Angelica alias La Poderosa es una prostituta, y Miguel, un sencillo ingeniero agronomo. Tras un accidente, ella descubre que es heredera de un millonario y busca venganza, mientras ambos viven un romance que supera sus mundos opuestos.
Encuentra todos los capitulos en https://sites.google.com/view/cyberhome-nicaragua
#TelenovelaAmorSinIgual #NovelaAmorSemIgual #NovelasBrasileñas
Encuentra todos los capitulos en https://sites.google.com/view/cyberhome-nicaragua
#TelenovelaAmorSinIgual #NovelaAmorSemIgual #NovelasBrasileñas
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TVTranscripción
00:03You are the only one who can return to the hotel.
00:06I will never set foot there again.
00:09Send it, Mike Tyson.
00:10I thought you were friends with Cindy.
00:12No, no, we're colleagues and I'm not going to risk getting caught because of her.
00:16What if Cindy was arrested and reported us all?
00:19The police can come here because Antonio Junior is with her and he resigned.
00:24Of course you'll go back to the hotel, Yona.
00:26We need to know what happened to Cindy.
00:31I'll tell you, what happened to Cindy?
00:38Ramiro.
00:39Mike Tyson, pour me some water, please.
00:43Yes, Mr. Ramiro.
00:47Ramiro, what happened to Cindy?
00:55What happened to the girl?
01:00I shot him.
01:05Because?
01:06She invaded my room.
01:08Cindy went to the sheikh's room.
01:10Shut your mouth, Yona.
01:11Let her talk.
01:13I already know that Emilia has returned to work.
01:18We didn't know you were staying at that hotel.
01:21I didn't see your name on the guest list.
01:25I suppose you're Augusta.
01:28Aren't you going to introduce me to the woman who fled Paris and betrayed you?
01:33Yes, Ramiro.
01:34She is Augusta.
01:51Were you ever a gentleman?
01:53I thought you weren't a thief anymore.
01:57I was the one who looked for Emilia.
02:00Olympia called me.
02:01Apparently, changing your name didn't change your life.
02:06Olympia.
02:06Go away, Yona.
02:07Wait in the dressing room.
02:09Stay.
02:11I think you have nothing left to hide from your girls.
02:15At least not her, who's part of your band.
02:19Band no.
02:20We are professionals.
02:23I'll take care of it, Augusta.
02:25Carmen!
02:26Did you kill Cindy?
02:30Now tell everything to your mom and your brother, Maria Antonia.
02:37I lied.
02:38Nobody heard you.
02:39Speak up.
02:42I lied.
02:46It wasn't Hugo who offered me the drink.
02:49It was me.
02:51Satisfied, Dad.
02:52Don't speak to your father in that tone.
02:53What did you want to get out of harming Hugo?
02:55Finally free from his sermons.
02:57While you are in this house, you will speak respectfully to my wife and son.
03:03Are you excluding me from the family?
03:05You are moving away from her.
03:07Maria Antonia, how can you lie so blatantly and speak to us like that?
03:12You should stay quiet and feel very ashamed of what you did.
03:17I'm not ashamed of anything anymore.
03:20I lied, because if I had told the truth, I would be hearing twice as much as I am hearing now.
03:25And you deserve it.
03:26I don't know what else to do.
03:29I don't know what to say anymore to bring this girl to her senses.
03:34Maria, forgive me, Zenaide.
03:40Your husband failed as a father, as an educator.
03:47Failed.
03:49José Antonio, go and cheer up your dad.
03:52Please keep him.
03:54And hold your head high, because the person who should be on leave isn't.
04:10I really didn't want you and Dad to get like that.
04:14My intention was not to hurt anyone.
04:16And what was your intention, Maria Antonia?
04:18To have fun.
04:20Have fun?
04:21Curiosity, Mom.
04:22You are a woman and you know what I'm talking about.
04:24I wanted to know what it would be like with Hugo.
04:28So your intention was to sleep with that boy.
04:32Just to see what she was really like, Mom.
04:34Just curious, nothing serious.
04:36Are you telling me you never thought about what it would be like to be with a man other than your dad?
04:41Go to your room.
04:42You're going to learn to value yourself and to be the daughter of who you are, not an impertinent brat, Maria Antonia.
