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Reparto: Fernando Fernán Gómez, Paloma Valdés, Juanjo Menéndez, Antonio Garisa, Joaquín Roa, Lina Canalejas, María Luisa Ponte, José Vivó, Paula Martel, Naima Lamcharki, Lola Cardona, Francisco Camoiras, Antonio Queipo

Dirección: Fernando Fernán Gómez

Sinopsis: Cuando Don Mendo, marqués de Cabra, galante y audaz caballero medieval, escala un torreón para llegar a los aposentos de la bella Magdalena, es sorprendido por Don Nuño Manso de Jarama, el padre de la dama, que ha concedido la mano de su hija al Duque de Toro. Para proteger el honor de su amada, Don Mendo asegura que ha subido al torreón para robar, por lo que es condenado a morir emparedado vivo. El Marqués de Moncada y otros nobles caballeros, amigos todos de Don Mendo, le facilitan la huida. Ha pasado el tiempo y Magdalena sigue siendo tan infiel al de Toro como antes al de Cabra. Ahora es la amante del Rey. Un 'bellísimo' trovador, que no es otro que Don Mendo, aparece en el campamento del Rey y enamora a todas las mujeres. El de Toro y el de Manso acuden a la Cueva de Algodor, lugar de cita de todos los enamorados, al acecho de la infiel. Allí van llegando el Rey tras Magdalena, Magdalena y la Reina tras el Trovador, la mora Azofaifa, dispuesta a liquidar a sus rivales, y, por supuesto, Don Mendo, que cree llegada la ocasión de ejecutar su venganza.
Transcripción
00:00:15Thank you!
00:00:46Thank you!
00:01:28Thank you!
00:01:58Thank you!
00:02:23Thank you!
00:02:26The four Quiñones brothers have lent themselves to the fight
00:02:32And as their steeds galloped, like four breaths, they reached the castle.
00:02:43"Build the castle!" they said.
00:02:46Put that rake down quickly!
00:02:49They remained silent and heard nothing.
00:02:51The castle's children certainly pretended to be deaf!
00:02:59Tend the bridge, tendello!
00:03:02Well, I don't do it, not a chance!
00:03:05Before the first glimmer, we will seize the pride of that tower, to a beautiful dance!
00:03:15Then the gentry answered.
00:03:18Poor crazy people!
00:03:20To storm towers, four Quiñones are not enough, more Quiñones are needed.
00:03:29And at a signal, the accurate crossbowmen fired.
00:03:36And they made such a fuss that horses and riders rolled on the ground.
00:03:44And according to the chronicles, here ends the story of Doña Ardonza Abriones, sister-in-law of the Quiñones and cousin of the
00:03:59Sontoria.
00:04:11And now, relatives, go away, for it is late and this is no occasion for evening gatherings or parties.
00:04:16Receive my blessing, Magdalena, and you stay here.
00:04:21Goodbye, my faithful Lorenzana and Guillena de Aragón.
00:04:25Good night, Pedraldana, rest well.
00:04:29See you tomorrow, Luis de Oliva.
00:04:33Goodbye, Ninon.
00:04:35Tell me, Godfather, sir.
00:04:36I say, my daughter, and as I say it, God knows I mean it,
00:04:40that I have finally arranged your marriage.
00:04:43Which is no small matter.
00:04:47Are you bothered?
00:04:48No, for God's sake.
00:04:49Well, it seemed that way to me.
00:04:50Don't be surprised if my face burns with blush.
00:04:53The happy news caught me completely off guard and impressed me.
00:04:57You're beautiful, what did I say?
00:04:58You are divine, just like your mother, Doña Evina, was.
00:05:02Thank you, Godfather, sir.
00:05:04Modesty aside.
00:05:05You know Latin, a little bit of cooking,
00:05:08and you can also brown a sea bass
00:05:10to discuss science and even art.
00:05:14Your dot is colossal, like my fortune.
00:05:16And your crib is so tall.
00:05:19It is our lineage from such a high branch
00:05:21Let this be recorded on my cradle tower.
00:05:24the cradle of the manso de Jarama.
00:05:27By virtue of being taller than any other,
00:05:30more like a scale than a cradle.
00:05:33And who have you arranged my wedding with, my father?
00:05:35With a gentle and polite gentleman
00:05:38who is a duke and a favorite of the king, my lord.
00:05:41The Duke of Toro?
00:05:43You guessed it.
00:05:45So, Magdalena, your fate is sealed.
00:05:48My word is my bond, and my honor rests on it.
00:05:52You will very soon be a duchess and a private citizen.
00:05:54You can't complain about your lucky star.
00:05:57Thank you, Father, thank you.
00:05:59I notice your joy.
00:06:00I will do as you command.
00:06:02I await your love.
00:06:03Since you want it, I'll be Don Pero's.
00:06:05You'll be from Don Pero.
00:06:07Goodbye, my daughter.
00:06:22Did you hear what he said?
00:06:23Of course I heard it.
00:06:25Marrying the duke while being the marquis's lover.
00:06:27To be the wife of Don Pero,
00:06:29the one that is from Dolmendo.
00:06:31If the marquis knows.
00:06:33Shut up!
00:06:33If the duke finds out.
00:06:35Good.
00:06:36If he tells the count.
00:06:38Heavens!
00:06:38And if you hide it.
00:06:40Hey!
00:06:40That's enough, Mrs. Ramirez.
00:06:42Can't you see I'm suffering?
00:06:43Great!
00:06:45Before God, you can only marry the marquis.
00:06:47Because you spend your nights in tender idyll with him.
00:06:50Because you once threw that cursed ladder at him,
00:06:52just to lend him a hand and he's grabbed his feet.
00:06:55And the woman who receives a young man in her castle,
00:06:57She either marries him or she doesn't have everything she needs.
00:07:00But if I no longer love him,
00:07:01If I no longer have faith,
00:07:03if it belongs to my father, my enemy,
00:07:04If I don't know why I loved him,
00:07:06if he lacks wealth and is not a friend of the king.
00:07:08And what are you going to do, ma'am?
00:07:10I will know how to get rid of him.
00:08:46That music?
00:08:48The marquis quickly throws down the ladder.
00:08:50Leave me alone with him.
00:09:26Well, they send it.
00:09:28It is a reason that she is very blind and deaf.
00:09:30But my heart gives out
00:09:31Things are about to get ugly.
00:09:36Don Mendo.
00:09:37Magdalena!
00:09:38I'm not coming to your side tonight like other nights,
00:09:41crazy, passionate,
00:09:42because today I bring a sorrow
00:09:44that tears my heart apart, Magdalena.
00:09:47You sad, you sorrowful,
00:09:50you suffering,
00:09:51But what am I hearing?
00:09:53Tell me your troubles.
00:09:55Oh, Don Mendo,
00:09:56Make yourself comfortable here.
00:10:00I would prefer that soft leather cot,
00:10:03Well, that's certainly true, my love,
00:10:05I have, I don't know if it's a pimple or a muddy spot.
00:10:09Yesterday,
00:10:10Yesterday was a sad day.
00:10:12before nightfall
00:10:13and on my chestnut horse, knight,
00:10:15I was with my squire
00:10:16through Alcover Park,
00:10:17when near the fence
00:10:19that puts an end to the pool
00:10:20from the Albornoz estate,
00:10:21A voice called out to me,
00:10:23a voice that stubbornly insisted.
00:10:25I made a dry stop,
00:10:26I turned my face
00:10:27And the voice was that of the Marquis of Moncada
00:10:29than with another comrade
00:10:30I was at the foot of a fig tree.
00:10:32Who was the other person?
00:10:33The man from Bedia,
00:10:34an unfriendly and mocking Aragonese man
00:10:36who is at the Marquis's house as a guest
00:10:38or as a freeloader.
00:10:39Talk later.
00:10:40And what do you do?
00:10:41To get bored.
00:10:42And the one from Bedia said,
00:10:43You won't get bored,
00:10:44I propose we play at seven thirty if you want.
00:10:46And why did I mark that strange time?
00:10:48Could it have been later?
00:10:49It's because your innocence ignores
00:10:51that it's been more than an hour, ma'am,
00:10:53Seven thirty is a game.
00:10:55A game?
00:10:56And a vile game
00:10:57that you shouldn't play it blindly,
00:10:59Well, you play a hundred times,
00:11:00a thousand and of the thousand feverish you
00:11:02You either go too far or you don't go far enough.
00:11:04And not arriving causes pain,
00:11:06because it indicates that malts
00:11:07and you belong to the other debtor.
00:11:09But woe betide you if you go too far,
00:11:11If you overdo it, it's worse.
00:11:13And you, dolmendo?
00:11:14Serena, listen to me, Magdalena,
00:11:16because it wasn't me,
00:11:17I didn't go,
00:11:18It was the damned Cariñena
00:11:20that took hold of me.
00:11:21Between one glass and the next,
00:11:23The man gave the cards.
00:11:24I saw a five and said,
00:11:26passed.
00:11:27The marquis believed another case,
00:11:28He asked for a letter and went over.
00:11:30The man said,
00:11:31Leapt!
00:11:32My heart skipped a beat.
00:11:34He discovered the hidden card
00:11:36and it was a six,
00:11:37Mine was a five.
00:11:39The man had won.
00:11:41I played again and again,
00:11:43But I achieved nothing.
00:11:44I went over fifteen times
00:11:45and once I stood there
00:11:47I turned my card over and lost.
00:11:49My own money, name,
00:11:51Finally, I get an average of seven.
00:11:52I ask the one with the half card for a playing card.
00:11:54and half puts a half
00:11:56on the filthy rug.
00:11:58But he had another seven
00:12:00And he also asked for a playing card.
00:12:02And what bad luck I had
00:12:04that seven thirty sang
00:12:05and he beat me in the porcía.
00:12:07He took a thousand dollars
00:12:09By the life of Satan.
00:12:11And later,
00:12:12What do I know?
00:12:13It was all talk and no action.
00:12:14and he earned me ten thousand more.
00:12:15You take responsibility,
00:12:17Say my love.
00:12:18You take care of my problems.
00:12:20Now you see why I'm not smiling.
00:12:23You understand why this river
00:12:25It springs from my tear ducts.
00:12:27I don't want any harm,
00:12:28I don't want to.
00:12:29Anyone who says I'm a blot
00:12:31I cast out my flock
00:12:31who raises his finger.
00:12:33And since I can't pay
00:12:34the money to the man
00:12:35to end the suffering
00:12:37I have decided to leave
00:12:37to other lands,
00:12:39to another shelter.
00:12:40What do you say?
00:12:41Are you going to run away?
00:12:42I'm going to run away,
00:12:43but with you.
