.
00:36:07He's having a hard time fitting into things.
00:36:11Do you really think sending him away again will help him?
00:36:14I'm only suggesting that he needs psychiatric help.
00:36:18That amounts to the same thing.
00:36:21Don't you see?
00:36:23He needs us.
00:36:24He needs me.
00:36:26Not some stranger poking around in his mind the way they did with his body.
00:36:29He's all alone.
00:36:35And he doesn't want to beg for anything.
00:36:40That's why I said all those things to you yesterday.
00:36:44I wish that were true.
00:36:47It is true.
00:36:49Maybe he is lonely in a way.
00:36:51But I can't reach him.
00:36:53And I don't think you can.
00:36:55He's grown hard.
00:36:56Mean even.
00:36:57He can hurt you, Julia.
00:36:58And we can't risk that, can we?
00:37:02He's my brother.
00:37:06That's hard to believe, too.
00:37:08Julia, I'd make very sure of my own feelings if I were you.
00:37:12What?
00:37:13Why has he become so important to you?
00:37:16Only a week ago, you weren't sure you wanted to stay.
00:37:20What's he done to you?
00:37:22Or is it something that you've done to yourself?
00:37:26So now we're both dangerous.
00:37:28Nobody's harmless, even to himself.
00:37:32Are you sure you're helping him this way?
00:37:34Are you sure you're helping me?
00:37:41Are you sure you're helping me?
00:37:50Did I rake you?
00:37:51I guess you did.
00:37:55I didn't hear you come in.
00:37:58Beware the Coloradans bearing gifts.
00:38:04What's the occasion?
00:38:05An attack of guilt, probably.
00:38:07I spent the entire day indulging myself.
00:38:11Drove around, shopped, ate a fantastically expensive lunch.
00:38:15Went to a movie.
00:38:19Open it.
00:38:28The cook says you haven't had anything to eat all day.
00:38:30You must be starved.
00:38:32Not really.
00:38:38Dinner should be about ready.
00:38:39I'll go see.
00:38:40Julia.
00:38:43I'll be right back.
00:38:46I'll be right back.
00:38:47I'll be right back.
00:38:48I'll be right back.
00:38:48I'll be right back.
00:38:48I'll be right back.
00:38:49I'll be right back.
00:38:49I'll be right back.
00:38:49I'll be right back.
00:38:50I'll be right back.
00:38:50I'll be right back.
00:38:50I'll be right back.
00:38:51I'll be right back.
00:38:51I'll be right back.
00:38:52I'll be right back.
00:38:52I'll be right back.
00:38:53I'll be right back.
00:38:54I'll be right back.
00:38:54I'll be right back.
00:38:54I'll be right back.
00:38:54I'll be right back.
00:38:55I'll be right back.
00:38:55I'll be right back.
00:38:56I'll be right back.
00:38:57I'll be right back.
00:38:58I'll be right back.
00:38:59I'll be right back.
00:39:00Love me.
00:39:30Love me.
00:40:00Love me.
00:40:30Love me.
00:40:32Philip, let me in.
00:40:35Go away, Julie.
00:40:36Go away for your own goodness.
00:40:39Philip, please let me in.
00:40:43Philip!
00:40:45Philip, please let me in.
00:40:52Let me in.
00:40:53Let me in.
00:40:57I'm going to.
00:40:58I'm going to.
00:41:02I'm going to.
00:41:06I'm going to.
00:41:07Let's go.
00:41:37Let's go.
00:42:07Let's go.
00:42:37Let's go.
00:43:07Let's go.
00:43:37Let's go.
00:44:07Let's go.
00:44:37Let's go.
00:44:38Let's go.
00:44:39Let's go.
00:44:40Let's go.
00:44:41Let's go.
00:44:42Let's go.
00:44:43Let's go.
00:44:46Let's go.
00:44:47Let's go.
00:44:48Let's go.
00:44:49Let's go.
00:44:50Let's go.
00:44:51Let's go.
00:44:52Let's go.
00:44:53Let's go.
00:44:56Let's go.
00:44:59Let's go.
00:45:00Let's go.
00:45:01If it's Matteo you're looking for, he won't be here till morning.
00:45:08And if you've come to steal, you're wasting your time.
00:45:18I know you're there.
00:45:38Are they looking for you?
00:45:42It's not a bad place to hide.
00:45:46Unless they saw you come in.
00:46:08Phil?
00:46:22What does it mean, Errol?
00:46:37Where is he?
00:46:49Operator, I'd like to call police headquarters, please.
00:46:53I'm assuming that this is still somewhere in this area.