04:48You're preparing me like a little girl!
04:49Silence, that's enough!
04:51If you are traumatized, let's talk, my daughter.
04:54We're going to ask for help, we want to help you.
04:57I will not allow the harm done to you to turn you into a bad person.
05:02Now go to your room.
05:04And you're only going out when I say so.
05:06I want you to be a more responsible person, Maria Antonia.
05:11More responsible.
05:22I returned from a trip and stayed overnight because I had an early business meeting.
05:27That's why the room wasn't being occupied by the sheikh, but by me.
05:32Javier, my driver, had just left.
05:35The light flickered and then went out.
05:38Please, Ramiro, just tell me what happened to Cindy.
05:41When she entered my room, she was wearing a mask and shone a flashlight in my face.
05:48She recognized me, but of course, I didn't recognize that face with the mask.
05:53And then you shot him?
05:54She told me not to move or she would shoot me.
05:59Obviously, it was clear to me that it was a robbery.
06:02I hit his hand and the flashlight fell.
06:05She went to pick up the flashlight and I took the gun.
06:08Poor Cindy.
06:09Now you feel sorry for her, but you didn't even go to help her.
06:13Carmen.
06:18And you shot him?
06:20Exactly.
06:22She fell to the floor and at that moment a boy entered the room.
06:31Cindy!
06:32Cindy!
06:34Who are you?
06:39Peaceful.
06:40No, Limpia will pay for them.
06:42Peaceful.
06:43At first, my reaction was to think that you had sent Cindy to rob me.
06:49Or even to kill me.
06:51I would never do that to you, Ramiro.
06:54Would you never do that, Limpia?
06:56You also told me years ago that you would never steal again.
07:01And that you wouldn't partner with Augusta again either.
07:05She didn't want to.
07:06I convinced her.
07:08You fled Paris.
07:10And you left her there.
07:11Slave of that painter.
07:13She had to become a high-class prostitute to pay back the money you stole.
07:17I didn't steal that money.
07:19I used it for the expenses of planning the theft of the painting.
07:22The police were too close and were going to arrest me.
07:26I took that money so I could flee France.
07:29And you left me behind.
07:31If it weren't for me, Limpia would have spent years selling her body to that painter.
07:36It's your fault, Augusta.
07:38My name is Carmen now.
07:40I already spoke to her about it.
07:43Excellent.
07:45You talked and agreed to meet with this traitorous thief again.
07:51Thief?
07:51I don't think any of us here are free from that classification.
07:57I don't think you, Ramiro, are an example of honesty.
08:02Are you going to shut your mouth, or do you want me to do it myself?
08:05Ramiro, I just want to know about Cindy.
08:09When I saw you at Museum 12, I was fascinated.
08:14A beautiful woman, with a unique elegance.
08:18Emilia.
08:20I was the one who bought you from that man.
08:23Limpia, it just went from one opportunist to another.
08:28Enough, Carmen.
08:29I brought you to Brazil.
08:31I set up this club for you.
08:34I also paid a high price.
08:37Nothing was free.
08:38And the Madmoacel gives you good profits.
08:43Do you really think I need the money from this garbage?
08:47Please, Ramiro, in the name of our past.
08:51Tell me what happened to Cindy.
08:53Did you kill her?
08:55When the boy saw Cindy shot, he began to despair.
09:01I wanted to call an ambulance.
09:03He's going to die if we don't ask for help, Mr. Ramiro.
09:06Hurts.
09:07I don't want to die.
09:09I don't want to die.
09:10Please.
09:11I'm going to call an ambulance.
09:12I can't let him die.
09:13You're not going to call an ambulance.
09:15If you take one more step, they will both be buried together.
09:23Did you prevent Cindy from receiving help?
09:26I never thought you could be so inhuman.
09:29Inhuman?
09:30I.
09:31You wanted me to let this idiot call an ambulance.
09:35That the police be made aware of what had happened.
09:38And risk them finding out that I'm a member of this club.
09:44Prostitution is not a crime, but exploitation is.
09:47And to make a profit through it, yes.
09:49I'm going to reveal all of this.
09:51Do it.
09:53Do it and I'll end your life.
09:55And with Olimpia's too.
09:56And you two will keep him company in jail.