00:12:44Did you lose your mind?
00:12:45Not really.
00:12:47It's resolved.
00:12:47God lives.
00:12:48And if you don't like it,
00:12:50right here, this dagger
00:12:51It will kill us both.
00:12:53First I will plunge it into you
00:12:54and I will kill you,
00:12:55Yeah,
00:12:56I swear by Beelzebub.
00:12:57And then yourself,
00:12:59you,
00:13:00You plunge the steel into me.
00:13:01You can afford it
00:13:03with something someone lends you.
00:13:05And then to prosper
00:13:06you can leave
00:13:07with the host
00:13:08which is organized by the one in Melgar.
00:13:09And I would wait for you here.
00:13:11and he would prepare the count
00:13:13and upon your return from your crusade
00:13:15our union would sanction.
00:13:17Shut up!
00:13:17Yeah?
00:13:19What do you think?
00:13:20Nothing.
00:13:22Bran,
00:13:23You are sleeping.
00:13:24You pay your debts,
00:13:25You're leaving,
00:13:26struggles,
00:13:26you win
00:13:27and upon returning
00:13:28crazy in love
00:13:29You'll find me here.
00:13:30Never!
00:13:31Never!
00:13:32And so?
00:13:33Because how am I supposed to pay?
00:13:36As?
00:13:44I am already yours
00:13:45and what's mine is yours,
00:13:48this necklace that I give you
00:13:49You must accept it, Marquis.
00:13:52The thing is...
00:13:53Everything is sorted.
00:13:54But my honor...
00:13:55I don't understand.
00:13:56I fear some loose-tongued person will find out.
00:13:58And say, Don Mendo
00:13:59He is a vile and shameless man.
00:14:00without a hint of apprehension
00:14:02seized an opportunity
00:14:03which he believed to be opportune and obvious
00:14:05and paid a certain man
00:14:06wearing his girlfriend's jewelry.
00:14:07And I nullify myself and I become distressed
00:14:08and I do not hide my horror.
00:14:11Well, even though the name might surprise you,
00:14:13who acts like this
00:14:13It has a name
00:14:14And that name is Chulo.
00:14:17Shut up!
00:14:18What's that?
00:14:19Good heavens!
00:14:21At the foot of this tower
00:14:22Someone argues tenaciously.
00:14:31Oh, Magdalena!
00:14:32How awful!
00:14:33What's happening?
00:14:34Save your honor!
00:14:36A rupee, a gentleman
00:14:37to your faithful squire
00:14:38has fled.
00:14:39How awful!
00:14:39Saying I don't know what
00:14:40because it's going up the scale.
00:14:42You have my honor, Dolmendo!
00:14:44Then have faith in my sword
00:14:45that from that honor to the conjuring
00:14:47I swear I'd rather die before you know it.
00:14:50I swear on my knightly faith.
00:14:53For life.
00:14:54If we have to fight
00:14:55And there will be a fight.
00:14:56If there are those who will fight
00:14:57The case might be in my way.
00:14:59The necklace case.
00:15:06Who is approaching at an inopportune moment?
00:15:07One.
00:15:08Do you know how lucky you are?
00:15:10What does he know?
00:15:10And what prompted him to go up?
00:15:12Quarrel!
00:15:12Did he say fight or die?
00:15:14To quarrel and kill if necessary.
00:15:16That entered through that architrave
00:15:17one who knows how to argue.
00:15:19You will die, lightning and thunder.
00:15:21Less.
00:15:21That my sword steals life.
00:15:23Coba.
00:15:24Are you a minstrel or a squire?
00:15:25Gentleman.
00:15:26Then with more care.
00:15:28Well, let's get ready to argue.
00:15:29I don't have to tell you
00:15:31Less flattery, sir.
00:15:32Decide what your name is.
00:15:34Do you want my name?
00:15:35Match ten.
00:15:36Well, a man.
00:15:37Just one man?
00:15:39One that's worth ten.
00:15:40Long live the sky!
00:15:41Let the duel begin!
00:15:43By God!
00:15:43Even if there are two of them.
00:15:44You must measure the ground.
00:15:46You have to measure it yourself.
00:15:48By my lady, heaven live!
00:15:49By my lady, by God!
00:15:50Long live the sky!
00:16:13Long live the sky!
00:16:14Light or noise, if they see me she's lost and I'm lost with her.
00:16:17We need to find a way out.
00:16:19Make way, Franco!
00:16:20For the house!
00:16:21Passed!
00:16:22My steel prevents it!
00:16:23I'll pass, sir!
00:16:24I say it won't happen!
00:16:26Please!
00:16:27There is no compassion.
00:16:27You're not going out, I've decided.
00:16:29It's not coming, I'm lost.
00:16:31Passed!
00:16:32Never!
00:16:33Curse!
00:16:35Who is calling?
00:16:36Who's shouting?
00:16:37What's happening?
00:16:38Good heavens!
00:16:39What is this?
00:16:39Two men, separated, separated.
00:16:41Two men!
00:16:42How awful!
00:16:43How scary!
00:16:43How awful!
00:16:44Hide!
00:16:45Silence!
00:16:46Everyone back!
00:16:47It is up to me alone to defend my honor!
00:16:51Although I'm old, I can kill them both.
00:16:54When I wielded the sharp sword, no one could resist.
00:16:59Nor could anything erase the sacred maxim that I had engraved on his Toledo leaf.
00:17:04Long live my master!
00:17:05He says it like a shout.
00:17:07Long live his mother!
00:17:09Add the fist!
00:17:10And both cries were courageous, I repeat.
00:17:12That is to fulfill what is written, the granite arm, of Don Nuño.
00:17:17Three!
00:17:18Take off the veil!
00:17:20Three out!
00:17:21Explain why you are in my castle!
00:17:25Who are you?
00:17:27What are you doing here?
00:17:29It's very simple.
00:17:31The bull one!
00:17:33Oh, great god!
00:17:34Was it the duke?
00:17:35The bullfight in my house in such a strange way!
00:17:40Hidden by the cloak, the easy crest, with the naked sword and the haughty voice, violating
00:17:47My castle, my honor, and my flag!
00:17:51Never your honor, Don Nuño, because your honor is mine.
00:17:53And because of that, Don Nuño, I came to your lordship.
00:17:56And I swear to you, Don Nuño, that I did not come in vain.
00:17:58I don't understand.
00:17:59Well, I'll explain this mess to you myself.
00:18:01I saw a rope ladder hanging from that terrace, and at its base was a man who
00:18:06the scale he defended.
00:18:07And since the lady whom love had destined for me lived here, it was only right to know what she intended.
00:18:12And who was the young man who was here?
00:18:15I chased away the mess that was bothering me, went upstairs and entered, and in this room there was a
00:18:19man.
00:18:20And when I was arguing with him, you arrived, and that's all.
00:18:23Now I expect you to tell me clearly, in broad daylight, what awaits you and what you are doing here, such
00:18:30gentleman.
00:18:32Speaks.
00:18:35Be quiet.
00:18:38Magdalena, that scale on a battlement...
00:18:41Father!
00:18:42What do you think of me?
00:18:44Are you innocent?
00:18:46Yes, pure as a lily.
00:18:48You yourself must see it here, in my eyes, clear moon where you always read.
00:18:54Then I'm going to put together one of the Notemenes ones.
00:18:57Let's see, soon.
00:18:59Who is the red-masked scale?
00:19:01Myself.
00:19:03What are you saying?
00:19:04I.
00:19:04It's not possible.
00:19:06Nobody matches my skill in climbing to invade a tower.
00:19:09Excuse yourselves for asking.
00:19:10I threw it down to go down, I didn't use it to go up.
00:19:13I climbed through the cracks of the tower like a fox.
00:19:16That's not something that attracts attention anymore in my count.
00:19:19But since there is usually more danger on the descent,
00:19:22And when I go up I think I have to go down,
00:19:25I always carry a pine marten scale as a precaution.
00:19:28And that is the ladder, Don Nuño, that hangs from the tower.
00:19:31And what did you go up to?
00:19:33Mister.
00:19:33I can't quite imagine.
00:19:34Was it love?
00:19:35It wasn't love.
00:19:36So.
00:19:38I went up to steal.
00:19:39Miserable, ready for him?
00:19:41Stay still!
00:19:43Woe to him who tries, God help us, to reach him.
00:19:45To Don Mendo Salazar and Bernaldez de Montiel.
00:19:50You are a thief, Don Mendo.
00:19:53You!
00:19:54For saving us both, you see the misfortune he wrought.
00:19:58I gave my word to save her and I will keep it, God lives.
00:20:01A marquis to the "vos" that offends.
00:20:04When did you ever see his action so double?
00:20:06There will always be a nobleman who steals more than his fair share.
00:20:09Of course!
00:20:09And before I surrender the sword that my crime has stained, I want to confess that nothing of
00:20:15love has dragged me here.
00:20:17No, no, I'll never believe it.
00:20:19Neither do I.
00:20:20What are you saying?
00:20:21I don't know, let him believe it and fight for it.
00:20:24Look, here's a case.
00:20:26The one on your necklace.
00:20:28Yeah.
00:20:28Since it wasn't any good, I didn't want it for myself.
00:20:31But what about the necklace?
00:20:32Here.
00:20:33It was true.
00:20:34I had it.
00:20:36Take it.
00:20:37And forgive me, ma'am, if I tried to take it from you.
00:20:42Are you convinced now that he came here to steal?
00:20:44Convinced and pained that I doubted you.
00:20:47And I ask you in the name of God that I do not forget my crime.
00:20:50Soon my wife will do as already arranged.
00:20:53Will you forgive me?
00:20:55Forgiven.
00:20:55Holy God, I heard.
00:20:57She's his wife, his wife.
00:20:59If that's true, I reckon I made a terrible fool of myself by saving her.
00:21:03I'll know soon, yes.
00:21:05I have to ask him and I have to get it out of him.
00:21:08Masó and the word I gave.
00:21:11Quickly, take his sword and lead him to a gloomy dungeon.
00:21:15Beloved garment.
00:21:16Don Pero, my dear Don Pero.
00:21:18Oh no, my blindfold fell off.
00:21:20I must confess it here.
00:21:22But it's not possible, no.
00:21:24No, good heavens, what was I going to do?
00:21:26And the word I gave.
00:21:28Hold him.
00:21:29Back, trouble.
00:21:30Only in this way can a knight surrender the steel that fought in a hundred battles.
00:21:59Revenge, heavens, revenge.
00:22:02I swear, and in swearing I offer, that the centuries in their thunder will have a lesson from me.
00:22:09The vengeance of Dolmendo will leave a lasting mark.