00:46:56I've stripped eight precincts of every man they can spare.
00:46:59We've sealed off all possible exits from the district.
00:47:02We've started a house-to-house search.
00:47:04What about the army?
00:47:06They're on alert, but they won't come in until we ask for them.
00:47:10I'm not going to have a panic if we can help it.
00:47:13As you all know, no specific description of the fugitive has been issued.
00:47:18Except for that he's male, of medium build, with heavily scarred and mutilated face.
00:47:24Frankly, that's all I'm prepared to believe at this point.
00:47:27I thought you might want to look at this, sir.
00:47:34Pictures of a window in the house of Philip Rogers, a well-known American businessman.
00:47:40The man had an argument with his wife and locked himself in.
00:47:45Apparently, this is how he got out sometime during the night.
00:47:50Notice that there are no tool marks or abrasions of any kind on the iron bars.
00:47:55Which means that Rogers, or whoever bent those bars, did it with his bare hands.
00:48:02The man had an argument with Cuban property.
00:48:03The man had to be able to find the woman with his ardent exile.
00:48:05The man had an expense, but the man had an expense.
00:48:10But the man had an expense when he was endearing, but he thought of it with his mailer.
00:48:12He looked at himself and was able to take out the man.
00:48:15He took his wife and that the man had to pay off the man.
00:48:16The man had to pay off hisovich, and the man had to pay off the man.
00:48:49I'm making some soup.
00:49:07I can't offer you anything else.
00:49:19Mateo hasn't come in yet.
00:49:27I don't know it.
00:49:29I thought not.
00:49:31Why did you help me?
00:49:33The other blood was very strong on you when you came in last night.
00:49:38I can still smell it.
00:49:40I know it well.
00:49:42And that's why you helped me?
00:49:44I did not help.
00:49:46I just left you alone.
00:49:49I would do as much for a stray dog.
00:49:53You don't belong here.
00:49:56No.
00:49:57My nephew Mateo is the caretaker here.
00:49:59I'm just visiting him.
00:50:01Speaking of belonging, the police are liable to be here soon.
00:50:05And they may wonder what someone like you, a foreigner, is doing in a place like this.
00:50:11Yes, I guess they would.
00:50:17I see.
00:50:20What?
00:50:21That it makes real difference to you, whether you are lost or saved.
00:50:26All you want is to make an end.
00:50:29No one is ever saved.
00:50:32You are an optimist.
00:50:35If things were as simple as that,
00:50:38there would be no need for life to run so long.
00:50:41Who are you?
00:50:50Who I am now is of no great interest to anyone.
00:50:55My name is Sabasasnar.
00:50:59The bandit?
00:51:00You have a long memory.
00:51:03Yes.
00:51:04Sabasasnar, the bandit.
00:51:06They didn't hang you then?
00:51:08No.
00:51:10They kept me in prison for 30 years,
00:51:14hoping that I would die quietly.
00:51:16But after a while,
00:51:18it was no longer important.
00:51:21Only I remembered.
00:51:23And I remember as though it all happened yesterday.
00:51:30What about the others?
00:51:32The ones who followed you?
00:51:34Many of them are dead.
00:51:36The others believe I died long ago.
00:51:38It is better that they do.
00:51:41I do not have much time left.
00:51:43Time for what?
00:51:46To do what remains to be done.
00:51:52You two-faced old bastard.
00:51:55You haven't given up, have you?
00:51:58You're still rooting around
00:52:00for that blood-soaked soul of yours.
00:52:04You old fool, it's gone.
00:52:06And you'll never find it again
00:52:10if you live to be a thousand.
00:52:12You're quite wrong.
00:52:14That is the one thing we never lose.
00:52:17Not even if we long to be rid of it.
00:52:21And he who gave it to you
00:52:22remains forever part of it.
00:52:26That is why you are in such agony.
00:52:27Philip Rogers, a well-known businessman of this city in connection with the killing.
00:52:57Rogers is 35 years old, 5 feet, 9 inches tall, of medium build.
00:53:01I have nothing more to say.
00:53:12I'm interested in locating my husband,
00:53:14not in having him hunted down like a criminal.
00:53:17No one has even implied that he is one, Mrs. Rogers.
00:53:20But surely you can understand
00:53:22that we are obliged to take certain measures
00:53:24in the interest of public safety.
00:53:25We do want to find your husband, Mrs. Rogers.
00:53:29And perhaps it's in its best interest that we do.
00:53:31I'm not a complete fool, Inspector.
00:53:43Philip, where...
00:53:44Langdon.