10:00You let Cindy die.
10:02You put that girl in that situation.
10:04Where is the body, Mr. Ramiro?
10:06At least let him have a dignified burial.
10:08Did you shoot Antonio Junior too?
10:11Don't shoot.
10:12Don't shoot.
10:13Don't shoot.
10:14So step away from your phone.
10:15I can't let her die, Mr. Ramiro.
10:16She knew she was taking that risk.
10:19Isn't that right, Cindy?
10:23I'm sorry, please.
10:25I don't want to die.
10:26Please, please.
10:28I'm going to ask for help.
10:31Calm down, Cindy.
10:32Peaceful.
10:34Peaceful.
10:37Calm down, calm down, calm down.
10:39Calm down, calm down, calm down.
10:44She's going to ask for help, right?
10:46I called Bernardo and asked him for help.
10:48But Cindy needed an ambulance.
10:51No to your bodyguard.
10:53I am not Mr. Ramiro's bodyguard.
10:56I am the head of the security department at Brass Sports Talents.
11:01Close the door, Mike Tyson.
11:03Excuse me, Mademoiselle.
11:04I went in to keep Yonai company and ended up forgetting to close the door.
11:08If you were my subordinate, you'd already be fired.
11:11But I'm not.
11:14Excuse me, Mademoiselle.
11:19And Cindy?
11:20I left it where you asked me to.
11:24Where?
11:25Did you get rid of Cindy?
11:27Oh my God.
11:28Tell me something.
11:29And Antonio Junior?
11:30A very nosy boy.
11:32He called Bernardo to clean up his mess.
11:35Shut your mouth already.
11:39You may leave, Mr. Ramiro.
11:40I'll take care of this.
11:41Leave no trace, Bernardo.
11:44Wretched, wretched man.
11:55Hello, Pablo.
11:57I'm going to need your services.
12:00Cleaning a hotel room.
12:04Right now.
12:07I'll send you the address by message.
12:22Put it on top of the sheet.
12:24You want revenge just because he didn't give you attention, don't you?
12:27What are you talking about?
12:28Any problem, Cindy?
12:29Did anyone ask you something, kid?
12:32Is it bothering you?
12:33No, everything is fine.
12:34Everything's fine.
12:35I'm used to it by now.
12:36You can go back to work.
12:37Is everything all right.
12:38Let go of his arm, please.
12:40I'm paying and I'm doing what I want.
12:43Bernard.
12:44But it doesn't work that way here, sir.
12:46Let the girl go.
12:47Hey, is this kid your boyfriend?
12:50No.
12:51You're lucky I'm in a good mood today, kid.
12:54Bernard.
12:54Now leave me alone and go away.
12:56Get out of here.
12:57I'll only leave when I let go of his arm.
13:01Antonio Junior is back at work.
13:02Is everything all right.
13:03I'm already used to him.
13:04Did you hear the girl?
13:05Everything is fine, Bernardo.
13:07Now, leave before I tear your meat apart.
13:10If he wants to fight me, he can.
13:12But treating a woman with violence and rudeness in front of me, that I will not allow.
13:16I will not allow that.
13:19High!
13:20High!
13:20High!
13:21High!
13:22Antonio Junior.
13:22Antonio Junior!
13:23Enough!
13:23Stop!
13:24This is not a place to fight.
13:26If they want to do it, they'd better go do it outside.
13:29That brat disrespected me.
13:31Where is Malmocel Olympia, huh?
13:32He was hurting Cindy.
13:33I just told him to suck it up.
13:34Bata, Antonio Junior!
13:35Get back to work now!
13:39Calm down or I'll have to warn Malmocel Olimpia.
13:41If you need anything, let me know, Cindy.
13:43This thing on the floor is just dirt that I'll have to clean up.
13:46And you too.
13:47Now do what I tell you.
13:50The faster we get out of here, the faster your little friend will be taken care of.
13:54Now I'll take care of the transportation to the clinic.
14:06Mr. Ramiro wants the bed linens and bath towels changed as well.
14:11Immediately.
14:12Thank you.
14:16What are you doing standing there, brat?
14:18Move it!
14:19Wrap her in the sheet now.
14:36Let me open it.
14:50Forward.