00:22:58May 13th already, who would have thought?
00:23:01I have been in this prison for a month and a day without anyone knowing what is happening.
00:23:07And today is Tuesday, great ones.
00:23:10Tuesday the 13th.
00:23:11Why does terror invade my soul?
00:23:14Why does that number and the calendar inspire such extraordinary fear in me?
00:23:19Ah no, fatal number, you will not humiliate the value of Dolmendo.
00:23:24You will not be able to.
00:23:25You will all be equal to me.
00:23:27Thirteen, fourteen, fifteen and sixteen.
00:23:29Will I die without revenge?
00:23:31Heavens, never.
00:23:32She who cuts short my life must die, and she will die by my hands.
00:23:37I exclaim, "How can I kill her if I still love her?"
00:23:42Did he accept the bull's love, faith, and courtship without reproach that night in order to save himself?
00:23:51But that one, but mine, that caress in front of my face was ugly, because he came to touch it, which I...
00:23:59I saw with these eyes, alas!
00:24:02And she must have objected, damn it, when she saw what I was doing to save her.
00:24:08I hear footsteps.
00:24:09Is it Magdalene who embraces in love?
00:24:12Or the vile jailer who belatedly brings the bread roll that he himself kneads.
00:24:17He is the vile jailer.
00:24:19Passed?
00:24:20Happens.
00:24:21Today is Galastal Castillo's day, and today is a big day, Don Mendo.
00:24:25So, what's going on?
00:24:25That the favorite of King Alfonso VII, the noble Duke of Tor and Count of Recovedo, to the new
00:24:31to marry Magdalena.
00:24:33How wicked you became, pale, convulsing, and trembling!
00:24:38Nothing, Clodulfo.
00:24:39A fainting spell, a feeling of unease, a dizziness, but luckily it has passed.
00:24:44I think you're neurotic.
00:24:46Maybe I'm in trouble.
00:24:48But go on, old Clodulfo.
00:24:50Just a moment you were saying...
00:24:51Magdalena is marrying Don Pero today, and Don Nuño is overjoyed.
00:24:56And Galas del Gozo Haciendo has ordered that the doors remain open to his relatives.
00:25:02And let them fill the castle with music, dances and games, always within the rules, without going overboard.
00:25:12And may the banner of his grandfather fly high on the highest tower, for there is no greater banner.
00:25:19neither nobler nor older.
00:25:20And let the pantry be opened, and let the aged wine flow, with servants and knights alike enjoying themselves.
00:25:29and the ladies and the duennas, and pages and squires.
00:25:33And the three cousins ​​of the count, Don Juan, Don Tirso and Don Crespo, arrived this morning from Pravia with their
00:25:41entourage.
00:25:42She's getting married! She's getting married! And I'm stuck in this tower, playing the fool.
00:25:48What did I say? The cousin is a bit of a joke. The cinnamon one.
00:25:52Tuesday the 13th. There's a reason I hated you.
00:25:57Forgive me, Goat Tuesday, if my words offended you.
00:26:00You are forgiven, Clodulfo. And now, if it's not a secret, tell me what fate awaits me, and reveal your doubts.
00:26:07Will you have the courage?
00:26:08Did you forget that a gentleman is listening to you?
00:26:10Well, Count Nuño, taking into account your lineage, thought to gouge out your eyes and then give you your freedom.
00:26:17But Magdalena intervened...
00:26:19Magdalena!
00:26:21Soft breast that would make birds envious, heart of soft petals, soul as pure as the lymph of the transparent stream.
00:26:31Magdalena, Magdalena, pink bird, light, mirror, ray, lymph, moon, fountain, angel, jewel, life, sky.
00:26:39And you say she intervened?
00:26:41He intervened and made you a third party, because he demanded that your tongues be torn out first and that your hands be cut off,
00:26:47and that, mute, one-armed, and blind, you would remain a prisoner in this tower forever.
00:26:52Are you lying?
00:26:53No?
00:26:54You're lying, I tell you!
00:26:55Infamous Sayon Don Mendo!
00:26:57And from God you will quarrel even in prisons and with your jailer.
00:27:00Moncada?
00:27:01But is that you?
00:27:03Indeed.
00:27:04The one from Moncada in the tower?
00:27:06Leave us alone, good man.
00:27:07That!
00:27:07Leave us alone, I say.
00:27:08It's just that I...
00:27:09If I draw my sword, you'll be left in the tower, but by God, I'm dead.
00:27:13So that you may beseech me, Lord Marquis, I obey.
00:27:18I don't mind if it closes.
00:27:20My squires will open the door for me.
00:27:21In vain do I try, Marquis of Moncada, to find the reasons that have brought you here.
00:27:25You are not, by chance, my good comrade.
00:27:27Your comrade, who has committed a crime.
00:27:30You're lying.
00:27:30What are you saying?
00:27:32You're lying.
00:27:32And you laugh at yourself like I laugh at you.
00:27:35I don't understand what you're saying.
00:27:36It's because you don't want to.
00:27:38That's clear, by God.
00:27:39You were always enigmatic and epigrammatic and Attic and grammatical and symbolic.
00:27:44And although I hear you all sounding phlegmatic, know that I don't find hyperbole appealing.
00:27:50I know, Marquis.
00:27:51I know it.
00:27:52In this tower is held captive a proud knight who never dreamed of stealing.
00:27:58If he entered a castle, it wasn't to steal the pearl from a necklace that, even though it was worth
00:28:04It's trivial.
00:28:06But he entered into it...
00:28:08No!
00:28:08Yeah!
00:28:09I swear.
00:28:11To love.
00:28:12Anyone who says such a thing is lying.
00:28:13I don't expect you to confess.
00:28:15Well, you are a gentleman and something that binds and ties you forces you to remain silent.
00:28:22But by chance, if loyalty is betrayed—which is impossible for me, as everything eventually comes to light—
00:28:29I have learned the truth.
00:28:31Did you see the truth?
00:28:32Say.
00:28:33Well, you were lucky.
00:28:35What if you were mistaken?
00:28:36No.
00:28:36Are you absolutely sure?
00:28:37Yeah.
00:28:38Did you see that?
00:28:40I saw it.
00:28:40And do you know that I...
00:28:42I know.
00:28:42But how?
00:28:43I'll tell you.
00:28:44For God's sake, calm down.
00:28:46I'm calm.
00:28:49Thank you so much.
00:28:50It doesn't matter.
00:28:52My father, the man of Mies, has long had the custom of descending from his mountaintop and hunting birds with
00:28:57fire.
00:28:58Do you already know what it's like?
00:29:00On the darkest night, take an iron lantern with a covered light.
00:29:05He takes an old sword and a bell or a cowbell.
00:29:08So that as the unwelcome hunter advances, the birds hear the bell and may think that it is
00:29:15a bovine animal.
00:29:16And in the midst of the gloom, when at last it becomes clear that the greenfinch is near, it lights up.
00:29:22He is dazzled by the light of the lantern.
00:29:26The bird remains trembling, cautious, wary.
00:29:30And then, without pregnancy, she is beaten with a stick, killed, and that's that.
00:29:36It's not clumsy, no, the invention.
00:29:38But a law-abiding hunter should not do such a thing.
00:29:41When they hear the bell, the birds mistake your father, the man, for an ox.
00:29:45That's right, I hadn't realized.
00:29:47Your warning is very fair, and I appreciate the compliment.
00:29:51The man was considered an ox.
00:29:53I don't like.
00:29:54I don't like.
00:29:55And what is the purpose, heaven willing, when my grief is so great, of that devilish advice about the cowbell and...
00:30:00the sword, the lantern, and the zeal?
00:30:02My friend, that man came one night, hunting by light and bell, and saw a ladder hanging from
00:30:08I don't know which tower.
00:30:09Was the man dreaming?
00:30:11And another night he saw something else.
00:30:13What do you say, by God?
00:30:14He saw, perhaps dreaming, that they threw down the ladder and—bam!
00:30:19You came down through it.
00:30:21And although you, Marquis of Cabra, gave her your word of salvation, I will speak.
00:30:26But to talk, I only await your brief indication.
00:30:30And he is a gentleman who hopes that I am not a gentleman.
00:30:32And he is a gentleman, a marquis, who dies vilely for perjury.
00:30:35It is. I assure you of that. And I'm from León.
00:30:38That's enough, then.
00:30:39And as a reward for that nobility which in you is north star and guide, as a reward for that valor, take
00:30:45This lazy thing of mine.
00:30:47It is given to you by a man of honor.
00:30:49Keep it hidden and save yourselves if you have the opportunity to do so.
00:30:53And if you fear a vile death, then kill yourselves.
00:30:57Because the world is so full of treachery, perfidy, and deceit.
00:31:03I almost envy the person who, resorting to suicide, takes a weapon and kills himself.
00:31:12Thanks a million for the dagger.
00:31:14Thank you so much because my suffering will be less cruel because of him.
00:31:18Well, very soon, my faithful friend, I will have to sink it into the fifth intercostal space.
00:31:23And when they speak to you of me, say, Marquis, you say,
00:31:27I died a gentleman, for I gave my word and I kept it, by God.
00:31:33Come out, sir, come out at once, because if I don't, my life is in danger.
00:31:38What's happening?
00:31:39What's happening?
00:31:39Nobody can explain it.
00:31:41He said that the bride was already dressed and waiting for the duke and his entourage,
00:31:45with his father, cousins ​​and other family members, and the mitred abbot wearing his mitre.
00:31:50When suddenly the trumpets announce the arrival of the bull,
00:31:54and the one with the bull on top without pages, escorts, bands, or insignia.
00:31:58He arrives trembling, pale with anger, and swearing and cursing.
00:32:02And he says to the bride, "You perjured, cursed woman, you were Don Mendo's lover and friend,"
00:32:08And you idolize her and sigh for him, I know it, you wretch, for a fact.
00:32:12"You're lying!" she shouts. "You're a liar!" the count shouts.
00:32:16And the three men from Pravia, roaring with anger, want to take the life of the bull.
00:32:20Everyone be quiet!
00:32:21She says angrily.
00:32:23Do you want me to prove that this is a lie?
00:32:25If you could prove it to me, I would get married.
00:32:27Come then to the tower where the captive lives.
00:32:30Come to his prison, and in his prison itself, I will know how to free you from so much falsehood.
00:32:34And here the entourage is already arriving.
00:32:37Courage, poor friend.
00:32:39Get out immediately!
00:32:41Bye bye.
00:32:42Goodbye forever.
00:32:43They're coming!
00:32:45You will speak!
00:32:46First I'll take my own life.
00:32:54I'm going to see it.