00:53:48Joseph Langdon.
00:53:50I'm in no position to say.
00:53:53I never saw Langdon
00:53:54when we shipped the old files back to the States years ago.
00:53:57Surely it must be possible
00:53:58to send his file back here with photographs.
00:54:01But what for, Inspector?
00:54:03Joseph Langdon is dead.
00:54:05Not only is that a matter of record,
00:54:07you were one of those who witnessed his death.
00:54:09I thought I did.
00:54:11I saw him hit.
00:54:13I saw him fall down a rabbi
00:54:14in a hundred feet high.
00:54:16Twenty-four years ago.
00:54:17The man you're holding is thirty-five.
00:54:20He wasn't even in his teens at the time.
00:54:22Just what are you trying to prove?
00:54:26I don't know.
00:54:29The man you have is Philip Rogers.
00:54:32He has personal records
00:54:33that go back to the day he was born.
00:54:36There's a perfectly valid explanation
00:54:38for his change in appearance.
00:54:40His wife, his brother, his friends
00:54:41all know who he is.
00:54:43On the other hand,
00:54:44even if Langdon were alive today,
00:54:46he'd be well over fifty.
00:54:47And he wouldn't look at all like that.
00:54:49It just doesn't add up.
00:55:00Sorry to have wasted your time, Colonel.
00:55:04Not at all.
00:55:08You didn't say much in there.
00:55:20I'm not going to suggest
00:55:22that you should take a long rest
00:55:23if that's what you're driving at.
00:55:27Maybe I should.
00:55:30I never put much faith in hunches before.
00:55:32And I can't question the facts.
00:55:38Why am I so sure
00:55:39that that man
00:55:40is Joseph Langdon?
00:55:42This is all so pointless, Landon.
00:56:05Let me die, then.
00:56:06I can't.
00:56:08And won't.
00:56:10Look at it this way.
00:56:12I have commitments
00:56:14that go back
00:56:15to the beginning of time.
00:56:17To hell with that.
00:56:19My life is all
00:56:20I'll ever know of time.
00:56:24Do what you like with me.
00:56:26I'm not afraid of you anymore.
00:56:29What incredible arrogance.
00:56:31Just who do you think you are?
00:56:35What makes you think
00:56:37you can ever get away
00:56:38from the man
00:56:39who placed his soul
00:56:40at my feet
00:56:41in trade for a bag
00:56:42full of rotting meat?
00:56:44You gave me the idea.
00:56:47You said I was still
00:56:48becoming
00:56:49and had a choice.
00:56:52It was a mistake.
00:56:53But not a disastrous one.
00:56:55I've been making
00:56:58things easy for you.
00:57:01I've given you
00:57:02something to resist,
00:57:03haven't I?
00:57:04A convenient scapegoat
00:57:06for this recent
00:57:07transports
00:57:09of self-indulgence.
00:57:12Well, no more, Langdon.
00:57:15The next time
00:57:16you have a transformation,
00:57:17it'll be entirely
00:57:18your doing.
00:57:20Do bear that in mind.
00:57:22You will not have
00:57:23another one
00:57:23unless you bring
00:57:24it on yourself.
00:57:25It won't be any better
00:57:55tomorrow.
00:57:57You really want
00:57:57to go through with it?
00:57:59Yeah.
00:58:01Let Earl and me
00:58:02go ahead.
00:58:02You can meet us later.
00:58:03No, I'm staying with you.
00:58:06Give it a few moments.
00:58:09Come on, Langdon.
00:58:13Langdon!
00:58:16I'm going to tell you
00:58:17to me.
00:58:25I'm going to have a
00:58:55Begin and done.
00:59:25Get a doctor, quickly.
00:59:27No, I'm not hurt.
00:59:29I'm okay.
00:59:55I'm not hurt.
01:00:25I'll call you.
01:00:42Where are we going?
01:00:43You're not going back to the house.
01:00:45Why not?
01:00:46Oh, Philip, it wouldn't be safe.
01:00:48You saw those people back there.
01:00:50They've already convicted you.
01:00:51Hiding isn't going to do me any good, Julia.
01:00:53Well, anything's better than just sitting in that house waiting.
01:00:56Earl found a place in a quiet part of town.
01:00:58We can stay there for a while.
01:01:03We're leaving the country, Philip.
01:01:07Was this your idea, Earl?
01:01:09No.
01:01:12I'll go along with whatever you want.
01:01:14It was my idea.
01:01:15Earl made the arrangement.
01:01:17Tomorrow night we're driving out to Corban across the bay.