14:56More dirt to clean.
14:59I'll put it in the cart and you put on this fool's clothes.
15:02It's not your size, but it's the best I could get.
15:12Take the service elevator.
15:13Go into the laundromat.
15:15And take the cart out through the emergency exit.
15:18I'll wait for you there.
15:19And him?
15:20When he wakes up, isn't he going to say what happened?
15:23I don't believe it.
15:26Paulo will clean everything.
15:28Let's go now before Cindy dies.
15:35Move it, idiot.
15:36Come on.
15:38Pick up the clothes.
15:39Pick up the clothes.
15:43Come on!
15:44Come on!
15:46Come on!
15:49Come on!
15:52Come on!
15:58Come on!
15:59Come on!
16:03Come on!
16:23I need to collect my clothes and backpack from my room
16:26What an idiot you are
16:28Go and then head to the laundromat's emergency exit
16:31I'll be waiting for you there.
16:52As soon as the room is clean, Paulo will let me know and you can come back, Mr. Ramiro.
16:56Thank you, Bernardo
16:58Ramiro, I want to know which clinic you sent Cindy to.
17:01If she survives, she'll tell you herself.
17:05Is that suitcase yours?
17:07Yes, Mr. Ramiro
17:08Bernard
17:22That doesn't belong to you.
17:24Carmen, leave it.
17:29You can take it with you
17:33By no means
17:35This is our clothing
17:37This woman ruined your life in France
17:39I spent a lot of money to rescue you from that painter.
17:41I brought you to Brazil
17:43I set up this club for you
17:44And you're going to partner with this traitor again?
17:47Therefore, that money is mine.
17:50Compensation
17:51For being an idiot and helping you
17:53Mademoiselle
17:54Do nothing
17:55Do nothing, Mike Tyson
17:56You're not getting out of here
17:57With that suitcase
18:02Goodbye, Auguste
18:04My conversation with you isn't over yet, Olympia.
18:09Let's go
18:10Are we going to let him take our money?
18:13Yeah
18:16I don't
18:20Damned!
18:51I feel sorry for Dad.
18:53The worst part is that I don't know how to help Maria Antonia either.
18:56Well, we have to treat her like a child
18:58Punish her like Mom did
18:59José, are you saying he punished her?
19:01Yes, he told her to stay in the room
19:03Until he allowed it
19:04But Joseph
19:05Hitting her, locking her up, that doesn't do any good.
19:07Do you think that will help her with her problem?
19:08Do you think Maria Antonia can't change?
19:10I don't know
19:11I don't know
19:12After what happened with Fernanda
19:14Didn't you see how much she and Beto tried to help those children?
19:17And what changed?
19:18Nothing
19:19I don't know, brother
19:21People are not born with a difficult path already determined.
19:24No, but I don't talk about those things, about destiny, either.
19:27I don't believe in that.
19:28I think we're making our own way.
19:29Dad always tells us that.
19:31If Maria Antonia chose to follow a crooked path
19:34Then you can choose to be a balanced person.
19:36Yes, I agree
19:37But it's not up to us to decide that.
19:40That depends solely on her.
19:44Let's go to sleep, we have to get up early tomorrow.
19:47Hey, is Antonio Junior in the bathroom or has he arrived and is he in his room?
19:51It hasn't arrived yet.
19:51Has it not arrived yet?
19:53No, it didn't arrive
19:53The worst part is that he didn't say he'd be late.
19:55She must have gone out with people from work.
20:26Are you sure you don't want to?
20:27Would you like me to take you home, sir?
20:30To the hospital, Bernardo
20:33Immediately
20:34And Yona's suitcase?
20:35What do I do with it?
20:38If you take even one euro
20:39I'm going to find out.
20:41I?
20:43That offends me, sir.
20:44I am not a thief
20:45I thought he trusted me
20:48I only trust in salary
20:49And in the extras I pay you
20:51Now shut your mouth
20:52I don't want to talk
21:02What's wrong?
21:07If you even take вы
21:10nur moments in the lirados
21:10If you take sijas
21:13I don't want to see
21:20If you even take
21:22I want to feel
21:43Hi, Yuna. What do you want?
21:48I need to talk to you urgently.
21:50You're talking now. What happened? Did something happen with Donatella?