00:32:56Yeah!
00:32:57May my spirit begin!
00:32:59What I started was already corroding my brain.
00:33:02What matters most is that it corrodes.
00:33:04Asp that gnaws in my chest.
00:33:07Continue your insane path,
00:33:09Although I am worthy of praise, I am not the one who should praise myself.
00:33:17Dagger with fist, aluminum dagger, burnished steel dagger,
00:33:22pride of the dagger-wielder who forged you and burnished you,
00:33:26dagger that I hold in my hand.
00:33:28In whose fine striations are written with rubies two phrases, each more beautiful than the last.
00:33:35If you have to fight, don't back down; if you have to kill, go for it.
00:33:40Pierce me, dagger!
00:33:42Reach the heart quickly!
00:33:44And to anyone who asks, say that despite his betrayal,
00:33:49I died adoring her.
00:33:52More are coming, damn it, what a beautiful time I wasted.
00:34:05One friar, two friars, my mind does not dream.
00:34:11Count Don Numio, Don Pero, the duenna, the Mitred Abbot.
00:34:19The Pradian nobles, who are all three cousins ​​because they are brothers.
00:34:24But she, she is not here, Christ lives.
00:34:28Ah, I've finally seen her, I've seen her, I've seen her!
00:34:32Where is the one who disturbs my peace?
00:34:39Where is the beautiful thing I want?
00:34:43Where is the one who was the cause of Don Pero's jealousy?
00:34:50Is this it?
00:34:51Yeah.
00:34:53How beautiful she looks in her new outfit!
00:34:56Well, listen!
00:34:57I say to everyone that I want his death.
00:35:00If he bothered me while I was alive, he won't bother me when I'm dead.
00:35:03I swear that nothing of mine has ever been a nuisance.
00:35:05Let the one who hears me answer whether I am telling the truth or lying.
00:35:08He's telling the truth.
00:35:10He's a cousin.
00:35:13Magdalena.
00:35:14Gentleman?
00:35:15Don Pero believed it.
00:35:17But, this "But" is a camuese.
00:35:19My lips never spoke to him.
00:35:21My eyes never saw him.
00:35:23To steal a step from the tower of my chamber.
00:35:25Thief!
00:35:26Thief!
00:35:27You don't deserve any other name.
00:35:28And it is to him I appeal.
00:35:29Forgive me, Magdalena.
00:35:31I'm not finished, just a moment.
00:35:33Because of the troubles I've caused myself,
00:35:34I ask everyone to wall him up right here and now.
00:35:37And as a mockery and an example,
00:35:39leave one of his hands out.
00:35:41The hand of the right arm.
00:35:43Wow, how rude.
00:35:44My love, forgive me a thousand times.
00:35:46Don Pero.
00:35:47Forgive me.
00:35:48Forgiven.
00:35:50What do you forgive him for?
00:35:52What is this?
00:35:53Little by little, Magdalena,
00:35:55You are a woman, and you are good and you forgive.
00:35:57But I,
00:35:58whom slander heard like a siren's song
00:36:01and she believed it and spread it
00:36:03and he offended and insulted me and trampled on my honor,
00:36:06You are not forgiving him.
00:36:08Oh!
00:36:08Father! Father!
00:36:09No, no, no!
00:36:11Although I turned seventy,
00:36:13My arm still has the strength to settle that score with hair.
00:36:17Oh my God!
00:36:18Wash your forehead at your age
00:36:20It is to deviate from what I consider fair.
00:36:22Your value is not worthless,
00:36:24more must be fought for
00:36:25this cousin
00:36:27or that cousin.
00:36:28He's right,
00:36:29He's right.
00:36:30to wash the tile,
00:36:32the stain that offends us
00:36:33with of nuño enos of pravia.
00:36:35Gentlemen, what a soap.
00:36:37Just one instant,
00:36:39attention!
00:36:40Gentlemen,
00:36:41Listen.
00:36:43Listen,
00:36:44that the abbot speaks.
00:36:45A piece of advice allowed
00:36:47in the name of piety
00:36:48I am a Dalí fan.
00:36:50as abbot
00:36:51and because of my age.
00:36:52Tell me, Don David,
00:36:54decide.
00:36:55Speak, good abbot,
00:36:57speak.
00:36:57The Grand Duke, like me
00:36:59believes his future wife
00:37:02It's pure
00:37:03like a pure aura.
00:37:05Am I right?
00:37:06Why not?
00:37:07He offended her by doubting her
00:37:10because when they got married
00:37:12I conclude that his sin was purged
00:37:14that the marriage
00:37:16I think
00:37:17That's punishment enough.
00:37:19What to fight for?
00:37:21What is its scope?
00:37:22that duel that infamed?
00:37:24What if an illustrious name dances
00:37:26someone say
00:37:28that this lady
00:37:29She is a lady
00:37:30lance?
00:37:32That idea
00:37:33from hell
00:37:34Dad Count
00:37:35because it wasn't thought out.
00:37:38Turpiteratru
00:37:38a fraternal one.
00:37:40Embrace
00:37:41to your son-in-law
00:37:42And here, nothing has happened.
00:37:44From the gospel
00:37:45the voice
00:37:45always wise
00:37:46and effective
00:37:47it vibrated in my chest
00:37:48and fast
00:37:49I want to offer you
00:37:51a peace.
00:37:51And I accept it.
00:37:52truthful
00:37:52because it would have been
00:37:53This duel is atrocious.
00:37:54contumacious.
00:37:55As for Don Mendo
00:37:57I approve of it
00:37:57for my lady
00:37:58indicated.
00:37:59Approved
00:38:00Yeah
00:38:00approved
00:38:01at this wedding
00:38:02it cannot be missing
00:38:03that sandwich
00:38:05let's see
00:38:06beggar
00:38:08a dinche
00:38:08even the garden
00:38:12vine shoot
00:38:13come
00:38:14For my life.
00:38:15What a moment
00:38:16What a moment.
00:38:18That inside
00:38:18an empty wall
00:38:19that in him
00:38:21create a niche
00:38:22and in the form
00:38:23that has been said
00:38:24bury him.
00:38:25It's a whim.
00:38:26that thing about the hand.
00:38:28Yeah
00:38:28out
00:38:29and in this way
00:38:31in aptitude
00:38:32By God it was
00:38:33so that upon leaving
00:38:34from here
00:38:34everyone who comes to see you
00:38:35came
00:38:36tell the whole city
00:38:38There is Don Mendo
00:38:39over there
00:38:40in the tower
00:38:41I saw it
00:38:42I had one hand out
00:38:43that's why
00:38:45I met him.
00:38:46Don Pero
00:38:47The altar is already waiting.
00:38:49Let's go to Lara
00:38:50preclara
00:38:51because only the altar
00:38:51It remedies the anxiety.
00:38:53that would embitter me.
00:38:56There is no God. This is God.
00:38:57how I regretted it
00:38:58I will stay
00:38:58with my tragedy
00:38:59while they
00:39:00They're going to Lara.
00:39:01Meet up with her
00:39:02in Sortale
00:39:03Friar Luis of Jerusalem
00:39:05prepare it
00:39:06and confess
00:39:07to die well to see.
00:39:08Let's all go
00:39:09come on
00:39:10Yeah
00:39:16What I promised
00:39:18I fulfilled
00:39:19What he promised
00:39:20He/She fulfilled
00:39:21never
00:39:22such loyalty
00:39:22it was seen
00:39:24never
00:39:24such perjury
00:39:25I saw
00:39:25I don't know
00:39:26if I heard
00:39:26what I heard
00:39:27or if my mind
00:39:28It sank him
00:39:28as long as I'm happy
00:39:29I
00:39:30what do I care
00:39:31me
00:39:31that pairs it
00:39:32monster of evil
00:39:33chimera
00:39:34conforms
00:39:35of angel
00:39:36divine
00:39:37and the poor duke
00:39:38in the fig tree
00:39:39There are those who have
00:39:39a sign
00:39:47he/she/it walled up
00:39:48to the villains
00:39:49no to men
00:39:50of King Cambre
00:39:51be witnesses
00:39:52Cistercians
00:39:53that I die
00:39:54by my hands
00:39:55and wall them up
00:39:56to a cold cut
00:39:56still
00:39:57boncada
00:39:59chigüenza
00:39:59what is this?
00:40:00What are you going to do?
00:40:00kill me
00:40:01when it begins
00:40:01your life to be reborn
00:40:02I don't understand
00:40:03soon Alenza
00:40:04grostizaga león
00:40:05the corpse
00:40:06She already saw it
00:40:06But what is this?
00:40:07my God
00:40:08the viscount
00:40:09and the male
00:40:10Oh virtue
00:40:11of friendship
00:40:12I am ready, Viscount
00:40:13warn
00:40:13We must not lose
00:40:14a moment
00:40:15Let's go, gentlemen
00:40:15pass
00:40:16with your load
00:40:16forward
00:40:18that corpse
00:40:19I'm wrong
00:40:21on occasion
00:40:21What is Mr.
00:40:22Mendel's Open Castle
00:40:23we have gotten drunk
00:40:24to your executioners
00:40:25it's true
00:40:25and instead of you
00:40:26he will be walled up
00:40:27to this dead man
00:40:28put on the ring
00:40:29in his hand
00:40:29and taking advantage of the party
00:40:30and the courtly bustle
00:40:31flee from the tower
00:40:33what is it
00:40:33Cistercian dress
00:40:35I will flee, yes
00:40:36but I swear
00:40:37that no one will know about me
00:40:38that Don Mendo
00:40:39It remains here
00:40:40buried
00:40:40on this wall
00:40:41How will I live?
00:40:43What will I do?
00:40:43where I will eventually die
00:40:45here or there
00:40:46What does it matter?
00:40:47I will be bad
00:40:49quilosa
00:40:49good or bad
00:40:51for you it will be
00:40:52my dessert
00:40:53the breath
00:40:53Let's finish
00:40:54Let the habit come
00:40:55There goes my ring
00:40:56and goodbye
00:41:06Don Mendo
00:41:08What are you saying?
00:41:10Don Mendo, I
00:41:11Are you sure?
00:41:13That Moncada!
00:41:14It's Don Mendo!
00:41:15the one without pomp
00:41:17nor noise
00:41:17you are going to bury
00:41:18on the wall
00:41:19fire me
00:41:21otherwise
00:41:22because I
00:41:23I have no name
00:41:24And how will I tell you?
00:41:26that I guess right?
00:41:27just tell me
00:41:28bye
00:41:29man
00:41:30bye
00:41:32man
00:41:32good luck
00:41:44Thank you!
00:42:29For Castile and for León
00:42:31And for me, the Duke of Toro, close ranks quickly against the Moor, come what may.