01:01:20There'll be a fishing boat waiting for us.
01:01:25I won't let them take you, Philip.
01:01:27I've waited too long for you.
01:01:29What do you make of it?
01:01:41Oh, probably the smart thing to do would be to forget it altogether.
01:01:46By the way, we decided not to book the man who owns that.
01:01:49He won't leave.
01:01:58Who was Joseph Langdon?
01:02:00A U.S. Army deserter, convicted of collaborating with the Japanese while a prisoner of war in World War II.
01:02:09Also of torturing and informing on his comrades in arms.
01:02:15He escaped from the American stockade here, enjoying some native wartime contacts in the mountains.
01:02:21But he was too much even for them.
01:02:24Murder, village, rape, very often for no comprehensible reason.
01:02:30Finally, he was alone.
01:02:33We tracked him down and killed him.
01:02:35Or so we thought.
01:02:39His body wasn't recovered.
01:02:42No.
01:02:43He was hit at least a half dozen times and fell off a high cliff into a river.
01:02:48We had divers looking for his body for almost a week.
01:02:52But they found nothing.
01:02:54I wonder what he was like.
01:02:57Educated, soft-spoken.
01:02:59It was very hard to dislike him if you knew nothing about him.
01:03:01But there was a hard, cold hatred inside him, which no one could account for.
01:03:08Or bother to.
01:03:16After our meeting with the military attache the other day,
01:03:20I went to see a friend at Army Intelligence.
01:03:22He dug this up for me.
01:03:33Inspector DeSantis here?
01:03:35Yes, Mister Rogers.
01:03:37We have been waiting to hear from you.
01:03:39to hear from you are they still in the house I left them less than an hour ago
01:04:04inspector I hope you understand my position your brother and mrs. Rogers will not know of our presence here
01:04:10unless something in danger to either or both of them arise I'm rather concerned
01:04:16about mrs. Rogers sorry you should be asleep
01:04:34you won't be much help if you don't get some rest
01:04:38will you stay with me Philip will you promise not to leave me
01:04:52you shouldn't have waited for me there was nothing left to wait for
01:04:58I did think that then you came back and changed everything there's no such thing as a dead end you can
01:05:15always get out the way you came you didn't you came back to me and you kept coming back to use you
01:05:29there's just another way of saying that you need
01:05:34that's all I want
01:05:40that you need me as much as I need you
01:05:53I'm
01:06:00I'm
01:06:02I'm
01:06:04I'm
01:06:06I'm
01:06:08I'm
01:06:10I'm
01:06:11I'm
01:06:13I'm
01:06:15I'm
01:06:17I'm
01:06:19I'm
01:06:21I'm
01:06:23I'm
01:06:25I'm
01:06:27I'm
01:06:29I'm
01:06:31Come here, love me, Felata.
01:07:01Philip?
01:07:17Philip?
01:07:20No!
01:07:50No!
01:07:52No!
01:07:54No!
01:07:56No!
01:08:14Hold your fire!
01:08:20Take two men outside and follow him.
01:08:24Keep your distance.
01:08:26Don't try to take him.
01:08:28But find out where he goes and report to me.
01:08:30Yes, sir.
01:08:40Julia?
01:08:50You did not tell me that you had a visitor around here some nights ago.
01:08:56It was nobody of any importance.
01:09:00It was the American killer.
01:09:02The police let him go today for lack of evidence.
01:09:06But you know he was here that night, don't you?
01:09:08It was of no importance.
01:09:10No?
01:09:12Ruben and his cousin saw him leaving with dried blood all over his clothes.
01:09:16He's a rich man.
01:09:28How much did he give you to keep quiet?
01:09:32He gave me nothing.
01:09:34He gave me nothing.
01:09:36He was tired
01:09:38and needed a place to sleep.
01:09:40You old liar.
01:09:44I took you in when no one would have you.
01:09:48I let you stay.
01:09:50Gave you whatever food and money I could spare.
01:09:54Me.
01:09:56With a sick wife and four children to worry about.
01:10:00He gave me nothing.
01:10:02It wouldn't help you to be stubborn, old man.
01:10:18Who is it?
01:10:22Who's out there?
01:10:24Speak up!
01:10:26Who's out there?
01:10:28Speak up!
01:10:30He won't hurt you.
01:10:34Get away from there.
01:10:36He needs me.
01:10:38Please, Matteo, let him in.
01:10:40No.
01:10:42Leave him alone.
01:10:44He means no harm.
01:10:46No.
01:10:48Leave him alone.
01:10:50He means no harm.
01:10:52No.