21:52No. Then it's not urgent, Yuna.
21:55You woke me up for nothing. Goodbye.
21:56No, Tobias, wait, wait. Don't hang up.
22:00It's about your dad.
22:02About my dad?
22:03Yes. He did something horrible.
22:07And I need to talk to you personally.
22:11Tobias?
22:13Tobias?
22:14You need to talk. Hey, Yuna.
22:17Look, if you're plotting something against me...
22:19No, I'm not plotting anything.
22:20Then come, Yuna. Come to my house and talk to me.
22:22What? I'm going to ask the guards to let you in.
22:25At your house?
22:25Yes, at my house. Fernanda isn't going to get up that early.
22:28And my father is traveling anyway.
22:30No, it's not like that.
22:32Come on, come to my house.
22:33Okay, give the taxi money to the guards. I'm on my way.
22:38I can't believe it.
22:40After all the planning, after all the time I wasted thinking about this robbery,
22:48I didn't stay.
22:51I didn't even keep a penny.
22:55I had to rehearse that ridiculous choreography with those old men.
23:01More than a month.
23:04Not at all.
23:06You don't care about Cindy at all.
23:11She may be dead.
23:12And if it is, it's going to be for nothing.
23:16You haven't changed at all, Augusta.
23:18Nothing.
23:19Not a little.
23:22Selfish.
23:23Coliciosa.
23:26You don't think about anyone, only your own pocket.
23:29Alright.
23:30Emilia.
23:31Olympia.
23:33Olympia.
23:34Olympia.
23:35Olympia.
23:37Where was my head when I let you drag me into the past?
23:41Once again you ruined my life.
23:44One more time.
23:45I'm an idiot.
23:47I'm an idiot.
23:48I deserve it.
23:50I deserve it.
23:50I deserve to be living in this filth.
23:53This way.
23:55Exploiting women to survive.
24:00Transforming them into something that...
24:02I always hated being.
24:04No.
24:05No.
24:05You like money too.
24:08Luxury.
24:09You like clothes.
24:11You like perfumes.
24:12You like jewelry.
24:14You're in it.
24:15Because you like luxury.
24:17Those things that...
24:18Those you value.
24:20I think it's best if I go home.
24:22I can't relax here.
24:25Go away, Yona.
24:27But he's coming back tonight so as not to arouse suspicion.
24:30Don't worry, Mademoiselle.
24:32Don't you want to...
24:33Have you heard news of Cindy?
24:35You're confronting the girl as if you cared, aren't you?
24:39Go away, Yona.
24:40Bye bye.
24:45Don't think I'm...
24:47Indifferent towards my own.
24:49With your own.
24:51You barely know Cindy, you know nothing about her life story.
24:54To you, she's just one more member of your band.
24:58Equipment.
24:59Work.
25:00Whatever.
25:03I know why you're worried about her.
25:06You're afraid he'll turn you in.
25:08She seems like a girl who likes her own life.
25:11But that boy...
25:13Antonio Junior, who is with her who knows where...
25:17You can hand them both over, Mademoiselle.
25:22Nothing links me to that hotel.
25:25This time you lose.
25:28Yona?
25:30Cindy?
25:32Your old boyfriend?
25:35Aren't those...
25:37connections...
25:38Enough?
25:39Is...
25:40Is it just me, or is there a threatening tone in your question?
25:46I'm sorry to interrupt your conversation.
25:49But don't you think...
25:51that we should spend our energy trying to locate...
25:54the clinic where Ramiro took Cindy.
25:59Try asking our friends in the neighborhoods...
26:03if any information circulated about a prostitute being shot.
26:06I'll call them right now, Mademoiselle.
26:09I'll call some clients.
26:14It's best if you go home before they notice you're gone, Carmen.
26:40This sofa is so comfortable for sleeping!
26:43I'm sorry, boss.
26:46Good day, Hugo.
26:47I already asked you not to call me, boss.
26:54I'm ashamed for having slept on the sofa.
26:56And on top of that...
26:57I woke up just now.
26:59You shouldn't, because the night wasn't easy.
27:02No.
27:03It wasn't at all.
27:07But today is another day, Hugo.
27:11Before going to the market, I'm going to stop by Oksente's house.