00:42:37Sorry
00:42:42Let's go quickly, for my love
00:42:45That host and this host must go further west
00:42:47I'll say it with a drumbeat
00:43:02There's no way, they don't hunt them.
00:43:04They are highly trained men and were focused.
00:43:14How quickly the men of your retinue move
00:43:18I thought they were fragile men, but they are actually very agile.
00:43:21Thank you so much, sir.
00:43:23You are welcome
00:44:20Who is that very strange contraption?
00:44:22What they take from the tower
00:44:24It's a brand-new invention by a Saxon scientist
00:44:27Ah, it's been very difficult.
00:44:29But it's imported.
00:44:55If we win this action and you deem it appropriate
00:44:58I grant you the patent
00:45:00Thank you for your attention
00:45:04No, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no,
00:45:10no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no,
00:45:10no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no,
00:45:12no, no, no, no, no, no, no, no, no, no
00:45:56Helmets and breastplates are repaired!
00:46:02Do they double down?
00:46:03By Saint Dionysius, who does such noise disturb?
00:46:06Captain, you two come out of the woodwork and you don't know what's going on.
00:46:08So, what's going on, Froilán? Are they announcing a law?
00:46:10They announce the king!
00:46:11To the king? You're not fooling me.
00:46:13Captain, come to see your private.
00:46:16And you are not surprised by the honor, for with the death of the Cid Campeador there is no other more valiant.
00:46:21The olive grove was their main target.
00:46:23And you know, Moncada, that Don Pero took the olive tree.
00:46:26In the town of Alcoló he showed his mettle.
00:46:29And then, while taking baths, he achieved his greatest triumph.
00:46:33Yesterday he swore an oath before the troops and all the nobility.
00:46:35that he must not change his clothes until he enters Baeza.
00:46:38And since yesterday was eleven, I infer that he will be interested in entering,
00:46:41Well, he moves on the first and fifteenth of each month.
00:46:44And isn't there another reason that compels the king to come?
00:46:47I don't know, Marquis, what to say. There's nothing else to see here.
00:46:52Ailo!
00:46:53Heavens! Ailment!
00:46:54And so?
00:46:55I am no Lycurgus.
00:46:57Come here, Froile to Nienburg.
00:46:58I'm not fooled.
00:47:00You don't have to mule a squirrel to know, by God, what the King of Castile is like.
00:47:05Do you know?
00:47:06Better than you.
00:47:07He hid you for more than a hundred nights, carrying a crow, and I carried the lamp.
00:47:11We have avoided the temptation to flirt with low-class ladies.
00:47:15And even with the vile rabble there were skirmishes and skirmishes.
00:47:19He is Froile, very daring, affable and courteous in the park.
00:47:22You'll only know what it's like after having given birth to him.
00:47:26So you assume he's coming for the...
00:47:29Manfredo, you have placed your finger with great skill on the wound.
00:47:33The private married the Jarama gentleman.
00:47:36The lady pleased the king so much that he exclaimed upon learning that she was Christ.
00:47:40that in my life I will never see such a beautiful woman as the one I have just seen.
00:47:44I set out to conquer it, for that gentle land is a treasure.
00:47:46And knowing that the bull in the park was tame,
00:47:50Quick as a rocket, he surrounded the lady.
00:47:52And after half an hour it was already Alfonso VII's.
00:47:56Well, the king is wasting his time, Mr. Marquis of Moncada.
00:47:59That Don Pero's wife is no longer in love with the king,
00:48:03but of a wandering bard who fascinated her one morning in Fuenfría,
00:48:07at the foot of Navacerrada.
00:48:09A bard? A troubadour, the duchess in love?
00:48:12Are you sure?
00:48:13I am, Mr. Marquis of Moncada.
00:48:16Of a troubadour who wears neither a crest, nor a beard, nor a helmet, nor a cross, nor a breastplate.
00:48:20Nor does he carry a sword on his belt.
00:48:22But a Toledo dagger with a thin, well-tempered blade,
00:48:25with rubies that seem stolen from the dawn,
00:48:28and in his fist, your stamp, Mr. Marquis of Moncada.
00:48:33My stamp?
00:48:35Heavens, could this be the jewel I gave to Don Mendo,
00:48:37Or the other one that I pawned at the inn in Burgos?
00:48:41By heavens, I like what you tell me about the bard who undertook such a daring enterprise.
00:48:45Can you describe it, Froilán?
00:48:48Her voice is veiled.
00:48:50Its head is small and somewhat brachycephalic.
00:48:53He has blond hair, he has a shaved beard,
00:48:57long nose, noble lips, his forehead clear,
00:49:02and such a sweet, sad, sorrowful look,
00:49:06We have to ask the old man, "What do you have in your eyes?"
00:49:10It's Don Mendo, without a doubt.
00:49:13He goes from one band of soldiers to another,
00:49:14in conjunction with three beans and two blackberries from Granada,
00:49:17who dance while he recites a ballad.
00:49:21Go, Froilán, the king is coming.
00:49:23Its purple emblem can be seen next to the green banners of the private and the private.
00:49:27Shall we go, gentlemen?
00:49:29Yes, let's go, Mr. Marquis of Moncada.
00:49:32No, no, no.
00:50:02Esther and you, Aljalamita, go forward along that narrow path and let me know when the king and his retinue arrive.
00:50:08approach
00:50:10You, Raquel, go to the stream and wash your beard and mouth because you didn't do it after lunch
00:50:15and you have chorizo ​​and egg stains
00:50:18Pray and give a little something and mend the rotobelo, because it might be needed to dance the rumba
00:50:23At the moment
00:50:25And you, Azofaifa, find out if Vasconcelio's man was pleased with the whistle I dedicated to his men-at-arms yesterday.
00:50:32You didn't listen, Azofaifa, you don't obey
00:50:35I do not obey
00:50:36Good heavens! What did I hear? Jujube, what is this?
00:50:40This is Renato, I'm dying of love, this is Renato, I'm dying of jealousy
00:50:44As far as I know, Renato, the shop of the Duke's private nobleman, Don Pero, is there.
00:50:49And I know you adore his wife, Renato
00:50:51You lie, Azofaifa, you lie, yes
00:50:53I'm not lying
00:50:55Magdalena, you say, as you open your eyes, Magdalena, you say, as sleep surrenders to you
00:50:59And until a few hours ago, when you were having breakfast at the inn, you asked the austere waiter for a Magdalena instead of an ensaimada.
00:51:06And that was the dagger that pierced my chest
00:51:09Poor little dwelling, granddaughter of Muhammad, fire of my snow, snow of my fire
00:51:14What treacherous hand poured into your womb the black seed of sad jealousy
00:51:19My eyes, Renato, that saw yours and saw his and in both read
00:51:25She idolizes you
00:51:26What are you saying?
00:51:26He adores you, I've seen it in his eyes
00:51:28If that were true, what a beautiful revenge, a battle of love!
00:51:32And you?
00:51:33Hush, hush, what do you know about that?
00:51:35Why did you deceive me?
00:51:36Why did you tell me that love and faith had died within you?
00:51:40Why did you tell me you wouldn't hug me?
00:51:42Why did betrayals hurt you so much?
00:51:44That in a quiet strike of downcast arms, your sinewy arms fell forever
00:51:49Moorish woman of the Moorish quarter, Moorish woman who lives by my side, Moorish woman who bound her hours to my sad fate
00:51:57Blackberry that weeps at my plants, once athletic blackberry, now sickly and emaciated
00:52:05Whom frenzied passion transformed from a beautiful chrysalis into a synthetic butterfly
00:52:11Do not be jealous of the unfortunate man who, without deserving reproach, was vilely betrayed and changed at midnight to avoid being walled up alive.
00:52:20I will love neither you nor anyone else
00:52:23Leave me to grieve alone, sitting on this rubble, unwilling to share in the pain I share.
00:52:30Leave me with my reverse
00:52:32If you want to kiss me, kiss me
00:52:34I agree this time, but leave me alone later
00:52:38Leave Zofaifa to me, leave me
00:52:46Goodbye my love, my destiny, murderer, pilgrim of my peace and tranquility
00:52:53Goodbye divine Renato
00:52:54Goodbye, goodbye, see you later
00:52:57I will take my furious revenge on the one who caused her heartbreak and made her cry so much.
00:53:02That unfortunate woman is a hysteric; I don't know how I put up with her.
00:53:06But what he told me about Magdalena, is it just his imagination or not?
00:53:10If that were true, or if it were confirmed, ah, if I were in love, my revenge would take effect.
00:53:19Well, I could, discreetly, wound her with a ballad and kill her with a sonnet
00:53:26And it must be true, yes, because whenever he sees me, he looks at me in a way that seems like he's
00:53:33tears me to pieces
00:53:35Ironies of fate, the one that condemned you to death and threw you out of her arms
00:53:40Now, without even knowing you, he's dying for your pieces.
00:53:48Is it him?
00:53:50He is
00:53:50It was about time.
00:53:51Without a doubt, it is stalking you.
00:53:53Mrs. Ramirez
00:53:53Lady
00:53:54Leave me with the agora
00:53:55Well, good right hand
00:53:58Today, the poet of divine ballads reigns supreme.
00:54:02If yesterday an athlete was in charge
00:54:04Unhappy
00:54:05She's more flirtatious than the classic hens.
00:54:10Tester, dreamer
00:54:11One favor
00:54:12Is it me?
00:54:13Yes sir
00:54:14As we pass by here
00:54:15In the light of dawn
00:54:17I have lost a flower
00:54:19A ruby ​​flower?
00:54:20Even better
00:54:21A crimson carnation
00:54:23Tester
00:54:24Didn't you see it?
00:54:25I didn't see it
00:54:26How painful
00:54:27There is no greater misfortune
00:54:28For me
00:54:29That the flower I lost
00:54:31It was a sign of love
00:54:32Look for it
00:54:34And if he sees her in the end
00:54:35Give it to me
00:54:36I will look
00:54:37But I don't know if I'll know
00:54:39Which one will it be?
00:54:40He'll know
00:54:40Because when you see the color
00:54:42From the flower
00:54:43He'll think
00:54:44Could it be me?
00:54:46The crimson carnation
00:54:48Did the lady lose?
00:54:49You say?
00:54:50What you hear
00:54:51That in this garden
00:54:53When there are two
00:54:54There is no jewel or carnation
00:54:56Like you
00:54:58Stay with God, my lady.
00:55:01Unfortunately, I am bothering you.
00:55:03I bother and aggravate you
00:55:05No, ma'am, this is not it.
00:55:07I am modest, like a flower.