01:10:54Leave him alone.
01:10:56He means no harm.
01:10:58He's just afraid.
01:11:00Like you.
01:11:02He won't give you away.
01:11:04I promise you.
01:11:06I promise you.
01:11:08I promise you.
01:11:10I promise you.
01:11:12I promise you.
01:11:14Mrs. Rogers, it's imperative that we know as much about your husband as you can tell us.
01:11:20It's imperative that we know what happened last night.
01:11:22Did he say anything that might help us locate him?
01:11:24I'm sorry, Inspector.
01:11:26I can't permit you to continue.
01:11:28You let us know as soon as her condition improves?
01:11:30Yes.
01:11:32But I cannot tell you when that will be.
01:11:34I'll come by and see her again before I leave.
01:11:38I'd get some rest if I were you, Mr. Rogers.
01:11:40I'm okay.
01:11:42I'm okay.
01:11:44Good, Inspector.
01:11:46I'm sorry, Inspector.
01:11:47I can't permit you to continue.
01:11:50You let us know as soon as her condition improves?
01:11:52Yes.
01:11:54But I cannot tell you when that will be.
01:11:56I'll come by and see her again before I leave.
01:11:58I'd get some rest if I were you mr. Rogers. I'm okay
01:12:19Julia
01:12:28Oh
01:12:46Is he dead no, he's breathing easily, but he's badly hurt
01:12:58I
01:13:04You better get a doctor yes, I was just waiting for you to change
01:13:12You know
01:13:16What will you do I don't know I'm tired of running, but it's all I can do they can't kill me
01:13:28I
01:13:34What is your name
01:13:37Joseph Langdon
01:13:45My name is Joseph Langdon
01:13:48You have a name and a face
01:13:51You speak you think and there is an awful pain inside you
01:13:56Whatever else you might be you are a still a man
01:14:05There is a clinic nearby I'll bring a doctor here
01:14:10Stay out of sight when I come back with him what for I
01:14:16Will help you find a place to hide for a while until you know what you must do
01:14:22It's no good somebody tried to help me once
01:14:26I destroyed her
01:14:28You cannot harm me you see I want nothing from you
01:14:44Don't worry they won't see us we are too big to know this I
01:14:50I have a good feeling I
01:14:52Have a good feeling I
01:14:55Think I'll have a better day today and I have had in a long time
01:14:59도 know
01:15:02Um
01:15:04Um
01:15:06It's on my own
01:15:08I
01:15:12Did you go and follow or trabajar?
01:15:16Jimmy
01:15:16C'mon
01:15:17I
01:15:18Good
01:15:19To
01:15:23Let us
01:15:23Look at all
01:15:24We
01:15:24Well
01:15:25We
01:15:26We
01:15:26Who
01:15:27Why
01:15:27Describe this place to me, quickly.
01:15:42There's a hill to the right of us.
01:15:45Tall grass to the left.
01:15:47The road turns left on the side of the hill.
01:15:55Walking to the grass now.
01:15:56You can't come with me.
01:15:59You will never find your way out of here.
01:16:01I will be your eyes.
01:16:03What I tell you, now.
01:16:07Hold!
01:16:14Let's go!
01:16:24Put your fire!
01:16:30Cease firing!
01:16:38Landon! There's no way out of there!
01:16:41Come out and give yourselves up!
01:16:52Come out or be burned out!
01:17:02It's no good.
01:17:04No. Only a few meters away.
01:17:07The galley, they can't reach us.
01:17:09Langdon! This is your last turn!
01:17:21They're not going to get themselves up. If we wait any longer, we'll lose them.
01:17:30Fire!
01:17:31Fire!
01:17:33Fire!
01:18:01Fire!
01:18:03Fire!
01:18:04Fire!
01:18:14Fire!
01:18:16Fire!
01:18:20Fire!
01:18:21No, we're going back.
01:18:44Don't shoot. We're coming out.
01:18:51Don't shoot.
01:19:03No!
01:19:21Don't shoot.
01:19:31Oh, no.
01:19:31Let's go.
01:20:01Please, take me to him.
01:20:31Please, take me to him.
01:20:38No.
01:21:01Free for me, Lange.
01:21:18Free for me.
01:21:31Free for me.
01:22:01Free for me.
01:22:31Free for me.
01:23:01Powerless, nibbling fools.
01:23:08I accept forgiveness of no one.
01:23:11No one.
01:23:13I alone am answerable for what I am.
01:23:17I will not serve.
01:23:18But I also am, and will not be overcome.
01:23:25I will not serve.
01:23:34I will not serve.
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