27:14Okay?
27:17You're a great friend, Miguel.
27:20Now, have your coffee.
27:23Brush your teeth.
27:26My brush is in my work bag.
27:29I always bring it with me, because after I eat my lunch or when María Antonia calls me for lunch...
27:37María Antonia is going to straighten up, Hugo.
27:40We will continue to support her.
27:43Yeah?
27:45Don't be sad, Hugo.
27:48Because Maria Antonia did not die.
27:50Okay?
27:56Eat something.
27:57I made some eggs.
28:00For me, it's not as if he's dead.
28:05But something withered inside me.
28:09It will pass, Antonio.
28:11Let me take care of Maria Antonia.
28:13And her?
28:15Is he at Miguel's?
28:16No, he's in his room.
28:17I'll bring you breakfast later.
28:18That?
28:18You should come and have breakfast with us.
28:21Speaking of breakfast, has Antonio Junior not woken up yet?
28:25Antonio Junior must have left early today.
28:28When we woke up, he was no longer at home.
28:48Bernardo, nobody tells me anything about Cindy.
28:50How are you doing?
28:51Why is nobody telling me anything?
28:53Did he die?
28:54Good day, Antonio Junior.
28:55Good day.
28:56Did you spend the night here or did you go back home to your daddy?
28:59Stop making fun of me.
29:00Why is nobody telling me anything about Cindy?
29:02Because I gave them orders to report only to me.
29:07She survived the surgery.
29:09Today or tomorrow a room will be moved.
29:13I didn't know you had money to sleep with Cindy.
29:16Is the cheese business profitable?
29:20Bernardo, I won't smash your face in.
29:22So as not to waste the doctors' time dealing with you.
29:24That's all.
29:27I didn't know you were a comedian either.
29:28Hey, Bernardo, wait, wait.
29:30What, you changed your mind?
29:32Do you want me to hit you again, brat?
29:35No no.
29:36I want to know who, who's going to stay here with Cindy.
29:40You already notified Mrs. Carmen, Mademoiselle.
29:42If you're so worried about Cindy being left alone,
29:47Continue here.
29:51Take advantage of it, because in its current state,
29:53It's going to be free.
30:07Okay, please escort her to my room.
30:11Okay.
30:17Come in, Yuna.
30:20Hey, if anyone asks about me today, you didn't see me all day.
30:24Alright?
30:25Yes sir.
30:26Excuse me.
30:26Thank you.
30:29Oh!
30:31My apartment fits ten times into your room.
30:36Hey, Yuna.
30:37What did my father do?
30:38Come on, talk.
30:39Give me just a minute to catch my breath.
30:43Are you making fun of me, Yuna?
30:45In other words, you woke me up.
30:47You told me you had something urgent to tell me
30:49And now you come with this nonsense.
30:50What are you doing?
30:51Come on.
30:52What happened?
30:53Your dad shot Cindy.
30:55That?
30:55It's possible he killed her.
30:59I don't know if she's alive or dead.
31:02But Mr. Ramiro shot him.
31:04Was that at the Mademoiselle, Yuna?
31:06No.
31:07It was in a hotel.
31:10I think it's best if you sit down for now.
31:12It's a long story.
31:14Ah, okay.
31:19Okay, then.
31:21What happened is...
31:26What do you mean Cindy didn't participate in the presentation?
31:29Hadn't she been summoned instead of Mrs. Nadia?
31:31He said his thigh hurt?
31:33Oh, just between us.
31:34There was no difference between Mrs. Nadia and Cindy.
31:37because we know very well that old people don't dance at all.
31:40The power outage saved them from an embarrassing situation.
31:43But wait.
31:44Did he not even get to set foot on the stage?
31:46Mrs. Nadia's thigh hurts a lot.
31:48Yes, he can't even touch the ground.
31:51much less a stage.
31:52No, no, Yara.
31:52I'm talking about Cindy.
31:54Cindy?
31:55Oh, I didn't see her.
31:56It seems that Cindy left before the presentation.
31:59But why are you so worried about Cindy?
32:03Because I believe.
32:04Actually, no, I don't think so.
32:06I'm almost certain it was Cindy who stole my necklace.
32:11Cindy?
32:11Yes, Cindy.