00:55:08And you're making me feel unwell.
00:55:10Did I express myself so badly?
00:55:11Young man who did not understand me
00:55:13He didn't look at me
00:55:15He didn't listen to me
00:55:16I didn't appear friendly either.
00:55:19That he barely saw me
00:55:20He already hated me
00:55:21I listened to her and contemplated her
00:55:24Vila, madam, and listen to her
00:55:25But the more I looked at her
00:55:26And the more I listened to her
00:55:27Less, ma'am, understand her
00:55:29Low Grey Troubadour
00:55:31I am the king's mistress
00:55:33She who reigns through love
00:55:35My whim always reads
00:55:38Do you want to be a duke or a viceroy?
00:55:40Honor bestowed by favor
00:55:42What is the point if not honor?
00:55:45Troubadour
00:55:45I am very beautiful
00:55:47My skin is polished pink
00:55:49May it bring joy and fragrance
00:55:50I am volcanic and mimosa
00:55:53Take me and make me happy
00:55:55Who's talking about pleasure anymore?
00:55:57If pleasure gives death
00:55:59Iceman
00:56:00That's how it responds to my frenzy
00:56:02Where did I hear your accent?
00:56:04Where did I see your eyes?
00:56:06Where is your voice today?
00:56:08I don't know, ma'am, I don't know
00:56:10I saw neither two, nor did I speak to two.
00:56:11Some ghost is watching
00:56:13Your exalted brain
00:56:14No, yes, no, yes, no
00:56:18Don Mendo
00:56:19But what am I saying?
00:56:22Don Mendo is walled up
00:56:24Forgive me
00:56:25I had a sudden
00:56:26But it already happened by chance
00:56:28Undoubtedly, the heat
00:56:30It suddenly brought to my mind
00:56:31The memory
00:56:32The figure of a thief
00:56:34From a spendthrift
00:56:35Of an eccentric marquis
00:56:37Although noble and disgraceful
00:56:39For stealing like a privateer
00:56:41He died like a scoundrel.
00:56:42If you would like to tell me that story
00:56:45Great Lady
00:56:45Could I gloss it?
00:56:47Then
00:56:48There's no time now.
00:56:50If you want to listen to it
00:56:52Beautiful troubadour
00:56:53In the cotton cave
00:56:55Wait for me when the clock strikes one
00:56:57May there be shade and coolness there
00:56:59And a timely source
00:57:01It will undoubtedly satisfy.
00:57:03My burning thirst for love
00:57:07Will you be absent?
00:57:08I won't miss it
00:57:09Thank you, my treasure
00:57:10Bye
00:57:11I will take care of my owner
00:57:13And I'll be right on time.
00:57:14When you feel us, you will say
00:57:16It's one o'clock and it's two o'clock
00:57:18Goodbye, my love
00:57:19My faith
00:57:20Goodbye, my treasure
00:57:23Bye
00:57:25What's that?
00:57:26Did he blow me a kiss?
00:57:27Where is God?
00:57:28The kiss gave me
00:57:29And where did it get printed?
00:57:31Pair ten
00:57:32Why was that done?
00:57:33And why did he throw it at me?
00:57:36Trapalona
00:57:37Lizard
00:57:38Rage
00:57:39Catapult
00:57:40Abortion
00:57:41That of perjury
00:57:41Coat of arms
00:57:42You have to see
00:57:43How I behave
00:57:44Well, this afternoon
00:57:45In the cave
00:57:46Where ice cream takes you
00:57:47I swear by who I was
00:57:49And I am not
00:57:49I must take revenge
00:57:50And that I'm going to leave you
00:57:52Like new
00:58:10What happened, Don Nuño, my friend?
00:58:12What I heard
00:58:12From the vile undergrowth?
00:58:14What a hellish horoscope
00:58:16Was he born with me?
00:58:18Why did it fall
00:58:19This weight
00:58:19This punishment
00:58:20About my heart
00:58:21And my head?
00:58:23She
00:58:24The white flower
00:58:25That I valued
00:58:25Pure as dawn
00:58:26Springtime
00:58:27Taking advantage of my fatal
00:58:29Blindness
00:58:29With this one and with the other one
00:58:30It got tangled
00:58:31And more than a white flower
00:58:33That perfumed
00:58:34He was clumsy
00:58:35And damn it
00:58:35Creeper
00:58:36With all the love I had for her
00:58:38That she was
00:58:38My north
00:58:40My banner
00:58:41And my flag
00:58:44Sad luck
00:58:45Mine
00:58:45Who does it look like?
00:58:47With such coquetry?
00:58:48Can you imagine it, perhaps?
00:58:49She looks like an aunt
00:58:50To my younger sister
00:58:52Mrs. Lied
00:58:53That twice happened
00:58:55And with the two husbands
00:58:57Divirtiose
00:58:59And what do you plan to do?
00:59:02Matalla
00:59:03Be quiet
00:59:04To the thief
00:59:05That in his love
00:59:06replace you
00:59:07Kill him, yes
00:59:07Because of his life
00:59:08It's yours
00:59:09But the vile scoundrel
00:59:10That the honor
00:59:11Of the meek
00:59:12Abasalla
00:59:13I only have to kill
00:59:14Nobody argue with me
00:59:16My blood carries
00:59:17That my blood is his
00:59:18And I myself am his father.
00:59:19I must kill
00:59:21But what if your shot misses you?
00:59:22You will let me in turn
00:59:23I contributed
00:59:24You must put the knife in the box
00:59:25And with the fury of a tiger
00:59:27Finish off
00:59:28Until dishonor
00:59:29May it end in you
00:59:30That noble response
00:59:31And kind
00:59:32I kept you safe
00:59:32And nothing else
00:59:35If we don't hear badly
00:59:36It's one o'clock
00:59:36To my spouse's appointment
00:59:37Indeed
00:59:39And in the Moorish cave
00:59:41A place that, due to its appearance
00:59:42It is being prepared
00:59:43God lives!
00:59:43To my project
00:59:44Well, comedy
00:59:46It will end in tragedy.
00:59:47We will meet
00:59:47At half past twelve
00:59:48And serene
00:59:49Serene
00:59:49If calm
00:59:50My honor
00:59:51I must free
00:59:51From so much mud
00:59:53The king is approaching
00:59:54The king
00:59:55What disappointments
00:59:57After a friendship
00:59:58From so many years
00:59:59It turns out it was him
01:00:00My fellow student
01:00:01The one in court
01:00:02He made a fool of me
01:00:03And he must still love her.
01:00:05Although it maintains
01:00:05Who's coming here for me
01:00:06He's not coming because of me.
01:00:07Those are just random thoughts.
01:00:08Of rhetoric
01:00:09He's coming for my wife
01:00:10That's historic
01:00:12I'm being discreet, Mr. But
01:00:13I am valid
01:00:14And I know how to hide it
01:00:15As it should be
01:00:42And I know how to hide it
01:00:55For Castile
01:00:56And for León
01:00:57Long live the king!
01:00:59Yes, long live, long live
01:01:00What a cheerful procession!
01:01:03Put, put, pore, put, put, put
01:01:17Where are you from, good soldier?
01:01:19I was born in Aranjuez
01:01:20Well, I was there once.
01:01:22Thank you, sir.
01:01:24Very honored
01:01:41Long live the king!
01:01:55That's already the drum
01:01:57My nobles are here
01:01:59Tired of drum rolls
01:02:01And I'm fed up
01:02:03From so much patching
01:02:04And so much whistling
01:02:08Just a moment, ma'am
01:02:09That your husband
01:02:10Through his glorious command
01:02:12In this great undertaking
01:02:14I gladly showed him
01:02:15Love
01:02:16That my chest
01:02:17He professes
01:02:18To you, noble duchess
01:02:20Through valleys
01:02:22And peaks and hillocks
01:02:24You go after him
01:02:25Cheering on the warriors
01:02:27They're calling you
01:02:27The beautiful lioness
01:02:31Fulfilling a promise
01:02:32What I did to the queen yesterday
01:02:34Tabletop
01:02:35I name you
01:02:38Captain of cuirassiers
01:02:40And to your brief waist
01:02:42And turned
01:02:44I myself must gird
01:02:46My royal sword
01:02:48I do not consider myself a creditor
01:02:50Such praiseworthy grace
01:02:51And champion
01:02:52Such a mercenary
01:02:53This fetus commemorates
01:02:55Thank you, king, sir
01:02:57Thank you, ma'am.
01:02:59Why haven't you written to me, my love?
01:03:01Because it haunts me night and day
01:03:02I'll look for you later.
01:03:03But these people
01:03:05I'll easily give them the slip.
01:03:08Mister
01:03:08I'm truly sorry
01:03:10And it hurts and it bothers me
01:03:11Not being able to throw you a party
01:03:12In my poor camp
01:03:14But even if he summons everyone
01:03:16I will not find
01:03:16Because no haile
01:03:17Nobody who sings or plays
01:03:19Neither reciting nor dancing
01:03:21They are my loyal followers
01:03:23Hosts of tough soldiers
01:03:24To those who have been without care
01:03:26Romances and folklore
01:03:27But it is possible, Mr. Pero
01:03:28Let there be no one who distracts
01:03:30Lady
01:03:30There's no one to distract us
01:03:36Forgive me, sir
01:03:37Heavens
01:03:39Who dares?
01:03:40I bear
01:03:42A troubadour
01:03:43What I'm seeing is him
01:03:45Don Mendo, Don Mendo
01:03:47What a beautiful troubadour!
01:03:49King of Castile and León
01:03:50If you would give me your permission
01:03:51I will compose a song
01:03:52To the rhythm of the magic danzón
01:03:54Of my five fences
01:03:55Five fences?
01:03:57Oh
01:03:58See them, sir
01:04:00Advance
01:04:01I doubt that in Hispania
01:04:02Haya from Cadiz
01:04:03To Vizcaya
01:04:04Nothing better, Your Majesty
01:04:05These three are beans
01:04:06And they make such strange stretch marks
01:04:08With arms and feet
01:04:09While dancing
01:04:10How strange.
01:04:11Don't repeat the beans
01:04:12These other two
01:04:13They are blackberries from the Alpujarra region
01:04:15And they compete with the others
01:04:16Dancers
01:04:17In this way
01:04:18That they repeat
01:04:19Although they are Moorish, ladies
01:04:20If you see their thanks
01:04:21You want
01:04:22And you grant me permission.
01:04:23To sing a song
01:04:25I will know, sir.
01:04:26To pay with a song
01:04:27Your graces
01:04:28Trobe
01:04:29Trobe the troubadour
01:04:30That should not make me angry
01:04:41It is as beautiful as a flower
01:04:43What fire is in his eyes
01:04:45What has awakened my love?
01:04:46Mrs. Ramirez
01:04:47I love him
01:04:48I'm dying for that young man
01:04:50That troubadour from Don Cuero
01:04:52It has to be mine
01:04:53I'm dying
01:04:53They all notice him
01:04:57Make me and Magdalene
01:04:59Let's have a scene
01:05:00Before the four o'clock bell rang
01:05:01Tell him that I'm not a stranger
01:05:03Tell him that idolatry
01:05:05I will speak later to the beautiful one
01:05:08You will be satisfied, Quillotro
01:05:09What a star I have
01:05:11What a star
01:05:11How the king looks at her
01:05:13And the way she looks at the other
01:05:15Tengajo
01:05:17You will sound, Quillotro
01:05:19Tengaja
01:05:19You're a bird, Quillotro
01:05:28Tengaja
01:05:28Tengaja
01:05:35Tengaja
01:06:03Thank you!
01:06:13It was Don Lindo García, the Marquis of Puente Amor, the noblest knight of Castile and León.
01:06:24Don Lindo set his eyes on Doña Sancha Mendoza, daughter of the Count of Aldo, and with his eyes, his love.
01:06:33And Doña Sancha surrendered herself one night to Don Lindo, because he sang her a song at the foot of his tower.
01:06:43And the song was so beautiful and the troubadour so beautiful, that Doña Sancha surrendered to the Dorre Mifasol.
01:06:55But Doña Sancha, ambitious for riches and honor, wanted to drive Don Lindo away from her castle in Aldo,
01:07:04to marry Don Suero, with pomp and splendor, for in that Suero she saw a remedy to her ambition.
01:07:14Don Lindo set his eyes on Doña Sancha Mendoza, daughter of the Count of Aldo, and with his eyes, his love.
01:07:39There he went to Don Lindo with Sancha to Don Suero and fought with him, and when the furious count demanded freedom
01:07:44explanation,
01:07:45Doña Sancha, in a calm and firm voice, confessed that Don Lindo had already entered her room to steal.
01:07:50The marquis was considered a thief by his beloved, and as a thief he was judged and killed.
01:07:57Good heavens, what is this?
01:07:58Come.
01:07:59What's happening?
01:07:59By Satan, the brave captain has fainted.
01:08:02Depart, leaving her in her bed with great restraint and great care.
01:08:06Daughter, how awful and how hysterical you've become.
01:08:08The troubadour has sung of my wedding, gentleman, she Sancha, I Don Suero and you the diminished count.
01:08:13And if it's true, by God, that since I got married I've been acting like a fool, I swear you'll all be crying.
01:08:18two.
01:08:18Do you listen to a poet?
01:08:20What do I gather from this experience?
01:08:22Why did she throw a tantrum while listening to the romance?
01:08:24Could that woman be the one who killed his dream?
01:08:27If it's her, I'll bite her tongue and her heart.
01:08:30I want to tell her myself that I'm crazy for her love, and that the coral of her mouth must be mine.
01:08:34I'm dying.
01:08:35Don Mendo.
01:08:36That's not my name.
01:08:37You are Don Mendo.
01:08:38Never!
01:08:40I love you, troubadour, I love you.
01:08:43But Mendo, what are you giving them?
01:08:45The queen was watching.
01:08:47Gentlemen, let the dance continue.
01:08:51Revenge is so near!
01:08:54Don Mendo's Revenge.
01:08:57If she's a Christian, you can count on my support.
01:09:01My heart so hates the infamous Christianity,
01:09:04If the blood of Christians flowed through the pine forest as that pure spring flows through the rocks,
01:09:10Perhaps by washing myself in blood I would eventually get clean.
01:09:14Use me.
01:09:15I just want to hide in the olive grove that borders that road,
01:09:19Let me know by some sign when my master and lord the minstrel approaches.
01:09:23And the signal?
01:09:23A whistle.
01:09:24A whistle?
01:09:25He won't believe I'm whistling at him because he remembers how badly he usually sings.
01:09:29You won't believe it.
01:09:30Go ahead and relax.
01:09:31And you, meanwhile, what will you do?
01:09:33Among those hidden stones I will sharpen my dagger.
01:09:36Marchome this way, and go there by Allah.
01:09:47Christians, a cursed race.
01:09:49Even if I feign friendship with you and sell you red mamuchas of orillo and cordovan leather,
01:09:53I despise and abhor you.
01:09:56Oh, lady, majesty.
01:10:00This is the beautiful cave that I showed to the lovely troubadour who drove me crazy.
01:10:04His breath smells like cedar and lemon verbena when he speaks to me.
01:10:07I want my mouth to reveal to you here all that your love gnaws at me
01:10:10And to grant so much, I embark.
01:10:13Not just a quarter of an hour, but a long hour.
01:10:16If the Count of Provence and Barcelona, ​​your good father whom you so closely resemble,
01:10:21If I saw how Cupid imprisons you, I would renounce you as you deserve.
01:10:25Be careful not to risk your crown, you're looking for the three-legged cat.
01:10:29And that you are a clumsy and foolish queen, trying to find three legs on a cat.
01:10:33Don't make me angry, Marchioness of Tarrasa.
01:10:35I know I'm not doing the right thing, but the poor fellow is so gentle that his gaze is comforting.
01:10:40Where have you ever seen a more well-built young man?
01:10:43My virtue before him dies and fails.
01:10:46I want to be sin if you are sin,
01:10:48that for a kiss from her mouth he would give a hundred crowns, a hundred lives that he had.
01:10:54Let's walk through these galleries until we hear the signal.
01:10:56Come with me.
01:10:57At your service, Your Majesty, we are.
01:10:59Walk slowly, I'm getting tired.
01:11:01Let's go in this way, follow me.
01:11:02Come on.
01:11:03As soon as she sees a young man like a rose, she takes them for herself.
01:11:06Is she anxious?
01:11:09In this pleasant twilight, beneath that dark vault
01:11:12And hearing the murmur of the clear silver fountain,
01:11:14Any slangy saying will seem like an Adonian verse,
01:11:17any hunchback, a petronius, and any sea bream or grouper.
01:11:20You speak wisely, Marquis, which is nothing new for you.
01:11:24The one I await here must find this atmosphere pleasing,
01:11:28which is a soul of sweet whiteness,
01:11:31rose-colored of Alexandria,
01:11:33all light, grace, poetry,
01:11:37exquisiteness and tenderness.
01:11:39A beautiful, delicate being who is unaware of what evil is.
01:11:42It's Magdalena, right?
01:11:44The same.
01:11:45You're in a fine mess.
01:11:46And you make me feel remorse, third party.
01:11:48I fear that my husband will think that because he is my chosen one,
01:11:51I take advantage of that.
01:11:52And I am even more confused by betrayal
01:11:55to my wife who is such a virtuous lady.
01:11:58This king is a horse.
01:11:59But when love lashes out and plunges its cruel dart,
01:12:03They have to surrender to him,
01:12:05the same as the king who whips her.
01:12:08Go ahead.
01:12:08Never.
01:12:09Yes, if there is a danger of tripping,
01:12:11You have to deal with that before it's my turn.
01:12:15You are right indeed, for your life is sacred.
01:12:17Well, let's go quickly, moncaba.
01:12:19Let's go quickly, Your Majesty.
01:12:28The blood of twenty bulls lends warmth to my chest.
01:12:32And the blood of the twenty calls to me with a strong voice
01:12:34that he may also wash away with blood the stain of dishonor.
01:12:37If there were twenty bulls, that was not enough.
01:12:40God lives.
01:12:41For every twenty there are a hundred meek ones whose blood I carry.
01:12:44Compare, Duke, who can speak louder and better.
01:12:47Bulls or tame animals?
01:12:49Whether it's me as a father or you.
01:12:51I'm happy to hear from you.
01:12:52Enough, Alons.
01:12:59Thank God it's visible, ma'am.
01:13:01This place is so dark
01:13:03I don't know how I won't be lost there forever with you.
01:13:05Dark you say, for God's sake.
01:13:07Let me emphasize that point.
01:13:09Wasn't it dark for you?
01:13:10Not really.
01:13:11So we don't both have the same perspective.
01:13:13Because even though I walked with phlegm, I stumbled.
01:13:15Something unusual for me.
01:13:17And see, lady, what a scene.
01:13:18Jesus.
01:13:19It wouldn't be so clear when I break an egg yolk.
01:13:25"Sky," they whistled.
01:13:26How awful.
01:13:26A tremor entered me when I heard it.
01:13:28Please come out.
01:13:30Holy God.
01:13:30Will it be a blackbird or a bustard?
01:13:33Do you see anything?
01:13:34No matter how much I look.
01:13:36I'm speechless, Mrs. Ramirez.
01:13:38I see.
01:13:38Is it a blackbird, as I think it is?
01:13:40No, ma'am.
01:13:41What is a cuckoo?
01:13:42The troubadour.
01:13:44Ah, finally.
01:13:45Go away.
01:13:45Of course, ma'am.
01:13:46What am I doing in all this hustle and bustle?
01:13:48Just wait one hour.
01:13:50Even if there are two of them, I don't care.
01:13:54God protect you, polished lady.
01:13:55And to you, flower of poetry, who come by my joy where my love calls you.
01:14:01Madam, you are a brave harpy.
01:14:03Have you seen how rivers yearn for the sea, to give it all they carry because the sea is their desire?
01:14:08And so my lips seek the sighs of your chest.
01:14:13I will tear the sighs from your lips with my steel.
01:14:17Have you seen how the moon searches in the leafy forest for a lake of clear lymph where it can gaze at itself as it pleases?
01:14:24And so my eyes seek the mirror of your eyes.
01:14:30This dagger lives, Christ will be the one who conquers your fire.
01:14:33Come on, I can't take any more.
01:14:34Did you see?
01:14:35What a scoundrel!
01:14:37Christ lives, I saw it.
01:14:38Either I'm rambling a lot, or someone in the cave spoke.
01:14:41You're right, it will know itself or...
01:14:42Wait for me.
01:14:43No, my good one.
01:14:44I am a captain.
01:14:45Will I go?
01:14:47Abortion of Satan.
01:14:49Soon you will know who the Marquis of Cabra is, because I have now given my word to kill you and you will die.
01:14:54What else is this?
01:14:55It's an illusion.
01:15:01The queen.
01:15:03What situation?
01:15:04Don Celker, my life.
01:15:06Look at your plants surrendered to the Queen of León.
01:15:09I was about to slap him.
01:15:11All of them treated like rags by me, and with equal pretension.
01:15:14Ah, woe to the man who is born so handsome like me!