32:13Look, Yara, don't tell anyone, okay?
32:16I'm only going to tell you because you're mute, Marley.
32:19But Donatella stated it explicitly.
32:23Cindy was the one who stole the necklace.
32:24Is what I heard true?
32:27Did Cindy steal Donatella's necklace?
32:29Oh, Mr. Benton, I shouldn't have heard that.
32:32Why not?
32:32I have ears.
32:33Everyone has one.
32:35Excuse me, I shouldn't have heard that.
32:38So Cindy stole Donatella's necklace?
32:42He stole it, but don't tell anyone.
32:44I'll tell you one thing, just to you.
32:47Because you were Giovanni's fiancée.
32:51Otherwise, I wouldn't even tell anyone anything.
32:53Hey, it was Cindy who stole Donatella's necklace.
33:01Cindy?
33:01Yes, why would Cindy do such a thing?
33:04I always thought she was such a nice girl.
33:07I don't know, it was Bento who told me.
33:09Bento is a gossip, Norma.
33:12Do you think it was her?
33:15Well, a pretty face isn't a sign of honesty, is it?
33:21Come on, don't talk to me in indirect terms, Norma.
33:26It means that in addition to being a womanizer, you're also conceited.
33:30Do you think you're cute?
33:32No, I was referring to Cindy's honesty.
33:37That's all, okay?
33:38Besides, you're far from being a pretty face, okay?
33:45Lying isn't your strong suit, Norma.
33:49Well, being true isn't your thing either.
33:53You know I'm leaving because I only came to bring you information about the robbery of your granddaughter, okay?
34:13And did my dad go back to the hotel?
34:15I don't know.
34:17Bernardo went out with him.
34:19I was there.
34:21From what I understand, it was Bernardo who resolved everything for your dad.
34:26And then Juan Antonio Junior at the clinic where Cindy is going to be treated.
34:30I'm going to talk to him.
34:32And Donatella's necklace?
34:34I've got it now.
34:36Yona, I want you to do it today.
34:38Today?
34:39No, Tobias, no, no, no, no. I'm exhausted.
34:42After dealing with that robbery, I'll have to get involved in another one.
34:45Yes, you'll have to get into another one. You know why? Because today I'm going to kill my dad and Donatella.
34:51Yona.
34:52Huh?
35:00Pedro, where do you think Antonio Junior spent the night?
35:02He didn't send you a message saying he was going to work a double shift.
35:05He must have spent all night working.
35:07And you believe that story?
35:09Well, you said it was going to be the night shift evaluation.
35:12I think it's possible, I believe him.
35:14I don't know, brother. I think he spent the night with some girl.
35:18I don't know.
35:20Okay, let's finish loading this.
35:22And when he arrives, we'll talk to him and find out what happened.
35:26Now, let's load all of this.
35:28Because Dad must be finishing talking to Miguel.
35:32Hey, we're already late. We'd better go make a call.
35:34No, no, let them talk.
35:36They just had a fight. They must be smoothing things over.
35:40In any case, we can get ahead of ourselves and open the position.
35:42Just today, Donatella is going to be passing by there.
35:45Tell me something. Are you going to propose to me at the market?
35:48No, I'm going to wait. So, officially, the request has to be made through his grandfather.
35:57Alright.
35:58Look, my friend, I don't want to bother you, but there's something else I wanted to tell you.
36:05Miguel, you never bother me.
36:08I really needed a friend, you know? Your friendship.
36:13Tell me what you were going to say. You can speak.
36:17Ah, Oxente, I'm not a father yet, but I have experience as a son.
36:25And let me tell you, my friend, sincerely, with all sincerity, that you remind me of the best of my dad, did you know that?
36:37Because your dedication to your family, my friend, when I see it, reminds me of my own.
36:43You have that blunt, sometimes even rude way of saying things, but your intention, your care
36:59For your family, my friend.
37:01Let me tell you something.
37:04I can only thank God for giving me two great examples of fathers in my life.
37:10You understand?
37:11Really?
37:13You too, Miguel. You would be the son I would choose to have.
37:24Antonio. María Antonia isn't in her room. Her closet is empty. She took everything, including the money that was there.
37:32saving.
37:33Don't worry.
37:34Our daughter ran away from home.
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