01:15:19Get up, it's all the same and it's bad on the ground.
01:15:23Don't talk to me.
01:15:24What nonsense!
01:15:27You'll catch, because it's cold, some flu-like ailment or a cold, which is the same thing.
01:15:31Your eyes are an abyss that leads to madness.
01:15:34Take all my beauty.
01:15:37Oh my! What an anachronism!
01:15:42Lift up, for the ground...
01:15:43Jam, no!
01:15:43It's my revenge.
01:15:44It's my turn.
01:15:45Touch me!
01:15:46Stay still, she's the queen!
01:15:48Yes, the queen.
01:15:50Skies that iron.
01:15:51Iron with left and ampulla.
01:15:53Let's go back to the hole.
01:15:54What strange things you see, Mr. Dog!
01:15:57What strange things you see, Mr. Dog!
01:15:58Troubadour, love me or I die.
01:16:02Well, now you must die.
01:16:06Madam, I just heard the king's voice from here in this gallery saying something about you.
01:16:10We must hear it immediately, Your Majesty.
01:16:11The king, what a problem!
01:16:13Come, for God's sake.
01:16:14Here I come.
01:16:22You already know where I am.
01:16:24I'll come and get you.
01:16:25Passad.
01:16:34What prices, oh my God.
01:16:36There has been no heaven, my beautiful ones.
01:16:37Neither in Sitges, nor in Palamós, nor in San Feliu, nor in Manlleu.
01:16:41She's coming back.
01:16:42I will listen.
01:16:43I saw nothing, I found nothing.
01:16:45No doubt the wind whizzed by and that's what was heard.
01:16:48The wind was definitely a factor.
01:16:49Love of my life.
01:16:50That's enough, I'm getting too sweaty.
01:16:53Heavens.
01:16:53Murderous woman.
01:16:55Shame of your infamous lineage whom my heart abhors.
01:16:58Look at me closely.
01:16:59I don't understand.
01:17:00Feel me here, it's very simple.
01:17:02What am I playing, God?
01:17:04What am I seeing?
01:17:05You have a wolf ring like the one Don Mendo had.
01:17:08Look at the sacred memory, vestige of a hundred battles.
01:17:11The scar.
01:17:12My bite.
01:17:13Don Mendo.
01:17:14You.
01:17:14Don't kill me.
01:17:16Don't kill me.
01:17:17It has been deprived.
01:17:19I was right to assume that that infamous woman was the cause of his affliction.
01:17:24How gladly I will break his heart into pieces.
01:17:28The fainting spell is dragging on.
01:17:30Now it's her turn.
01:17:31I will ignite you and I will avenge my affront.
01:17:34And me too.
01:17:36Where am I?
01:17:37In the arms of Don Mendo.
01:17:39Heavens.
01:17:40The living sandwich.
01:17:42Heaven was pleased.
01:17:44Tremble, you withered breast, for Don Mendo has turned from walled-up man into executioner.
01:17:48And you're going to die, you harpy.
01:17:51You're going to die without a break.
01:17:53Huyn, Marquis, by my life the king is coming.
01:17:55Your revenge can wait for another day.
01:17:58I've been saved.
01:17:59Cool!
01:18:00Back!
01:18:01Marquis.
01:18:01I will defend her.
01:18:02I swear you will die.
01:18:03You will kill her later, but not with my dagger.
01:18:12Thank you, Moncada.
01:18:14You are welcome.
01:18:14Your favor?
01:18:15It's not a favor.
01:18:16A troubadour marquis?
01:18:20Cazofaifa, you wretch.
01:18:22In whom did you place your love?
01:18:25Oh!
01:18:26My gentle Magdalene!
01:18:28Oh king, whom I love so much!
01:18:31Call me, Servant, Ignorrey!
01:18:32I am so enslaved to you that I would like to die now in the prison of your arms.
01:18:38Well, you will die, wretch, in his arms and at my hands.
01:18:41Listen to me, Duke of Bull!
01:18:43If your courage reaches that level!
01:18:47For the blessed soul of my grandfather, Count Alarco.
01:18:50By the bones of my parents, which were the bones of saints.
01:18:54I don't know how my eyes didn't go blind forever before I saw what they've seen, to their shame.
01:18:58and damage.
01:19:00You giving my wife a blowjob.
01:19:02You are defaming my shield.
01:19:04You, Don Alfonso, my king.
01:19:07Doing an affront to my honor.
01:19:09You to whom day in four months, one hundred towns, four counties.
01:19:12And the blood from my veins that I spilled while taking baths.
01:19:15Oh no!
01:19:16Such an act is not kingly.
01:19:17Nor is he from Hidalgo who acts as you do, Your Majesty.
01:19:21He's a villain.
01:19:22Stop, sir. But the tongue.
01:19:23And I stopped my arm.
01:19:26Because if you don't stop it, God lives, I'll rip it out of you.
01:19:30I can do nothing against you, Alfonso, you are very high up.
01:19:33But I don't want to live dishonored because of you either.
01:19:36And before becoming an object of ridicule, mockery, and scorn.
01:19:39Since I cannot avenge myself for such treachery.
01:19:42I'm going to kill myself.
01:19:44Look how a bull dies, stabbed by yourself.
01:19:51Ice!
01:19:53How awful!
01:19:59Magdalena, I curse you.
01:20:06Terror!
01:20:07Dompero!
01:20:08Back off, you wretch!
01:20:13Dead!
01:20:43Dead!
01:20:45Shut up, you cursed daughter!
01:20:46Father!
01:20:46Damn it, yes!
01:20:48Report in!
01:20:48As a father, King Alfonso, I can, for the sake of my honor, punish the perjurer who has dishonored my name.
01:20:55That treacherous Sabello is now confessing.
01:21:00She deceived her husband, she deceived her husband with you, she deceived you with Mendaro, she deceived Mendaro with the
01:21:06Count of Belilla de Montarco.
01:21:09She summoned the troubadour right here and fell into his arms in an instant, surrendered.
01:21:14Come, Lord, though I do not punish their betrayals and their infamy, punish...
01:21:20You're lying, Alfonso!
01:21:21Who is your father?
01:21:23My father is lying, be careful, I swear it to you for our love.
01:21:26Ah, you wretch!
01:21:28Get out of the way!
01:21:29Still!
01:21:29King, I won't answer for this!
01:21:30Enough!
01:21:31No!
01:21:31Don Uño!
01:21:32Passed!
01:21:33She's my lady!
01:21:34Then die!
01:21:35Die!
01:21:36Unsold!
01:21:39Relief!
01:21:40Mrs. Ramirez!
01:21:46Ah!
01:21:47I'm dying!
01:21:48Father!
01:21:49Leave him alone!
01:21:50Damned!
01:21:52Damn you!
01:21:54He cursed me!
01:21:55Good heavens!
01:22:00What's happening?
01:22:01Magdalena!
01:22:02Heavens!
01:22:03Private is private!
01:22:05Majesty!
01:22:06Moncada, my friend!
01:22:08Count Don Uño!
01:22:10I love myself!
01:22:11Both dead!
01:22:13Both dead!
01:22:14God willed it!
01:22:15I'll do it!
01:22:17King of Castile and León!
01:22:18Murderous and tyrannical king!
01:22:20With or without a sword, you kill bulls and tame animals!
01:22:24By Allah, my God!
01:22:25By the God of the Christians!
01:22:27By Doña Urraca, your mother, who was cast out of virtue!
01:22:30And for Raimundo Borgonia your father!
01:22:32I swear and declare!
01:22:33That wicked woman is the same treacherous one who once tricked Don Mendo into marrying Don Pero!
01:22:40Fake!
01:22:40Don Mendo is the troubadour whom she has vilely denounced because she fears him!
01:22:44Shut up, viper!
01:22:45I won't be silent!
01:22:46You come out of the bramble bush to prey on my harm!
01:22:49Prove what you say, and if you can't prove it, the executioner will cut off your head with a single blow!
01:22:56I'll try it!
01:22:57Right here!
01:22:58Right here, Waning King!
01:23:00That with the heat of my spell, death will work a miracle!
01:23:10That with the heat of my spell, death will work a miracle!
01:23:35Right here!
01:23:36Yeah!
01:23:40I must forgive now!
01:23:47No!
01:24:06Oh my God!
01:24:08I am dead!
01:24:09I'm going to blind your neck!
01:24:11Lhiere castellano!
01:24:12Lhiere!
01:24:13My Magdalena!
01:24:15How awful!
01:24:17My dead Magdalene!
01:24:19I hear the murmur of voices in that gallery.
01:24:22Hide!
01:24:22Woe is me!
01:24:24What a horrible ordeal, Marquis!
01:24:26My suspicion is correct; the noise is coming this way.
01:24:28Soon!
01:24:29Come on!
01:24:29Who will it be?
01:24:34Berenguelilla, call me "tutéame".
01:24:35And if you please, kiss me on both cheeks.
01:24:38Ah!
01:24:40Miserable!
01:24:42Heavens!
01:24:43Oh!
01:24:45King Alfonso, yes!
01:24:47Kill him, Moncada!
01:24:48No!
01:24:49First Marquis to me!
01:24:51¡Azo Faifa!
01:24:52Mendomado, look!
01:24:55Blood!
01:24:56Merciful God!
01:24:58I have killed the one who clouded your brow with this dagger.
01:25:02Magdalena!
01:25:03Muño!
01:25:05But!
01:25:08What have you done, you damned Moorish woman?
01:25:10Who do I turn to now?
01:25:11Drive your steel into my flesh!
01:25:13Sat out your vengeance on me, if you no longer love me!
01:25:17Yeremendo, by Allah!
01:25:19What for Allah?
01:25:19Here!
01:25:20Another death, good heavens!
01:25:24Ha, ha, ha, ha, ha, ha!
01:25:27Reason lost, ah!
01:25:29How awful, Marquis!
01:25:31How awful!
01:25:35Majesty!
01:25:36Here, beautiful!
01:25:38What is this?
01:25:39A pantheon!
01:25:40Holdable!
01:25:40Get out, you idler!
01:25:43Do you see how a lion dies, tired of acting like a fool?
01:25:50What a stab in the back!
01:25:52Wow!
01:25:53Unhappy!
01:25:54He's dying!
01:25:57Know that Menda
01:25:59It's Don Mendo
01:26:01and Don Mendo
01:26:02I kill Mendo
01:26:04Ah!
01:26:06Ah!
01:26:20Ah!
01:26:21Ah!
01:26:22Ah!
01:26:33Ah!
01:26:34Ah!
01:26:34Ah!
01:26:36Ah!
01:26:46Ah!
01:26:50Thank you!
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